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Charts and Graphs 


AN INTRODUCTION TO GRAPHIC METHODS 
IN THE 

CONTROL AND ANALYSIS OF STATISTICS 


By 


KARL G. KARSTEN, B. A. (Oxon.) 

CONSULTING STATISTICIAN 


INTRODUCTION BY CARL SNYDER 

CHIEF STATISTICIAN OF THE FEDERAL RESERVE BANK OF NEW YORK 


may he laid down as almost a fundamental principle 
that the statistician who is to be successful in business must 
cultivate the graphic methods*^ — Leonard Ayers* 



New York 

PRENTICE-HALL, INC 
1925 



Copyrighted, 1923, by 
PRENTICE-HALL, INC 
All rights reserved 
First printing, October, 1923. 
Second printing, January, 1925. 


PRINTED IN THE UNITED STATES OF AMERICA 



To 

E. D. K. and E. C. K. 


In inadequate acknowledgment. 




PREFACE 


In its general structure, this book follows a philosophic, 
and not an encyclopedic, arrangement. It therefore inci- 
dentally supports the author’s theory of a system of natural 
evolution of charts, in accordance with which all chart-forms 
fall into line with simple origins and clear channels of growth. 
In the light of this theory, there is no baffling heterogeneity, no 
confusion of purposes or principles, in all the immense multi- 
tude of existing graphic forms. On the contrary, that multi- 
tude resolves itself into a consistent, organic body of simple 
root-forms and logical combinations and developments. Not 
only can we allocate each form to its proper place in such a 
system, but we can often discover gaps in the system, and bring 
to light forms which, while not yet in use, have reason to be. 
As examples of such experience, the following more or less 
original methods may be mentioned. 

The author is indebted to a host of friends and associates, 
and therefore cannot, in a wide sense, claim originality for 
any of the methods described. But, in so far as no plain trail 
leads from some of them to any individuals, and, in so far as 
their first use is believed to be made either in this book or in 
earlier work of the author, he may take some small responsi- 
bility for the summary-chart, the double-probabilities paper, 
the population-map, and the collapsible bead-map. The theory 
of the silhouette-bar curves, and the argument for the reversal 
of axes of ogives fall into the same class, as does the use of 
square-root paper for economic data, and the use of the names 
*‘amount-of-change” and ^^rate-of-change.^’ The same state- 
ment holds true regarding the compounded-average-seasonal 
method. Needless to say, these are, almost all, inevitable 
results of the application of the theory that chart-forms are 
naturally and logically evolved, one from another. 

The greatest contribution to chart-making, from any single 
source, is the Gantt Progress Chart. This chart is, unquestion- 
ably, the most powerful graphic device for business and for all 

vii 



PREFACE 


viii 

executive and managerial purposes. While the description has 
been rather full, as given herein, it is by no means complete; 
and the Gantt charting methods, in all their co-ordinated 
ramifications, constitute an independent system of accounting 
and of executive control, which goes far beyond the proper 
field of this book. The present volume must, therefore, be 
supplemented by another, Mr. Wallace Clark’s “The Gantt 
Charts,” to get the full benefits of the method. Mr. Clark’s 
achievements in industrial engineering and the promotion of 
managerial efficiency are ample recommendation for his book. 
And the chart which has been so unqualifiedly praised and 
adopted by Mr. Fred J. Miller, former President of the Ameri- 
can Society of Mechanical Engineers, by Mr. Walter N. 
Polakov, a leading authority on power engineering, and by 
European experts, needs no endorsement from statisticians. 

Inadequate mention has been made in the text, of the work 
of Professor William F. Ogburn (“Social Change”) on the 
geometric trend of human culture and civilization, which has 
gone far to influence the presentwriter in his presentation of the 
law of organic growth as the great raison-d’ etre of rate-of-change 
curves. Professor Ogburn’s careful and keen pioneer work 
in this field will have an increasing effect upon economic 
thought for a long time in the future. 

In a different field, the work of Mr. Carl Snyder should be 
referred to in any discussion of chart methods as it has set a 
high standard in statistical research, and has, by graphic inter- 
pretation, given to abstruse economics a vital and practical 
bearing upon business and commercial welfare. He has been 
a leader in bringing mathematical skill, economic research, and 
business problems together. The student of chart-making can 
do no better than to study the methods used in the charts 
appearing in the Monthly Review of the New York Federal 
Reserve Bank, from which, as will be seen, we have drawn 
heavily for illustrative material. 

Fewer, but as excellent, are the charts appearing in the 
Bulletin of the Cleveland Trust Company, prepared under 
the direction of Dr. Leonard P. Ayers. These charts, and 
Mr. Snyder’s, are models. The charts of the Harvard Bureau 
of Economics, though of a single type, are always powerful 
and well-made._ The charts in the Monthly Survey of Current 
Business^ published by the Department of Commerce, are 
also well-drawn. Indeed, the use of good charts is steadily 



PREFACE 


IX 


increasing. We have seen few books so well illustrated with 
excellent charts as Dr. Ayers’ “The War with Germany,” or 
Mr. Joseph E. Pogue’s “Economics of Petroleum.” 

Others to whom acknowledgment should be made, not alone 
for contributions to this particular volume, but for important 
contributions to the growth of a sound and elEcient charting- 
practice, are Mr. John Wenzel and Mr. Arthur R. Burnet, 
both of whom, with the author, earlier enjoyed the privilege of 
working with that pioneer in the field, Mr. Willard C. Brinton. 
To many other economists and former associates, among whom 
may be mentioned Professor Robert E. Hale, Professor Paul 
Douglas, Mr. Stuart Chase, Mr. Paul Brissenden, Dr. Fred R. 
Macauly, Mr. John Scoville, and Mr. Richard Webster, 
the author is indebted in innumerable ways. The courteous 
permission of authors of books and articles in the same field, 
to borrow illustrations from their works, is appreciated, and 
the attempt has been made invariably to credit the sources of 
such illustrations as they appear in the text. It is a pleasure 
and a duty to recommend such important books as those of 
Lipka, Peddle, Running, Haskell, and Brinton; also the 
statistical treatises of Yule, Bowley, Secrist, King, and Kelley. 

A word may be said as to the style of the text. It is a 
quaint and curious folk-way of the academic world that a 
technical account is worthy of respect directly in so far as it 
can not be understood. This hoary tradition is not limited 
to college walls — ^the rocky road to business, until recently, 
has rested on the self-same supposititious secrecy, and the paths 
of all professions lead to inner circles that guard, as best they 
can, the knowledge and the standards of their work. When 
such precautions make for better craftsmanship, they are most 
heartily to be endorsed. But, when they merely further 
selfish ends, they are a plague and pestilence, and those who 
practice them, only that their own minute monopolies of craft 
may be entrenched, come, sooner or later, into the class of 
parasites, retarding the growth of their profession. 

Having confessed so little patience with the doctrine of 
the incomprehensible per se, we have naturally sought to 
empty the entire bag of tricks, and to tell the whole story 
of the chart in the simplest words that we command. Our 
belief has been that it is a lesser sin to be too easily understood 
than never understood at all. But at the same time, we 
have sought to make the story full and complete. If any of 



X 


PREFACE 


our readers find charts which do not fall into place in this 
account, but would appear to have been omitted, we beg that 
they will freely advise and assist us to include them. It is, 
moreover, probable that, in spite of vigilant revision, many 
errors have crept in; we hope that readers who detect them will 
courteously co-operate by sending corrections, suggestions, 
and criticisms. 

Chart-making is an art which all can practice. But there 
will always be a world of difference between the charts of 
amateurs and those of master-statisticians. Perhaps the day 
is not far off when, from the latter class, will come a group 
collectively intent on keeping up the standards, not the secrecy, 
of graphs and all statistics. The need for some criterion, high, 
but not too high to be effective, has been already felt, and 
efforts to establish safe statistical standards are on foot. It 
is our understanding that we may shortly look for sets of 
standard texts and examinations, from a committee of the 
American Statistical Association, under the chairmanship of 
Mr. Malcolm C. Rorty. Such steps will be warmly welcomed 
in the profession. The task is to set good standards and to 
make them public property in good plain everyday English. 
And as a contribution to the protection of the calibre of busi- 
ness statistics through the medium of graphic presentation, 
this book is offered. 


New York City, September, 1923 


Karl G. Karsten 



TABLE OF CONTENTS 

Page 

Introduction by Carl Snyder xxxvii 

BOOK I. SIMPLE CHARTS 

Part I. Non-Mathematical Charts 
C hapter Page 

1. Maps and Diagrams 1 

IL Classification-Charts 13 

III. Route-Charts 21 

IV. Composite Charts 39 

Part IL Amount-of-Change Analysis 

V. Statistics 48 

VI. Work-sheets S3 

VII. Co-ordinates 63 

VIII. Dimensions and Variables 74 

IX. Hundred-Per-Cent Bars 83 

X. Pie-Charts 89 

XL Bar-Charts 99 

XII. Composite Bar-Charts Ill 

XIII. Pictorial Bar-Charts 124 

XIV. Vertical Bar-Charts 134 

XV. Curves 145 

XVI. Fields 154 

XVII. Scales 167 

XVIII. Plotting-Points 190 

XIX. Composite Curves 198 

XX. Historical Curves 220 

XXL Cycles 235 

XXII. Zee-Charts '. 252 

XXIIL Progress-Charts 261 

XXIV. Summary-Charts 278 



xii CONTENTS 


XXV. Silhouette Bar-Charts 285 

XXVI. Index Numbers 294 

XXVIL Frequency Series 308 

XXVIII. Frequency Curves 326 

XXIX. Ogives ■ 341 

XXX. Lorenz Curves. 356 


BOOK II. ADVANCED CHARTS 


Part III. Rate-of-Change Analysis 


Chapter Page 

XXXI. The Genealogy of Numbers 366 

XXXII. The Law of Organic Growth 377 

XXXIII. Rate-of-Change Analysis *. 382 

XXXIV. Rate-of-Change Scales 387 

XXXV. Rate-of-Change Curves ■ . 402 

XXXVI. Historical Rate-of-Change Curves 416 

XXXVII. Logarithmic Frequency Curves 426 

XXXVIII. Logarithmic Ogives 444 

Part IV. Special Analyses 

XXXIX. The Normal Curve of Error 450 

XL. Probability Curves 454 

XLI. Shifted Zero-points 472 

XLII. Curve Fitting 477 

XLIII. Specially Projected Scales 482 

XLIV. Formulae for Curves 490 

Part V. Calculating Charts 

XLV. Curves for Formulae 511 

XLVI. Parallel Nomographs 533 

XL VII. Zigzag and Composite Nomographs 560 

XLVIII. Slide-Rules 577 

XLIX. Hundred-Per-Cent Triangles 588 



CONTENTS 


xiii 


Part VI. Two- and’ Three-Dimension Data 


L. Hundred-Per-Cent Squares 598 

LI. Area-Bar-Charts 613 

LII. Population Maps 623 

LIII. Models 630 

LIV. The Third Dimension 634 

LV. Frequency Surfaces 650 

LVI. Relief Maps 661 

Part VII. Conclusion 

LVII. The Statistical Materials 671 

LVIIL The Function of Charts 684 


Appendices 


Appendix A. Implements for Making Charts 691 

Appendix B. Steps in Making Charts 696 

Appendix C. Methods of Presenting Charts 702 

Appendix D. Colors in Charts 709 

Appendix E. Optical Illusions in Charts 711 

Appendix F. The Verbal Chart 713 


Bibliography 


Short Bibliography 715 

Indices 

Index of Persons and Sources 717 

Index of Illustrations by Subject Matter 719 

General Index 725 




LIST OF ILLUSTRATIONS 

By Chaut-method 


FIG. 

L 

2 . 

£ 

4. 

5. 

6 . 

7 . 

8 . 
9 . 

10 . 

11 . 

12 . 

15. 

14. 

15. 

16. 

17. 

18. 

19. 

20 . 
21 . 
22 . 

23. 

24. 

25. 

26. 

27. 

28. 

29. 

30. 

31. 

32. 

33. 

34. 

35. 

36 

37 

38 

39. 

40. 
4t 

42 , 

43. 
44 
45. 


PAGE 


Pictorial Map of the United States 

flEARt-SHAFH) M.AF OF THE WORLD 

Meecai<jr'.s Projection of the World 

Hemisphi-rical Projection of the World 

Klliftr’al Projection of the World ’ 

Homolooraphic Projection of the World 

Data for a Floor-flan. 

Samples of Cross-ruled Paper 

An Unfinished Floor-plan 

The Floor-plan, Finished 

The Nomenciatcrk of Co-ordinates 

A Simple Box-chart 

Chart with Boxes of Various Shapes 

Radiating ok Planetary Chart 

An Example of Complicated Data 

Five: Interlocking Classification Charts — 

Tree-chart. 

A Tabilation of Simple Route-chart Data 

A Condensed Work-sheet 

A Very Condensed Work-sheet 

The Simplest Procedure-chart 

A Simple Procedure-chart with Many Items 

A Pictorial Procedure-chart 

A CyRAFtuc Outline of Thought 

A Popular Presentation 

An Excellent Pictorial Route-chart 

The Analogy of Vats, Tanks or Reservoirs 

A Simplified (iilbrkth Process-chart 

A Simple Form 

A 'Fimh Record, But Not a Time-chart 

A Cantt Chart. ... — . — 

A Simple Time-chart, * 

A Weekly Clock-chart 

An Annual Clock-chart 

Route-map. 

Fin-map - 

An Isometric Drawing 

Routing on a Classification-chart 

Classification-chart and Map 

A Simple Computing Sheet 

Various Geographic Groupings of the States 

An Incomplete State-list Geographically Arranged 

Classified Headings to the Columns 

Column Symbols, Formulae, and Classified Stubs and Captions . . 
Column Symbols and Computing Instructions 


3 

4 

4 

5 
5 
7 

7 

8 

10 

11 

14 

16 

17 

18 

19 

20 
22 

23 

24 

25 

26 

27 

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32 

33 

34 

35 

36 

37 

38 

40 

41 

44 

45 

46 
54 

56 

57 

59 

60 
61 


XV 



xvi . LIST OF ILLUSTRATIONS 

FIG. PAGE 

46. Steps in Layout of Co-ordinates 63 

47. Same 64 

48. Same 66 

49. Same 67 

50. Field with Equal Scales 68 

51. Scales of Axes Unequal 68 

52. Origin of Chart near One Edge of Field 70 

53. Origin in Corner of Field 70 

54. Origin Not Shown in Chart. . 71 

55. Field with Co-ordinates Not Perpendicular 71 

56. The Three Axes of Three-dimensional System of Perpendicular 

Co-ordinates 72 

57. Polar Co-ordinates 72 

58. Two Lines or Bars, One Twice as Long as the Other 78 

59. The Area of the Second Square is Four Times the First 78 

60. The Area of the Second Square is Twice That of the First. ... 79 

61. The Area of the Second Circle is Four Times the First 79 

62. The Area of the Second Circle is Twice the First. 80 

63. The Height of the Second Figure is Twice the First 80 

64. The Heights of the Two Figures are in the Ratio of One to the 

Square Root of Two 80 

,65. The Effects of Comparison by Linear, Square, or Cubic Measures 81 

66. A Simple 100% Bar 83 

67. Many Segments, No Shading 84 

68. Classification-chart and 100% Bar 85 

69. Distinct Shading 86 

70. Two Bars are Easily Compared 86 

71. Comparison of Three Different Years 87 

72. A Simple 100% Circle 90 

73. Accurate Comparisons Cannot be Made 91 

74. The Less Detail, the Better 92 

75. Labelling is Difficult 93 

76. Excellent Dollar Charts 94 

77. Shading the Segments to Increase Popularity 95 

78. How to Calibratb the Circle 96 

79. Many Segments, No Shading 97 

80. A Pie-chart IN’ Metal 97 

81. A Simple Bar-chart. 99 

82. Detailed Data may be Included 100 

83. A Long Bar Broken to Save Space 101 

84. National Distribution by States and State-groups 102 

85. An Alphabetic Arrangement 103 

86. Historical Data Must be in Order 104 

87. Placing thh Most Important First 105 

88. The Arrangement in Order of Size is Popular 106 

89. Thb Gantt Idleness-chart 106 

90. Classification-chart and Bar-chart 107 

91. Thb Total Bar is Wider 108 

92. An Office Record Form to Include Bars 108 

93. Bars as Part of the Office Record 109 

94. Typewritten Bars for Typed MS 110 

95. The Compound Bar-chart Ill 

96. The Chart Does Not Suffer from Detailed Statistics Attached 112 

97. Very Small Segments May Be Shown 113 



LIST OF ILLUSTRATIONS xvii 

HG. page 

98. The Relative (or Percentage) Bar-chart 114 

99. Any Pair of 100% Bars Really Forms a Relative Bar-chart.... 114 

100. The Multiple Bar-chart 115 

101. A Good Comparison of Historical Data 115 

102. Correlation is Indicated by Mirroring 116 

103. Symmetry has Only a Popular Value 117 

104. Connection Lines or Shadings to Distinguish Segments 118 

105. Warping the Chart to Show the Treni> of Changes 119 

106. Connection Lines. (Note Inserted Data) 120 

107. A Compound Multiple (Absolute) Bar-chart 121 

108. A Compound Multiple (Relative) Bar-charT 122 

109. The Compound Relative is the Best of the Composite Bar-charts. . 122 

110. The Simpler Forms Are More Effective 123 

111. The Circles Must Have Uniform Radii.. 126 

112. Segmented, Like the Compound Bar-chart 127 

113. Suggesting Metal Coins 127 

114. Pictorial Figures May be Substituted for Bars 128 

115. The Third Dimension is Ornamental # 129 

116. One of Many Devices to Stimulate Interest 130 

117. Pointers, Instead of Segments, Suggest Pressure Guage Dials. . . . 131 

118. Aeroplanes, Horse-races, Boatraces, and the Like, Have a Certain 

Popular Value 132 

119. A Vertical Bar-chart 134 

120. A Series of Vertical Bars 135 

121. Bar-chart with a Field 136 

122. The Vertical Bar-chart with Data Reading Upward 137 

123. The Data is More Easily Read 138 

124. A Relative Multiple Bar-chart 139 

125. Note the Key to the Shading Accompanying the Data 140 

126. An Absolute Multiple Bar-chart 141 

127. Wide Bars with Data Inserted 142 

128. Connecting Lines are Often Useful 143 

129. Connecting Lines Used in Comparison of Two Different Years. . 144 

130. Here is the Data — Historical 145 

131. The Ordinary Bar-chart 146 

132. Vertical Bars for Popularity 146 

133. A Curve Through the Bars 147 

134. The Bars Disappearing; the *Tield” Appearing 147 

135. The Evolution of the Curve is Complete 148 

136. Here is Data not in Series 150 

137. No Curve Should be Made with This 151 

138. The Amputated Chart is Deceptive 154 

139. The Case Against Amputation is Clear 155 

140. When Zero is Arbitrary, It can be Omitted 156 

141. The White Zone Warns the Reader 158 

142. The Uneven Base-line Indicates That it is Not the Real Base-line 159 

143. A Wavy Base-line is a Short-hand Warning 159 

144. The Zero-line Should Always be Heavy 160 

145. The Sound Position for Two Vertical Scales 162 

146. An Interesting Comparison of Different Periods 163 

147. The Vertical and Horizontal Scales are Equal 167 

148. The Horizontal Scale is Twice the Length of the Vertical Scale 168 

149. A Curve on a Field with Equal Scales 168 



xviii LIST OF ILLUSTRATIONS 

• FIG. . page 

150. A Curve on a Field with the Horizontal Scale Twice the Length 

OF the Vertical Scale ‘ .. 169 

151. The Vertical Scale is Twice the Length of the Horizontal Scale . , 169 

152. A Curve on the Field with the Long Vertical Scale 170 

153. A Comparison of Curves drawn on Different Vertical Scales,. . 171 

154. Examples of Convenient Horizontal Scales 173 

155. Showing One Month by Days on Letter-size Paper 174 

156. One Year by Months on Letter-size Paper 175 

157. One Decade by Years 176 

158. One Quarter-century by Years 177 

159. One Year by Weeks on Double Letter-size Paper 178 

160. One Year by Weeks on Letter-size Paper 179 

161. Several Charts Overlaid Appear as One 180 

162. The Freak Peak Need Not be Accommodated 181 

163. Data to be Charted 182 

164. The Highest Point in the Series Should be Plotted about Two- 

thirds UP THE Chart-field 183 

165. Commercial Forms Available 184 

166. To Obtain a Scale Smaller Than Those Given By the Ruler 185 

167. Engineers’' Triangular Rule .86 

168. To Obtain a Scale Larger Than Those Given by the Ruler 186 

169. Examples of Convenient Vertical Scales 187 

170. Table for Vertical Scales with Engineers’ Rules on 6-, 8-, and 

10-INCH Fields 188 

171. A Chart-field 190 

172. To Plot Anywhere Between Ordinates 192 

173. To Plot Only Upon Ordinates 193 

174. Data With Different Intervals 194 

175. Interpolation for the Period of the War and Extrapolation for the 

Years after 1919 196 

176. Extrapolation 197 

177. Each Curve Has Its Own Vertical Scale 198 

178. Each Curve Has Its Own Horizontal Scale 199 

179. The Heavy Line is Used for the More Important Curve 200 

180. Zones Instead OF Curves 201 

181. An Excellent Form of Zone-curve 202 

182. It is Useless to Show All the Individual Curves 203 

183. An Excellent Adaptation of the Zone-curve 204 

184. A Gun-shot Chart 205 

185. The Staircase Curve is Near to a Bar-chart 206 

186. An Absolute Compound Pipe-organ Bar-chart or an Absolute 

Staircased Band-chart .... . ..207 

187. The Smoothed .and Staircase Curves Differ in Outline and Areas 208 

188. Pseudo-staircased Curve 209 

189. Several Pseudo-staircased Curves 210 

190. A Pseudo-staircased Curve 211 

191. An Interesting Use of Shadings in a Band-chart or Vertical Bar- 

chart 211 

192. The Curves are true Only for Cumulations of the Layers 212 

193. A Relative (or Percentage) Band-chart 213 

194. The Smoothed Relative Band-chart 214 

195. The Staircased Relative Band-chart 215 

196. A Smoothed Relative Band-chart 216 

197. A Smoothed Relative Band-chart . . . . . 217 



LIST OF ILLUSTRATIONS xix 

FIG. page 

198. An Excellent Band-chart (Absolute) 218 

199. The Relative Chart is Supplementary 218 

200. A Pictorial Curve 219 

201. A Historical Series 220 

202. Year by Months, Universal Ruling 221 

203. The Individual Charts Combine Easily 222 

204. Fanning Up and Down to Compare Seasonals 224 

205. Simple Series and Annual Cumulations 225 

206. Series and Cumulation Plotted With Same Scale 226 

207. This Data Cannot be Cumulated 227 

208. The Simple Series and Its Moving Annual Total 228 

209. Three Positions for the Same Moving Total 231 

210. A Detail of the Last Figure 232 

211. Moving Annual Total and Average Series 233 

212. The Moving Annual Average Gives the Trend 234 

213. The Mechanical Cyclograph 235 

214. As a Chart, This is Worthless 236 

215. The Rectilinear Co-ordinates Are Much Better 237 

216. A Free-hand and Imaginary Picture of the Business Cycle 238 

217. Cycles of Slightly Varying Lengths 239 

218. Showing the Use of Relative (Percentage) Figures and a Rounded 

Curve 241 

219. Daily Cycles 242 

220. Comparison of Two or More Cyclic Periods on one Chart 243 

221. Cycles May Change 244 

222. The Moving Average Shows Trend 245 

223. The Seasonal Cycle Computed from the One Cyclic Period 247 

224. The Seasonal Computed from the Trend 248 

225. A Remarkable Case of Changing Cycle Fluctuations 248 

226. The ^‘Compounded Average” Seasonal 250 

227. A Year by Weeks 253 

228. Four Zee-charts Forming a Single Series 254 

229. Two Charts Fanned Out For Successive Years 256 

230. Two Charts Fanned Upward to Study Seasonals 257 

231. Table FOR Zee-chart Scales 258 

232. Mr. Burnet’s Arrangement 260 

233. Detail of a Progress-chart Form — Blank 264 

234. Table of Data for a Progress-chart *. 265 

235. The Quota is Entered For a Year Ahead 266 

236. The Chart On January 31st 267 

237. The Chart on February 28th 268 

238. The Chart on March 31st 269 

239. A Progress-chart of Sales by Districts 270 

240. A Progress-chart Used for a National Inventory 272 

241. Pencils Are Used in the Work-shop 274 

242. Data on a Short Fly-sheet — ^The Gantt Way 275 

243. The Flow of Goods. . . 278 

244. A Typical Industrial Process 279 

245. The Summary-chart 281 

246. A Net-worth Chart-form 282 

247. A Customary and Sound Combination of Bars and Curves 284 

248. A Curve is too Detailed and Large 28i 

249. The Essential Data 286 

250. The Same Curve Seen from Its End 288 



XX 


LIST OF ILLUSTRATIONS 


FIG. 

251. 

252. 

253. 

254. 

255. 

256. 

257. 

258. 

259. 

260. 
261. 
262. 

263. 

264. 

265. 

266. 

267. 

268. 

269. 

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271. 

272 . 

273. 

274. 

275. 

276. 

277. 

278. 

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280. 
281. 
282. 

283. 

284. 

285. 

286. 

287. 

288. 

289. 

290. 

291. 

292. 

293. 

294. 

295. 

296. 

297 

298 

299. 

300. 

301. 

302. 


PACK 

A Detailed Form 289 

Data in the Chart 290 

Simple Silhouette Bars Presented Horizontally 291 

A Silhouette Bar-chart Set Horizontally 292 

A Comparison of Two Curves on the Same Chart 296 

A Comparison of Several Charts 297 

Obviously, Only Index Numbers are Possible 298 

Various Indices of the Same Phenomenon Produced by Different 

Methods of Weighting 299 


300 

301 

302 

303 

Correlation Shown by Mirroring 304 

A Slightly Lagged Correlation 305 

306 

308 

309 

309 


The Raw Material for a Frequency Series 311 

Another Crude List 312 

The First Step is Arrangement By Magnitude 313 

A Common Tendency to Bunch Up 314 

Piling Up on the Round Numbers 315 

Comparison of Fourteen Series Derived from the Same Data by the 

Use of Different Group Limits and Group Sizes 316 

Comparison of Curves of Three Series Derived from the Same Data 317 
The Frequency Series 319 


320 

321 

321 

322 

323 


Period Data 32 / 

Period Data 328 

Period Data 328 

Point-and-Period Data 329 

PoiNT-AND-PERIOD DaTA 329 

Comparison of a Staircased and a Smoothed Frequency Curve... 330 

The Staircased Form is Appropriate 331 

A Very-simplest Staircased Curve 331 

The Smoothed Form is Necessary 332 

It is Difficult to Compare Two Staircase Curves 333 

A Cumulable Series 334 

A Non-cumulable Series 335 

A Rounded Curve 

Computed Averages Must be Used for the Irregular Intervals . . 337 

A Zoned Frequency Curve 338 

A Frequency Band-chart 339 

A Relative Frequency Curve ’ . . 340 

The "Tess-than” Cumulation 341 

The *‘More-than’' Cumulation *342 



LIST OF ILLUSTRATIONS xxi 

FIG. PAGE 

303. An Example of a Frequency Series (So-Called) Which Cannot be 

Cumulated 343 

304. Two Ogives Are Always Possible 344 

305. Showing the Four Possible Cumulations For Point Data 345 

306. The Four Possible Cumulations For (Point-and-) Period Data 346 

307. The Rounded Ogives 347 

308. Evolution of the Ogive (Staircased) 348 

309. Evolution of the Ogive (Smoothed) 349 

310. The Simple Curve and Its Two Ogives (Staircased) 350 

311. Relative Data 351 

312. Comparison of Absolute Data is Sometimes Difficult 352 

313. Comparison of Relative Data is Easy 353 

314. Secondary Data at the Right 354 

315. The First Measure — By Count of Items 356 

316. The Second Measure — By Count of Units 357 

317. Both Measures 357 

318. Cumulating the Percentages 358 

319. Data for the Lorenz Curve *. 359 

320. Data to Plot the Lorenz Curve 359 

321. The Lorenz Curve 360 

322. What the Lorenz Curve Tells the Layman 360 

323. The Familiar Example, . . 361 

324. Two Curves of the Same Data By Using Both *'More-than'' and 

‘Tess-than” Cumulatives 362 

325. Two Curves of Different Data 363 

326. The Logical Form is Triangular 364 

327. Table of Logarithms, 1-5 374 

328. Table of Logarithms, 5-9 375 

329. The Rate-of-change Curve — First Method 388 

330. The Rate-of-change Curve — Second Method 389 

331. The Rate-of-change Curve — ^Third Method 391 

332. Good Rate-of-change Chart-fields 392 

333. A Rate-of-change Part-deck Form 394 

334. Part-deck Rate-of-change Paper 395 

335. A '‘Split-deck” from 30 to 300 396 

336. Note the Special Scale at the Right 398 

337. One Way to Find the Rate-of-change Scale 400 

338. Comparison of Series Lying in Different Parts of Chart, though 

Not Fluctuating Greatly 403 

339. Amount-of-change Curve (Absolute) 404 

340. Amount-of-change Curve (Relative Numbers) 405 

341. Rate-of-change Curve (Absolute) 406 

342. The Percentage-Increase-or-Decrease Recalibration 408 

343. Several Curves Drawn on the Same Scale 409 

344. Several Scales in a Single Split-deck 410 

345. Shifting Curves to Avoid Insignificant Crossings 412 

346. An Amount-of-chan9E Chart • 414 

347. A Rate-of-change Chart 415 

348. Long-time, Series of Economic Data 417 

349. Short-time Series of Economic Data 418 

350. A Careful Positioning of the Curve 420 

351. Comparison of Rate-of-change and Amount-of-change Curves... . 422 

352. Interpolation and Extrapolation 423 

353. Careful Extrapolation 424 



xxii LIST OF ILLUSTRATIONS 


FIG. PAGE 

354. Compound Curves 427 

355. A Frequency Series Which Appears Slightly Asymmetrical 428 

356. An Asymmetrical Distribution 42^? 

357. Yule’s Example of a U-shaped Distribution 430 

358. Six Moderately Asymmetrical Distributions 431 

359. The Independent Variable is Measured from an Arbitrary Zero 

Point 432 

360. A Moderately Asymmetrical Distribution which the Logarithmic 

Scale Has Not Made Entirely Symmetrical 431 

361. An Extremely Asymmetrical Distribution M^de Symmetrical by the 

Logarithmic Projection 435 

362. The Double-logarithmic Projection is Best 436 

363. An Extremely Asymmetrical U-shaped Distribution Brought to a 

Beautiful Symmetry by the Log-scales 436 

364. Same as Previous — Historical Comparison 440 

365. A Table of the Convenient, Nearly-geometric Intervals by which 

THE Range Between Successive Powers of Ten May be 
Divided 441 

366. The J-shaped Distribution 442 

367. Ogives Plotted Upon Logarithmic Horizontal Scale 445 

368. An Ogive Plotted Upon Both Logarithmic Scales 447 

369. The Normal-curve Ordinates of the Uncumulated Series 452 

370. The Normal Ogive Ordinates of the Cumulated Series 455 

371. Diagram Showing the Method of Constructing a Probabilities 

Projection along the Y-axis 456 

372. A Less Useful Form in Which the Independent or X-scale of the 

Range is Readjusted to Straighten Out the Ogive 457 

373. Commercial Probability Forms. 458 

374. The Logarithmic Probabilities Projection in Use 459 

375. An Arithmetical Projection of the Dependent (or Frequency) Scale 460 

376. A Probabilities Projection of the Previous Chart 461 

377. Symmetrical so Far as Data Obtains 462 

378. Symmetrical but Distinctly not Normal 463 

379. The Comparison of Ogives for Different Dates 464 

380. The Ogive of the Units of Measurement of the Items (Star Bril- 

liancy) IN an Incomplete Series is Straighter and More 
Reliable than the Ogive of the Items (Number of Stars) 466 

381. Another Example of the Two Interconvertible Frequencies for the 

Same Data 457 

382. Alternative Data Yielding the Lorenz Curve 468 

383. The Double-Probabilities Projection Straightens Out the Lorenz 

Curves When of Normal Distributions 469 

384. Double-probabilities Projection for Several Lorenz Curves... , 470 

385. A Historical Retrospect with Reversed Log Plotting for the 

Horizontal or Time Axis 474 

386. Another Example of the Same 475 

387. The Four Lower Curves Fail to Straighten Out on Logarithmic 

Vertical Scales 484 


388. The Square-root Projection of the Vertical Scale Brings Much 

Greater Regularity to the Curves of the Preceding Chart 485 

389. The Two Ways of Straightening Out Semi-cycles of a Sine Curve 486 

390. Showing How Closely the Cycles of One Set of Periodic Economic 


Data Approach a Sine Curve Wave 488 

391. The Linear Equation, y ^ ax c 49I 



LIST OF ILLUSTRATIONS xxiii 

FIG. page 

392. The Curve of y = ax^ or log y ~ log a ^ b log x 494 

393. The Curve of y = « & -f c or, log (y — c) = log a-^-b log a: 496 

394. The Curves of Known Powers, y = ax^ -f c and, - ax -{■ c 498 

395. The Hyperbolic Curves, y ^ c andv = — r — 500 

X a + cx 

396. The Hyperbola w'ith Three Constants, y = — r Vd 502 

397. The Parabola, y = « -f * 506 

398. Exponential or Logarithmic Curves 508 

399. r=2A^+3 512 

400. Z == 7 ~2J 513 

401. Z = 2X+r 514 

402. Z=r--2X 515 

403. r=Z-2X 520 

404. 7 = Z ~ 2Ar 521 

405. A Simple Calculating Chart 522 

406. Z = A'F 523 

407. Chart for Determining Scales of Curve-charts 524 

408. Z = ^ 525 

r - 3 

409. Z = y3T 

410. Log V - (.05.Y - .2) ta n 9Z 526 

411. Z= y(-^ + 2)"-+ r 527 

412. A More Complicated Chart 528 

413. A Simple Model of Profit-and-loss Computer 529 

414. A Composite Chart With Many Scales 530 

415. A Simple Combination of Logarithmic and Arithmetical Scales by 

TH3 Use of a Curve 531 

416. A Simple Parallel Nomograph 534 

417. r = i(:v + 2) 535 

418. r = X + Z 536 

419. 7-.YZ 537 

420. Y^X + 1 539 

421. r = + Z 540 

422. r = Z— 2X 540 

423. The Inverted X-Scale 542 

424. The Use of an Outer Scale for the Unknown Variable is Not Good 543 

425 544 

426. Construction of the Parallel Nomograph — 1 547 

427. Construction of the Parallel Nomograph — II 550 

428. Construction of the Parallel Nomograph — III 552 

429. Construction of the Factorial Parallel Nomograph 555 

430. Chart for Determining Size of Type 556 

431. Chart for Determining Scales of Curve-charts 557 

432. Parallel Nomograph Not Chartable by Formula 558 

433 561 

434. The Y-Scale Outside the Parallel Scales 568 

435. The Y-Scale Inside the Parallel Scales 569 

436. Construction of Factorial Zigzag Nomograph — Unfinished 570 

437. Construction of Factorial Zigzag Nomograph — Finished 572 



xxiv LIST OF ILLUSTRATIONS 

FIG. PAGE 

438. Chart to Construct Parallel Nomographs * 573 

439. Chart to Construct Zigzag Nomographs 574 

440. In Quadratic and Cubic Equations the Position of the Central 

Axes Becomes Variable, and a Chart-field Takes the Place of 
A Single Scale 576 

441. A Stationary or Fixed Rule 578 

442. A Slide Rule 579 

443. The Magnifiers Increase the Accuracy of Readings 579 

444. Slide Rule with Three Slides 580 

445. A Circular Slide Rule — Pocket Size 581 

446. A Special Circular” Slide-Rule 582 

447. A Circular Slide Rule with Many Variables 584 

448. The Same as the Preceding, Except that All Scales are Covered 

and Seen Only Through Small Open Slots or Windows. . . . 585 

449. An Arrangement of Pulleys, Wheels, and Weights, by Means of 

Which the Pointers Come to Rest at the Roots of the 
Equation 586 

450 588 

451 590 

452. The Hundred-per-cent Triangle for Food Values 591 

453 592 

454, The Factorial 100% Triangle 593 

455. A Single Scale Used for Two Axes 594 

456 594 

457 595 

458 596 

459 596 

460. The Original Data for a 100% Square 600 

461. In This Form the Data is Not Chartable 600 

462. Here Each Row Totals 100% 601 

463. Here Each Column Totals 100% 602 

464. The Primary Division Alone Plotted from Fig. 462 603 

465. The Completed Square 604 

466. Here the Primary Division is the Horizontal One, Plotted from 

Fig. 463 605 

467. A 100% Rectangle 606 

468. A 100% Square 607 

469. Another 100% Square 608 

470. Same as the Last in Circular Form 609 

471. Anther 100% Circle 610 

472. A Third Classification has been Added Here By Diagonal Divisions 

and Shadings, Showing Sex 611 

473. A Simple and Excellent Area Bar-chart 615 

474. Vertical Area-Bars 616 

475. Compound Area-Bars 618 

476. Balance or Counter-poise Chart with Two Factors 620 

477. A More Pictorial Form of the Preceding Chart 621 

478. Every Map is an Area Chart. On this Map the Areas Represent 

Square Miles 624 

479. The Usual Map of the United States 626 

480. On this Map the Areas Represent Inhabitants 627 

481. A Plaster-of-Paris Model 634 

482. A Collapsible Model 636 

483. An Axono^ietric Chart (Not Isometric) 640 



LIST OF ILLUSTRATIONS 


XXV 


FIG. 

484 . 

485 . 

486 . 

487 . 

488 . 

489 . 

490 . 

491 . 

492 . 

493 . 

494 . 

495 . 

496 . 

497 . 

498 . 


Instructions for Axonometric Chart Scales 

The Wrong Way 

Somewhat Better 


Smoothed Frequency Surface 

Staircased Frequency Surface 

A Solid Model — Rounded 

An Orthographic Model 

A 100% Triangle Model — Four Variables 

The Normal Frequency Surface — Rounded 

Cross-hatched Map on the Population Projection 

City Traffic Map 

Floor-plan for a Small Statistical Department . 

The Payzant Lettering Pen 

Optical Illusions. 


PAGE 

, 641 
, 645 
646 
650 

653 

654 

656 

657 

658 
660 
667 
669 
688 
692 




LIST OF ILLUSTRATIONS 

By Subject-matter 


FIG. PAGE 


1. Pictorial Map : Natural Resources of the United States. JBy Mr, C. Fan de 

Wall 2 

2. Heart-shaped Map of the World. From Bartholomew^ s Atlas 3 

3. Mercator's Projection of the World. From Rand, McNally lA Co 4 

4. Hemispherical Projection of the World. From Randy McNally iA Co ,, ... 4 

5. Elliptical Projection of the World S 

6. Homolographic Projection of the World. Adapted from maps of the Hamr 

mond Map Co 5 

8, Samples of Cross-ruled Paper 7 

10. Floor-plan of a Small Statistical Office 10 

11. The Nomenclature of Co-ordinates 11 

12. A Classification of the Non-mathematical Charts 14 

13. The Structure of the League of Nations. By Mr, Sidney Gulick 16 

14. The Structure of a Large Merchandising Organization 17 

15. Joint Interests of the Big Five Packers. From the Federal Trade Commission 18 

16. Interlocking Interests of the Packers. Data from the Federal Trade Com- 

mission... 19 

17. The Evolution of Animal Life. From Thompson's Outline of Science*^ ... 20 

18-21. Stages in the Making of Curve-charts 22-25 

22. Density of Population of the United States; rank of the States at census 

years, 1790-1920 26 

23. Chess Openings: The Evans Gambit and its immediate alternatives 27 

24. Diagrammatic Logic of the Gantt Charts. By Mr. Walter N. Polakov . ... 28 

25. Routing and Channels of Sales Efforts. By Mr. Richard Webster 29 

26. Flow of Supplies in the American Expeditionary Force. By Mr. Malcolm 

C. Rorty 30 

27. The Round Flow of Money: income and expenditure. By Mr. Malcolm 

C, Rorty 31 

28. Process-chart of the Loading of VB Rifle Grenades. By F. B. and L, M, 

Gilbreth 32 

31. An Analysis of the Stock Inventory. From Clarli s'^ The Gantt Chart N ... 35 

32. Scheduling 8-hour Turns with 24 Hours Off after Six Days. From the 

Bureau of Labor Statistics v * * * * 

33. The Weekly Cycle of Sales in Department Stores 37 

34. The Annual Cycle of Sales in Department Stores 38 

35. The Salesman’s Routing on a String-map. From Rand, McNally iA Co 40 

36. The Analysis of Sales at Local Branches, by map-tacks. From Randy 

McNally lA Co 41 

37. Routing the Work on a Statistical Report 44 

38. Flow of Goods and Money through a Large Merchandising Organisation. . 45 

39. Map of Garden-planting Times in the United States 46 

40. Distribution of Metal Money in the World; approximate stocks in the chief 

countries, 1918 54 

41. State-groupings used by the Census, the Red Cross, and the Audit Bureau 

of Circulations 56 

42. Pig-iron Production in the United States by States, 1920 1 57 


xxvn 



xxviii LIST OF ILLUSTRATIONS 


FIG. page 


43. Illiteracy in the United States; illiterate percentage of each class (by age, 

sex, race) for each group of States, 1920 59 

44. Illiteracy by Age, Sex, and Race, in the United States, 1920 60 

45. Savings Bank Statistics; number of banks and depositors; total, average, 

and per-capita deposits; and ratios between banks, depositors, and popu- 
lation. United States, 1820-1920 61 

46-56. The Evolution of Cartesian Co-ordinates 63-72 

57. Polar Co-ordinates 72 

58-65. The Principles of Linear Illustration .78-81 

66. Foreign Trade of the United States, 1920, Divided as to Exports and 

Imports 83 

67. Periodicals in the United States, 1920, Divided as to Period of Issue. Data 

from N, W. Ayer ^ Son 84 

68. American Casualties in the World War, 1917-1918, Divided as to Cause and 

Nature 85 

69. -The Family Budget, Divided as to Classes of Commodities, U. S., 1913. 

Data from U. S. Bureau of Labor Statistics 86 

70. Foreign Trade Gateways: ports of export and import, by specified groups. 

U. S., 1920 86 

71. The Family Budget, Divided as to Classes of Commodities, U. S., 1913, 

•• 1920, and 1921. Data from Bureau of Labor Statistics 87 

72. Imports into Russia, 1921. Data from Russian Information and Reviewy 

London 90 

73. World Statistics: land and sea areas; continental areas; geography of the 

land; population of human races; language populations; religion popula- 
tions; continental populations; continental languages 91 

74. Purchasing Power of the Dollar of 1913 when Used for Food at Retail, U. S. 92 

75. Retail Food Establishments, New York City, 1921 93 

76. Analysis of Cost of Shoes, Shirts, and Suits of Clothing, as to Raw Material, 

Labor, and Overhead Costs and Profits, of Textile Mill or Tanner, Manu- 
facturer and Retailer. From the Federal Reserve Bank of New York .... 94 

77. Analysis of Expenses of Retail Stores; expenses classified for department, 

shoe, clothing, hardware, grocery, furniture, jewelry, and drug stores. 

Data from Harvard Bureau of Business Research 95 

78. How to Calibrate the Circle for a Scale of Percentages 96 

79. Cost of the World War to the United States, as of July, 1921. Data from 

the World Almanac \ 97 

80. The “Swift Dollar”; analysis of income from sales. From Swift ^ Co 97 

81. Business Failures, United States, 1920; amounts divided as to nature of 

business 99 

82. Density of Population of the Earth, by Continents 100 

83. Presidential Campaign Expenditures, U. S., 1920, Data from Senatorial 

Committee 101 

84. Farm Property, by States and State-groups, in the U. S., 1920, in Value. . , 102 

85. Trade Union Membership of the World, by Countries, 1919. Data from the 

International Labor Office 103 

86. Per-capita Public Debt (less cash in treasury), U. S., 1800-1920, by census 


years 104 

87. The Causes of Fires, U. S., 1915-19; value destroyed by specified causes. 

Data from the National Board of Fire Underwriters y N, Y, 105 

88. Religious Denominations in the United States, 1919. Data from “ Year Booh 

of Churches^* . 106 

89. Analysis of Soft Coal Production in Indiana, Illinois, and Ohio, 1917, 

From Mr, Walter N, Polakov l06 



LIST OF ILLUSTRATIONS 


XXIX 


FIG. 


PAGE 


90. The Foreign-born White Population Divided as to Country of Origin, U. S., 

1920 107 

91. Average Weekly Earnings in U. S., and Cost of Living. From Federal 

Reserve Bank of New York 108 

93. Accident, Frequency, and Severity Rates in American Industries. Data 

from Bureau of Labor Statistics • • 109 

94. Fatal Accident Rate per 1000 Workers in Coal Mining, Specified Countries, 

1919. Data from Bureau of Labor Statistics HO 

95. Business Failures, Amount of Liabilities, U. S., 1916-1920. DatafromU. S* 

Census ID 

96. Direct Cost of Great War, National Debts of Chief Belligerents in 1919. 

Data from E. M. Friedman, ^^International Finance.” * 117 

97. Coal Reserves (Unmined) of the World, Millions of Tons, 1920 Estimates. . 113 


1920. Data from U. S. Census IH 

100. Foreign Trade of the U. S., Classified by Nature of Articles, 1920, ....... IIS 

101. Publication of New Books, in Leading Nations, 1919-20. Data from **Le 

Droit Auteur” Paris • . 

102. Ratio of Gold Reserves of Central Banks to Paper Currency in Circulation 

Compared with Relation of Exchange Rates to Par Value (March, 1922). 
From Federal Reserve Bank of New York 

103. Total Number of Immigrants Arrived in U. S., 1860-1920 117 

104. Countries of Last Permanent Residence of Immigrants Arrived in U. S., 

1820-1920 ** : 

105. Class Alignments of Population, U. S., 1870-1910. From data derived from 

Census by A^ H. Hansen 119 

106. Percentage of Imports Received from, and Percentage of Exports shipped 

to, Different Continents. From Federal Reserve Bank of New York 120 

107. Books Published in U. S. and England, 1920, Compared as to Subject. 

Data from *^The Publishers* Weekly” N. Y. 121 

108. Sex of Emigrants and Immigrants, U. S., 1917-1920. Data from Report of 

U. S. Commissioner General of Immigration 122 

109. Urban Population of U. S., 1920 , 122 


110. Combined Exports and Imports of Leading Nations of World at Par of 

Exchange 

111. Highest Prices of Food at Retail (index numbers, U. S,). Data from Bureau 

of Labor Statistics 


112. Foreign Trade of the World, by Countries 127 

113. The Ideal Philanthropic Budget, U. S., 1921. Data from Paul and Dorothy 

Douglas, “What Can a Man Afford?” 127 

114. A Half-Century of Progress in the U. S., 1870-1920. By Mr, C, F an de 

Wall 128 

115. Automobile Production, U. S., 1913-1921. Data from Nadi Automobile 

Chamber of Commetce ^ 129 

116. Savings of the World; per capita deposits by countries 130 

117. Production of Basic Commodities, U. S., 1922. Data from Federal Reserve 

Bulletin IH 

1 18. The High Cost of Living, U. S., June, 1920. Data from the “Monthly Labor 

Review.” IH 

119. Production in the United States, by States, 119 134 

120. Gold Reserves of the World, 1913 to 1921. 135 

121. U. S. Production of Specified Commodities Compared with that of the 

World H6 



XXX LIST OF ILLUSTRATIONS 

FIG. PAGE 

122, Fatal Industrial Accident Rates for Specified Industries, Ur S., 1913. Data 

from Bureau of Labor Statistics 137 

123. Death-rates in Warfare, Shown as to Cause, War, and Country. Data from 

Official U.S, Bulletin 138 

124. Accident Mortality, by Age and Sex, U. S., 1910-12 139 

125, Male Accident Mortality Rates, Shown by Age and Nature of Accident.. . 140 

126. Foreign Financing in the U. S. and the United Kingdom. From the Federal 

Reserve Bank of N. Y. 14*1 

127. The Blame for Industrial Waste in Specified Industries. Data from **The 

Elimination of WasteF 142 

128, The Nature of Industrial Accidents, New York State, 1911-13. Data from 

N. Y, State Dept, of Labor 143 

129, Gross Tonnage of World Seagoing Iron and Steel Ships, 1914 and 1921. 

From the Federal Reserve Bank of N, Y. 144 


136-7. Imports into Russia, 1921. Datafrom Russian Information andReviewf* 

London 1 150*1 

138-9. The Amputated Chart. From Mr, John Wenzel, 154^5 

140. Curative Effect of Diphtheria Anti-toxin, Datafrom U, S, Public Health 

Service 156 

141. Workeips* Output and Fatigue, in Dexterous Hand-work. Datafrom U* S, 

Public Health Service 158 

142. Average Prices of Liberty and Corporation Bonds and British War-loans. 

From the Federal Reserve Bank of New York 159 

143. Adjusted Index of the Volunge of Manufacture. From the Harvard Bureau 

of Economic Research 159 

144. Income of Railroads. U. S., 19201. Datafrom Interstate Commerce Com- 

mission 160 

145. Production of Automobiles, U. S., 1913-21. Datafrom Nadi Automobile 

Chamber of Commerce 162 

146. Comparison of Prices of 14 Basic Commodities during Civil War and World 

War. From the FederaVResewe Bank of N,Y,. 163 

147—53. Effects of Changes in Curve-chart scales 167-171 

154r-60. Samples of Suitable Curve-chart Plotting-paper 173-9 

161. Capital of New Incorporations. U. S., 1918-20. Datafrom N,Y, Journal 

of Commerce 180 

162. Fire Losses, U. S., 1875-1920. Data from the N,Y, Journal of Commerce,, . 181 
163-4. United Cigar Store Co. Sales. 1921. Datafrom the Survey of Current 


167. Samples of Chart-paper Published. Jrom Mr, John Wenzel • 186 

174. Food prices in France, Great Britain, and the United States, 1920. Data 

from the Monthly Labor Review 194 

175. Trade-Union Membership of the World, 1910-19. Data from the Inter* 

national Labor Office 196 

176. Oil Consumption, U. S., 1911-1930. From Joseph E, Pogue's ** Economics 

of Petroleum," 197 

177. Production of Autorrmbiles, U. S., 1913-21. Datafrom National Automobile 

Chamber of Commerce 198 

178. Invention and War; comparison of patents during Civil War and World 

War 199 

179. Employment in the U. S. and N. Y. State, 1915-21. From the Federal 

Reserve Bank of N»Y, 200 

180. Prices and Volume of Sales of Stocks and Bonds in N. Y. Market. From the 

Annalist.,.,, 201 



LIST OF ILLUSTRATIONS 


XXXI 


FIG, . page 

181. High, Low, and Average Rates for Commercial Paper, 1831-1920. From 

the Federal Reserve Bank of N. Y. 202 

182. Retail Food Prices. U. S., 1919-21. Data from the Bureau of Labor 

Statistics 203 

183. Stock Prices and the Call Money Rate, 1914-22. From the Standard 

Statistics Co 204 

184. Cost per pound of electrical machinery. From Leonard A, Doggeit 205 

185. Magazine Advertising, 1913-21. Data from Printer's Ink 206 

186. Size of the American Expeditionary Forces and Armies in the U. S., 1917-19. 

From Mr. Leona? d Ayres 207 

187. Magazine Advertising, 1913-21. Data from Printer's Ink 208 

188. Common Labor Wages for 10 Hours Work, U. S. Steel Corp. From Mr. 

Leonard Ayres 209 

189. Open Market Interest Rates and Discount Rates of the Federal Reserve 

Bank of New York, 1921. From the Federal Reserve Bank of Nezv York. 210 

190. Call Loan Renewal Rate and Prime 90-day Banker’s Acceptances, at New 

York. From the Federal Reserve Bank of New York 211 

191. Bond Sales, 1889-1922. From Mr. Leonard Ayres 211 

192. The Family Budget, U. S., 1914-21. Data from the Monthly Labor Review. 212 

193. French Women-workers during the War, 1914-20. Data from the Monthly 

Labor Review 213 

194. Qass Alignments of the Population, U. S., 1870-1910. Data from A. IL 

Hansen .... . 214 

195. The Nature of Export Goods, U. S,, 1910-19 ... 215 

196. Imports into the U. S., by Country of Origin, 1800-1920 216 

197. Exports from the U. S., by Continent of Origin, 1800-1920 ... ... 217 

198-9. Consumption of Gasolene by Classes of Uses. From Joseph E. Pogue's 

^Economics of Petroleum." . . . . . 218 

200. Changes in the Standard of Living 219 

201-12. Capital Invested in New Incorporations, U. S., 1919-21. Data from 

N. Y. Journal of Commerce .... 220-34 

207. Wholesale Price of Bessemer Pig-iron, 1920-21. Data from Bureau of Labor 

Statistics . 227 

213-15. Seasonal Fluctuation in Building Operations, 1910-20. Data from F. W. 

Dodge y Co. . . 235-7 

214. A Mechanical Steam-pressure Record. From Walter N. Polakov 236 

216. Retail Prices of Eggs. 1913-21. Data from the Bureau of Labor Statistics. 23^ 

217. The Forces of the Business Cycle. From Malcolm C. Rorty. . ... 239 

218. Seasonal Virulence of Scarlet Fever. Data from the U. S. Public Health 

Service.. . . . 241 

219. Accidents in Manufacturing, Illinois, 1910-12. Data from U. S. Bureau of 

Labor Statistics . . .... . . 242 

220. Cold Storage Holdings of Eggs, U. S., 1916-1921. Data from Survey of 

Current Business 243 

221. Strikes and Lockouts, U. S., 1916-21. Data from U. S. Bureau of Labor 

Statistics 244 

222. Egg Production, U. S., 1920-21. Data from Survey of Current Business .. . 245 
223-8. Capital Invested in new Incorporations. Data from N. Y. Journal of 

Commerce 247—54 

225. Typical Seasonal Changes in Interest Rates between 1890-1908 and 1917- 

21. From the Federal Reserve Bank of N.Y. 248 

227-32. Examples of the Zee-Chart. From Mr. Arthur R. Burnett 253-60 

233-8. Details of the Gantt Progress Chart 264-269 



xxxu 


LIST OF ILLUSTRJTlOyS 


FIG. PAGE 


239-42. Examples of the Gantt Progress Chart. From Mr. JV allace Clarkes *^The 

Gantt Chart.** 270-5 

243. The Flow of Goods in an Industry 278 

244. The Flow of Goods and Orders in an Individual Business Concern 279 

245- The Accumulated Trade Balance in the United States, 1800-1920 281 

247. Prices and Volume of Sales of Stocks and the Call-loan Rate. From the 

Federal Reserve Bank of N. Y. 284 

248-50. Gasoline Stocks, U. S., 1920-21. Data from U. S. Bureau of Mines . . . 285-8 
249. Course of Production in Specified Industries, 1919-22. From the Survey 

of Current Business ... 286 

251. Commodity Stocks, U. S. 1919-22. Data from the Survey of Current Business 289 

252. Retail Prices of Specified Commodities, 1917-21. Data from Bureau of 

Labor Statistics 290 

253- Production of Basic Commodities, in March, 1922. From the Federal 

Reserve Bank of N. Y. 291 

254. Wholesale Prices of Specified Commodities in March, 1922. From the 

Survey of Current Business 292 

255. Department-store Sales and Chain-store Sales, 1919-21. From the Federal 

Reserve Bank of N. Y. . . . . 296 

256. Department and Apparel, Chain and Mail order Store Sales, 1919-21. 

From the Federal Reserve Bank of N.Y. 297 

257. Production of Manufactured Goods. Data from Mr. E. E. Day 298 

258. Wholesale-price Indices of 20 Basic Commodities, and Dept, of Labor 

Index. From the Federal Reserve Bank of N. Y 299 

259. Prices of Oil Stock and Petroleum. Data from Mr. Joseph E. Pogue 300 

260. Wages and War; comparison of wages in Civil and World Wars. Data from 

Monthly Labor Review 301 

261. Wholesale Commodity Prices in England and U. S., 1790-1920. From the 

Federal Reserve Bank of N. Y. 302 

262. Wages, Prices and Employment, U. S , 1915-21. Data from the Monthly 

Labor Review 303 

263. Liability of Failures in U. S., compared with Wholesale Commodity Prices, 

From the Federal Reserve Bank of N. Y. 304 

264. Foreign Exchange Rates and Commodity Prices in Specified Countries. 

From the Federal Reserve Bank of N. Y. 305 

265. Wholesale Commodity Prices in Foreign Countries, 1915-22. From the 

Federal Reserve Bank of N. Y. 306 

266. City Finances; Per-capita revenue and receipts by sizes of cities 308 

267. Production of Red Salmon in Alaska by Size of Containers. Data from 

U. S. Bureau of Fisheries 309 

268. Rents in Denmark by Number of Rooms. Data from Monthly Labor 

Review 309 


269. Effects of Diphtheria Antitoxin. Data from U. S. Public Health Service.. . 310 

270, 272, 277, 289, 296, 308, 309. Per-capita Fire Losses, 1919. Data from the 

Naf l Board of Fire Underwriters 311, 313, 319, 330, 336, 348, 349 


271, 300. Output of Workers. Data from P. S. Florence 312,340 

273, 274, 275, 276, 294. College Professors* Salaries. Data from the U. S. Bureau 

of Education . . ^ 314, 315, 316, 317, 334 

278, 283. Duration of Strikes. Data from Monthly Labor Review 320, 324 

279, 282, 301, 302, 304. Size of Farms, U. S., 1920 321, 323, 341, 342, 344 

280, 281. Gold Production of the World, 1493-1919 321, 322 

284. Membership of Strikes. Data from Monthly Labor Review 327 

285. Size of Factories, U. S., 1914 328 

286. Value of Manufactured Products, U. S., 1914 328, 356-364' 



LIST OF ILLUSTRATIONS 


287, 306, 307. Hours of Labor, U. S., 1914 329, 346, 347 

288. Economical Speeds of Trucks 329 

290. 305, 310. Size of Families, British Peerage. Data from s Theory of 

Statistics:^ 331, 345, 350 

291. Scallop-shells Distributed as to Number of Ridges. From C. R. Davenport. 331 

292. Effect of Tuberculosis upon length of life. Data from L, L Dublin 332 

293. Bank Salaries, N. Y. City, 1919. Data from the Federal Reserve Bulletin. . 333 
295. Stature and Weight of Children. Data from the Children's Bureau. ...... 335 

297. Workmen’s Compensation Payment Delays, N. Y., Pa., and Mass. Data 

from Monthly Labor Review 337 

298. Ages of Husbands and Wives, Great Britain, 1901. Data from Yule’s Theory 

of Statistics” 338 

299. Female Accident Mortality Rates, U. S., 1910-12 339 

303. Expectancy of Life for Adults without Tuberculosis. Data from L. /. 

Dublin 343 

311. Durationof Employment, California, 1918. Data from Paul E. Brissendon. 351 

312. Wages and Hours of Women-workers, Virginia, 1920. Data from Monthly 

Labor Review 352 

313. Wages of Office, Sales, and Shop Workers, Ohio. Data from Industrial 

Commisi ion of Ohio 353 

314. Wages of Female Office Workers, Ohio, 1919. Data from Industrial Com- 

mission of Ohio 354 

323. The Distribution of Incomes, U. S., 1918. From the National Bureau of 

Economic Research 361 

327“8. Tables of the Natural Logarithms 374-5 

329-31. Price of Potatoes, U. S., 1913-20. Data from Bureau of Labor Statis- 
tics ' • • • • 388—91 

332. Samples of Rate-of-change Chart-paper. From Mr. John Wenzel 392 

334. Wholesale Prices of Electrolytic Ingot Copper. From Bureau of Labor 

Statistics 395 

335. Wages, Prices, and Money in Circulation. Data from Monthly Labor 

Review 396 

336. World’s Gold Production 398 

337. One Way to Find the Rate-of-change Scale 400 

338. Annual Rates of Turnover of Bank Deposits. From Federal Reserve Bank 

of New York ; 403 

339—41. Farm and Factory Wages. Data from Um S. Department of Agriculture 

and New York State Department of Labor 404-6 

343. Accident Mortality Rates 409 

344. Marriage and Divorce — U. S., 1887-1916 410 

345. Cultural Growth in the U. S. : periodicals published, patents issued, college 

students, and library volumes, 1870-1920 412 

346-7. Population, U. S., 1790-1910. From living Fisher 414-415 

348. The World’s Production of Gold, Iron, Coal, and Cotton, 1800-1919 417 

349. Violent-death Rates from Homicides, Suicides, Lynchings, Street-accidents, 

Railroads, and Automobiles, U. S., 1900-1920. Data from Tuskegee 
Institute and N. Y. C. Dept, of Health 418 

350. Retail Price of all Articles of Food Combined, U. S., 1913-22. From the 

Monthly Labor Review 420 

352. Trade-Union Membership of the World, 1910-1919, Data from Inter- 

national Labor Office 423 

353, Consumption of Gasoline, U. S., 1911-1930. From Pogue’s Economics of 

petroleum .” . 424 



XXXIV 


LIST OF ILLUSTRATIONS 


FIG. 


PAGE 


354. VitalSuperiority of the Female, England and Wales, 1851-1910. Data from 

Registrar General of England and Wales 427 

355. Output of Coal Miners, U. S., 1919. Data from Ethelbert Stewart 428 

356. Duration of Marriages, U. S., 1887-1906 429 

357. Sky-cloudiness, Breslau. Data from Yule^s Theory of Statistics** 430 

358. College Salaries, U. S., 1920. Data from U. S, Bureau of Education 431 

359. Rent Increases, Washington, D. C, 1920. Data from Monthly Labor 

Review 432 

360. Length of Words. Data from Bowley*s Elements of Statistics** 434 

361. Size of Farms, U. S., 1920 435 

362. Size of Strikes, U. S., 1916-21. Data from Monthly Labor Review 436 

363. Female Mortality Rates, U. S., 1910 439 

364. Mortality Rates, U. S., 1901-1910 440 

365. American Accident Table, 1919. Data from 0. E. Outwater 441 

367. Duration of Strikes, U. S., 1916-21. Data from Monthly Labor Review 445 

368. Distribution of Incomes, U. S., 1919. Data from Collector of Internal 

Revenue 447 

373. Samples of Probability Chart-paper. From Codex Book Company 458 

374. Size of Farms, U. S., 1890-1910 459 

375-6. College Salaries, U. S., 1920. Data from U. S. Bureau of Education. , .460-1 

377. Output of Factories, U. S., 1904-14 462 

378. Wholesale Price Changes, U. S., 1891-1913. Data from Mitchell* s **Index 

Numbers of Wholesale Prices** 463 

379. Duration of Strikes, U. S., 1916-21, Data from Monthly Labor Review .. . . 464 

380. Star-light: number of stars of specified magnitudes 466 

381. Labor Turnover, California, 1918. Data from Paul F. Brissenden 467 

382-3. Output of Factories, U. S., 1904-14 468-9 

384. Distribution of Incomes and Taxes, U. S., 1919. Data from Collector of 

Internal Revenue 470 

385. Unemployment in the World, 1913-21. Data from Monthly Labor Review. 474 

386. Wholesale Prices in the World, 1913-21. Data from Monthly Labor Review. 475 

387-8. The World’s Commerce, 1800-1919 484-485 

390. Cold-storage Holdings of Eggs, U. S., 1916-20. Data from Survey of Cur- 

rent Business 488 

407. Chart for Determining the Scales for Curve-charts 524 

412, Chart for Solution of Quadratic and Cubic Equations. From Joseph 

Lipka*s Graphical and Mechanical Computation.** 528 

414. Chart Showing Loads on Important Engine-frame Members. From E. A. 

Andrews 530 

415, . Chart Showing Proper Current Density for Copper Transmission Lines. 

From B. B. Hood 531 

431. Chart Showing the Proper Size of Type 557 

432. Chart Showing Effects of Off-center Holes in Phonograph Records ....... 558 

438. Chart for Determining Scales of Parallel Nomographs 573 

439. Chart for Determining Scales of Zig-zag Nomographs 574 

440. Chart Showing Bond-Yields. From Prentice-Hall^ Inc 576 

441. Chart Showing Force and Velocity of Winds 578 

442-3. Slide-rule and Magnifier. From Keufel and Esser 579 

444. Slide-rule for Measurements of Beltings. From Carl G. Barth 580 

445. A Circular Slide-rule, From Keufel and Esser 581 

447-8. Slide-rule showing Costs of Book-printing S84-S 

446. Slide-rule for Power-plant Calculations. From Walter N. Polakov. 582 

452. Chart showing Fat, Protein, and Carbohydrates in Food. From Malcolm 

C. Rorty 591 



LIST OF ILLUSTRATIONS 


XXXV 


453. Settlements of Strikes, U, S., 1916-21. Data from Monthly Labor Review.. 592 
460-66, 472. Occupations of the Gainfully Employed, U. S., 1920. Data from 

U. S. Bureau of Labor Statistics 600-05, 611 

467. Wages in Manufacturing Industries, Ohio, 1919. Data from Industrial 

Commission of Ohio 606 

468. Occupations of the Population, U. S., 1918 607 

469-70. World’s Coal Supply (Unmined) 608-9 

471. Jewish Population of the World, 1920 610 

473. Wholesale Sales, 1922. From Federal Reserve Bank of New York 615 

474. Average Incomes of Tax-payers. Data from Collector of Internal Revenue. . 616 

475. Earnings of Corporations. Data from Collector of Internal Revenue 618 

476-7. Charts Showing Equations of the Quantity Theory of Money. From 

Irving Fisher 620-1 

478. Map Showing Value of Farm-land, U. S 624 

480. Map Showing Population of States . . . . 627 

481. Model Showing Gas-mixtures for Gas-engines. From John B. Peddlers 

^^Construction of Graphical Charts^^ . 634 

482. Collapsible Model. From John B. Peddlers Construction of Graphical 

Chart/^ 636 


483. An Axonometric Model-Chart. From John B. Peddle' s Construction of 

Graphical Charts" 640 

484. Tables of Scales for Axonometric Charts. From John B. Peddle* s **Con* 

struction of Graphical Charts" 641 

486. Map Showing Distribution of Cattle, U. S 646 

487,89,91. Wet and Dry Months of the Year 650, 654, 657 

488. Stature of Fathers and Sons. From G. U. Yule's Theory of Statistics" . . . 653 
490. Model Showing Cost of Electric Lamps. From R. E. Scott 656 

492. Model Showing Efficiency of Copper-alloys. From John B. Peddle* s 

** Construction of Graphical Charts'* 658 

493. The Normal Frequency Surface. FromG. U. Yule's "Theory of Statistics** 660 

494. Map Showing School Truancy, U. S., 1920 . . 667 

495. Map Showing Density of Traffic in Chicago. From Haskell's "How to 

Make and Use Graphic Charts" 669 

496. Floor-plan of a Small Statistical Department 688 

497. The Lettering Pen. From Keufel and Esser 692 

498. Optical Illusions. From the Grolier Society^ 711 




INTRODUCTION 


In and since the War the use and development of charts 
has been almost phenomenal — so large, indeed, that at least 
one able economist who is interested in such things thinks 
that we as a country have gone chart-mad. But this develop- 
ment has not been confined to this country, and it has a very 
solid basis in practical utility. There is little question that 
the chart represents a genuine saving in time and in mental 
effort. 

In this it does not differ from the ordinary map. Suppose 
the mariner, the shipping clerk, or the school boy had to locate 
a given point on the earth with a statement, let us say, that it 
was two thousand miles southwest from London, twelve hun- 
dred miles south of New York, eight hundred miles north of 
Rio de Janeiro, and so on. All of this information might be 
useful and even, for certain purposes, necessary. It is, so to 
speak, the statistical data of the question. But it yields no 
picture. A map or a globe gives us this mental picture almost 
in a flash. And that is precisely the use and service of a chart. 
Let us take an example: 

Within the last few months from this writing, the news- 
papers have been filled from day to day with reports of this or 
that industry making a “new high record.” The figures give 
the idea of a prodigious boom, and, as we have so sadly learned 
to know, practically every boom is followed by a crash. So 
the wise man will shake his head at these “new high records,” 
and sagely observe that “it cannot possibly last.” 

Well, in most industries with which we are acquainted, 
such new high records are the normal and usual thing, and the 
absence of them the abnormal. In other words, practically 
every industry, just like the population of the country, has a 
fairly steady rate of growth, and so, with sharp interruptions 
that come at more or less irregular intervals, it is the normal 
and characteristic thing that they should make these new 
high records. Naturally, such high records should at least 
not be regarded in the light of sensational news. 

xxxvli 



INTRODUCTION 


xxxviii 

Let us take our old friend pig iron as an instance. We have 
monthly records of pig iron production running back for forty 
years. In twenty-four of those forty years some month of 
those years has made a ‘^new high record’^ in pig iron produc- 
tion, that is, in 60 per cent of the cases. 

Furthermore, these new peaks of production tend to run 
in sequences of four, five, and six years. So if we see an esti- 
mate that pig iron production for this year, let us say, will 
^^break all records, ’’ we know that this is a rather foolish way 
of putting it, that it is simply the fairly normal thing and what 
we might reasonably expect in the absence of any powerfully 
disturbing causes like a world war or a profound depression in 
trade. 

Now all this information you may laboriously dig out of 
the actual figures if you like, but you can get it all in a quarter 
or maybe a tenth of the time if it is spread out in chart form. 
Like the point on the map, all these relations there stand out 
vividly and almost instantly. 

But it is not alone the economy of time and effort that is 
involved. The great thing, often, is that the chart will flash 
the thing not merely to the eye but to the mind; I mean that 
the picture gives you the idea of making the computation, 
and even that there is such a thing as a normal rate of growth, 
as in pig iron production. Lacking the picture, we might have 
little to prompt us to make the investigation or suggest even 
a hypothesis. 

I know there are those to whom this easy method of mental 
traveling is not attractive, and even, perchance, a little irri- 
tating. Nothing else could explain, for example, why it is 
that our mathematicians should often go through long and 
laborious calculations in an endeavor to find out whether any 
close correlations exist between two sets of data, or whether 
a periodogram is going to fit a given set of figures sufficiently 
to make it the basis for a forecast, when there is a far quicker 
route. While recognizing to the full extent the value which 
these methods may have in competent hands, it is still literally 
true that thousands upon thousands of calculations of every 
kind and description have been made as to these degrees of 
correlation and all their like, involving hundreds and even 
thousands of hours of needless and useless work, when a near 
approximation in ninety per cent of the cases could generally 
have been obtained with a log chart in much less than an hour. 



INTRODUCTION 


XXXIX 


The typical mathematical bent of mind seems to luxuriate in 
difficulties, long calculations, and complicated formulae. 
The simple, swift, and direct seems to be foreign to its nature. 

In our work at the Bank, we have had much reason to 
study attentively these normal rates of growth. It is quite 
astonishing to find how characteristic they are of the different 
industries, and different lines of trade, and even such things 
as the growth of bank deposits, money in circulation, and 
numerous other fluctuations of the modern economic world. 
They are so characteristic, in fact, that very often a log chart, 
with the figure for the average rate of growth in, let us say, 
the last twenty years, will suffice to identify the subject of 
the picture without further label. 

But this idea of the persistence of growth, as a kind of a 
characteristic inertia in the different industries and trades, is 
certainly foreign to our present ideas about business or the 
thought of many economists. There are as yet few of our 
business men or industrialists, for example, who are now 
willing to believe that one can make a fairly good guess as 
to, say, the average production of pig iron, or the average 
railway traffic, or the average postal receipts for the years of 
1930 - 33 . It is almost certain that few industries or few enter- 
prises are now planned with any long look into the future. 

There are very notable exceptions, like the American 
Telephone and Telegraph Company and others that might 
be mentioned, where the work of development is planned out 
for years ahead. For most men, even in our large industrial 
enterprises, these are pretty much matters of rule of thumb or 
of year-to-year pressure. If it were not so, we should scarcely 
have such violent ups and downs of production and trade, the 
booms and slumps that bring such demoralization to industry 
and to profits, and so much needless suffering among the wage- 
earning population. 

Some day we shall find a way around such stupidity, and 
it is my own belief that the most accessible avenue is through 
the grouping of the available data into interesting and well 
conceived charts. They are the most reliable and most 
stimulating instruments of education that we pos.scss. 

So I think it has been a worthy service th at Mr. Karsten 
has performed in writing such an encyclopr uic and exhaustive 
work upon the subject. The time is right ior it, and it should 
be highly useful. I do not mean to suggest by this that the 



xl 


INTRODUCTION 


mere making of charts is the whole story, any more than the 
possession of a fine hammer and a chisel makes a good carpen- 
ter. But it is certain that, without good tools, the best of 
artisans is badly handicapped, and I believe this is equally 
true of the business man and the director of large enterprises. 
He cannot but be going somewhat blindly if he does not have 
at his right hand, maps and charts of his whole work, extending 
years into the future, so that he may plan and anticipate in a 
truly prescient way. 

The rest of the story is that such scientific recording and 
projecting into the future makes of business and industrial 
enterprise a kind of romance in reality. Even the most 
interesting of occupations gets to be a kind of humdrum 
routine, if we have no long look ahead. Nothing stimulates 
the imagination more than a well constructed excursion into 
the future. And in business enterprises this is almost im- 
possible without the intelligent use of charts. 

But there is more. So prodigious have our industrial 
activities as a nation become, so varied and so diversified, 
that it is given to few men, even the ablest, nowadays, to 
maintain any accurate and adequate idea of current business 
trends and developments, and carry on their own work at the 
same time. So I believe that soon our successful captain of 
industry, like the captain on the great ocean liner, will have 
always at his elbow a trained navigator or business pilot, who 
will supply him with the material wherewith to study his 
course and make his plans, and who will tell him at any given 
moment just where he is at! And such a navigator will find 
his most useful tool to be a first-hand working knowledge of 
the different forms of charts which this book describes. 


New York, 1923. 


Carl Snyder. 



BOOK 1. SIMPLE CHARTS 




PART I. NON-MATH£MATICAL CHARTS 




Chapter I 


MAPS AND DIAGRAMS 

It is probable that the original diagrammatician lived 
many centuries ago, and it is not impossible that he was a 
cartographer. A search for him would lead us back to the 
days of “Captain Kidd” legend, when, judging by some 
records, the word “chart” invariably connoted a faded sketch 
of a lone island, dead trees, and buried treasure. It would 
lead us back to that intrepid explorer, Marco Polo, whose 
revisions of geography upset his contemporaries; back to the 
Arabs, whose excellent charts of the skies played so large a 
part in their nocturnal travels over the desert; and back to 
the Phoenicians, who doubtless kept strange maps to guide 
them about the Mediterranean shores and perhaps to warn 
them of dangerously shrewd villages where the bargaining 
was not profitable. We could not stop at the Egyptians, 
four thousand years ago, whose floor-plans of the pyramids 
have recently yielded up to us their secrets, nor at the Chinese 
whose six-thousand-year-old maps of the heavens have con- 
firmed modern astronomical calculations of star movements. 
We should be carried back to prehistoric man, at least sixty 
thousand years ago, some of whose drawings have been iden- 
tified as diagrams of familiar constellations. In short, the 
antiquity of maps is well established. 

Not only are maps the oldest form of charting, but to this 
day they are the most widely understood. And the subject- 
matter they portray is of the greatest variety. Few, even of 
those who use maps regularly, have any idea of this diversity. 
Of the United States alone, there are on the market special 
maps showing the natural resources, the density of the popu- 
lation, the location and amount of the various crops, the chief 
centers of the various industries, the lines of communication 
and transportation. Some maps show political divisions, 
others the physical contours, others the mineral subsoil, and 



CHARTS AND GRAPHS 



Fig. 1. Pictorial Map of the United States. 



MAPS AND DIAGRAMS 


3 


still others the atmospheric conditions. Some show railroad 
distances between cities, others show automobile distances. 
It would be difficult to find any important phase of American 
life for which somewhere a map is not being published and 
marketed. 

The student of maps will note that wherever large sections 
of the earth are shown, the map seems to suffer a distortion of 
outline, so that two maps of adjacent territories will not fit 
closely together and form a single large map. He will recog- 
nize that this is due to the fact that the earth is a sphere, 
while the map is printed upon a flat surface. We are indebted 
to one Christopher Columbus, who proved that the earth is 
round, for the necessity of this distortion. The result is that 
only upon globes can outlines be truly represented. All flat 
maps being more compressed, as it were, in their centers, and 
expanded at their edges, the outlines are consequently warped. 
So, too, it follows that maps of large areas, such as the United 
States, differ considerably in shape, according as the map is 
an imaginary picture of the country from a position above its 
southern, northern, or other parts. 

In maps of the world, this distortion problem has become 


From Fariholomew' s Atlas. 

Fig. 2. Heart-shaped Map of the World. 



, p ^ ^ j J J J — I — J — J — 

Permission of Rand, McNally Co. 

Fig. 3. Mercator^s Projection of the World. 


by magnifying the polar regions and spreading before us the 
sides of an imaginary cylinder. As the earth is not a cylinder 
and its poles are not as long as its equator, but are merely 



Permission of Rand, McNally Co. 

Fig. 4. Hemispherical Projection of the World. 


points on its surface, the amount of distortion can be seen to 
increase gradually from the equator and to become infinitely 




MAPS AND DIAGRAMS 


S 

great at the two poles. But by increasing the longitudinal or 
north-and-south dimensions equally with the intersecting lat- 
itudes, local outlines over small sections of the map are reason- 



Fig. 5. Elliptical Projection of the World. 


ably preserved. This device is called ‘^Mercator’s Projection.”^ 
Only when areas at unequal distances from the equator are 
compared, does this map become grossly deceptive. Who can 
forget his earliest impressions of Greenland being larger than 
Australia, or his amazement at the size of Canada and his 
wonder at the eno’rmous reaches of Alaska, as gained from his 
world-map at the beginning of his school atlas ? 



‘ Invented by Gerardus Mercator, a Flemish mathematician and geographer 
■(1S12-1S94), in 1550. 


6 


CHARTS AND GRAPHS 


Such projections, of course, have no uniform scale of miles, 
for the inch that represents a thousand miles at the Desert of 
Sahara will represent but a few miles near the North Pole. 
A different form of distortion, a combined skewing and warp- 
ing, takes place in the less common maps shaped either in two 
circles or in one flattened circle or ellipse. The best preserv- 
ation of true outlines and areas, that is, a more uniform map- 
scale, is secured in a recent form of world-map called the 
'‘orangepeel projection,’' while for less broken outlines the 
“butterfly-map” and the homolographic projection^ may be 
found useful. These are ingenious devices to keep recogniz- 
able shapes, each gaining its advantages' only at the cost of 
simplicity and continuity. 

The problem of distortion due to the earth’s curvature 
tends of course to disappear as the areas chosen for presenta- 
tion on the map become smaller and smaller. In large state 
maps it is still present, but the problem in county maps is 
rarely seen, so that several county maps can be fitted exactly 
together. Likewise a “scale of miles” holds true throughout 
the map when the area is small. Township and city plans are 
maps of still smaller surfaces and, indeed, the category of car* 
tography^ is not complete until we include floor-plans and 
diagrams of buildings and rooms, and the like. These are 
familiar in the form of architects’ blue-prints and differ from 
maps proper only in that they can be quickly prepared by 
anyone, their subject-matter being of such limited space as to 
require no professional engineering surveys. However, they 
are in principle the same as maps, in that they are likewise 
representations of space in the plane of the earth’s surface. 

These plots, plans, and diagrams of small areas are so often 
of great value that we shall here explain in detail how they 
may be madco The first step, of course, is to secure the infor- 
mation to be charted. Assuming that you wish to draw a 
floor-plan, select some convenient point of reference, such as, 
perhaps, a certain corner of the elevator-shaft, and from this 
point of reference measure the distances to the various objects 
you wish to show on the plan. Measure these distances not 


2 The Encyclopedia Britannica, for example, lists some twenty-five different pro- 
jections for maps of the world, of which the most distinctive have been here described, 

® Cartography, according to the Century Dictionary, is the art or practice of 
drawing maps or charts (that is, marine maps). 



MAPS AND DIAGRAMS 


7 


directly to the objects, but along lines parallel to the sides of 
the room. Thus a certain motor stands, say, fifty feet east 
and ten feet north, of the corner of the elevator shaft. Take 
a piece of paper on which the objects to be shown have been 
listed in a column, and enter these figures beside each item, in 

riati Of Small Statistical Office 





East 

from 

outer 

door 

North 

from 

outer 

door 

Chair 

Of 

Statistician 

8 

6 

N 

n 

First clerk 

-2 

5^ 


n 

2nd clerk 


si 


n 

Draftsman 

-13 



n 

Typist 

-12 

2 


etc. 

Fig. 7. Data for a Floor-plan. 


two columns. In the first column, headed East and West 
enter “plus 50” beside the motor (“plus” meaning “east” and 



Fiif* 8. Samples of Cross-ruled Paper. 

The small numerals indicate the number of spaces per inch. Many other rulings 
are published. 

“minus” meaning “west” of your point of reference, the 
elevator shaft). In the second column, headed North and 


8 


ClLJRrS AND GRAPHS 


South enter “plus 10” (“plus” in this column meaning “north” 
and “minus” meaning “south” of your point of reference). 

To draw a floor-plan or diagram, since no distortion prob- 
lems^ arise in such small areas, ordinary cross-ruled or “quad- 
rille” paper may be used. Having prepared your data,® you 
will next decide upon a “scale” or ratio of reduction to use in 
the drawing, that is, what value or distance on the actual floor 
shall be represented by each space or distance between lines on 
the paper. It is important to pick a scale which is neither too 
large nor too small, so that the drawing will be the right size 
on the sheet. Suppose your paper is ruled in tenths of an inch 



Fig. 9. An Unfinished Floor-plan. 

with heavy rulings every inch, and you decide to let each 
small space represent one foot on the floor, and each inch ten 
feet. At some central spot on your paper where two heavy 
lines cross, mark the letter ‘‘O’’ to represent your point of 
origin. This point of origin on your paper corresponds to the 
point of reference on your floor. Along the heavy line through 
this “0” or zei'o-point, to the right mark the successive heavy 
cross-lines ‘TO,” “20,” “30,” and so on to represent distances 
east of the elevator, and to the left mark them successively 
“ -10”, “ -20,” “ -30,” and so on to represent westward dir- 
ection. Along the vertical heavy line through the zero-point 

^ The distortion in very large buildings may amount to several inches difference 
between horizontal distances of top and bottom floors, but does not appreciably 
affect the rectilinear outlines of floors. 

^The word ^*data^' is used throughout this book as a singular noun, unless it 
refers distinctly to more than one body of statistics. Such a usage is not sanctioned 
by the dictionaries, but is believed to be more in accordance with modern practice in 
the statistical work-rooms. 



MAPS AND DIAGRAMS 


9 


at right angles to the last, mark ofF the inches upward succes- 
sively ‘^10, ^‘20” and so on to represent northward measure- 
ments on the floor, and -10,’’ -20,” and so on downward 

for southward measurements on the floor. After this, it is a 
simple matter to locate and draw on the paper each item in 
the spot corresponding to its true position on the floor. The 
scale-numbers ‘^0,” ^TO,” etc., can be erased and the words 
‘^Ten feet to the inch” or a short calibrated line, substituted. 

Here you have all the elements of chart-making. It only 
remains to observe the nomenclature. Our first step having 
been to secure two sets of measurements for each object or 
item, one for east-and-west distances and the other for north- 
and-south distances, we may call these measurements indi- 
vidually ^Values” and collectively "‘series.” Where, as in 
this case, there are two values for each item, let us call one of 
them the value and the other the “y” value in order to 
distinguish them easily. If a third measurement or series of 
values were present, it might of course be called the "V’ value. 
In the present instance we have two, and, as will be seen 
below, the east-and-west series has been taken as the 
series and the north-and-south series the “y” series. This is 
only a happen-so; we might equally well have reversed them, 
but as it is, we can now write for convenience the letter 
over our first column of figures and the letter “y” over the 
second. So much for our data. It consists of two series of 
values. 

Now on the chart, the two lines crossing at the zero-point 
or point of origin are called the “axes.” The horizontal one 
is the “;i:-axis” and all values of the series are measured 
along it, the positive ones to the right and the negative ones 
to the left of the origin. Parallel lines above and below this 
axis are called “abscissas” or “abscissae” and the axis itself 
is therefore sometimes called the “axis of abscissas.” The 
vertical axis is called the “y-axis” or “axis of ordinates.” 
Along it the values of the “y” series are measured, positively 
upward and negatively downward from the origin. The ver- 
tical lines parallel to it are called “ordinates.” It will be 
noticed that all points on an abscissa have the same value of 
“y” and all points up or down an ordinate have of course the 
same values of “a:”. Taken together as a criss-cross pattern 
of lines, the abscissas (or horizontals) and the ordinates (or 
verticals) are called the “co-ordinates” of the chart. 




FLOOR.PLAN FOR A SMALL STATISTICAL DEPARTMENT' 



MAPS AND DIAGRAMS 


II 


Abfictaaa 


Abscissa 


m 

® 

«5 

C 

® 

ttf 

c 

•H 

o 

Ordinate 

© 

<s 

c 

'V 

u 

o 

Abscissa 


o 

m 

’T* 




x-Axls or 

Axis of A 

o 

0 

3 

1 

ssclssae ^ 









Abscissa 






Abscissa 

Ordinate 

Ordinate 




Abscissa 


COORDINATE RULING 

Fig. 11. The Nomenclature of Co-ordinates. 

The student will observe that every point on this paper 
has two values, one along each axis, and that to identify or 
locate a point both its values must be given. He will observe 
that the axes cut the paper into four quarters (or quadrants), 
in the upper right-hand one of which (in our diagram the 
north-east quarter) both values of every point are positive, 
while in the lower left-hand quarter (south-west) both values 
are negative, and in the two other quarters one value is posi- 
tive and the other negative. He will observe that, disregarding 
plus and minus signs, at each side of either axis, the values 
along the other axis always mirror themselves. 

Many American cities are laid out in this checker-board 
style. In New York the north-and-south roads are called 
avenues and the east-and-west roads streets. In Washington 
the former are designated by numbers and the latter by letters. 
In both cases the house-numbers began at certain axial roads 
and read away in both directions. The conception is the 
same as that of the system of co-ordinates in the chart. Nor 
is it changed when we place the point of origin at a comer 
instead of in the center, that is, restrict the chart to one 




12 


CHARTS AND GRAPHS 


quadrant, and thereby eliminate mirrored duplication of values 
and the need of plus and minus signs. This is commonly done 
in commercial maps, each map having a series of letters and 
numbers about its edges, the letters on two opposite sides and 
the numbers on the other two, each locating positions on one 
of the two axes. In the index or list of cities on the map, 
corresponding to our data, the proper combination of letters 
and numbers for the map is given to enable us easily to find 
any particular place. In short, the thoughtful reader will see 
that the fundamentals of charting are already familiar ideas, 
and will not allow a less familiar terminology of axeS; abscissae 
and ordinates to confuse him. 



Chatter II 


CLASSIFICATION CHARTS 

From the portrayal of space-relation between objects, we 
turn naturally to the portrayal of idea-relations, and to the 
relations of abstract ideas having no space-existence. Instead 
of location on an actual surface, we wish to show position in a 
more or less ideal scheme. We now deal, not with a geo- 
graphical, but with a logical analysis. It is not possible to 
illustrate all the uses of charts in diagrammatic logic, but the 
classification chart is sufficiently suggestive. 

In all chart-making, the material to be shown must be 
accurately compiled before it can be charted. For an under- 
standing of the classification chart, we must delve somewhat 
into the mysteries of the various methods of classification and 
indexing. The art of classifying calls into play the power of 
visualizing a “whole” together with all its “parts.” Even in 
the most exact science, it is not always easy to break up a 
whole into a complete set of the distinct, mutually exclusive 
parts which together exactly compose it.i A child can tell us 
that the United States is a single nation (whole) composed of 
forty-eight States and a District (parts), but almost everyone 
will find difficulty in deciding the number of territories, pos- 
sessions, and spheres of influence which also compose it. 

A second problem arises when each of the parts is in turn 
considered as a whole and its own parts analyzed.* Thus the 
State of New York is composed of 62 counties, that of Mary- 
land consists of 23 counties and one city, and the counties are 

^The division of a whole into many parts is sometimes called polychotomy; 
dichotomy and trichotomy are cases of division into two and three parts. 

2 The decimal classification is a case of repeated subdivision in which decimal 
figures (with or without the decimal point) are used as symbols or keys to the parts. 
The Dewey decimal system for book libraries is a familiar example of this method and 
the expansion thereof by the Brussels Institute Internationale de Bibliographic, 
founded by Senator Henri La Fontaine, is the greatest achievement in classification 
the world has ever known. 


*3 




CHARTS AND GRAPHS 


variously divided into townships, boroughs, Incorporated 
places, and so on. Even a child knows that a dollar is theo- 
retically divided into ten dimes, each dime into ten cents, and 
each cent into ten mills. But no two botanists agree in the 
classification of flowers, for example, into families (wholes), 
genera (parts), and species (sub-parts), not to mention the 
elaborate hierarchies of orders, classes and divisions, and the 
multitude of sub-species, sub-sub-species and hybrids. 

The classification chart clearly presents, however, just so 
much of this marshalling and regimentation of ideas and objects 
as its author has clearly in mind. It is a method of presenting 
his scheme of things instantly and interestingly. Let us 
assume that he has settled his classification, has reduced it to 
writing, and tabulated it with indented margins or some other 
device to make it clear, and let us proceed to the technique of 
its charting. 

The simplest form of chart showing a whole and its parts 
and sub-parts is the box-chart. It is composed of squares, 
rectangles, circles, or other “boxes” arranged in serried ranks 
down its page. Across the top, a single very large box carries 
the name of the total group (whole). In a row beneath it and 



Fig. 12. A Simple Box-Chart. 







CLASSIFICATION CHARTS 


^5 


tied to it by connecting lines are several smaller boxes, each 
bearing the name of one of the primary subdivisions (part or 
sub-total).^ Beneath these again is a row of still smaller boxes, 
each similarly connected to one of the boxes in the row above 
and labelled with the name of one of the secondary subdivisions. 
The process may be continued indefinitely downward, to sub- 
divisions of lower and lower rank. 

Sometimes there are so many subdivisions that they cannot 
all be shown side by side. In this case there are three courses 
open to us. The method most frequently employed happens 
to be the least desirable. It consists in dropping some of the 
minor boxes down to lower levels and connecting them vertic- 
ally with the boxes above them. The method is unsatisfactory 
because it complicates the reading of the chart, changing the 
significance of a lower positioning on the page. When this 
method must be employed, it is well to distinguish the different 
ranks by various shapes, sizes or colors of boxes. 

A second method is preferable. It consists in using very 
deep and narrow boxes for the minor subdivisions which must 
be crowded together. The labels will, of course, have to be 
written downward in these boxes; they can, however, be hung 
diagonally so as to make the reading easier. A third method 
is an outgrowth of the second. In it the entire chart is thrown 
over upon its side. The main or total box now appears at 
the left of the page instead of at the top: and the process of 
subdividing is carried out to the right, each rank in a different 
column.4 This method is limited to cases of few ranks. Both 
the second and third methods are sound in principle, the sig- 
nificance of relative positioning being adhered to throughout. 

The square or rectangular type of box is the best, being the 
easiest to draw and the clearest to read. Often it is perfectly 
feasible to omit the boxes entirely, taking care to keep the 
printing in box-formation. Where two or more distinct classes 
of objects are thrown together in a single chart, such as persons 
and departments, it is a happy thought to give one shape of 
box, such as a circle for persons, to one type of object, and a 
totally different shape of box, such as a square for departments 

2 The word “sub-total'* is here used* in its strict sense as an inferior or subordinate 
total, a part of the grand total which can itself be viewed as a whole and split into 
parts. It is not used in the customary accounting sense of a cumulative. 

^ If a mathematical chart showing the value of each of the final subdivisions is 
desired, the bar-charts described in a subsequent chapter may be used in conjunction 
with a classification-chart in this form. 



i6 


CHARTS AND GRAPHS 



Tig:. 13* Chart with Boxes of Various Shapes. 

to the other type. Such differentiations should have a definite 
purpose, however, and must not be introduced merely to em- 
bellish the chart, as they then invariably complicate its reading. 

Connecting lines may be either curved, straight, or rectil- 
inear. The last are usually by far the best, especially where 
the boxes are rectangular. Straight lines, running directly 
between the boxes, give a radiating effect and are sometimes 
good when the boxes are circular.* Curved lines generally fall 
into the class of pointless and undesirable embellishments, but 
are occasionally useful in complicated charts to connect boxes 
across other connecting lines. Ordinarily, when the lines 
cross, small semi-circles at the intersection on one line suffice. 













CLASSIFICATION CHARTS 


17 

In drawing the boxes and connections, full continuous lines 
will naturally be used, but it sometimes happens that certain 
parts of the chart are only remotely related to the main body 
of the chart, or perhaps belong to a different period of time. 
In this class, fall contemplated future additions to the existing 
scheme. Here the use of broken or dotted or even wavy lines 
is of value, not only for connection-lines, but also for box out- 
lines. Another means of differentiation, discussed later, is the 
use of color or shading. It is somewhat more diverting to the 



Showing the Structure of a large Merchandizing Organization. 





CHARTS AND GRAPHS 


CHART 

JOINT INTERESTS OE 
THE BIG FIVE PACKERS 

Sisedon ijjvneifjli.p (“Kci-pf -nlhf ti’t ol Binks jni) fijilfOa* 




■f'x/-'-" X-.* 


\s N ‘ A''. /• 

\'. ‘''V 




A; //'A'./ 


P5S<:: 





■.(TC;-— I .(/ 


•my 

I SI F 

X ' t”'"’' ii*"' >/ i 


•)I VcTi 'ntcrett of Jt*(I ptrtenl 
•II Mold liitfff .1 olZl 3 H ftt eeot 
*^i3 V« cppBiilc pjijf 
* S OK''C(ltylntt«nj|tonilP«oiJ.cl4Co 

inwhiih Atmo.r^Wi'son'SuijfCi^ir^ 




Reprinted from ‘'Summary Report of the Federal Trade Commission on the nieai-packine. indtisirv, 
Jtdy S, 19 is:' 

Fig, 15. An Example of Complicated Data. 

reader, a dubious advantage, however, and it cannot well be 
reproduced. 

The variations of the box-chart which are occasionally seen 





CLASSIFICATION CHARTS 


19 



JOINT INTERESTS 
OF THE 

“BIG FIVE” PACKERS 

{Source: ^‘Summary Report of the Federal 
Trade Commission on the meat-packing 
industry July 5, 1918.*') 


KEY TO THE CHART 

Bank 

Canning Company 

Land Development Company 

Packing Equipment Company 

Cattle loan company 

Miscellaneous 

Rendering company 

Cotton oil company 

Publishing house 

Railroad 

Slaughtering company 
Terminal railroads and facilities at 
stockyards ^ 

Public service companies 
Coldstorage and warehousing com- 
panies 

Stockyards companies 


Fig. 16. Five Interlocking Classification Charts. 


are usually inspired solely by a desire for an artistic appearance 
and raise in turn some doubts about the material they present, 
that is, doubts as to its accuracy or the spirit in which the chart 
was compiled. The “tree-chart” is a sample of this, in which 
the trunk of the tree represents the total group, the branches 
the primary subdivisions, and the leaves, twigs, or fruit the 


20 


Cl U RTS JND GRAPHS 


minor subdivisions. Another is the “planetary chart,” in 
which a central sun is labelled the whole group, its planets the 
primary subdivisions, and their satellites, either encircling 
them or outside of them, the minor subdivisions. Such varia- 
tions are justified only when something in the nature of the 
object shown suggests a particular fitness in the figure. The 
variation always makes for a certain amount of difficulty in 



From Thompson’s **Outhne tT leme,” published by G. P. Ptibtmr's Sims. 

Fig 17. Tree Chart. 

Showinc; the Kvoliirion of Animal Lift*. 


reading the chart, it takes a great deal more time to prepare, 
and, if well done, is likely to draw more attention to its own 
arrangement than to the subject-matter it is intended to 
convey. ^ 


*The student will detect in classification-charts certain elements in common with 
the diagrams described in the previous chapter. Axes are no less present because 
they are not drawn and calibrated; for in one direction the positioning signifies lower 
subdivision, while in the cross-wise direction it signifies equal and independent im- 
portance. No scale is used because the variables are not numerical measures, but 
only idealogical relations. While the analogy* is not important, it is interesting to 
keep in mind. 



Chapter III 


ROUTE-CHARTS 

To the executive type of mind few charts make such instant 
appeal as those describing movement — that flow of goods 
through a sequence of operations which is the keystone of 
industiy. Economics itself is but the study of the successive 
forms of “wealth’" through the processes of production and 
distribution. Static relations, either physical, as shown in 
maps, or logical, as in classification charts, may engross the 
academic interest; indeed a correct conception of them is essen- 
tial. But when through them is woven the added element of 
time and motion, the result is lifted out of the field of cut-and- 
dried research and given the values of life itself. And he who 
weaves such a pattern performs, no matter in how small a 
way, a creative engineering function. The picture of such a 
process we call the route-chart. This chart throws powerful 
light on the weaknesses and advantages of a process, either 
existing or contemplated, and gives to then-eader, perhaps even 
to the author, a grasp of the subject which no amount of text 
can equal. It is a photograph capturing that highest of human 
achievements, the mental visualization of action. 

As is often the case in chart-making, preparing the data 
for this chart is no small part of the work. The data consist 
of the accurate record of the steps, changes or events which 
take place. This record may be compiled in the form of notes 
or text. In simple case's the successive steps may be listed or 
tabulated, using indented margins where the process branches 
or splits into different channels. Such data are very, similar 
in form to the data for classification charts, already described. 
But where the process is complicated with detours, by-products, 
cross-connections and detailed assemblings, no list or tabula- 
tion will remain clear and the data must take the form of a 
careful statement in notes, possibly in conjunction with card- 
indices, a cross-reference system and rough working sketches. 



CHARTS AND GRAPHS 


It is in fact not a bad practice in extreme cases to use a large 
bulletin-board or wall, and, having the information written on 
scraps of paper, to arrange and re-arrange these scraps of 
paper with thumb-tacks thereon, until the final order is settled. 

Sometimes apparently complicated data turns out to be a 
series of the combinations and permutations of simple elements. 
Every step or event is then merely a combination of two or 
three or more items of a descriptive nature. When these de- 
scriptive component items are broken apart and listed indi- 
vidually, it will usually be found that they are few in number 
and can be grouped according to their nature into different 
series, in such a way that one item from each series is present 
in each event. Commonly, three of these component series 
are sufficient to identify all the events. A production process, 


MAKING IHE ODRVt OHABI 



(Subject) 

(Operation) 

(Operator) 

1 

Data, Sources 

Securing of 

Chief 

2 

Computing 

Instructions for 

n 

5 


Execution of 

Clerk 

4 


Checking of 

n 

5 

Chart, Data 

Inspection of 

Chief 

6 

Field 

Choice of 

n 

7 

Data 

Entering of 

Typist 

8 


Checking of 

Clerk 

9 

Scale 

Choice of 

Draftsman 

10 ; 

Curve 

Plotting of 

n 

11 


Checking of 

Clerk 

12 

Scale 

Entering of 

Typist 

13 

Chart 

Inspection of 

Chief 

14 

Title 

Choice of 

1 ** 

15 


Entering of ^ 

Typist 

16 

Chart 

0. K, 

Chief 


Fig. 18 . A Tabulation of Simple Route-chart Data. 


for example, may be made up of operator, object, and opera- 
tion C'Vho,” ‘^Vhat'^ and ‘‘how”). Time (“when”) may also 
be actually recorded. A distribution process may be made up 
of combinations of place, person and proportion (“where,” 
“by whom” and “how much”). The number and nature of 
these component series will vary widely in different processes, 



ROUTE-CHARTS 


but the above are fair samples. Needless to say, where the 
data can be analysed in this way, it will simplify the work of 
compilation and assure the completeness of the data to list the 
events, together with their component details, in parallel 
columns, a column for each series or type of detail.^ 

A still more condensed type of work-sheet can be prepared 
for complicated data, in which only two types or series of 
descriptive items are present. This consists of a diagram in 
which each series is listed fully and once for all, along an axis 

MAKING TEE CURVE CHART 



or edge of the paper. Thus on paper with columnar rulings, 
list the descriptive items of one type or series (e.g. materials) 
down the left-hand edge of the paper, and those of the other 
type or series (e.g. departments) across the tops of the columns. 
Then along the line of each first-series item mark with a cross 
or circle the columns of those second-series items with which 
it is combined to make an event or step (e.g. operation). It 
makes little difference which series is put along either edge. 

^ The student will be reminded of the keys and data-sheets used for maps and 
diagrams, in which the two sets of values, or measurements along the axes, were listed 
in column form, and will compare the descriptive detail series to the numerical value 
series. 




24 


CHARTS AM) GRAPHS 


If one series is longer than the other, it should be at the side, 
but if both are of the same length, have the more important 
series — the series by which events are to be grouped—listed at 
the side edge of the paper. If this be reversed and the more 
important series placed across the top, the crosses or circles 
would of course be entered up and down the columns instead 
of across them. The sequence of events can be shown by 
small numerals in the circles, qr by connecting lines with 
arrowheads, or best of all, by both. These connecting lines 

MAKIHQ CURVE CHART 



Fig. 20. A Very Condensed Work-sheet. 


showing sequence would run horizontally if the side-edge 
items are more important, vertically if the top ones are more 
important. In practise either arrangement is satisfactory and 
it is usual to leave the longer series listed down the page, 
because more items can be written down a page than across it, 
even when the column-headings are entered on edge. 

The phenomenon of motion involves two inseparable ele- 
ments, space and time, in either of w'hich the motion may be 



ROUTE-^CHARTS 


25 


measured. It is ordinarily simpler to prepare first an analysis 
of movement through space. This will include changes of 
location, condition or operations. It is, in fact, simply a 
measuring of events by arbitrary differences in their nature, 
instead of a measurement by differences in point of time. 
When it has been completed, it may also be desirable to 
measure the movements chronologically and to co-ordinate 
them upon the chart so as to show graphically the motion 
through time as well as spa.ce. Assuming that the data for 
the chart have been decided upon, we shall proceed to its 
graphic presentation, beginning with the simpler route-chart, 
showing only change of place or condition. For convenience, 
this ma}^ be called the ^‘procedure-chart. 

The simplest “procedure-^hart'" is a straight line or row of 
“boxes” with the steps or events inscribed and with arrows 


THL {.iAlN STAGES IiM CDnVE CHART MAKING 



Fig. 21. The Simplest Procedure-chart. 


along the connection-lines indicating the direction of move- 
ment. It is important that the arrangement of the steps be 
in a uniform direction across the paper. They can be arranged 
horizontally from left to right, or vertically from top to bottom 
(or even, in special cases from bottom to top). The same 
considerations will determine this direction as were noticed in 
the arrangement of the classification-chart; namely, the letter- 
ing of the boxes generally gives them greater breadth than 
height, and if there are but a few boxes, they can be placed 
side by side. However, if there are many, they can be packed 
closer one above the other. 

The procedure-chart is in many respects similar to the 
classification-chart, its main differences being that it need not 
branch or split up at each new step, and that the connecting 
lines between boxes indicate a path-way or line of motion. 
For more complicated data in which the processes branch out 
and split up, the similarity between the two charts will be very 
great. The use of different styles or shapes of boxes now 
becomes more advantageous, as the various steps may be 
totally dissimilar, and by adopting certain shapes for each 








26 


CHARTS AND GRAPHS 


1600 1810 1820 1830 1840 1860 18t,0 1870 


1890 1500 



type of step (e.g. operation) or for each, type of descriptive 
detail (e.g. departments, persons, objects, functions, etc.), 
these distinctions between steps or events are clearly brought 



ROUTE-CHARTS 



greatly to the value of the chart by picturing the various 



CHARTS AND GRAPHS 


:8 



HhmiHng fhr aubjecls ircatcd in an article by Walter N. Palakcrv, in Engineerin'! ManagrmenC 
by permission. 

Fig. 24. A Graphic Outline of Thought. 

stages realistically. At other times the chart is so simple that 
the boxes can be omitted entirely. 

A uniform direction of movement across the chart is im- 
portant, because it automatically suggests to the reader the 
sequence of events. It would better be described as a uniform 
drift; motion at right angles to this drift, necessary at branch- 
ings of the process, being immaterial. There are occasions 
when, on account of the data, it is necessary to draw a line 
backward, as is the case when seconds or by-products return 
to an earlier stage for re-treatment, but these are legitimate 
representations, suggesting actual backward steps of the 
process. At other times it is necessary to choose between 
backward directions of lines and repetitions of boxes; as a 
rule the latter is the lesser of the two evils, but if the former is 
decided on, the backward motion should be strongly indicated 
by arrows, and the connecting-lines should leave boxes and 








KOUTE-CHARTS 29 

enter boxes at the points they would naturally leave and enter 
if the boxes were in proper sequence. 

Embellishments, artistic and otheiwise, are often met with. 
Impartial study will usually show that nothing has been gained 
by them, and that the message of the chart would have been 









'f : '• 


.V? 

my. 

yy/kA/R. 






.vf- . 


INDIAN REFINING COMPANV 
SACES DEPARTMENT 
DISTRICT AND STATION 


l*erniii)hion oi Mr Richard WebUer 

Fig. 25. A Popular Presentation. 

I'he oiiginal of this chart, prepared in colors, is provided with a key explaining 
the various channels through which influence is brought to bear upon consumers 
by the sales department. 

more strongly conveyed without them. The occasional ex- 
ceptions to this rule are special cases of data in which the 
subject-matter itself suggests the modified form as particularly 
appropriate. In the “boiler-chart” the source of supply is 
shown as a large tank or boiler, and the goods are shown as 
flowing through pipe-lines to smaller tanks, cylinders, engines 
and outlets, each representing a particular type of comparable 
stage in the process. Here the reader’s imagination is fired 
by the implied simile of a familiar mechanical process, and if 



jO 


CHARTS AND GRAPHS 


the simile be a good one, he is likely to examine it closely and 
so visualize the process clearly. Sometimes a row of tanks or 



Permission of Mr, Malcolm C, Rcrrty, 

Figr- 26. An Excellent Pictorial Route-Chart. 

This shows the flow of supplies in the American Expeditionary Force, 

vats will represent successive cost-burdens well, the overflow 
(profit or- balance) from each flowing into and feeding the 




ROUTE-CHARTS 


31 



Permission of Mr* Malcolm C, Rorty, 

Fig. 27. The Analogy of Vats, Tanks or Reservoirs. 

next. There is no limit to the possible variety of such repre- 
sentations, but in the main the chart-maker will find the widest 
play of his imagination called for in the making of legitimate 




CHJRTS AND GRAPHS 




procedure-charts, and will do well to avoid the excessive and 
wasteful effort needed for the artistry of more sensational 
products. 



From Charts and Their Place in MananementP hy Frank />\ Gilhreth and X,. M. Gdbreth 

‘ Mechmneal Xin^imering," Jan. 1922. 

Fig. 2S. A Simplified Gilhreth Process-Chart. 

Showing operations by conventional symbols and materials by pictorial drawings. ' 

The second type of route-chart differs from the first or 
procedure-chart in that time is an important element in the 
data and a feature of the chart. It may be called the “time- 
chart,” It is easily made by arranging a time-scale along the 



ROUrE-ClURTS 


axis or direction of movement of the procedure-chart, and 
adjusting the various boxes or entries of events so that their 
positions coincide with the ordinates or abscissae of their par- 
ticular points of time. The scale of time should be marked 
along the edge of the chart (in large charts along both edges) 

T-a aWT CHAPt 



In practice this chart would bear dates for the days or weeks or other time intervals 

at the top of each column across the page. 

and straight lines in a faint color should be ruled across the 
chart from the main divisions on this scale. A glance across 
the chart will then show, by means of these faint lines, how 
many time-intervals elapse between steps or events and a 
study of the scale will give a more exact estimate when desired. 
In time-charts, needless to say, the uniform direction of move- 
ment or drift is essential. 

The time-chart may be reduced to a form similar to that 
of the work.sheet already described for procedure-charts. 
With the time ruled off on one axis of the diagram, the items 
to be followed by the chart are listed on the perpendicular 
axis and the action of each item indicated by crosses, checks, 
or solid shadings along the line of this item under or opposite 
to the right moment of time. By various kinds or colors of 
shadings, or by words alongside the shadings, the nature of 
the event happening to the item can be indicated. In prin- 
ciple, it is better to place time on the horizontal axis, so that a 
standard time-scale can be used and long charts folded in 




34 


CHARTS AND GRAPHS 


Curves -- 1./20 to 2/5/17 




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Fig. 30. A Time Record, But Not a Time-Chart* 

This is inserted for comparison with the previous illustration, as the dates form 
the body of this table instead of the column headings, and the operations form 
the column headings instead of the body. 

sideways to reduce them to the same size records or files. If 
very finely ruled paper be used, a large amount of detail can 
be crowded into this sheet and if a number of similar processes 
are to be compared, a standard arrangement of the items on 
it will make quick comparison easy. This simplified form of 
time-chart has little to recommend it from a graphic point of 
view, but it will be found extremely convenient and sometimes 
indispensable as a record, and is always useful as a work-sheet 
in preparing a more graphic time-chart. 

An example of this simplified time-chart is the Gantt 
chart method. All charts in the Gantt system employ uni- 
form vertical rulings, marking olF “time” on the horizontal 
axis. The particular markings are always adjusted to the 
individual business, so that the spaces between vertical rulings 
may indicate hours, days, weeks, or months as is desired. And 
the columns between these vertical lines, after their adjustment 
to the periodicity of the particular business, resemble columnar 
accounting sheets. At the left-hand edge of the paper, in a 
very wide preliminary column, the machines, departments. 










stock on Hand. January 1^+1981, Compared with One Year% Sales (AnAveraye of Five Previous Years) 


ROUTE-CHARTS 


materials, or other form of equipment are listed. And along 
the lines of each of these items, under the proper “time” (that 



is, in the column of the proper time unit) the process or opera- 
tion is noted by a line commencing at the time of the beginning 





3 ^ 


CIURTS JKD GRJPIIS 


of the operation and ending at the time of its finishing. This 
line takes the place of the crosses or circles above described 
and has the advantage of showing by its length the length of 
time required for the operation. The chart is used not only 
for laying out work in advance in the planning department 
and in the individual departments, but is also used to record 
actual performance when the records of the same are being 
kept. Wide lines are used in the place of narrow ones to 
record actual performance. 


c//A/rr FOR a hoi/r tc/rrs w/tr £4 rorrs off after a days, /r cd/ytyrdods 

ORFRATfOR /RODS7R/ES 



Permission of the Bureau of Labor Statistics. 

Fig. 32 . A Simpie Time-Chart. 

Another notable example of this type of chart is the Gilbreth 
“process-chart,” used by Mr. Gilbreth to analyse methods of 
work in his well-known micro-motion studies. On paper ruled 
in tenths of inches, each fine line of which represents one- 
thousandth of a minute in time, the length of time to perform 
each operation or element of an operation is recorded by a 
heavy line, beginning at the commencement of the operation 
and showing by its length the number of thousandths of a 
minute required to complete the operation or element of an 
operation. Mr. Gilbreth ordinarily measures time vertically 
down the page, a detail in which the present writer believes 
him to be ill-advised. Across the page his vertical rulings 
mark off the different parts of the human body whose motions 
he is studying. There are about a hundred of these parts 
listed at the top of the page, each over one narrow column or 
space between vertical lines. Obviously the lines indicating 







ROUTE-CHARTS 


31 


operations, extend vertically down the page under the parts 
of the body active in the operation. Different colors of the lines 
indicate different elements of the operation and different widths 
of the lines indicate degrees of activity engaged in the operation. 

Where the time runs in natural I'ecurrent cycles, such as 
days, weeks, months, or years, and items re-appear at identical 
points in each cycle, a circular form of time-chart is often 



Fig. 33. A Weekly Clock-chart. 

The weekly cycle of sales m a department store. 


desirable. It has the advantage of being endless without 
actually showing more than a single cycle and naturally 
suggests to the reader the recurrent nature of the process. 
In such a chart the time-scale runs around the edge of the outer 
circle and the time-interval lines, equivalent to ordinates, 
appear as radii from the center of the chart. The items or 
events are inserted in boxes in their proper positions along 
concentric circles, those near the center having of course less 
room on the chart. Care should be taken to place the larger 
items, or events, requiring more descriptive labelling, toward 
the outside, if possible, in order that they may not be too 
crowded. Such circular time-chartsarecalled ^^clock-charts"' but 
they are not necessarily marked off like a clock; in one complete 
revolution they will show twenty-four hours* for the day, or 





Fig, 34. An Annual Clock-^hart. 

The annual cycle of sales in a department store. 


seven days for the week, thirty-one days for the month and twelve 
months for the year, according to the time-cycle chosen. 

Route-charts, like classification-charts, offer great freedom 
to the ingenuity of the author. No set rules can be laid down 
for their construction, though the general principles above 
outlined will be found always safe and helpful. If the author 
of the chart desires to modify it, he will break no iron-bound 
canons, though he will probably have to do a great deal of 
experimental work before he has a satisfactory product. The 
one really final criterion by which his product will be judged 
will be, as in all charts, how clearly, forcibly, and truly does 
his chart tell his story. If he can pass this test better with a 
novel form of chart than with the typical and sound forms 
which have been described, he will have really invented a new 
statistical instrument and his product will be a contribution 
to the science, but the man with limited time will be well 
advised to follow and remain within the fundamental principles 
here outlined. 


Chapter IV 


COMPOSITE CHARTS 

More fascinating than any one of the fundamental chart- 
types already described are the results developed by combina- 
tions of two or more of these types simultaneously. The simple 
types are three in number, adapted to showing between 
objects a space-relation (maps and diagrams), a topical rela- 
tion (classification-charts) or a relation in motion (route- 
charts). Any two of these relations may be shown simul- 
taneously by combining the principles of their chart-forms. 
It is only necessary to construct first one type of chart and 
then with this as a basis or ground-work, superimpose upon 
it the construction of another type, in such a way that while 
each retains its own significance, the two harmonize in details. 

Very often the two will be so closely interwoven that they 
seem to be inseparable and indistinguishable, but the student 
will always find that under close analysis they readily break 
down into two or more separate and distinct charts belonging 
to the essential types which have been described. He will 
also find that this process of breaking down a composite chart 
invariably clarifies his understanding of its subject-matter, and 
vice versa, that the more obviously the component charts are 
distinguished in the composite product, the more clearly its 
subject-matter will be understood by its readers. If the chart 
is composite, it is important that the maker should recognize 
its nature, and it is important that the chart itself should show 
on its face that it is composite. 

If you will take a map of the country through which you 
have travelled and with a heavy black pencil draw a line along 
the routes you have passed over, with circles or boxes about 
the names of places where you have stopped, you will have a 
simple form of a superimposition. Had you marked upon 
tracing paper over the map, instead of marking directly upon 
the map, you would be able to lift your second chart bodily 


39 



40 


CHARTS AND GRAPHS 



Courtesy of Rand McNally Cs* Co, 

Fig. 35. Route Map. 

ofF of your base chart, and would see that you really super- 
imposed a route-chart, describing motion, upon a map or chart 
of space-relations. The result is a composite chart illustrating 
motion through space. 

Maps and diagrams are often used as a basis for charts 
showing motion. In fact there has recently been developed 
an elaborate technique of what are known as “pin-maps.” 
These are particularly in vogue among sales-managers, who 
have to route a number of salesmen about the country and 
wish them to cover the most ground in the least time and with 
the lowest possible travelling expense. Maps for this purpose 
are mounted, and the markings upon them are made in the 
form of conspicuous colored tacks and other devices driven 
into or fastened onto the surface of the maps. In this form, 
the same map may serve for many temporary superimpositions 
and the latter can be readily altered at will, without the labor 
of complete re-drawing, merely by removing or shifting the 
adhesive markings. The labor-saving value of pin-maps is 
so great for all kinds' of continual routing work that they are 
marketed in excellent form by various commercial firms, includ- 
ing nearly all map-making companies. 


COMPOSITE CHARTS 


41 



Courtesy of Rand McNally Co. 

Fig, 36. Pin Map. 


The mounting of maps or diagrams to accommodate pins 
or map-tacks should be closely examined. Ordinarily the 
maps are mounted directly on wood, either to be framed and 
hung on the wall, or they are already fitted into flat drawers 
of special cabinets holding a large number of such drawers in 
horizontal positions. The wood-mounting is, however, a poor 
investment. Pins cannot easily be forced far enough into the 
wood to be secure, nor easily removed if driven deep, and 
sooner or later, as the wood shrinks under the punctured 
paper, individual pins will drop out, and cannot be replaced 
without complete rechecking of all data, the map meanwhile 
becoming inaccurate and unreliable. 

The ideal mount for a map, and in the long run the cheapest, 
is a construction of cork and corrugated paper-board. The 
map should be mounted directly upon a piece of cork linoleum, 
with a non-wrinkling adhesive called rubber cement rather 
than with paste or glue. The cork should then be backed 
up with two or three layers of corrugated wrapping board or 
paper, laid in alternate directions to prevent bending. In a 



4-2 


CHARTS AND GRAPHS 


mount of this sort, the pins can be easily pushed into the map 
to their heads; the cork grips them and prevents their falling 
out, and the corrugated paper keeps their points from sticking 
out underneath. Maps can be mounted in this way at home 
or in the office, and in some instances can be procured directly 
from the manufacturers of the maps. 

Map tacks and other marking devices to attach to the 
mounted map can be obtained in great variety, suitable for 
showing a number of distinct markings and meanings at the 
same time. The tacks are small steel pins with large round 
or flat heads of cloth, celluloid, or, best of all, glass, conspicu- 
ously marked, in different colors and sizes. When they are 
inserted in the map to indicate, for example, towns on a sales- 
man’s route, the various colors can be used to indicate diftei'ent 
salesmen, the various sizes can show the length of the sales- 
man’s visit, and the various markings on the tacks can tell 
the extent of the company’s business there. Similarly, colored 
string can be stretched between tacks to show the sequence 
in which they are visited, while small celluloid rings of the 
same color can be slipped over the tacks to show present loca- 
tion or progress along the route. Ring-pins into which cards 
can be fastened, are made in various shapes to hold cards at 
different angles to the map, flat-headed pins on which labels 
can be pasted, rough-ground celluloided pins on which pencil- 
markings can be made or erased, and a wide variety of other 
appliances are furnished for ingenious uses with mounted maps. 

It is, however, no longer necessary to have mountings and 
attached devices to make temporary and easily altered mark- 
ings upon maps. Such arrangements take up too much space 
and require special filing or housing equipment if used exten- 
sively. Instead, it may be desired to use flat maps in book 
or sheet form, which can be mpre easily carried about. For 
this purpose a celluloid-coated map is made, the surface of 
which is protected by a thin adhesive layer of pliable trans- 
parent celluloid.i On this surface pen, crayon, or ink marks 
can be made without difficulty and removed without injury to 
the map, while gummed paper stars, dots, and other signals 
in various colors can be attached and removed likewise. 

_ ‘ The celluloided map is really little more than a map which has been surfaced 
with a thin layer of liquid shellac or varnish. The liquid can be secured from dealers 

in artisp materials and can easily be applied to any chart or map with a fine blow- 
spray; it forms a protection against soiling, as the surface can always be cleaned 
without removing the marks under the coating. 



COMPOSITE CHARTS 


43 


The benefits of mounted maps suggest that floor-plans, 
and other diagrams could be likewise profitably mounted and 
used for pins and strings, but as a rule this is not yet a general 
practice. The pathway of goods, papers, or functions about a 
plant is generally marked upon photostats or blue-prints or 
other reproductions of one original floor-map, in various 
colored inks. The lines upon such diagrams should have 
frequent arrow-heads to indicate the direction of movement, 
as this direction is no longer shown by position on page as in 
the simple route-chart. Different colors or kinds of lines can 
be used to differentiate the pathways of various articles, but 
when a large number of such articles are to be individually 
followed, it is better to use a number of copies of the original 
base-map, one for each article or group of articles, so that the 
lines will not be too confusing. 

An elaboration of this method has been described to the 
writer by Dr. C. W. Gerstenberg, who tells of ‘"a factory where 
a bird’s-eye view of each machine has been drawn to scale and 
fastened with brass paper-fasteners to a piece of cardboard cut 
to scale to represent the amount of floor-space needed for each 
machine. The color of the card-board indicates the nature 
of the machine; thus planers are on red card-board, drills on 
blue, and so on. The mounted machine-diagrams are then 
placed on a floor-plan of the factory and fastened into proper 
position (they can be shifted if the machines are shifted), and 
the routing of work is shown by ribbons slipped under the 
machines and stretched from machine to machine in the order 
of work. The flexibility of this ribbon idea commends 
itself.’^ 

It may be added that if several types of work were routed 
over this floor-plan, it might be advisable to use diflFerent 
colored ribbons to distinguish them. Furthermore, some idea 
of the volume of traffic or work along each route might be 
given by using ribbons of various widths, narrow ones for 
small or occasional vrork and wide ones for heavy traffic. The 
student will notice that, in accordance with the principles set 
forth below, the colors of machine-mounts should be in pale 
tints and those of work-routing ribbons in brilliant tints, to 
emphasize the route-chart over the floor-plan. 

When several floors are to be shown on the same map, that 
is, when the diagram must show in one plane a number of 
surfaces which are really not side by side, but one above the 



44 


CHARTS AND GRAPHS 


other, the co-ordinate or cross-ruled chart-paper can be dis- 
carded and a special form of paper, with “isometric ’’rulings, 
used in its place. This paper projects without any perspective, 



three dimensions in space, and following the general plan of 
charting on co-ordinate paper, can easily be plotted to show 
the various floors suspended one above the other. A full 
description of the principles of the paper will be given later, 
but the paper is noted here for its peculiar value in this type 
of composite chart. 

Such route-diagrams often furnish the most forceful way of 
presenting the weaknesses of a given arrangement of a factory. 
Traffic congestion is apparent through the number of crossing 
and confusing lines. A contemplated change which will result 
in a more orderly march of goods about the factory will appear 
upon such a chart with all its benefits made clear. A knowl- 
edge of the chart-form will therefore be useful whenever a 
revision or improvement of the lay-out of the plant is in view, 
with the object of shortening transportation distances or of 
installing “straight-line” processes. 



COMPOSITE CHJRTS 


45 


Many other composite charts may be made besides those 
showing motion through space. A classification-chart may be 



Fig. 38- Routing on a Classification-chart. 

Showing by its shadings, the departments through which the circulation of goods 
and money takes place. 


superimposed upon a map. A route-chart may be superim- 
posed on a classification-chart. Two classification-charts may 
be combined to show in a single chart both sets of logical 
relations- Route-charts themselves may be combined to show 
routings at different times or may be marked with distinctly 
classifying features. There is no limit to the variety of ways 




COMPOSITE CHARTS 


47 


in which the three principles of space, idea, and dynamic rela- 
tions may be interwoven on a chart. Nor is the number of 
possible strata or superimpositions necessarily limited to two. 
We may occasionally need three or four distinct strata, and 
indeed it is sometimes difficult to tell how many separate strata 
have been superimposed to effect a single chart. 

There are, how^ever, very definite rules which it is well to 
follow in effecting the combinations. The first is that since 
two distinct conceptions of relations are being expressed 
through the same picture, the chart-maker should have clearly 
in mind their comparative importance, and be prepared to 
throw the emphasis in his construction upon the more im- 
portant one. Failure to do this will result in a chart in which 
the reader’s attention is distracted to the unimportant parts, 
by which it becomes hopelessly confused in trying to follow 
the important parts. The proper emphasis can be given by 
using in the superimposed chart, heavier shading or stronger 
lines which immediate^ distinguish it at a glance from the lines 
and shadings of the base-chart. Where color can be used, it 
should be used judiciously, after studying the effects of different 
colors to see which gives the right degree of prominence. 

The second rule is that since the superimposed chart gen- 
erally carries the message, the base-chart is usually one with 
which the reader is already supposed to be familiar. There- 
fore, when the base-chart, as well as the composite, is unfam- 
iliar to the reader, and particularly when a series of composite 
charts is to be shown on copies of the same base-chart, it is 
well to preface the composite charts with a single copy of the 
base-chart, with which the reader may first become acquainted. 
Then, when his attention is drawn to the composite, he will be 
able to use it at once with a full understanding of its significance. 

The conception of a basic or underlying pattern, as dis- 
tinguished from a resulting superadded pattern, is important 
and stays with us throughout the great majority of mathe- 
matical charts which follow. The term ‘‘field” will be used 
for this underlying pattern in these mathematical charts while 
the upper stratum of curves, bars, and other markings will be 
known as the “plotting”; and though the choice and construc- 
tion of the “field” will sometimes be found more important and 
often more difficult than that of the plotting, yet the field will 
always be suppressed or submerged by lighter lines and colors, 
to leave to the plotting its full significance. 




PART 11. 


AMOUNT-OF-CHANGE ANALYSIS 



Chapter V 


STATISTICS 

Statistics is a word which has had an unfortunate history 
throughout its brief existence. To begin with, its pedigree is 
poor, for it is derived from old Latin words having nothing to 
do with its present meaning. When it was created a century 
or two ago, it meant ^^matters of State/^ or in diet ion ary-ese, 
‘‘matters pertaining to the State.’’ It was then used for 
those compilations of population, finance, and military strength 
which rulers liked to have made about their various States. 
But it has travelled far from that meaning, until today in its 
proper sense it means any collection of figures and precise 
numerical information. 

The word was rapidly debased, until in common parlance a 
statistician was one who carried at the tip of his tongue a large 
assortment of appallingly uninteresting figures on widely 
irrelevant topics, which he seemed to have memorized from 
the encyclopedia with the ^le ^urjpose^of bo^^^^ Now 

figures are not in themselves necessarily dry and dull — in fact 
the figures of your bank-account may be very engrossing to 
you. But figures on uninteresting subjects are a sure cure for 
insomnia, to all of us. And it goes without saying that if the 
figures are not of consequence, the chart of these figures will 
deserve equally little attention. The point is that a chart is 
as weak as its own data, and a chart-maker must carefully 
weigh and consider his data before permitting himself the 
pleasure of illustrating them with a chart. 

But a worse charge than mere boredom is often levelled at 
statistics. It has crystallized into a familiar saying, “figures 
don’t lie, but liars figure.” Mark Twain went so far as to 
remark at one time that there were three kinds of lies — namely, 
lies, damned lies, and statistics — ^wicked in the order of their 
naming. In short, the statistician is sometimes looked upon 
as one whose acquaintance with figures is so very intimate that 

48 



STATISTICS 


49 


he can readily take liberties with them, abuse them, present 
them in a false light, and deceive the layman. In this view 
he is little more than a common trickster, performing leger- 
demain with numbers, his magical results to be idly wondered 
at, but not to be trusted. And the moral thereof is clear, 
that he who would work with figures must be very? very sure 
that his figures are all correct, both in their computation, and 
their connotation. 

As a matter of fact, surprising as it may seem, we are all 
in the same boat, a whole nation-full of statisticians, in great 
or small degree. We all perform mathematical operations, 
arrange and study figures and precise data. We do it in our 
accounts, in our reports, our decisions, and sometimes in our 
sleep. If this be statistics, we are all guilty. And the odium 
which sometimes attaches to the word must be only superficial, 
for it does not attach to the practice or the subject-matter for 
which the word is a symbol. Surely we will not allow our- 
selves to be daunted by so empty a thing as a symbol or word. 
Let him who will, retain his shallow prejudice and throw this 
book aside here and now; and let the rest of us purge ourselves 
once and for all time of any lingering superstition against 
‘‘statistics.^" Let us resolve never again to utter a peep 
against the word or to be terrified by its use. 

There is, it is true, a more precise use of the word “statis- 
tics"" in which a high degree of proficiency in handling masses 
of figures is presupposed. In this technical sense, the statis- 
tician is one whose ability to digest, compress, or extract 
significance from a multitude of related numerical data, is 
highly developed. The science of doing this is called by the 
queer name of “statistical methods."’ In point of technical 
skill it stands somewhere between the science of accounting 
and the science of higher mathematics. If you have time to 
dip into it you will find it more interesting than either, because 
its applications are more varied than the former and more 
immediately practical than the latter.i But for the purpose 
of chart-making or chart-reading, it is not necessary for you 

^ The notable books on the theory of statistics are: 

Bowley, A. L., Elements of Statistics. 

Yule, G. Udney, An Introductory to the Theory of Statistics. 

Shorter and more elementary texts are: 

Kelley, T. L-, Statistical Method. 

King, Willford L, Elements of Statistical Method. 

Secrist, Horace, An Introduction to Statistical Methods. 



50 


CILIRTS JND GR.iPHS 


to have more than the usual grammar-school equipment m 
mathematics — or as much of it as you have not forgotten. 

That the maker of charts must dabble in statistics is 
obvious; he who would build a house must first examine its 
foundations. But the chief requisite in examining your stat- 
istics is common-sense. You do not need deep mathematical 
skill wherewith to perform difficult mathematical acrobatics. 
Common-sense alone, without the aid of calculus or higher 
algebra, will enable most of us to understand a falling bank- 
balance, for example. Every school-child knows the meaning 
of a total, or an average, and all adult persons ought to, 
without regard for sex, color, or religious persuasion. Apart 
from such elementary understanding of the meaning of the 
language, the essential thing in ordinary statistical work is 
common-sense. If you have it, you can traffic with figures 
safely, and will often recognize a condition without knowing 
the technical name or symbol for it, but if you haven’t it, all 
the mathematical skill in the world w'ill merely befuddle you. 

Of course, for much work, or for continuous application to 
statistics, additional mathematical ability is an unquestion- 
able advantage. It is a good thing to know, for instance, that 
there are several kinds of averages, each with a meaning all 
its own. It is well to have a nodding acquaintance with dis- 
persion, the word nodding here being used to denote familiarity, 
not sleepiness. And if you can shake a correlation coefficient 
by the hand it may help tremendously in a pinch. The man 
who can write an equation for his profits or his factory condi- 
tions, has the edge on the man who has to make lengthy tabu- 
lations. But the subject of this book is no more “how to be a 
mathematician” than “how to get common-sense,” and we 
will therefore drop both problems. We will split fifty-fifty on 
them, and in proceeding with charting of statistics, assume 
that the reader is gifted with common-sense, but not versed 
in higher mathematics. Where special need for certain mathe- 
matically technical terms or ideas arises, we will stop on the 
spot and explain these terms, but we will not build our mathe- 
matical bridges until we come to them. 

One caution, and one caution only, in this chapter we wish 
to make so clear that it will remain with the reader throughout 
the rest of the book. That caution is, do not be afraid to use 
your common-sense. In this matter an ounce of fore-sight is 
worth many pounds of hind-sight. The value of this advice 



STATISTICS 


51 


will come to you through long and bitter experience, anyway, 
for it takes exceptional patience to scrap the results of weeks 
of research and start all over again at the beginning, just 
because of a failure to use common-sense beforehand. The 
most important time to bring your common-sense into play is 
before you lay pen to paper to take down a single figure. 
That is the time to ask yourself the all-important question, 
‘^What do I want to know?’^ Unless you can answer that word 
clearly, positively and concisely, you had better wait until you 
can, before doing anything else. 

^What do I want to know?’^ Write it down in black and 
white. Below it write the answer. Stand off* and look at that 
answer as if you were a total stranger, and try to see whether 
it makes sense. When you finally have the question and its 
answer so clear that a child can understand, you will be ready 
to compile and investigate statistics to substitute for the 
answer. And when your work is finished, and you have boiled 
down immense quantities of figures and numbers to a simple 
coherent statement, see if that statement really answers your 
question. If it does, you have statistics which may be well 
worth illustrating with charts. If it does not, you had better 
forego the pleasure of making charts, for it will all probably 
have to be written off as a waste of time. 

You may think this all very simple and easy, but you will 
find it sometimes immensely difficult, and errors extremely 
costly. No rules can be laid down, for every case is a matter 
for individual study and analysis. But the consequences of a 
mis-step at this stage are grievous. And it is right here that 
so many amateur statisticians make their first mis-step. They 
become lost in the zest of hunting up and chasing down all the 
available related information; they allow themselves to be 
dragged off the scent of the fox by every jack-rabbit that 
crosses the trail. Red herring is their meat and in a shorter 
or longer time they bring home a mountain of ^^statistics,’’ all 
of which is ‘‘interesting if true,” but does not bear directly on 
the point. 

When you find this happening to you, you will be able to 
recognise it by the bewildered sensation in your solar plexus 
the first time a friend drops in and asks in a heartless way, 
“What’s the good of it?” And right there is a good time for 
you to stop — it would have been still better earlier — and ask 
yourself again, “What do I want to know?” Think back once 



CHARTS AND GRAPHS 


5 ^ 

more to your original position and what you set out to learn* 
It is never too late to mend. If you find you are on the wrong 
trackj bravely scrap the work you have done, though it hurts 
cruelly to do so, and strike out again for your goal 

Your goal is a certain piece of information. Statistics are 
merely the road to that information. The information itself 
will ultimately reduce to a comparatively simple statement, 
and if there are any statistics left in that statement, wipe them 
out by substituting illustrations or charts for them. The 
graphic method, whether used in the office to facilitate research 
work, or in the published report to facilitate understanding, 
should be confined to information which has value. It is 
therefore an obvious but extremely important rule not to 
begin a graph until the statistics have been carefully examined 
and their object or significance brought clearly into mind. 



Chapter VI 


WORK-SHEETS 

What would you think of a factory manager who kept his 
plant so cluttered up \\ith raw materials, partly finished 
materials, by-products, and working machinery that his work- 
men had to climb over each other, and his materials had to 
be passed from operation to operation by long forward passes 
skilfully negotiated over ceiling-high piles of obstructionS|f 
Yet this is precisely what most of us do in the far more difficult 
case when oitr materials, workmen, and implements, are all 
intangible ideas, expressed by strokes of a pencil on paper. 
The old copy-book admonition to write clearly and neatly, 
may often save you from utter confusion and defeat, and will 
always greatly speed your work. Straight-line computing 
methods are as important as straight-line factory methods.^ 

Statistical data generally comes in the form of long columns 
of figures. If it is not already in this shape, you should so 
arrange it at once. It may be, for example, the reports of 
your sales in the various States of the country. By listing 
the States in a column, you can write beside each one the figure 
of its sales, and your sales will then form a second column. 
Perhaps you wish to reduce these to per capita sales. In that 
case, beside the figure for the sales for each State, you can 
enter the population for each State, thus forming a third 
column of entries (a second column of figures). The per 
capita sales, which are merely the ratios between the two 
columns of figures, can then be entered still further to the 
right, forming a third column of figures (a fourth column in 
all). 

Frequently the computing is carried through a great many 
steps, each of which calls for one or more columns of figures. 

^ For an excellent discussion of the principles of tabulation, in addition to the 
works on statistical methods already referred to (page 49), see Edmund E. Day, 
‘^Standardization of the Construction of Statistical Tables/’ American Statistical 
Association Quarterly, March, 1920, p» 59. 

53 



54 


CHJRT6' JRD CIUPHS 


toaiaiBijnos op i£bm noHtrx n tes mnw 
ipprcaimto Stook* in Clxlef CowrstrlM, D«c. 31, 1513. 
(Souro#: 0. S. Stati#ticeX AbutraotJ 



Dollars 

population 

$ 

per 

cap 

tOTAl, 

10,127,084,000 

1,529,379,000 

6*62 

China 

51,558,000 

356,042,000 

,09 

India 

176,634,000 

516,166,000 

,66 

Ruacis. 

411,600,000 

178,905,000 

2,50 

Vaitad SUtaa 

5,821,563,000 

106,016,000 

56,59 

Oanaany 

645/572,000 

67,810,000 

8.02 

Japan 

482,646,000 

65,965,000 

8,62 

Auatria Hungary 

64,734,000 

62,368,000 

1.26 

Dutch Kaat Inciaa 

49,202,000 

47,956,000 

1.03 

Groat Britain 

722,861,000 

46,089,000 

Ib.M 

Pranoa 

726,449,000 

39,700,000 

18.28 

Italy 

249,137,000 

56,646,000 

6.82 

Braail 

43,690,000 

26,642,000 

1.64 

Turkey 


21,274,000 

* 

Spain 

658,861,000 

20,60'J,000 

52,H 

Korea 

23,889,000 

16,913 ,0X1 

1.41 

Kexico 

260,000,000 

15,502,000 

lb. 13 

Egypt 

59,376,000 

12,566,000 

3.13 

Blasi 

41,652,000 

8,266,000 

5.02 

Canada 

191,827,000 

fi,075,000 

23.7b 

Argentina 

521,869,000 

8,0ub,000 

59.90 

Belglun 

86,806,000 

7,!j88,000 

7.41 

Ruaania 

1,000 

7,50K,000 

e» 

Neiherlaada 

327,622,000 

6,683,000 

49,76 

South Africa 

53,543,000 

6,465,OCO 

6.16 

AnitraXaaia j 

246,422,000 

6,976,000 

41.24 

Portxigal 

49,254,000 

S,9G8,0O0 

8.28 

Peru 

32,691,000 

6,800,000 

6,63 

Swedes 

88,866,000 

6,713,000 1 

16.66 

Coloobla 

10,768,000 

5,071,000 ; 

2.12 

Uorocco, fresoh 

24,638,000 

6,000,000 

4.93 

Serbia | 

55,488,000 

4,822,000 

T.26 

Ceylon 

5,776,000 

4,262,000 

1,56 

Svltaerlaad 

121,283,000 

3,880,000 

51.26 

Fomoaa 

34,092,000 

5,711,000 

9.19 

Chili 

11,363,000 

3,641,000 

5,12 

Finland 


5,269,000 

• 

Denmark 

52,649,000- 

2,921,000 

18,02 

Joliria i 


2,890,000 

* 

Taaesuela 

21,646,000 

2,616,000 

7.69 

Korwiy 

44,911,000 

2,609,000 

1T.89 

Haiti 

860,000 

2,600,000 

•34 

Qtaatemala i 


2,119,000 

* 

Xaxiador 1 

4,140,000 

2,000,000 

2.06 

Dmgxtay 

51,094,000 

1,546,000 

37,96 

Salvador 

4,598,000 

1.268,000 

5«46 

Paraguay ! 

482,000 

1,000,000 

.48 

Doninloan nepublle 

800,000 

725,000 

I.IO 

ntraita bettleoentf 

17,265,000 

714,000 

24.18 

Kioaragua j 


704,0OCr 


Honduraa 

• 

682,000 


Coata Kioa ! 

2,112,000 

451,000 

4.90 

tiDceBbourc 1 

1,865,000 

200,000 

T.IT 

Brltiah Honduras { 

168,000 

41,000 

4.09 


Fig, 40. A Simple Computing Sheet. 


The author has, he regrets to say, actually carried one investi- 
gation through so many consecutive steps that the resulting 
columns of figures, when pasted as close together as possible, 
side by side, without repeating any column, reached completely 
around the walls of an ordinary room. There is generally no 
excuse for as much work as this, but it is well to bear in mind 
that every computing step may call for two or three columns 
of figures, and that if you are going to carry your figures 
through many steps, it will pay to have them in uniform 
columns. 




WORK^SHEETS' 


55 


Obviously the arrangement of States or items in the colutnns 
should be standard throughout the work, so that any two 
columns can be readily compared. This makes the order of 
the items a matter for careful study. In listing the States of 
the union, for example, you have your choice of three arrange- 
ments. In the first place, you can list the States alphabetic- 
ally, which makes it easy for a stranger to find any particular 
State at once. Secondly, you can arrange them in the order 
of their importance (as viewed from the particular stand-point 
of your problem), which makes it easy for a stranger to focus 
his attention at once on the important States. But neither 
of these methods, though widely used, has anything more to 
recommend it than a certain possible convenience to strangers. 
For computing at least, the States should be arranged in a 
logical order, and a logical order is generally one that brings 
nearby States together, instead of scattering them about the 
list. The reason for this is that you may find you want to 
take off sub-totals (totals for East, North, South, and West) 
to get group-figures for groups of States. And if the States 
are already arranged or grouped together this is easily done. 
In fact, it is always well to carry these group-totals, because in 
checking through to locate errors they save much time. 

Having decided to arrange the States logically by territorial 
groups, you have next to decide how to group them. The 
census has one grouping, dividing the country into six or 
seven territories. But this grouping is not the best natural 
economic one, that is, it does not conform to natural business 
groupings. The Audit Bureau of Circulations has another, 
which is, for general business conditions, perhaps the best. 
But in most cases there will be individual factors which make 
it desirable to adopt a special arrangement of one’s own. 
Large sales organizations, for example, will already have set 
up their own sales districts and branch house territories, and 
in such cases it is best to make the grouping of States conform 
as much as possible to these. 

Of course, not all tabulations are tabulations of States by 
State figures.' These figures illustrate, however, the principles 
of tabulating. We may have to work with figures, year by 
year through a series of years, or with month-by-month 
figures, through one year or more. In these cases, where we 
are working with divisions of time, the natural and proper 
way is to place the earliest periods at the top of the list and the 



56 


CHARTS AND GRAPHS 



u.s. 

Audit 

Bureau 



Census 

of Circulations 

Red Cross 

Ala'bama 

NEW ENGLANIT 

ErGLi:© 

NEW ENGLAND 

Arizom 

Maine 

I.faina 

Maine 

Artensaa 

New Hampshire 

New Hampshire 

Massachusetts 

California 

Vermont 

Vormont 

Hampshire 

Colorado 

Massachusetts 

lassachusottfl 

Rhode Island 

Connect lent 

Rhode Island 

Rhode Island 

Vermont 

Delaware 

Florida 

Comectlcut 

Conneotiont 

ATUNTIC 

Georgia 

MIDDLE ATLANTIC 

NORTH ATLANTIC 

Correct icut 

Idaho 

New York 

Hew York 

New Jersey 

Illinois 

Hew Jersey 

New Jersey 

New York 

Indiana 

Pennsylvania 

Pennsylvania 


loia 


Delaware 

PENN. -DELAWARE 

Kansas 

BAST NORTH CENTRAL 

Maryland 

Pennsylvania 

Kentucky 

Louisiana 

Ohio 

Indiana 

District of Col. 

Delaware 

Maine 

Illinois 

SOUTH EASTERN 

POTOMAC 

Maryland 

Michigan 

Virginia 

Pistr. of Col. 

Massachusetts 

Wisconsin 

North Carolina 

Maryland 

Michigan 


South Carolina 

Virginia 

Minnesota 

WEST NORTH CENTRAL 

Georgia 

loot Virginia 

Mississippi 

Minnesota 

Florida 


Missouri 

lown. 


SOUTHERN 

Montana 

Missouri 

SOUTH WESTERN 

Florida 

Nebraska 

North Dakota 

Kentuclcy 

West Virginia 

peorgia 

Nevada 

South Dakota 

North Carolina 

New Hampshire 

Nebraska 

Tennessee 

South Carolina 

New Jersey- 
New Mexico 

Kansas 

Alabama 

Mississippi 

Tenneosee 

North Carolina 

SOUTH ATUNTIC 

Louisiana; 

LAKE 

North Dakota 

Delaware 

Texas 

Ind.ana 

Ohio 

Maryland 

Oklahoma 

Kentucky 

Oklahoma 

Oregon 

District of Columbia 
Virginia 

Arkansas 

Ohio 

Pennsylvania 

West Virginia 

MIDDLE STATES 

CENTRAL 

Rhode Island 

North Carolina 

Ohio 

Illinois 

South Carolina 

South Carolina 

Indiana 

Iowa 

South Dakota 

Georgia 

Illinois 

Michigan 

Tennessee 

Florida 

Michigan 

Nebraska 

Texas 


Wisconsin 

Wisconsin 

Utah 

EAST SOUTH CENTRAL 

Minnesota 


Vermont 

Kentucky 

Iowa 

GUIF 

Virginia 

Tennessee 

Missouri 

Alabama 

Washington 

Alabama 

North Dakota 

Louisiana 

West Virginia 
Wisconsin 

Mississippi 

South Dakota 
Nebraska 

Mississippi 

Wyoming 

WEST SOUTH CENTRAL 
Arkansas 

Kansas 

HORTSERN 

Minnesota 


Louisiana 

WBSTSEN STATES 

Montana 


Oklahoma 

Montana 

North Dakota 


Texas 

Wyoming 

Colorado 

South Dakota 


MOUNTAIN 

New Mexico 

SOUTHWESTERN 


Montana 

Arizona 

Arkansas 


Idaho 

Utah 

Kansas 


Wyoming 

Nevada 

Missouri 


Colorado 

Idaho 

Oklahoma 


New Mexico 

Washington 

Texas 


Arixona 

Oregon 



Utah 

Nevada 

PACIFIC 

Washington 

Oregon 

California 

Oallfornla 

MOUNTAIN 

Colorado 

New Mexico 

Utah 

Wyoming 

NORTHWESTERN 

Idaho 

Oregon 

Washington 


PACIFIC 

Arizona 

California 

Nevada 

Fig. 41. Various Geographic Groupings of the States. 



WORK^SHEETS 


SI 


latest at the bottom, with possibly space for quarterly, half- 
yearly, or five-yearly totals, which ever may be desired. Still 
other types of items may occur, such as in a list of the various 
departments of a plant, the various salesmen of a selling 
organization, or the various products, and so on. 

The point is that whatever the items be with which we 
work, they should be arranged carefully at the outset, so that 
it will not be necessary to alter their arrangement later. They 
should be placed in a column if possible, so that the computing 
and tabulating can be made in parallel columns beside them.* 
If the list is long, it should be broken up by blank spaces at 
convenient intervals, or better still, the items should be 
grouped together, for which sub-totals may be required, and 
blank spaces should be inserted between the groups for these 
sub-totals or part totals. But by all means, try to get the 
whole list on a single page, even at the cost of pasting additional 
sheets at the bottom, for the work will progress much faster 
on one large sheet which is complete than on several small 
sheets which are not complete. 

If much work is going to be done, it pays — and paj^s well — 
to have the printer rule up some sheets with the list of items 
printed at the edge of the sheet and the lines ruled in where 
they will be useful, horizontally from each item. It is a small 
matter, but worth noting, that the lines should be regular 
typewriter distance apart, so that should you wish to have 
figures typed on these sheets the typist can work rapidly and 
neatly. More important still, where adding machines are 



(Tone) 

SEW ENOLAND 

H. Hampehire, Uass., k Conn. 

MIDDLE ATLANTIC 

10,800 

N«v York A New Jersey 

2,600.000 

PennsylTanla 

80DTH-EASTBRM 

14,000,000 

Maryland 

524,000 

Vireini* 

429.000 

Alabama 

2,390,000 

Tennessee 

283,000 

Kentucky 

772,000 

MOBTIl CSNTBAL 

Ohio 

8,650,000 

Indiana A MichiEMi 

2,940,000 

Xllihoi* 

3,280,000 

mSSTERN 

2owb« Missouri. Colo.. Mont.. A Ore. 

465,000 


PIO-IROS PRCtmCTIOH 
• Unlttd State* 

1920 

F%. 42. An Incomplete State4ist Geographically Arranged. 



58 


CHARTS AND GRAPHS 


used, is to get the lines spaced In the same way that the 
adding machine prints the tape, so that figures do not need 
to be copied from the tape, but the tape can be pasted right 
on the sheet. In wide carriage machines, the tape can be 
dispensed with, and the figures printed directly by the adding 
machine on the sheets. These are devices to speed up the 
work, which are trivial in themselves but very important in 
their results, and, with a careful eye to your equipment, you 
will soon hit upon the most useful forms for doing your com- 
puting, standardise them, and call in the printer to prepare a 
number of blanks.^ 

We have here considered carefully only the matter of the 
items which flank the left hand edge of your work-sheet forms. 
Technically, these items are called '‘the stubs,” indicating that 
they are the labels attached to each horizontal line, or row of 
figures in the columns or column of the table. The whole 
sheet, filled with figures in orderly arrangement, is called a 
“table” or tabulation. The vertical lines of figures are called 
“columns” or sometimes “arrays,” while the horizontal lines 
of figures, that is, the sets of figures beside each stub, are called 
“rows” or lines. And at the top of each column of figures, 
the label which describes the column in the same way that 
the stubs describe the rows, is called a “heading” or “caption.” 

A whole chapter could be written about captions, or column 
headings. It is a fine art to make them at once clear and brief, 
and to arrange them so logically that the thought moves easily 
from one heading to another. In most cases of several columns, 
two or more captions can be bracketed together by a third 
common group-caption. In this way, the headings often take 
on the form of miniature classification-charts. The best prac- 
tice is to box in the headings carefully, so that they will be 
clearly understood. In work sheets they should be arranged 

^Tht* pQ^irlon of fhc total (or sum) in a tabulation is an important matter. There 
are two possible positions: first, at the beginning or top of the table; second, at the 
end or bottom of the table. The first is the statistical position; it is correct for a 
published table, as it places the most important item, the total, or whole, first 
before the reader’s eye. When parts are themselves further subdivided, their totals 
should also be placed before their parts. The details, or parts, can be in every case 
further indented than the totals. This practice should be adhered to in charts and 
in published or recorded tables. 

The second position, at the end of the table, is the accounting position. It is 
correct for all cases in which the work of summing up the parts must be frequently 
undertaken. Needless to say, it is essential for forms to be used in adding and listing 
machines, and is advisable in general for work-sheets. 



/FORK-SHEETS 


59 


iwrtmm n* ths OHit£D staiss 

XXHiera.te percaata^e of eaoli olaas (Ijy aga, box, raooj of the population 
for eaoh group of Btatee, 1920 
(Source:- U. S* Ceueus) 



YouUi 

Adalt 

[ Total population oTor 10 yoaxs' of age. 


(Aged 

16-21 

years) 

{6v0v 21 years) 


Foreign 

horn 

■whit© 


f 


Male. 

Fenale. 

■white 

Kogro 

Total 

TOTAL D. S. 

8.S 

7.0 

7.8 

2.0 

13.1 

22,9 

6.0 

Bsv Engluul 

1.1 

6.0 

6.2 

0.7 

14.0 

7.x 

4.9 

Middle Atlantlo 

0.6 

6.9 

6.6 

0.6 

16*7 

6.0 

4.9 

East North Central' 

0.6 

8*7 

8*6 

0.9 

10.8 

7.8 

2,9 

West North Central 

0.6 

2*6 

2.6 

0.9 

6.4 

10.6 

2,0 

South Atlantlo 

•r.9 

14*0 

15.9 

8,1 

12.8 

26.2 

U.6 

East South Central 

T,6 

16.7 

16.2 

6.4 

9.1 

27.9 

42.7 

West South Central 

7.8 

12.8 

12.1 

4.1 

29.9 

26.S 

10.0 

Mountain 

8 .7 

6*4 

6.8 

2.0 

12.7 

6.8 

6.2 

PaoiflB 

1.2 

8.3 

3.0 

0.4 

6.6 

4.6 

2.7 


Fig. 43. Classified Headings to the Columns. 


in the order in which they will be computed, so that the work 
of computing moves as much as possible to the right, always 
preferably deriving each column from the immediately pre- 
ceding columns. Where two or more columns, which are in 
themselves the results of several columns, must be combined, 
each can be left at the right-hand edge of separate computing 
sheets and then by cutting off the remaining paper, or by fold- 
ing it back, you can lay the sheets one over the other so that 
the columns to be worked over will appear side by side. 

One of the cardinal rules for computing tabulations — and 
it applies only in lesser degree to final tabulations ready for 
publication, presentation, or study — is that every column head 
should include a number or letter identifying the column. 
This rule has even been extended by some authorities to the 
stubs as well. The advantage of the number or letter is that 
it makes reference to the particular column very easy, either 
in texts, notes, conversation, or formulae. 

In addition to a symbol for the column, you should also 
have in your column-head, a note explaining the source of the 
figures in the column. This note can either be the name of 
the authority from which the figures were copied, or it can be 
the formula by which the figures were computed from other 
columns. It will save you much trouble in correcting the 
errors of computing clerks, and much time later on when you 
come to refer to the sheets and do not remember the various 






THE t^UKGEH GENERATION 


Co 


CIIJRTS JND GRAPHS 



Column Symbols, Formulae, and Classified Stubs and Captions^ 




WORK^SHEETS 


6i 


steps clearly. For the clerks who are doing the computing, 
this note is a standing bill of instructions. And the time will 

SAVIKOS BASK STATISTICS 

Stmber of saTingc banks and eavings bank dapositora; total, average, and pereapita 
deposits; and ratios between banks^ depositors, and population as specified belov. 

United States, 1820-1920 


( Arrange 

d from U. S. 

Statistical Abstract 

Per- 



Pop. 





Average 


j Depositors per 

Year 

B&nlcs 

Deposits 

Depositora 

depoait 

ropuXciXjiOn 

deposit 

Pop. 

Bank 

bank 


Number 

Dollars 

Number 

Dollars 

KuDber 

Dollars 

Percent 

Number 

Humber 


Copy 

Copy 

Copy 

B/C 

Copy 

B/E 

100 C/E 

C/A 

E/A 


A 

B 

C 

D 

E 

P 

0 

H 

J 

1820 

.. 

1,138,676 

8,635 

132 

9,638,463 

.12 

.09 

.. 


1828 

16 

2,637,082 

16,931 

160 

11,150.000 

.23 

.16 

1,130 

744,000 

1830 

36 

6,973,304 

38,035 

183 

12,866,020 

,63 

.30 

1,066 

357,000 

1835 

52 

10.613,726 

60,068 

172 

14,710,000 

.72 

.41 

1,155 

283,000 

1840 

61 

14,051,620 

78,701 

179 

17,069,463 

.82 

.46 

1,290 

280,000 

1846 

70 

24,606,677 

148,206 

169 

19,970,000 

1.23 

.73 

2,076 

286,000 

I860 

108 

43,431,130 

261,354 

173 

23,191,876 

1.87 

1.08 

2,326 

216,000 

1856 

215 

84,290,076 

431,602 

196 

27,256,000 

3.09 

1.68 

2,050 

126,700 

1660 

278 

149,277,604 

693,870 

206 

31,443,321 

4.76 

2.20 

2,495 

115,100 

1865 

317 

242,619,382 

980,844 

247 

34,748,000 

6.99 

2.83 

3,096 

109,600 

1870 

617 

649,874,368 

1,630,846 

337 

38,658,371 

14.26 

4.24 

3,260 

74,500 

1675 

771 

924,037,304 

2,359,864 

408 

43,951,000 

21.00 

6,37 

3,060 

56,900 

1880 

629 

619,106,973 

2,335,682 

366 

’ 50,165,783 

16.30 

4.66 

3,710 

79,800 

1885 

646 

1,096,172,147 

3,071,495 

366 

66,148,000 

19.60 

5.47 

4,760 

j 

87,000 

1890 

921 

1,624,844,606 

4,258,893 

369 

63,056,438 

24.18 

6.69 

4,630 

66,400 

1895 

1,017 

1,810,597,025 

4,875,519 

372 

69,579,668 

26.04 

7.01 

4,790 

68.400 

1900 

1,002 

2,449.647,886 

6,307,083 

401 

76.129,408 

32.18 

8.02 

6,100 

76,100 

1605 

1,237 

3,261,236,119 

7,696,229 

424 

84,219,378 

38.80 

9.12 

6,220 

68,100 

1910 

1,769 

4,070,486,246 

9,142,908 

445 

92,267,080 

44.20 

9.91 

6,200 

62,600 

1916 

2,159 

4.997,706,013 

11,285,755 

443 

99,342,625 

60.40 

11.35 

6,220 

46,000 

1920 

1,707 

6,636,470,000 

11,437,556 

671 

106,418,175 

61,20 

10.73 

6,700 

62,300 


Fig. 45. Column Symbols and Computing Instructions. 

come when you will map out your work in this way, merely 
filling out stubs and the column-headings yourself, and leaving 
the entire computing task to clerks. 

It is also just a question of time before you will come to 
look upon these tabulated figures as so many various descrip- 
tions or phases of the original set of stubs. The column- 
headings tell you the type of description or phase, but in the 
end the stubs are the basis, and the figures are derived from 
them. Mathematicians have a word “function” for such rela- 
tions. Using that word, we would say that the tabulated 



CHARTS AND GRAPHS 


62 

figures are functions of the stub-figures or items, meaning 
that their values are derived therefrom. Glancing across the 
various lines, you will see that all the figures on the same line 
with a stub are but various and varying functions of that stub, 
the symbol at the top of the column identifying the function 
and the caption describing it. 

Glancing down any column, you will see that the figures 
change from item to item. They form a series of varying 
values. Each column contains the various values of the func- 
tion described by the caption head. Each column can be 
looked upon as a series of figures which are the readings or 
values of the item, described by the column head. And the 
point is that while the stubs, and captions, were independently 
arranged by yourself, the figures in each column are derived 
from or attributed to them and so are dependent upon the 
stubs and captions. In short, while the stub is an ^'independ- 
ent variable,’’ the series of figures in the other columns are all 
"dependent variables” with regard to the stub. 

Sometimes the independent variable is called the 
variable” and the dependent variable the "y-variable.” In 
that sense the values of "y” will all depend upon the values or 
meanings of We might go so far as to label the column 

of stubs ".r” and the captions "y,” being various kinds of "y” 
variables. Think of the first one as "y,” the second column 
as "yi,” the third as "y2>’’ the fourth as "ya,” and so on, and 
it will always be clear to you that the stub is the independent 
or jjc-variable and the other columns are the dependent or 
y-variables- A second table on an entirely different aspect of 
the same items or stubs, could be called a ' Vvariable,” meaning 
that while it was also a dependent, it was distinct from the 
first set of dependents. As a matter of fact, this is all relative, 
for at some time you may treat one of the columns of figures 
as an independent variable and the stub as its dependent. 
But it is useful to begin thinking of your tabulation as having 
both independent and dependent Variables contained in it. 



Chapter Vll 


CO-ORDINATES 

The better to demonstrate their simplicity, we have dis- 
cussed in the very first chapter those few technical terms which 
will be essential to the student in this elementary work. In 
that chapter the analogy is drawn between the checker-board 
arrangement of streets in certain American cities and the criss- 
cross rulings of most chart paper. In this chapter this par- 
ticular type of ruling will be carefully re-considered for the 
benefit of those whose zeal in the subject has led them to skip 
the first chapter, and a few other forms of ruling will also be 
touched upon with their relations to this fundamental system. 
The chapter will not be interesting reading, but it deserves 
close study in order that the remainder of the subject may be 
clearly understood. 

Station yourself in an open field where you can, without 
difficulty, move in any direction — even upward with the aid 
of an aeroplane or downward with the aid of a good fast shovel. 
At the point where you stand, drive a stake into the ground 
and consider it your base of operations for all other points on, 
above, or below the field, that is, the point from which you 
can measure their distances. We will call it the ‘^point of 
reference” or ^‘point of origin” and mark it ^^O,” which accord- 
ing to your taste may either stand for the word ‘‘origin” or 
for its zero distance from the origin. 

Facing in any direction at this point walk forward a dis- 
tance, let us say, of five steps, in a straight line. It is obvious 
that you could walk forward indefinitely in this direction, 
always reaching a greater distance from the starting-point “O,” 

J j 1 j j 1 

0 12 3 4 5 

Fig. 46. 

and that you could always measure this distance by stakes at 
each foot-step numbered “1,” “2,” “3” and so on successively 

63 



t)4 


CHARTS AND GRAPHS 


as you pass them. You could then instantly locate any point 
along your path by the number of the stake. Points midway 
between full steps can be given fractional values. Such points 
would be definitely and unmistakably identified if, in addition 
to telling their distance from the origin, you also tell the direc- 
tion in which you had walked when you left the stake to 
measure them. Calling this direction you would specify 
the points completely by calling them 3P and ^ 

so on. 

Having walked forward, however, only five steps, you 
would reach the point 5.’’ Suppose here you stop and begin 
to retrace your steps, walking backwards. You would notice 
that now instead of the distances from increasing, they 
decrease as you walk backwards, until after five backward 
steps you are again at the zero-point. But continue to walk 
backward and you will have again the phenomenon of increas- 
ing distances from this point as your steps increase. In other 
words, along the same straight line, there are two sets of 
distances mirroring each other at the zero-point. If you walk 
backward ten steps all told, from the point come to 

another spot which is also five steps from the origin and in the 
same straight line. There must be some way to distinguish 
the two and to distinguish all the other pairs of distances in 
this straight line which we have called Suppose that for 

this purpose every distance reached by walking forward from 
the origin be called positive and every distance reached by 

I 1 1 , j 1 1 \ H — 1 1 

•5 .4 -8 -8 .1 0 *2 *8 *4 

Fig. 47. 

walking backward from the origin be called negative. Leaving 
the first set of stakes as before marked ‘‘x, 1” (or “x, +1”), 
“x, 2” (or “x, +2”) and so on, you can similarly mark the 
stakes at your backward steps, from the origin, by numbering 
them “x, -1,” “x, -2,” “x, -3” and so on. In this way you 
will easily identify every point along the straight line, both 
on one side of the origin (in the “x” direction) and on the 
other side (in the “ -x” direction). 

Here you have set up measurement in one direction, that 
is, along one “dimension.” There is a technical name for this 
“direction” or “dimension,” which it will pay you to learn, 
namely “axis,” In fact, we can already speak of it as the 



CO-^ORDINATES 


(>S 


^ or axis of measurements. But leaving aside 

technical terms, your common-sense will tell you that you 
have set up the only kind of measurement possible in one 
dimension, namely “linear measurement.’' In this particular 
case, your foot-step — one half of your pacing distance — is 
your “unit of measurement.” Any other unit could have been 
taken. You might have laid a certain stick down repeatedly 
and marked off the number of times it could be laid end over 
end. If you had a number of sticks of the same length you 
could lay them end to end and leave them lying to form one 
long pole or rod cut into equal parts. But whatever the 
length of your unit of measurement may be, you will, by num- 
bering the units successively in both positive and negative 
directions, have graduated or “calibrated” that one long im- 
aginary rod with a “scale” — the scale or calibrations being the 
numbers or countings from the zero-point in. both directions. 

It will occur to you, however, that while you have an excel- 
lent system for locating points in that one line along which 
this imaginary rod lies, that is, along which you walked, you 
have no means of identifying points elsewhere in the field. 
Suppose, therefore, you return to the “origin” with a short 
actual rod which is long enough to reach from point “x, S” to 
point “;r, ~*5” and lay it actually between those two points. 
(You can extend this rod in your imagination indefinitely, in 
both directions, but a rod of ten steps length is handier to 
carry about than an indefinitely long one.) At every stake 
mark the corresponding point on your rod, with the same 
numbers, so that you can dispense with the stakes entirely, 
and with the rod in this position you can still locate points 
along the “;r” direction from the origin, either positively or 
negatively, at once. 

Now stand at the origin with the positive markings on the 
rod to your right and its negative markings on your left hand, 
and you will find yourself facing in a direction at right angles 
to your first line of walk. Strike out in this new direction. 
As 3 rou walk you can again keep track of the distance by count- 
ing foot-steps, and you will again in this new direction find 
both positive and negative values which mirror each other. 
You can find positive values by walking forward and negative 
ones by walking backward from the origin. This new direc- 
tion, lying at right-angles to the original direction, yoii 
can call the “y” direction, and specify points along it as “y, 1,” 



66 


CIL-iKTS JND GIUPHS 


“y, 2,” “y, 3” and “y, -1”, -2,” -3/’ and so on. 

And so you will have set up a second scale at right angles to 



your first or “%-scale,” by means of which you can identify 
points along the “y” direction from your origin. The unit of 
measurement may or may not be the same as the unit used in 
the first measurement, but of course whatever unit you adopt 
in the “y-scale” must be adhered to as closely therein as was 
the “x;-unit” along the “;c-axis.” Being in a new direction, 
the distances have no relation to those in the old direction, 
but it is obvious that along either direction the units therein 
must be uniform. And since we called the first direction the 
“x:-axis,” we may call this new one, at right angles to it, the 
"y-axis.” 

Now if you will pick up the rod, lying in the “x-direction” 
and carry it with you as you walk in the “y-direction,” without 
swinging it or moving one end faster than the other, but taking 
care to hold it rigidly as you walk, you will see that every 
point along the rod, marking distances along the “x-axis” 
describes a straight line parallel to the “y-axis” in which you 
walk. Here you will have a means for identifying any point 
on the field. You need but to carry the rod or x-axis out 
along the y-axis until the rod crosses the point you wish to 
identify. Then note the point on the rod with which it co- 
incides, such as “x, 3,” and the point on the y-axis to which 



CO-ORDINATES 


67 


you carried the rod, such as 6/^ You will define the point 
as being y, 6/’ and you will search in vain for any other 



Fig. 49. 

point which can be similarly described. Three other points 
you will find which have the same numbers, but not the same 
signs; these points will be 3; y,-6, ‘‘.r, -3; y, 6'’ and 
—3; y, —6.’’ You will find that your two axes cut the 
field into four quarters, in each of which all points have the 
same combination of signs. 

If you do not wish to carry the rod back and forth along 
the y-axis, or a similarly marked rod in the y-axis back and 
forth along the ^-axis, you can lay a series of rods parallel to 
each other and perpendicular to the ;c:-axis, crossing that axis 
at each point marked off on it, and another set of perpendiculars 
along the y-axis so that your entire field is crossed by these 
measuring rods in two directions. Thereafter you can locate 
any point on the field by walking out either axis and then 
turning at the right distance and following the perpendicular 
there, parallel to the other axis.i 

You now have at your disposal a means for identifying any 
point or any number of points upon a given field, or in precise 

^ The co-ordinate axes need not be at right angles to each other, they may be drawn 
at any other angles desired; in the latter case, they may be thought of as really at 
right angles, but seen from a side rather than a direct view. 



68 


CHARTS AND GRAPHS 


language, in a plane surface. A plane has, as geometricians 
say, two dimensions, commonly called length and breadth. 



-4 -8 -S .1 0 1 3 8 4 e 

Fig. 50. Field with Equal Scales. 


For these you have laid down two straight lines, or axes, at 
right angles to each other. One of these you have called the 
“x-axis,” the other the “y-axis.” Both have been calibrated 
or measured off and scales attached. And with this simple 
mechanism you can take measurements of various objects in 
your field and record locations so precisely that others can, 
by your records, be led to the very same objects, or can dis- 
cover without possibility of doubt, the exact spots upon which 
the objects had been placed when you measured them. In 



4.IS w4 -8 -a -1 0 1 2 8 4 fit 

Fig. 5U Scales pf A?ces Unequal, 



CO-^ORDINATES 69 

short you have the means for identifying any point upon a 
plane surface. 

It is a fortunate coincidence that the paper upon which we 
ordinarily write is flat and its surface can be considered a plane 
surface. For this enables us to apply a reverse English to our 
measuring device, and use it in making precise illustrations of 
such fields as we have measured. Now instead of being given 
a field with objects and being required to set up the measuring 
device in order to ascertain the location of the objects, we will 
be given paper already ruled off with the measuring device, 
and will be required to place thereon indications of the objects. 

The paper ruled off in this way is called “co-ordinate paper” 
for reasons which will presently appear. Its rulings represent 
a series of parallel lines laid crosswise over another series of 
parallels, and we are at liberty to select any two intersecting 
lines for our axes and mark off our scales or measurements 
along these lines as large or as small as may suit us. And you 
will find that more than half the charts you ordinarily encounter 
will be constructed in this way. The horizontal lines are called 
abscissae, the vertical ones ordinates.^ Taken together, these 
co-ordinate rulings form what is, in chart-making, technically 
called the “field” of the chart, being the background upon 
which the distinctive portion of the chart is superimposed. 
And as will be remembered, from the chapter on superimposi- 
tions, the basic portion or field should be as unobtrusive as 
possible, that the important features may receive more atten- 
tion. The field should always be drawn lightly, with thin 
lines, and with no more co-ordinates ruled in than are necessary 
to afford the chart-reader ease of comparison. If possible, 
the field should be in green or grey ink, as this further sub- 
merges it. 

The origin or zero point we have so far taken within the 
field, so that the field is cut into four quadrants in which the 


2 In consequence of that quaint genius for unnecessary trouble sometimes exhib- 
ited, a very serious discussion has occasionally arisen as to whether the abscissae 
should be ruled upon the paper with their upper or lower edges upon the exact positions 
which the lines signify. The idea of those who favor the upper edge appears to be 
that the abscissae are shelves upon or above which plotted points rest, when permitted 
to do so. The idea of those who favor the lower edge is not so cogent. Curiously 
enough, similar debate has never raged around the position of the ordinates. As a 
matter of fact, few charts are so precisely drawn or so finely adjusted that the thick- 
ness of the ruled line is material, and in every case, the obvious place for all ruled 
lines is a centered position, that is, one in which their two edges are equidistant from 
the precise desired positions of the imaginary lines they represent. 



70 


CHARTS AND GRAPHS 



ij. 52, Origin of Chart near One Edge of Field. 

values of points mirror and repeat themselves with dilFerent 
plus and minus signs. But in practice a large proportion of 
our measurements or data present no negative values^ at least 



Fig. 53. Origin in Comer of Field, 

along the x-dimensbn. The right-hand upper quadrant, or at 
most the two right-hand quadrants are then sufficient, and we 
can omit the remaining quadrants entirely. As a result, the 
ordinary chart on these co-ordinate rulings shows the value of 
zero or. its origin-point along its left hand edge and generally 
in the lower left-hand comer. The method is still the same, 
but a portion of the field is merely being omitted, because 
useless. In fact, we can even go further and begin the chart 




Fig# 54# Origin Not Shown in Chart. 

out to the right of the origin, omitting the origin itself when 
that also is not to be used. 

This system of parallel lines to two axes, which are them- 
selves at right angles to each other, belongs to what is called the 



Fig. 55. Field with Co-ordinates Not Perpendicular. 

Cartesian system of co-ordinates. That system need not stop 
with plane two-dimensional surfaces but can be extended to 
cover three-dimensional space, by the very simple expedient 
of perpendiculars erected at the intersections of the parallels. 
You may think of this as lifting your entire net-work of rods 
up over your head as you stand on the ‘^origin” in your field, 
or forcing it down into the earth below you; calling the vertical 
line through the ‘ Vaxis’' and measuring upward distances 
positively and downward distances negatively. But because 
three dimensions are not easily represented on a flat piece of 






7'2 


CHARTS AND GRAPHS 


paper, you will find few charts which have at the same time 
three axes. 



Fig. 56. The Three Axes of Three-dimensional System of 
Perpendicular Co-ordinates. 

Students of trigonometry will recall another method of 
measuring. They will say, standing at your point of origin 
with the ‘‘:^-axis” rod in your hands, do not walk forward, but 
turn slowly around. The points on the rod will then describe 
a circular movement about you, and you can locate any point 



Fig. 57. Polar Co-ordinates. 


in the field by noting the distance on the rod and the angle 
through which it has been turned. Indeed, you will find many 
a chart which is built on this principle. Later on when we come 
to some examples of it, we will have to explain its peculiar 
qualities. For the present it is enough to say that the method 
of “polar co-ordinates” can be used. 



CO--ORDINATES 


73 


The great mass of chart work is built along plain co- 
ordinates. The simplest form of all uses but one axis, and 
consists only of a straight line; the commonest form uses two 
axes, and consists of square or rectangular outlines. Occa- 
sionally we have use for three axes, using three dimensions, 
and we must not forget also, the circular two-dimensional 
device with polar co-ordinates. 

Ail this is so extremely simple that we hesitate to dwell so 
long upon it. But unfamiliar names are great bug-bears; let 
the idea be as simple as pie, technicians will come along and 
give it a long high-sounding name, generally created on the 
spur of the moment by themselves out of ancient Latin or 
Greek dictionaries, but which even the old Romans and 
Athenians themselves would have been unable to understand. 
We must not let them fool us with these long empty names. 
On the contrary, when we see ‘‘co-ordinates’^ we will know 
that it means nothing more than criss-cross lines. We will 
remember the criss-cross checker-board arrangement of roads 
in American cities, and unless we hail from Boston, we will 
think of “street” when we see the word “abscissa” and we will 
think of “avenue” when we see the word “ordinate.” The 
“;r-axis” is “Main Street” from which on both sides the other 
streets f abscissae) are counted; the “y-axis” is “Main Avenue” 
from which on both sides the avenues (ordinates) are counted.^ 
The point is that under no consideration will we let ourselves 
get disturbed by the unfamiliar names, and in a little while 
we shall be able to swing these words around with the best of 
them. 

2 “Main Avenue*' (the “y-axis’*j is crossed or cut by the streets (abscissae — 
Latin for cut-ofFs} and “Main Street" (the “.v-axis") is crossed or cut by avenues 
(ordinates — their Latin failed them here — ordinates means arranged in order). More 
than that^ if the streets run east and west, and the avenues north and south, then 
positive A is east along a street from Main Avenue and negative v is west; positive y 
is north along an avenue from Main Street and negative y is south. Upper Central 
Park West, for example, is negatives; from Fifth (Main) Avenue and positive y from 
Battery Park. 



Chapter VIII 


DIMENSIONS AND VARIABLES 

While it is deemed essential for artists to understand the 
nature of crayons, brushes, and like materials for their 
work, yet we often observe that they make a great to-do over 
their study of human anatomy, landscape scenery, and the 
subject-matter of their work in general. In the same way we 
who would illustrate mathematical facts must, it is true, mind 
our “p’s” and “q’s” — ^which is to say, our “abscissas and 
ordinates,” but these are merely the tools with which we work, 
and most of our attention should be directed to our subject- 
matter — the data or statistics we wish to illustrate. The closer 
is our analysis and understanding of the nature of this subject- 
matfer, the clearer and more accurate will be our graph or 
illustration of it. 

Because this book is largely a manual on the craftsmanship 
of charting, and will therefore be mostly devoted to the exam- 
ination of the various types and kinds of charts with which 
you can illustrate statistical facts, we here take one last occa- 
sion, before the curtain rises on the charts themselves, to appeal 
to the reader, on behalf of his own common-sense, and urge 
him to review carefully his analysis of his statistics, before 
laying ruler to chart. 

We make this appeal at this time when the reader has 
finished his statistical work and is addressing himself to its 
charting. This is the time when, once more, he must stand off 
and scrutinize the statistics which he has compiled in the face 
of such great difficulties— the statistics which are as dear to 
him as his own thought-children — and scrutinize them with 
cold, calculating, dispassionate eyes. Do not make the mistake 
of plunging into the charting-work direct from the statistical 
work, but once more carefully weigh those statistics against 
the original question, “What do I want to know?” 



DIMENSIONS AND VARIABLES 


75 


The reason for this is two-fold. In the first place, this final 
examination will give you valuable suggestions as to what part 
of the statistics the chart should emphasize. It will enable 
you to eliminate from your chart entirely what is not significant 
to your inquiry, though the same may be necessarily retained 
in the table for reference. It will enable 3?'ou to focus the chart 
upon the essential information and present it to others in pre- 
cisely the light or relation in which you wish it seen.i In short, 
it will take the ^^straw'' out of your graph and leave only the 
wheat. 

In the second place, you need this last-minute scrutiny’' of 
your figures, or some similar analysis when your results have 
come clearly into view, to determine how you will chart the 
statistics. Though it will not always decide the precise form 
of chart for you, it will settle the fundamental principles of 
that chart, and you can easily modify details later. The re- 
mainder of this book will be devoted to the details of the 
various charts, but here and now let us attack the fundamental 
principles. 

You have seen in the last chapter that measurement of 
space is based upon linear distance in each of its dimensions. 
A one-dimensional space would require but one axis or direc- 
tion for measurements. A two-dimensional space would 
require measurement in two axes or directions. A three- 
dimensional space requires measurement in three axes or 
directions. In short, there must be as many axes for measure- 
ment as there are dimensions. 

Now in precisely the same way, your statistical data can 
be considered as having one, two, or more dimensions. If 
there is but one dimension in your data, you should use but 
one axis or direction on the chart-paper to picture it. If there 
are two dimensions in your data you can use several one- 
dimension charts or one two-dimension chart. If there are 
three dimensions in your data, you can either present them 
two at a time in several two-dimension charts, or try your 
hand at one three-dimensional chart — a more complicated 
form. 


^ It is not intended here to suggest that it is possible or desirable to practice 
d-ceprion, with any correctly-made chart, but only that the chart-maker can bring 
out various asp.x'ts of the truth about his data with greater or less clearness, by his 
choice of charting method. 



76 


CHARTS AND GRAPHS 


How can you tell how main" dimensions there are in your 
data? You can tell by the form which your data takes when 
you have neatly tabulated it. You must allow one more 
dimension to your chart than the figures to be plotted actually 
require for correct tabulation. That’s the rule. For a figure 
itself must be considered as having one dimension. (Imagine 
each figure as reaching up perpendicularly off of the paper and 
this will become clear to you.) 

This rule can therefore be stated in another way. For 
single figures use one dimension or axis on your chart. For a 
series of figures, arranged either downward in a column or 
across in a rowy use two dimensions. For a series of series of 
figures, comprising a row or line of columns side by side, use 
three dimensions. These last cases are not frequent, and are 
limited to occasions where you could have presented the figures 
in each row in a two-dimension chart, or the figures in each 
column in a two-dimension chart, but wish instead to show the 
figures by columns and rozes simultaneously, requiring, there- 
fore, a three-dimension chart. 

It is alwa3^s possible to present several charts in one. For 
instance b^" using a number of one-dimension charts, 3"ou may 
adhere to the one dimensional principle, but show several at 
the same time. A series of horizontal bars, for instance, is an 
illustration of this. (But when the series is arranged with care 
as to the downward axis also, these man\^ one-dimension charts 
can sometimes be made into one two-dimension chart.) Or 
you may use a number of two-dimension charts, thereby 
adhering to the two-dimensional principle, but showing sev- 
eral at one time. A number of curves on the same chart-field 
illustrate this. However, where the base-lines are diflferenti- 
ated with care, these can often be made into one three-dimen- 
sional chart. Charts into which several single charts have been 
compressed are called multiple charts. 

This brings us to an important exception or modification 
of the simple rule for dimensions. For it is necessary that you 
distinguish between variables and other functions. A table 
which includes two or more functions which are not variables 
IS really not a simple table but a multiple table, into wdiich 
several simple tables have been combined. Thus, if the stubs 
of your tabulation (that is, the items at the left of each line) 
form a variable, they should be counted as requiring a dimen- 
sion on the chart. But if they are not values of a mathe- 



DIMENSIONS AND VARIABLES 


77 


matical variable, they do not add to the dimensions of the chart 
but merely form a list of the number of charts which may or 
may not be compressed into one multiple chart. The same 
considerations hold true of the ‘^column-headings^^ or ‘^cap- 
tions” of the tabulation. The stubs or headings constitute 
variables, when their arrangement is fixed by their mathe- 
matical sequence, but are not variables when they may be 
freely shifted about. 

The question of whether you are plotting individual figures 
(no variable, one dimension), or series of figures (one variable, 
two dimensions), or series of series of figures (two variables 
and three dimensions), is therefore a matter of whether the 
arrangement of the component parts is fixed or not. If your 
individual figures (together with their stubs) can be shifted 
freely up or down in their places, you are only plotting several 
single figures, and need to use but one dimension. If however, 
their arrangement is fixed and dependent on each other, you 
are plotting one series of figures and need two dimensions. 
Likewise if your columns or rows of figures can be freely shifted 
about among each other, you are plotting several series and 
need only two dimensions, but if their arrangement is fixed 
and dependent upon each other, you are plotting a series of 
series and need three dimensions. 

All of this may seem very confusing just at present, but as 
time goes by and you become more familiar with the nature of 
your figures, you will begin to understand the interrelation of 
these figures and then you will be able to use the rule just 
considered to determine quite arbitrarily in advance the type 
of chart you will need for illustrating them to the best advan- 
tage. We will therefore table this matter for the present, with 
the purpose of returning to it later on with a fuller under- 
standing. 

A corollary of this rule, however, you can keep and make 
full use of from the outset. That is, never to use more dimen- 
sions than are necessary for your chart.' Do not use tw'o 
dimensions when one will serve your purpose, nor three when 
two will do. If, through an excess of zeal, you violate this rule, 
and use more materials than are necessary, you will merely 
defeat your purpose and confuse the reader of your chart. 

Let us take a simple example. Suppose we wish to illus- 
trate with a chart the relative sizes of two cities, with popula- 
tions 5,000 and 10,000 respectively. Obviously the second 



78 


CHARTS AND GRAPHS 


town is twice as large as the first. There is but one variable 
present (none in the data-stubs or column-headings), the sizes 
of the cities. According to our rule we will use one-dimension 
charts for these figures, but as there are two of them, w'e will 
have to use two charts. 

Because the charts are single-dimension or single axis ones, 
it is obvious that they will be straight-line ones. Two lines or 
bars, the one of which is twice as long as the other, will illus- 


Fig. 58. 

trate the two populations, so that the reader cannot help 
arriving at the conclusion that one city is twice as large as the 
other, merely from a glance at the chart. This chart will be 
both clear and accurate. It is therefore correct. 

But suppose we had in this case used two-dimension charts. 
Suppose for example that we had used square areas instead of 
lines. And because the second city is twice as large as the 
first, suppose we therefore made each dimension in the second 


□ I I 

Fig. SB* 

chart twice as great as the corresponding dimension in the 
first chart. You will already be objecting that the area of the 
second chart will not be twice as great as the area of the first, 
but four times as great. Look at the chart. Notice how sur- 
prising is the difference between the two cities as here repre- 
sented. 

And notice also that it is very hard, from the chart alone, 
to decide exactly what the ratio between the two areas is. The 
eye does not readily compare areas with precision. At first 
glance one might be inclined to say that the second area is 
five times as great as the first; though we who made it know 
that it is only four times as great. This illustrates a very 
important rule — that it is difficult to compare areas. That 
rule follows from the original principle, not to use more dimen- 
sions than necessary, but it is worth keeping in mind as a 
particularly important phase of the principle. 




DIMEiVSJONS AND FARIJBLES 


19 


But you will say, “Cannot we show the areas in true pro- 
portion?” We can, if we will but take the trouble. A little 
figuring will show you that if the areas are to be in the ratio 
of 5,000:10,000 or 1:2, the sides of the squares must be in the 
ratio of one to the square root of two. Get out your pencil 
and paper — or your slide rule — and figure out the square root. 
It happens to be 1.414. Consequently, if the square areas are 
to be in the proportion of one to two, the sides of the squares 


□ u 

Fig. 60 . 

must be in the proportion of 1 to about 1.4. Now draw the 
two square charts in such a way that the sides of the second 
are 1.4 times as long as the sides of the first. 

A glance at the resulting chart will disappoint you. Instead 
of making the difference in size clearer, you have apparently 
minimized it. The two areas no longer seem so very different 
in size. It will take a clever reader indeed to realize from a 
study of the two areas that the second city is fully twice as 
great as the first city. And the worst of it is that many 
readers will, through ignorance, fall back on the length of 
the sides as a basis of judgment, and decide that one city is 
only half as large again as the other. In short whether you use 
the sides or the areas as your own basis, there is a good chance 
that your reader will happen to use the other basis and so be 
entirely misled by your chart. 

Obviously this is no less true when we use circles or other 
regular areas in the place of squares. A circular, like a square. 



area varies with the square of its linear measurements. If 
you make the radius of one circle twice as great as the radius 
of the other, the first area will be four times as great as the 
first. If you make the areas proportionate, the radii must be 
in the relation of 1 to the square root of 2. Both circle and 
square require the more or less tedious computation of square 



8o 


CHARTS AND GRAPHS 


roots and repay this labor with inaccurate and ambiguous 
results. 

o O 

Fig. 62. 

We can carry this example further, into three-dimensions. 
That is to say, suppose we attempt to show a one-dimension 
fact by a three-dimension chart. Suppose some bright young 
illustrator suggests that, since it is population we are showing, 
we use the picture of a human being for a chart. Now let us 
make the height of one person just twice the height of the 
other. What has happened to the volume or W'eight of the 



two persons — assuming that they are similarly shaped : 
Clearly one is eight times as large or as heavy as the other, for 
the volume of cubes or solid bodies varies with the cube of linear 
dimensions. Our pictures give a grossly exaggerated impres- 
sion of the comparison of the two cities. 

To counteract this, we can make the volume or weights of 
the two bodies represented in the proportion of one to two. 



Fig. 64. 



DIMENSIONS AND VARIABLES 


8i 


But in this case their heights and other linear dimensions are 
going to be in the ratio of one to the cube root of two. You 
will find if you look it up, that the cube root of two is 1.26. 
And you will be even more disappointed with your resulting 
volumes when you have drawn their heights to scale, than 
you were with the resulting surface areas. Meanwhile your 
poor reader will be trying to choose between three ways of 
judging from your picture — height, surface area, and cubic 
volume — ^with a two to one chance of making the wrong choice. 

The illustration of population by areas or solids is a fre- 
quent type of faulty chart. We have all seen pictures pur- 
porting to show the sizes of various armies, for instance, by 
pictures of soldiers drawn to different sizes. Even the United 
States Census,^ has turned out an entire volume of several 
hundred pages, containing many circles illustrating relative 
sizes. It is perhaps the commonest form of deceptive or 
ambiguous chart used — most frequently occilrring when the 
author has tried to combine a picture of his items with a chart 
of their mathematical ratios. 

When you see such a chart in the future, learn to ask your- 
self what part of this chart shows the true ratio, height, area, 
or indicated volume. In nine out of ten cases you will find, 
by looking at the data, that the height or linear dimensions 
are in true proportion. You will then realize that the area or 
indicated volume is grossly deceptive and you will not be 



Fig. 65. The Effects of Comparison by Linear, Square, 
or Cubic Measures. 

2 One of the greatest official accumulations of charts is the Statistical Atlas of the 
Twelfth Census of the United States, in which circular areas were used very exten- 
sively with correct interpretation of values by areas. 



82 


CIURTS AND GRAPHS 


misled by it. In any case you will quickly see that the man 
who made the chart either did not know his business or if he 
did, was guilty of shameless intent to deceive. 

In short, the rule that no more dimensions or axes should 
be used in the chart than the data calls for, is fundamental. 
Violate this rule and 3’ou bring down upon 3’’our head a host of 
penalties. In the first place, you complicate your computing 
processes, or else achieve a grossly deceptive chart. If your 
chart becomes deceptive, it has defeated its purpose, which 
was to represent accurateh". Unless, of course, you intended 
to deceive, in which case we are through with you and leave 
you to Mark Twain’s mercies. If you make your chart accu- 
rate, at the cost of considerable square or cube root calculating, 
you still have no hope, for the chart is not clear; your reader 
is more than likely to misunderstand it. Confusion, inaccuracy 
and deception always He in wait for you down the path depart- 
ing from the principle we have discussed — and one of them is 
sure to catch you. 



Chapter IX 


HUNDRED-PER-CENT BARS 

The division of a “whole” into its “parts” is logically one 
of the first steps -in any analysis. Usually the graph illus- 
trating this division belongs at the beginning of a statistical 
report. Thus, if your report covers the sales of the company, 
your first chart would break up total sales into the individual 
sales for each line or for each district. The remainder of the 
report, treating of details of the various “parts” (e.g., lines or 
districts) will then follow a summary chart which has estab- 
lished their relative importance. 

A quantity can always be illustrated by a straight line, or, 
as it is commonly called, a “bar.” Bars are the simplest and 
often the best form of graphs. The total length of the line 
then represents the total value of the quantity. When we speak 
of a line in charting, we do not mean an imaginary straight line 
having neither width nor depth, for that would be invisible 
and could not, of course, be actually used in illustrations. In 
its place we use the bar, with a visible width (and the actual 
depth or thickness of a layer of ink). But it is still proper to 
speak of this bar as being a line or one-dimension chart, for its 
width and thickness are constants, necessary to give visibility 
to the line, and its length alone is significant. 

Now a single bar, illustrating a single figure, will have no 
particular meaning for the I'eader, because he has nothing to 



IBZQ 

Fig* 66, A Simple 100^ I Bar, 



84 


CHARTS AND GRAPHS 


compare it with. There is therefore but one case in which we 
have any use for the single bar, shown by itself. This is the 
case in which we wish to show the parts into which a total 
may be broken up, or of vrhich it may be composed. And 
whatever the quantity or total be which is thus composed of 
two or more parts, we may call it 100 per cent of itself and the 
parts will then be certain percentages thereof. Hence, this 
single bar shown by itself, has come to be called the ^T00% 
bar,’’ regardless of whether the total and part quantities be 
quoted in the data and chart in actual values or in relative 
percentages. Irrespective of scale or calibrations, the bar rep- 
resents a whole or 100 per cent, and its divisions or parts rep- 
resent parts or percentages thereof- 


I?* 

A* 




o.4;ub ifi.s *»: 


PERIODIJAW IH the ITiItiD STAI» 
IS.’O 

(Koure* - H. Tl. Ay dr k B«>) 


Fig. 67. Many Segments, No Shading. 


In the 100% bar we have the mathematical equivalent of 
the classification chart. Turn back to Chapter III if you 
have forgotten what a classification chart is — or better still, 
don’t turn back, but stop and try to remember it. The classi- 
fication chart sets forth the ideological or schematic relation 
of things. Commonly it displays the parts of which a whole 
is composed. When it does this, it is very similar to the 100% 
bar. The difference between the two lies in the fact that the 
classification chart shows what the parts are but does not tell 
their relative importance or size, while the 100% bar shows 
their relative importance or size, upon the basis of certain 
numerical data. 

Thus the best labelling (for labelling is half the work of 
chart-making) for the 100% bar would seem to be a classifica- 
tion chart placed, obviously, above the bar. As a matter of 
fact, wherever it is typographically possible, this is correct. 
Use a classification chart to label a 100% bar, or a 100% bar 
to illustrate a classification chart, and you have the best pos- 
sible combination. Of course where some parts are relatively 
very small, typographical difficulties arise. If you cannot over- 
come these by setting certain words on edge, you will be 




HUNDREB-PER-CENT BARS 


85 










n 




“L 

Battle 


Other 

47,918 


29,203 

= 1 : 




~1 


Killed 


Died 


— 

Died 


in 


of 


of 


Action 


Wound B 


lisease 


34,218 


13,700 


23,430 



Total Casualties 
302,612 


V<ounded 

Severely 

83,390 


Wounded 

221,059 






Diaunded 

Slightly 

91,189 



Degree 

Unlmown 

46,480 



jOiERICjyS CJiSDALTIES IH THE TORLD KAB 
1917-1918 

Fig. 68. Classification-chart and 100% Bar* 


obliged to content yourself with a general grouping of minor 
parts into a single part labelled “Other,” “Minor,” “Miscella- 
neous” or some such rag-bag title for stray odds and ends. 

A further detail of the 100% bar and its labelling, is the 
scale. This should generally be in hundredths or percents. 
The data may be entirely in absolute quantities, but neverthe- 
less the scale should show percentages. To prevent the con- 
fusion of scale and divisions of the bar, the scale should be 
outside the bar, and the best practice seems to be to indicate 
the scale by little notches or short perpendicular lines dropped 
below the bar, from its lower edge. The scale should have 
ten, twenty, or a hundred of these little lines, each indicating 
a division of ten, five, or one per cent. The purpose is to enable 
the reader, by counting notches on the scale, to compare parts 
of the bar with greater accuracy. For the same reason, the 
actual percentage to which each part is equivalent should be 
written or printed below the bar under the center of each part. 

The bar itself, as has been said, should be of appreciable 
thickness. Too light or narrow a bar, such as a thin line, has 
no emphasis or force. But too wide or heavy a bar introduces 
two-dimensional rather than linear conceptions in the mind 
of the reader and sometimes produces undesirable optical illu- 
sions. The width of a bar should be such as to make it clearly 
visible at the distance from which it is to be viewed. The best 











86 


CHARTS AND GRAPHS 


form of bar is generally between a tenth and a twentieth as 
thick as it is long. 

The bar should be hollow, that is, outlined. The segments 
or parts of the bar may also be hollow, but it is better to shade 
them with distinct colors or shadings. Small dots, various 
hatchings (cross-lines), and double-hatchings (criss-cross lines), 
can be used to distinguish the various parts without using 
colors. But where colors can be used, they are sometimes de- 



THS FAHltY BCCOST 
«• to Clas»«s of Comoditl** 

Uni tod StAtfls 
1913 

(Soure* - Monthly Lohor 

(Hot#; ViL, Pu#i nfii LiRhUnj, ?4F. Furr.itur# *aci FurniihlniEi J 

Fig. 6S. Distinct Shading. 

sirable, for the reason that solid shades are more forceful than 
black and white shadings. Care must be taken in either case, 
however, to see that the various parts are similarly emphasized 
by the color or shade, for otherwise one part will appear more 
important or larger than it really is. A solid black area will 
appear to be larger than a solid white one outlined in black, 
though really of exactly the same size, for the black is in itself 
so much more powerful than the white, and has further gained 
by absorbing its black outlines. Experiment will soon show 



rmiOK tbauc catpiays 

U 20 

Fig. 70. Two Bars are Easily Compared. 


HUNDRED-PER-CENT BARS 


87 


whether an optical illusion^ is being introduced by the shadings, 
and those combinations which will bring out the various parts 
equally. 

The data for the 100% bar need be no more than a list of 
the parts of which the whole is composed, with their respective 
percentages, and either with or without their respective abso- 
lute quantities, according to your wish. If the quantities are 
important, or you think that someone is likely to call for them, 
add them and forestall criticisms; if they are unimportant, 
they can be safely omitted. While the percentages are almost 
always desirable and are best placed below the bar, as part cf 
the scale, the absolute figures or data, if inserted, are best 
placed immediately over the bar, as part of the classification 
chart which is used for the labelling. 

That data of this character calls only for a single dimension 

Year 1913 



ThE FAMILY BUDOET 

OiTidad as to Claaaas of Conaodltiot 
United State* 

1913, Dec 1920> Deo 1921 
(Source, - Monthly Labor HevidJf) 

(Note:- tkl, fuel and Lighting; F4F, Furniture and rurnl»h£nj;l) 

Fig. 71. Comparison of Three Different Years. 

chart, according to the rule of chart dimensions is obvious. 
For the individual figures, with their stubs, in the table of 
data, can be shifted freely up or down the column or across in 
the row in which they are tabulated and the stubs therefore 
cannot be said to form a variable. In another chapter we shall 
consider another way of presenting the same data, in which 
each figure forms a separate bar, and the series of figures in 

^ For a discussion of the various optical illusions to be avoided, see Willard 
C. BxmtonyGraphic Methods for Engineer ing Magazine Co., pp. 358, 

359. See also Appendix I). 



88 


CHARTS AND GRAPHS 


the data are shown by a series of separate bars. In the 100% 
bar you may, if you wish, think of these same bars as being 
again showm separately, only placed end to end instead of 
one above the other. And data of the 100% type, that is, in 
which the figures can be added together to form a coherent 
and significant total, is the only case of data which can be 
shown on the 100% bar. For all other series of figures, the bar 
charts discussed in a later chapter must be used. 



Chapter X 


PIE-CHARTS 

Throughout your study of charts you will find some which 
are more useful for popular consumption than others, but you 
will not find many which are more purely popular in appeal 
than the 100% circle or pie diagram. For analytical purposes 
it has nothing to recommend it, but for sensational values it 
is in general without an equal. If you are research-bent, you 
may safely pass by this chapter on popular exegesis, but if 
your object is advertising, you will seize it to your heart. 

5 We have just seen how a single bar can be taken to repre- 
sent 100% and can be cut up into segments or parts the lengths 
of which correspond to the relative sizes or percentages of the 
various parts of the 100%. The fact that the line is a unit, 
and so long as it remains the whole, can never be more than a 
unit or 100%, should suggest something. It should suggest 
that the total length of the whole line is relatively unimportant. 
It is unimportant because the reader is not asked to compare 
the total length of the line with the total length of any other 
line. There is no other line to compare it with, unless a second 
100% bar is lying around handy, in which case the second 
would presumably have the same length, because it too repre- 
sents 100%. Hence, you will say, why have any total length 
at all.^ 

Centuries ago it was a moot question among philosophers, 
whether the Lord could make a yardstick which was endless. 
Then someone suggested that the yardstick be bent into cir- 
cular form and the question was dropped. Let us perform the 
same operation on a 100% bar. Imagine, if you wish, that 
the bar is so very thick for its length that while one edge be- 
comes the circumference of the circle, the other shortens down 
to and becomes the center of the circle. Division lines between 
the component parts of the bar become rays or radii of the 
circle and serve to mark off the corresponding component seg- 

8p 



9° 


CHARTS AND GRAPHS 


ments of the area of the circle. Here you have in a nut-shell 
the pedigree of the pie-chart. 

IMPORTS INTO RUSSIA 
1921 

(Source:- Russian Information and Eeriew, London) 

(Grand Total, ♦124,281,000) 



Geraiany 

Fig. 72. A Simple 100% Circle* 


It is now time to let you into the secret that the rule of 
dimensions of charts, which you doubtless memorized in a 
previous chapter, has apparent exceptions. The pie-chart is 
one of them. For few readers will judge quantities by either 
the arc at the perimeter of the circle or the subtended angles 
at its center — on the contrary most of them will judge entirely 
by the areas of the segments. In short, the pie-chart appears 
to be a two-dimension (area) chart used for one-dimension 
data. The fact is, however, that, as in the case of the 100% 
bar, the area of the chart varies directly with one dimension, 
the other dimension being constant. In the 100% bar the 
width of the bar was constant in the 100% circle the radius 
must be constant for all circles compared. Then the area*‘of 
the segments varies directly with their arcs or angles and the 
chart has but one significant dimension. It is only an ap- 
parent exception to the rule. 




PIE-CHARTS 


9T 

The disadvantages of the pie-chart are many. It is worth- 
less for study and research purposes. In the first place, the 
human eye cannot easily compare as to length the various arcs 
about the circle, lying as they do in different directions. In 
the second place, the human eye is not naturally skilled at 
comparing angles — those angles at the center of the circle, 
formed by the various rays or radii and subtending the various 
arcs. In the third place, the human eye is not an expert judge 
of comparative sizes of areas, especially those as irregular as 
the segments of parts of the circle. There is no way by which 
the parts of this round unit can be compared so accurately and 
quickly as the parts of a straight line or bar. Moreover, when, 
as frequently happens, several pie-charts are shown together, 
the various slices in one chart cannot be so easily compared 






Fig. 73- Accurate Comparisons Cannot be Made. 



92 


CHARTS AND GRAPHS 


with the corresponding slices in the next, as can the various 
parts of one 100% bar with corresponding parts of another 
bar. The two bars can be placed one above the other, so that 
comparison from one to the other can be made at once, but 
no arrangement of the two circles will make comparison so 
simple. 

In the labelling of the pie-chart, you will furthermore en- 
counter typographical difficulties. It is not ordinarily a good 
thing to make a reader crane his neck at various angles to read 
writing along every point of the compass, so you should not, 
as so many do, write on radii from the center of the circle. 
On the other hand, unless the chart and its segments are very 
large as compared with the size of the printing, you will intro- 
duce tricky optical illusions if you write all labels in the same 
directions inside the segments. 



mCHASIBO POWK Of THf OOiUE 
Of 1913 

lAmn tt<*d for food rotail 
0. S* 

Fig. 74. The Less Detail, the Better. 


PIE-CHARTS 


93 


Sometimes, the best rule Is to put the labelling away In a 
key or explanatory list of the shades or colors of the various 
segments. Only if the labels are very brief, and your segments 
are all large, can you stow the labels into the segments without 
greatly altering their apparent sizes. When neither plan is 
feasible, and you feel that you must have each segment, how- 
ever small, immediately labelled, place the labels outside the 
circle, adjacent to the proper segments, with the printing in as 
nearly the same general direction for all as you can arrange, 
so that the apparent sizes of the segments are not confused 
by printing and the reader need not climb around the edge of 
your chart to decipher it. 

As a general thing, however, there is one part of the label- 
ling which can always be attached to the chart, namely the 
figures of the percentages for each segment, which in the bar- 

Retail Food Establishments 
New York City 
1921 

(Total Number, 75 , 412 ) 


9 ^ 



chart were placed immediately below the bar. These figures 
should always be placed close to the segments, but usually out- 
side the circle, so that the reader who wishes to have the precise 
percentage figure represented by a segment, can always do so. 

The scale (without scale-figures) may be placed inside the 
circle and unlike the 100% bar may or may not show in the 
finished chart. Special paper is marketed for these charts with 



94 


CHJRTS AND GRAPHS 




PIE-CHARTS 


95 



the circle printed in and already divided into a hundred parts 
by small notches within the circumference. The use of this 
paper will save you much time if you wish to make the seg- 
ments accurate in size. It is tiresome to use a protractor 
marked off into 360 degrees, and to calculate the decimal 
equivalent or percentage in degrees. Unfortunately, the metric 
system has not been applied to circular measurement so as to 
give any circular or angular measurement which employs a 
decimal system. 


96 


CHARTS AND GRAPHS 


The advantage of the pie-chart is psychological. It in- 
stantly commands the reader’s attention. A circle is, of all 
geometrical patterns, the easiest resting spot for the eye. The 
fact is well known to advertisers, who frequently use circles 
and circular outlines to draw attention to their advertisements. 
Hence if your chart is designed for publication, or for presenta- 





Bisect 01) at E and project EF equal to EA. Project the chord AG equal to 
AF. With dividers set for this distance, lay off from A the points, G, H, K, and 
J (as in upper right-hand diagram). Similarly lay off four points from B, C, and 
D (as in lower left-hand diagram). Erase all other marks and calibrate the 
twenty points so found, to form the finished circle (as in lower right-hand diagram). 

tion to readers whose attention may be easily diverted, you 
will find the pie-chart a powerful means for presenting your 
facts. Attention will be focused upon it at once, and it is as 



PIE-CHARTS 


97 


simple to understand as its name — far too simple for anyone to 
misunderstand. Because it is circular, there is no question 
but that it represents a whole and the various slices of the pie 
belong to their respective items. 

Cost of the World War to the United St.ates 
Estimate on July, 1521 
Grand Total Cost — 350,168,625,707.16 
(Source; World Almanac) 



A very sound use of the pie-chart occurs in the case of 
financial data. Here the whole circle or pie can be spoken of 
as a ^^dollar/’ and the various segments, the parts of the dollar, 
so many cents (or percentages) each. Charts of this type have 
been used to show the distribution of costs in a plant, or the 
parts of a financial budget, or the shrinkage of the dollar in 
high-cost-of-living studies. Through the fortunate coincidence 
that our metal currency is round and our dollar divided into a 
hundred cents, the shape and the labelling of the chart both 
find immediate understanding in the mind of the reader. 



Fig. 80 . A Pie-chart in Metal. 

The ‘‘Swift Dollar,” as it was called, on one side of which a chart shows the 
division of income from sales. 

The pie-chart must therefore be accepted as an advertising 
medium of value. It has strong popular elements. But it has 


98 


CIIJRTS /JND GRAPHS 


no place in the statistical workshop, or research laboratory. 
Before using it in the place of the simpler and sounder 100% 
bar, you should carefully gauge your audience or readers, and 
only if you believe that you have begun to strain their interest 
should you judiciously insert the pie-chart. In a sense, it 
might be construed as an insult to a man’s intelligence to show 
him a pie-chart, but the insult is not often resented. For if 
your main object be to get a story across, you are justified in 
taking that means which will encounter least resistance, and 
in making your story as simple as possible. For publicity 
purposes, the pie-chart is therefore almost invariably better 
than the bar. 



Chapter XI 


BAR-CHARTS 

A senes or quantities or values can be most simply and 
often best shown by a series of corresponding lines or bars. 
All bars being drawn against one and the same scale, their 
lengths vary with the amounts which they represent. In a 
previous chapter, the 100% bar was described, in which a 
single bar, whose total length had no significance, was divided 
into parts in order that the relative size of the parts nfiight be 
seen. In this chapter we propose to use several bars, which 
are not divided up into parts, but which can be compared as to 
their total lengths, in order that their relative sizes may be 
seen. While this new method could be employed with the 
same data, it is generally more useful for data in which the 
various items are not being shown as parts of a total, but as 
individual and co-equal totals in themselves, 

BUSINESS FAILURES 
Amount of Liabilities 
United States 
1920 

(Sources- United 'States Census) 

(Millions of Dollars) 



Bar-charts are most flexible and can be varied to suit the 
individual whims of the maker. ■ In general, however, there is 
one style or form which will be found most satisfactory. It 
consists of a horizontal grouping of bars alongside of the data. 
The chart is arranged in tabular form, with items or stubs in 


99 


lOO 


CHARTS AND GRAPHS 


a column to the left, with figures in a column beside the stubs 
and with bars in a column beside the figures. Several columns 
of figures are sometimes desirable, just as in the table of data, 
to show sources or original figures from which the charted 



Population 

Arsa 

square miles 

Pop, 
per 
sq.mi < 

TOTAL 

1,702,520,000 

57,255,000 

20,6 

Buropt 

464,661,000 

3,873,000 

120,0 

Asia 

872,622,000 

17,206,000 

50,7 

North America 

160,000,000 

8,689,000 

16.3 

Africa 

142,750,000 

11,623,000 

12,3 

South Amerloa 

56,340,000 

7,570,000 

7.4 

Australasia 

16,230,000 

3,315,000 

4.9 

Polar Regions 


6,082,000 



(Seal* of Population por S.o, Milo) 



DENSITY OP POPULATION OP THE BARTH 
by continonto 

Fig. 82 . Detailed Data may be Included. 


figures are obtained. In any case, the bars should represent 
the most important set or column of figures, and there should 
be normally but one column of bars. 

There should be but one column, of bars because the bars 
can be advantageously compared only when they are side by 
side, one below the other. Thej" should all begin at a uniform 
point or distance from the figures, so that their lengths can be 
compared out at the far ends. They should be the last column 
on the page, because their uneven lengths make further col- 
umns wasteful of space, and the addition of further columns 
introduces optical illusions which should be avoided. If a 
column of bars were to be followed by a column of figures, 
the reader would be apt not to compare the lengths of the 
bars, but their shortage from the last column. 

It is a very common error to place the data inside the bars, 
for by so doing the reader is led to compare those parrs of the 
bars which are clear of figures, rather than the entire lengths 
of the bars. This optical illusion exaggerates the difference 
in lengths of bars. Another mistake which is often made is to 
place the data out at the varying ends of the bars, for here the 
reader is led to compare the lengths of bars plus data, rather 
than of bars alone. Here the optical illusion minimizes the 



BAR-CHARTS 


lOI 


difference between bars. The proper place for data is in a 
column at the left of and immediately before the bars them- 
selves, with no more reading matter to the right of the bars. 

The scale for a bar-chart should be placed at the top of 
the chart, immediately above the uppermost bar. A field in 
fainter color (green is most useful for chart-fields) or thin lines 
should be drawn into the chart by extending down from the 
scale a few lines which mark off convenient distances on the 
scale. Thus the reader is enabled to compare lengths of bars 
far distant, by noting their relative positions against the field 
or background. Care should be taken that the lines of the field 
do not cross the bars, else the field will cease to be a back- 
ground and will become a screen in the foreground. 



(Source:* Bepori of Seiuttoriel Coffinittee) 

Figr. 83. A Long Bar Broken to Save Space. 

The bars should be of uniform thickness or width, as it is 
the variation in their length which is significant and variations 
in width would produce area-illusions. This rule is obvious — 
so obvious that where a large number of bars are shown and 
the reader is already thinking in terms only of the lengths of 





102 


CHARTS AND GRAPHS 



the bars, it is permissible to violate the rule to emphasize im- 
portant or group-total bars. The simplest example of the 
extra-wide bar is an average or total bar for the entire series. 


Fig, 84, National Distribution by States and State-groups. 




BAR^CHARTS 


103 


The extra width given this bar need be only slight to make it 
stand out from the rest as a sort of type or normal against 
which the individual bars can be measured. And this should 
be done only when there is no danger of the reader's attaching 
importance to areas. 

It sometimes happens that you desire to show two tables 
on the same subject, one giving a large number of individual 
items and the other a few sub-totals. It is a good plan in 
such cases to place the two on separate sheets that face each 
other, so that they both show at the same time, the one giving 
summaries of the other in the form of sub-totals. Where the 
summaries are not averages, but are true summations or 


TRADE DKICaiS OP THE WORLD 

Xitijnated M«mb«rohip of trade tmione in twenty oMef oountriea 
1919 

(Source:* International Later Office) 


TOTAL *32,680,000 


Australia 

628,000 

■*1 

Austria 

772,000 



— 

Eelgiuai 

760,000 



Canada 

378,000 

□ 

CteehosXoTsikla 

667,000 

.... 

DeiBBark 

360,000 

□ 

Finland 

41,000 

1 

France 

2,600,000 



□ 

Oermany 

2,000,000 


1 

Great Britain 

8,024,000 


Hungary 

600,000 

- 

Italy 

X, 800,000 


Wetbsrlands 

626,000 

P 

New Zealand 

100,000 

5 

Norway 

144,000 

D 

Rounianiu 

tmknown 


Serbia (Jugoalavla) 

20,000 

1 

Spain 

211,000 

□ 

Sweden 

330,000 

□ 

Switzerland 

224,000 

□ 

On! ted States 

6,607,000 

Cl 


4 =- 








lj 


Ti 




Fig. 85. An Alphabetic Arrangement# 



104 


CHARTS AND GRAPHS 


totals of the items they include, you will find it well-nigh im- 
possible to draw both charts to the same scale, without having 
one or the other so large or so small as to be useless. You will 
therefore be obliged to shorten your scale, that is, use a smaller 
scale for the summary-bars than for the individual bars. 

In such cases it is not a bad plan to make the sub-total 
bars wider. In exactly the same proportions as you condense 
the scale, you should thicken the bars plotted thereon, so that 
the areas of the summary-bars will be equal to the combined 
areas of the individual bars of which it is the total. This is 
one case in which a slight use is made of the conception of 
area, or two dimensions, but it is negligible, for the reader is 
not called upon to compare areas — only lengths — in all cases, 
and the thicker bars remind him that the scale has been short- 
ened on the sub-total chart and prevent his making confusing 
comparisons between the two charts. In short, when the group 
item in a series is an average of individual items in the series, 
it can be shown on the same scale, but where it is a total or sum 
of individual items, it can not be shown on the same scale 
without making the individual items small, but can be shown 
on a separate chart in reduced scale and with correspondingly 
increased thickness. 


1800 

1810 

1820 

1850 

1840 

1860 

1860 

1870 

1880 

1890 

1900 

1910 

1920 


Fig. 86. 


(Scale of Dollars) 



PJKCAPITA PUBLIC DEBT 
iesa Cash in Treasury, July Ist 
United States 
1800-1920 

Historical Data Must be in Order. 



BAR-CHARTS 


105 


The arrangements of items in a bar-chart should be a 
matter for careful study, and no arrangement should be chosen 
which is not the best adapted for the special purposes of the 
chart. It is impossible to lay down absolute rules, for each 
case varies, and the author of the chart must rely on his own 
judgment rather than on rules of thumb. But in general the 
principles explained in a previous chapter on work sheets 
apply here, as the bar-chart is closely akin to the mere statis- 
tical table. When the items are historical, the earliest dates 
should be at the top and the last at the bottom of the chart, 

IHE OADSES Of HSES 
United States 
1915-1919 

(Source:* Kat‘l Board of Fire Understitora, N» Y.) 

(Value) 

C 

TOTAL 1,135,000,000 

Eleotrloity 84,100,000 

Matches and smoking 73,500,000 
Uefeotlve chimneys 66,700,000 

Stores, hollers & pipes 66,100,000 
Spontaneous ocmibuetlon 49,700,000 
Ughtning 39,600,000 

Sparks frcaa machinery 31,900,000 
Si%rks ott roofs 89,300,000 

Fetroletm h products 86,900,000 
Sparks froa oomhusiion 86,100,000 
Inoendlarlaa 21,600,000 

Open lights 14,000,000 

Ashes, coals A open fires 11,810,000 
Oas, natural le artlfio* 10,200,000 
Jbatplosions 10,160,000 

Hot grease, oil, tar,eto 4,490,000 
Kubhlsh and litter 3,610,000 

Steam k hot -water pipes 1,860,000 
Fireworks, fireoraoker# 1,600,000 

Fig. 87 . Placing the Most Important First. 

the order being strictly chronological. When the items are 
geographical, as for example a list of the States in the United 


30ALE OP MILLIONS OF DOLLARS 

10 20 30 40 60 60 70 80 90 




CHARTS AND GRAPHS 


io6 


(ScaX« af fitLllions «f AfiniWn^ 


0 12 3 4 5 6 


Cotholle 

1T,S49,824 

r, *, (whtto) 

6.328,476 

r^ptict (whiu) 

4,389. T69 

Baptist A M. 1. (colored) 

4,191,267 

Luthoran 

2,451,997 

Prtabytorlan 

1,603,033 

Ditolploi of Christ 

1,193,428 

Proto stont Episcopal 

1,066,828 

Congrogatlenal 

808,122 

Itormont 

494,388 





StLIQlOUS DSNOiailATIONS OF UNITED STATES 
Mrabervhip 
1919 

Sourea:* "Year Book of Churches* 

Fig« 8S* The Arrangement in Order of Size is Popular. 


States, a geographical arrangement (either in the order given 
in the Census volumes or in some specially designed order) is 


. of Central Compef/fm fiald _ __ _ _©I7 


[ 

STATE 



details OF IDLENESS DUE TO 


MONTH 

USED OK , SECQNllMALF YCAH 

10 20 50 40 SO eO 70*80 'bo 

UCK OF 
WORK. 
(cars) 

LACK OF 
HELP 

LACK OF 
AND POOR 
MATERIAL 

REPAIRS 

POOR 

lAHNINS 

REMARKS 

\ 

Ainre 




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Fig. 88. The Cantt Idleness Chart. 

Showing the failure^ to produce to capacity, together with data analysing the 
failure. This chart is one of a series of such charts on the coal mining industry, 
appearing m The Dialr-Refroduced from ''The Life and Work of Henry X. 
Gantt^' American Society of Mechanical Engineers, paper of Mr. Polahov, 















BAR^CHARTS 


107 


preferable. A mere alphabetical arrangement of the States 
would have little to recommend it, as the reader of the chart 
must be presumed to have sufficient intelligence not to require 
a dictionary of the country. The popular arrangement is in 
the order of magnitude of the data presented, so that the 
longest bars are at the top, but unless the reader’s sole purpose 
is to glimpse the names of the leading States, this arrange- 
ment is useless, as it lacks comparability with other charts. 
In general the arrangement of the items should be such as to 
afford the greatest aid to such analysis and comparative study 
as the chart may be subjected to. 



Fig. 90^* Classification-chart and Bar-chart « 















BARNHARTS 109 

serted under the heading of the data which is plotted to show 
to which figures the bars belong. The scale of the bar-chart, 
above described, forms the heading for the bars themselves. 
When a series of charts are shown together in the same report, 
the charts of absolute figures can be displayed in typing and 
bars of one color, such as black, and the charts of relative per- 
centages, per capitas, or averages can be distinguished by 
typing and bars of another color, such as red. In general a 
judicious use of colors will assist the column-headings and 
titles of the charts in differentiating charts in large sets. 

The technique of bar-charts is so simple and they are so 
very effective, that they should be used freely in printed text- 
matter. No drawing or plates are needed. Printers have 
'"rules’^ as they call them, which can be used to make solid 
bars, and these rules can easily be set up together with the 
type. The scale and field can be omitted and the bars alone 
will effectively tell the story of the main figures in the table. 
The combined table and chart can be used in printed text just 
as well as the table alone. 



Fisf. 93. Bars as Part of the Office Record. 




no 


CHARTS AND GRAPHS 



8«n 

Ihilted lingdon 

1.3d 

Mgim 

1.02 

frustia 

2.25 

Auftrift 

1.16 



FATilLXTY BATS IK COAL HIKIMO 
fatal Aeoidante par 1000 Worlcaaa 
Spaoifiad Cotlntrlaa, 1919 
(Souroa: Buraau of Labor Statlatlca) 

Fig. 94. Typewritten Bars for Typed MS. 


When manuscript is typewritten, the bars can, if desired, 
be typed in, using such letters as “x” or better still, “x,” “o” 
and “m” printed one over the other. This obviates the need of 
drawing, and illustrates excellently any tables which you are 
obliged to insert in the text. It has the further advantage of re- 
producing on carbon^ hektograph, or mimeograph copies 
(though the latter can be secured also in drawings by the use 
of a special stylus). 

^Not only can various combinations of colors in typewriter ribbons, be obtained, 
but also various colors in carbon paper, which can be successively inserted in the 
typewriting machine to reproduce the desired effect. Black and red are, however, 
usually sufficient, 



Chapter XII 


COMPOSITE BAR-CHARTS 


What man has done once, he can do again, and since we 
have put several single bars together to make a bar-chart, we 
can put several bar-charts together to make a compound or 
multiple bar-chart. The single bar represented a single figure, 
the simple bar-chart a series or column of figures, and the 
compound or multiple bar-chart will illustrate a series of series 
(or columns) of figures. For the sake of convenience, we can 
divide these last into two classes, one of which we may call 
the compound and the other the multiple bar-chart. Nomen- 
clature is of little importance but a precise use of names will 
help to distinguish two radically different forms. 

Where each bar in a bar-chart is divided into parts, as was 
the single 100% bar, the name compound bar-chart is sug- 
gested. In such cases each bar is really a 1(X)% bar by itself, 

BUSINESS FAILURES 
Aaount of Liabilltio* 

United States 
1916-1920 

(Source*- United State* Cenaue) 


Hanu- 

fac- 

1916 

1917 80 

1918 73 

1919 S2 

IS20 128 



Tra- Bank- Grand CUiHion* of Dollar*) 



but its length may be no longer constant and uniform, and 
may be made'to vary in the fashion of the simple bar-chart. 
Its scale and labelling follow the same form. Data again 
should be at the left of the bars. The scale should be above 
the bars with a field projecting it downward behind them. 


HI 


xia 


K 

m 

M 

a 

O 

«Q 

O 

o 

C4 

o 

M 

« 

»-4 

A 


CHARTS AND GRAPHS 



Fig. 96. The Chart Does Not Suffer from Detailed Statistics Attached. 



COMPOSITE BAR--CHARTS 113 

The bars should be placed beside and on the same line with the 
data which they illustrate. As to the arrangement of the 
columns of data, it is best to have the column of totals, which 
the entire bar represents, at the beginning or end, and then 
beside it, in the order in which the parts will appear in the 
bars, the columns of various parts. Shading of the parts will 
follow the rules given in the chapter on 100% bars. 

We will find two distinct types of the compound bar-chart, 
each belonging to a certain type of data. If the data exr 
presses the values in absolute quantities, the totals for the 
various items or stubs (lines) will not necessarily be equal — in 
fact will very rarely be equal. So that the chart of this series 
will have bars of unequal total lengths. (Needless to say, the 
widths of bars will always be constant and uniform, save for 
the special exceptions noted in a later chapter.^) Such a chart 
has its scale and field measured off in units of absolute or 


COAL 



Total all 
kinds 

OIUND tOTAL 

MO 

7,460,506 

trnit«d Stat«t 

S, 538,506 

Cajutda 

1,561,000 

Chlaa 

1,097,000 

0»naBXQr 

467,000 

Vrsat Britain 

209,000 

Sibaria 

192,000 

Australia 

185,000 

India 

87,000 

Bussla (in Buropa) 

66,000 

thtion of S. Afrioa 

62,000 

Austria 

59,000 

Coloaibia 

30,000 

Iaido*ChlBa 

22,000 

rrutoa 

19,000 

Balgim 

12,000 

Spain 

10,000 

Spitxbarsoa 

9,000 

iVapan 

9,000 

Solla^ 

‘i’ooo 

Oibor Countrias 

24,000 



Fig. 97. Very Small Segments May Be Shown. 


^ Cf, Chapters L. and LL 



CHARTS AND GRAPHS 


114 

actual quantities, such as dollars, pounds, tons, or whatever 
the unit quantity be in which the data is expressed. It is an 
“absolute” chart, or chart of absolute values. 

The other type of data is derived from the last, but is 
often more significant. In it the quantities have been turned 
into percentages, in each case of the totals for the line or stub. 
The totals therefore are in every case 100% and the bars are of 
uniform length — literally a series of 100% bars. The scale for 
such a chart is measured off in percentages instead of actual 

OCCOyaTlOH* 
ib« ««g*-«anilivc popuUiloa 
|« «SY£I SOKOPEAK HXtlOXS 


ifpl- 0ag»> Itta- Jfaou- C«m» 

•ul* portm- ia(> foot* •true* 

iwr# «l*l tion •to. wl»e tton 

ffiTiTt got eiif^ ■■ EX3 GSSB 

taclukd U.r X1.4 *.Z S*0 T.d «.« U.2 

Uliivm 21.t U«| 2.0 «.t e.O t.» U.T 

«9nuajf SC.l. S.3 2.9 S.S T.O t.O 9.1 

tTMM* 41.4 C.S 2.9 l.« 4.4 4.2 12.t 

luly w.l 2,4 S.l 0.9 2.1 6.0 U.4 

teftrU 90.9 8.9 1.2 I.« 2.9 $.0 T.2 

fO.l 2.4 1.6 0.1 2.2 1.6 6.2 

Fig, 98. The Relative 


Uae- ‘ 



or Percentage) Bar-chart. 


values, and the chart is a ‘^relative^’ chart, or chart of relative 
values. Where both absolute and relative charts are being 
shown together, it is a good practice to use black for the ab- 
solute data and bars and red for the relative data and bars, a 



OCCOP^TlOJfS OP THE EMPLOYED 

of PoF«l.ticn 10 Y.jjr, Old ^nd Ov.r C»lnful Occupation, 

urlt.d States 
1920 

fSourc* - Dftltod States Census) 

Fig. 99. Any Pair of 100% Bars Really Form a Relative Bar-chart. 

practice to which the ordinary two-color typewriter ribbon and 
carbon papers easily lend themselves. 



COMPOSITE BAR-CHARTS 


115 

A very different kind of chart is the one for which we sug- 
gest the name of multiple bar-chart. Here, two or more series 
of values, which are in themselves all totals, have been inter- 
larded or dovetailed and fitted into each other and the bars 

IIT TO SCALES FOB CSURTS 


TOTAL 

Crud9 for ua« In aanufaeturlns 

Foodatuffi In eruda oonditlon and food anianla 
Foodatuffa partly et wholly aanufaeturad 
llanufaoturaa for furtVMr ua* In aonufactur In^ 
Manufaoturas raady for eonauaption 
Mlaeallanaoua 


e,060,4e0,821 


l,«ro,767,OS4 

917,990,828 

1,U«,60S,173 

968,496,878 

3,204,867,789 

11,763,129 


laporta (Soala of MilUona of Dollarty 



fC®EWH TRADE OT TH* MUTED 8TtTE8 
Claailflad nstura of artXolaa 
1920 

Fig. 100. The Multiple Bar-chart. 

should be carefully and clearly distinguished in color and 
shading to show to which series they belong. The bars should 
generally be made narrower, to fit them closely together, into 
little groups, one group for each stub in the data. The data 
on the chart can still be prepared in distinct columns, although 

PUBLICAIIOM OF TXSH BOOKS 
Th* leading nation* 

1919 h 1920 

(Souroe;- Le Droit d'Auteur, Paria} 

(Kote:» Japanea* **book8" not atriotly ooiaparable) 



Fig. 101. A Goodi Comparison of Historical Data. 



CHARTS AND GRAPHS 


ii6 


the bars have been interlarded, for the data is more easily 
consulted when not interlarded but kept in distinct columns. 
It is really a case of bringing two or more sets of bars together 
for cross-comparison. The result is rarely entirely satisfac- 
tory, and at best is confined to the combination of two sets, 
three or four sets being hard to make mutually distinct, and be- 
coming confusing to the reader. 

In fact, it can be laid down as a general rule that both the 
compound and the multiple bar-charts are too elaborate and 
complicated. A chart is always better the simpler it is, and we 
should make strong efforts to simplify these charts, and if 
possible reduce them to simple bar-charts. It usually pays 
well for sacrifices we make in this way, in legibility and interest 
to the reader, and after all, the chart of this type is generally 
directed at a reader, rather than at the maker. The only one 



JAPAN 
SWITZERLAND 
NETHERLANDS 
SPAIN 
DENMARK 
SWEDEN 
U. KINGDOM 
NORWAY 
FRANCE 
ITALY 
BELGIUM 
FINLAND SB 
1 PORTUGAL '"H 
I GERMANY 8 




Fig. 102. Correlation is Indicated by Mirroring. 

Ratio of gold reserves of Central Banks to paper currency in circulation compared 
with the relation of exchange rates to par value (March, 1922). '^Permission of 
Mr. Varl Snyder. 


of the three which stands out as absolutely simple and clear 
is the relative compound bar-chart, which consists of nothing 
more than a series of 100% bars. 

The reason for the simplicity of the relative compound bar- 
chart is to be found in its uniform length of lines or bars. Only 
the segmentation of the bars changes in the chart, and the 
reader is not called upon to judge at the same time of various 
lengths and parts, but only of the various parts. In order to 
secure something of the same symmetry that marks the rela- 
tive form, many chart-markers prepare the absolute form of 



COMPOSITE BAR-CHARTS 


117 

compound or segmented bar-chart in a pyramidal or bi-lateral 
form, the individual bars being aligned, not with even left' 
hand ends, but with even centers, and each bar extending 
equally to right and left of the center line down the middle of 


1860 



SIXTY YEAhS OP IVatlCRATlOM 
total Number of ImmigrantB Arrived 
United Statee 
1660-1920, by years 

1,285,349, in 1907.) 

Fig. 103. Symmetry has Only a Popular Value. 

the chart. Even simple or unsegmented bar-charts are some- 
times arranged in this way. The form is certainly more pic- 
torial and decorative than the forms which have been described. 
But data is, of course, not easily attached to this chart; in 


CHARTS AND GRAPHS 


fact it is ordinarily omitted. When plenty of space for the 
chart is available, and data is not going to be shown, but 
extremely pictorial or sensational effects are desired, this 
symmetrical form would appear to be entirely permissible. 
But it is certainly not to be recommended under any other 
conditions. 


GERMANY 


5CAND1 IRE 
NAVIA LAND 


GERMAMV 



AUSTRIA HUNOm 



A CENTURY OP IVyiGHATiOH 

Countri** of l«*t p^manont rooidonc* of Immigr*nto Arrlvod 
Unitod S-t&tos 
1620.1920, by doCAdot 

Fig. 104. Connection Lines or Shadings to Distinguish Segments. 

A common practice in the elaboration or decoration of bar- 
charts both simple and compound, particularly when they 
represent connected data, is to draw connecting lines across 






“-terc «tt ti 


m 


<£» 








fifr- »*m 

*«*4 l«l>or«r« 


H«r., .ho, p,ro.„t,(t„, bZ. J' *“**"5 

' • '3«*nUti*g) 

<r rst 


105 . Warping „, 

P g the Chart to Show the Tr^ j . 

of Chan«. 


120 


CHARTS AND GRAPHS 


observe the effects where the bars are kept and the connecting 
lines drawn in. The reader is, of course, enabled to identify 
and compare corresponding segments of the bars more easily. 
In an extreme form of this chart, sometimes called the “stream 



DESTINATIOM OF EXPORTS 


EUROPE NO. AMER. S.A.OTHER 



Fig. 106. Connection Lines. Note Inserted Data. 

Percentage of total imports received from different continents, and percentage 
of total exports shipped to different continents . — Permission of Mr. Carl Snyder. 


chart,” the bars are broken or bent so that corresponding seg- 
ments are kept as close as possible together. The chart is 
adapted only for data in which the changes of segments are 
fairly uniform and the result is entirely popular in its appeal, 
having no research value at all. What will be later described 
as a smoothing process, takes place in the segmenting division 
lines across the bars, and they, together with their connection 
lines, are made as nearly as possible straight rather than 
zigzag or rectilinear lines. There is little to be said for either 
the symmetrical bar-chart, the stream bar-chart, or the con- 
nection lines between the bars, but they are here described as 
examples of the modification and variation to which the bar- 
chart itself is susceptible. 

It would, of course, be possible to go on and still further 
combine compound and multiple bars until we have acompound 




COMPOSITE BAR-CHARTS 


I2I 


BOOKS PUBlIShEO IH THE UNITED STATES m EHStAND 

Hgw books, new ecfitions and patnphiats pubtished in IScO 
compared as to subject, for the two countries# 
(Source:* rh« Publte/iers’ l/eekli/, i, 



NEW 

New 

Pam* 

Tot**. 


800XS 

EOITIOHS PHLETS 


fleiericsn in 
■■■■ C-=3 

l^Uin type) 


fSritish in 

italie tanu) 






TOTAl. 

6,101 

1,086 

2,235 

8,422 


7,676 

2,266 

3,063 

11,004 


209 

33 

32 

274 


333 

SI 

13 

376 

KllttlOl 

467 

37 

161 

665 


873 

77 

29 

679 

SOOIOIOST 

353 

43 

363 

769 


6«7 

61 

222 

870 


70 

39 

57 

166 


313 

76 

74 

363 

£ovetrtog '' 

101 

10 

123 

234 


164 

17 

72 

3S3 

Ahuoiout 

141 

54 

49 

244 


276 

36 

2 

30S 

Self wee 

182 

49 

281 

612 


411 

94 

92 

597 

TCCMMOtCeY 

269 

93 

163 

636 


437 

155 

138 

730 

MtDIOIMI, HiALtw 

132 

75 

83 

290 


363 

133 

64 

446 

AeaieutTune 

49 

18 

223 

290 


146 

33 

39 

318 

OowesTic EeoNovT 

22 

6 

21 

49 


57 

13 

3 

72 

SuitNtss 

144 

24 

78 

246 


103 

26 

19 

138 

FiNf AXTA 

94 

6 

80 

135 


158 

16 

10 

184 

Music («okk$ about) 

44 

6 

23 

72 


S3 

6 


65 

Games amo Ssosri 

50 

10 

62 

112 


120 

23 

8 

161 

UITESATUBE 

248 

S3 

SO 

351 


293 

S3 

IS 

366 

PotTsv ANO Osama 

409 

44 

105 

558 


436 

80 

47 

562 

FieriftM 

778 

345 

31 

1, 164 


1,038 

1,051 

IS 

3, 104 

dUviwiLf 

410 

67 

22 

499 


613 

148 

0 

770 

Histosv 

503 

36 

172 

711 


498 

44 

43 

S3S 

Giosrasmv, Travel 

144 

22 

66 

222 


434 

71 

109 

604 


271 

14 

29 

314 


840 

32 

X 

374 

MtSOILLAWtCUt 

21 

3 

11 

36 


U1 

- 

- 

181 



Fig. 107. A Compound Multiple (Absolute) Bar-chart. 


multiple bar-chart. Rarely you may have use for such an 
animal, but it really lies out in that field of freak charts into 
which the enterprising chartist will inevitably wander by 
himself, and from which he will surely return if he keeps his 
senses. The field is wide open and there is unlimited oppor- 
tunity for originality in the making and dressing up of bar- 
charts, but in the last analysis all that matters is to tell a story 
and tell it well. You will generally find that this object is best 
attained with the simpler, sounder methods which have been 


122 


CHARTS AND GRAPHS 


SEX OP EiaGHABTS AKD IMMIGRAI^TS 
Inmigrant Aliens Admitted and Emigrant Aliens Departing 
United States 
1917-1920 

(Source:- Report of United States Commissioner General of Immigraticn) 


1917 


1918 

1919 

1920 


Fig. 


Admitted 

Departed 


Admitted 

Departed 


Admitted 

Departed 


Admitted 

Departed 



108 , A Compound Multiple (Relative) Bar-chart. 


here discussed. In bar-charts, perhaps more than in any other 
form of chart-work, we must keep the purposes of simplicity 
and clearness always in mind, and avoid the more complex 
details which will suggest themselves, insidiously and attrac- 


UNITED STATES 

perot 

51.4 

Naw England 

T9. 2 

Ulddla Atlantic 

74.9 

Ea»t North Central 

60.8 

Weet North Central 

37.7 

South Atlantic 

31.0 

East South Central 

22.4 

•West South Central 

29.0 

Ifountaln 

38.4 

Pacific 

62.4 


0RBAH POPULATION 
United St&taa 
1920 
Par cant 

Fig. 109 . The Compound Relative is the Best of the Composite 

Bar-charts t 





COMPOSITE BAR-CHARTS 


123 


FOREIGN TRACS OF TUB WORLD 
Combined Exports k Imports of Leading Nstlona 
at par of Exchange 

(Source:- United States Statistical Abstract) 


Total Trade 

Foreign with 



(Millions 
of Lollara) 


World (40 nations) 


75.311 

14,47G 

Lnltad States 

(1920) 

15,359 

13,369 

United iCinpdcm 

(1920) 

15,925 

3,123 

Canada 

(1920) 

2,204 

1,256 

Frarce 

(1919) 

7,429 

i.see 

Italy 

(1^19) 

4,159 

1,51b 

JJetherlt^nts 

(1919) 

2,5.29 

31fa 

Uapan 

(1919) 

2,421 

1,420 

Cema:^ 

(191d) 

4,95G 

577 


(Millions of Dollars) 
S W 


nnir 


■Mi 

LTIT; 



1 1 








Fig. 110. The Simpler Forms Are More Effective. 


lively to us as makers and designers. A simple chart which is 
read and understood is better than a complicated one which 
no one deciphers. 



Chapter XIII 


PICTORIAL BAR^CHARTS 

For purposes of publicity, the circular form of chart has 
decided advantages over the rectilinear chart. This has been 
gone into in the chapter on pie-charts. The circle attracts the 
attention even of casual readers. And circular-shaped charts 
are therefore popular with all those propagandists who seek, 
by sugar-coating their information, to dispense it to an un- 
willing and indifferent public. The charts are useful for, and 
should be only designed for, advertising, and the popular pres- 
entation of educational matter. They are useless for research 
and study. These considerations have been discussed in the 
chapter on pie-charts, but arise again in connection with the 
possibilities of converting series of bars, that is, bar-charts, 
into series of circles. 

Truly, when a series of circles are to be used in a chart, the 
chart-maker’s road should be marked ^Warning: Dangerous 
Curves Ahead.” For the path he must pursue around the 
unshakable fact that a circular area has two dimensions, is at 
times devious and hard, in view of the rule against showing 
one-dimension data by two-dimension charts. The data 
which is shown upon bar-charts has but one dimension in the 
sense of the rule and the bar-chart itself has but one dimension. 
But when the bar-chart is converted into a series of circles, 
the result is extremely likely to have two varying dimensions 
and be as disastrous as the use of squares discussed in the 
chapter on dimensions. 

We have seen that the substitution of a single circle for a 
single bar (or 100% bar) is harmless, for the reason that the 
area of the segments of the circle vary directly with the arcs 
and subtending angles. In short, in the pie-chart the areas 
of slices of the pie vary directly with the linear or one-dimension 
variations, and there is no conflict of measurements. The 
ch^art is like the 100% bar, for that too has an area which varies 


124 



PICTORIAL BAR-CHARTS 


125 

directly with one of its linear measurements. In the bar the 
width is constant; in the circle the radius is constant. 

But a series of bars of different lengths can not rightly be 
turned into a series of circles of different circumferences. In 
a series of bars the widths of the bars can be kept constant 
and hence their areas can be made to vary directly with their 
lengths. But in a series of circles of various circumferences 
the radii cannot be kept constant, but must vary with the 
circumferences, so that the areas of the circles will vary by 
the squares of the variations of the circumferences. In short, 
the moment you use circles of different sizes, the old conflict 
between area measurements and linear measurements creeps 
in, the most fundamental principle of charting is violated, 
and the chart becomes fallacious and deceptive. 

There is but one type of bar-chart in which the bars can 
be turned into as many circles, and that is the relative com- 
pound bar-chart of the last chapter — a chart which is nothing 
more than a series of 100% bars. As neither the total length 
nor area of these bars varies, they can be safely turned into 
as many pie-charts or 100% circles of uniform circumference 
and area. The chart is one in which the segments alone are 
significant. It is true, as was said in the chapter on pie- 
charts, that the segments cannot be so well compared as in 
the relative compound bar-chart, and for this reason the chart 
is of less value for careful study, but the circular shapes have 
been secured and the chart has been perhaps made more at- 
tractive and popular. 1 

For the simple and multiple bar-charts there is a dodge by 
which circles can be used, if you are intent on circles at any 
cost. The result is not appreciably less interesting and it has 
the advantage of being accurate. It consists in using whole 
circles and fractions or fragments of circles, all of uniform 
radii. Adopting one value in the series — p.erhaps the average 
—as 100%, you must turn all your data into percentages 
before preparing this chart and then plot as many circles and 
fractions of circles as the data calls for. This method of 
charting is sound because throughout the circles and fragments 
of circles, a uniformity of radii has been maintained, and the 
areas vary directly with the circumferences and arcs. 

The drawing of these charts is comparatively easy, as all 
circles and parts of circles can be put in with a bow pen or 
compass without changing its setting. The work involved is 



126 


HIGHEST PRICES OF FOOD 
lnd«at Humbw# of Hotall Prie«» 
United State# 

Arerage 1913 • 100 

(Source:- Bureau of labor Statiitioa) 


*11 article# (Jun, 1920) 

Plate beef 

(Apr, 1919) 

Cbuck roaet 

(May, 1919) 

Bacon 

(dul, 1919) 

Lard 

(Jul-Aug, 1919) 

Cheese 

-(Aug, 1919) 

Butter 

(Deo, 1919) 

Coffee 

(Jan-Jul, 1920) 

Hans 

(Apr, 1920) 

Bice 

(May- Jun, 1920) 

Flour 

(Jun, 1920) 

Potatoes 

(Jun, 1920) 

Sugar 

(Jun, 1920) 

Sirloin steaB (Jul« 1920) 

Bound steak 

(Jttl, 1920) 

Bib roast 

(Jul, 1920) 

Com neal 

(Jul, 1920) 

Bread 

(Jul-Sep, 1920) 

ifea 

(Jul- Sep, 1920) 

Ham 

(Aug- Sep, 1920) 

pork chops 

(Sep-Oet, 1920) 

Milk 

(Oet-SoT, 1920) 

ISERt 

(Dee, 1920) 







Fig". 111. The Circles Must Have Uniform Radii, 


PICTORIAL BAR^CHARTS 


12J 


far less than it would be if circles of different radii had 
been used, requiring fresh setting of the pen for each circle, 

SOEEION TPADE OP THE WORLD 
Conblned Exports and Imports of Leading Hstlons 
at Par of Exchange 

(Source;* Onited States Statistical Abstract) 


Total Trade 

Foreign with 

Trade U. S. 

(Millions l||fc 
of Lollara) 


World (40 nation*) 


75,311 

14,479 

(Millions of Dollars) 

United State* 

(1920) 

13,359 

13,359 


Unlt.d Eingdom 

(1920) 

15,925 

3,123 

•••eoxoaxDoooo 

Canada 

(1920) 

2.304 

1.256 

•©^ 

Pranoa 

(1919) 

7,429 

1,686 

•sooooo^ 

Italy 

(1919) 

4,189 

1,616 

•eoo 

Ketharlanda 

(1919) 

2,639 

316 


Japan 

(1319) 

2,421 

1,420 

•CP 

Oantany 

(1913) 

4,965 

577 

eooop 

Fig. 

112. 

Segmented 

, Like the Compound Bar-chart. 


from square root calculations of the variations. The seg- 
ments or fragments of circles can ordinarily be drawn in at 



TEE mEAL PHILANTHROPIC BUDGET 
A Prepoa«4 National Budgot of Phllanthropto Donatloui 
Th» Unltod Statoa 
1921 

Total 11,749,000,000 

(SouTC*:- Psnil and DorothT Douglas, "What Can a Man Afford?*) 

Fig. 113. Suggesting Metal Coins. 



CIL-IRTS JKD GRJPHS 


C/D 

C/D 

w 

G 

O 

a, 

O 

>- 

P4 

D 

H 

w 

o 

H-1 

< 

JXI 


' o 

-j r-, 

a 

W , ; 

t P 

* 

P ^ 

w ! 

P5 


o 

CD 








O 



Fig. 114. Pictorial Figures May be Substituted for Bars. 





PICTORIAL BAR-CHARTS 


129 


sight, very accurate work for which protractors would be nec- 
essary not being of any value in this chart. 

This form of chart is largely an attempt to present bar- 
chart information popularly. It is for that purpose particu- 
larly adapted to financial data, in which the circles can be 
taken to represent dollars and the fractions of circles parts of 
dollars. While in strict theory the circles should be at even dis- 
tances from each other, yet where there are several for a single 
bar or figure, the conception of metal money is so vividly pre- 
sented that the circles can be overlapped. The overlapping 
or circles saves much space without lessening greatly the im- 
pression on the reader’s mind. It is as if, in the West where 
silver dollars are still used, you should lay out a row of these 
coins, each, except the first, tilted up and resting partly on 
the next one. But where space does not require this crowding 
up of circles, it is better as a general rule to place them at 



AUTOMOBILE PRODUCTION 
Number of Passenger Cars Produced 
The United States 
1913-1S21 

(Source:- National Automobile Chamber of Commerce) 


Fig. 115. The Third Dimension Is Ornamental. 




200 


130 


CHARTS AND GRAPHS 



SAVINGS or trs woBta 

rercAplift S&vingB B&nk Oftposlis iri leading na^ione 
(Sourcf;» SUtiBilcel Al»«ir«ci) 



PICTORIAL BAR-CHARTS 


131 

even distances. They will then roughly form bars of circles 
or coins. 

Nor do you need to present a row of circles in the place of 
your bars. Rows of human figures, all drawn to the same 
scale, can be used in the place of bars. The length of the rows 
and the number of figures depicted in each, will show quite 
as well as plain bars would have shown, the various amounts 
represented. This is a method which those who wish to com- 



PKObUCTIOh CP BASIC CCUyCLITItS 
Index Pijuros cf Uci\thl> Prcduction in i»pecxfi6d Industrie# 

United States 
Dee. 1921- Jan. 1922 
(Source*- Federal Reserve Bulletin) 

(Notaal * Trend after AUoting for Seasonal Variations and y^ar-to»year growth ® 100)K 
(Blftclc Arrc# » Jan. 1922) 

(’Ahlte Arro# » Dee. 1921) 

(Dotted Arrow • Low of 1921) 

Fig, 117* Pointers, Instead of Segments, Suggest Pressure Gauge Dials. 



132 


CHARTS AND GRAPHS 


V ^ 


FURKITURE AUD 
293 FURiVlSHIiNGS 
^288 CLCTHIJJa 




THE HI5H COST OP LIVIKO 
Index Figures of Retail Priceji 
United States 
June, 1920 

CSourca:- Monthly Labor Review') 
(1913 Average • 100) 


Fig. 118 . Aeroplanes, Horse-races, Boat-races, and the Like, Have a 
Certain Popular Valuer 



PICTORIAL BAR-CHARTS 133 

pare pictorially two or more populations, can safely employ. 
Instead of showing the Japanese army with a single small 
soldier and the American army with a single large one, in 
which case you confront the reader with three conflicting 
measurements — height, surface area, and cubic volume or 
weight — you need merely show one Japanese soldier and sev- 
eral American ones, all of the same size, and their number will 
give an accurate conception of the relative sizes of the two 
armies. 

Here, then, is the answer to the problems raised in the 
chapter on charting principles. Here is the proper way to 
show pictorially the comparison between two or more items. 
Do not draw one loaf of bread and an enlarged replica of it 
beside it, to show how much the food-bill of the nation has 
changed, but draw one loaf of bread and label it with the 
earlier year and draw several loaves of the same size and label 
them for today. Do not bring together a large and a small 
house nor a large and a small nugget of gold, nor a large and a 
small railroad car, but place together a single one of each and 
a group. The number of times this simple rule is violated, 
with results which vary between gross understatement of a per- 
fectly good case and gross deception about a poor one, will 
amaze you when you begin to watch for it. And the amount 
of money spent sometimes in publishing them, futile or false 
as they are, will also amaze you. It is one of the most frequent 
of all errors in charting. 

In addition to the geometric pattern of the rectangle and 
circle, there are countless pictorial devices, the simplest of 
which is to indicate a third dimension to the bars, setting 
them up on end for this purpose. The ingenuity of adver- 
tising artists has hardly been tapped as yet, and thermometers, 
barometers, or pressure-gauge dials are but the beginning of 
the avalanche. The pictures of motor, horse, or boat-races, or 
altitude flights of aeroplanes have already been found useful, 
and it is probable that all popular contests can be made to 
yield attractive pictorial substitutes for the prosaic bar-chart. 



Chapter XIV 


VERTICAL- BAR CHARTS 

Between the sensational picture-bar which we have just 
considered, and the plain bar itself, there is a type of bar 
which is both accurate and popular. Of less value in the stat- 
istical laboratory, it nevertheless deserves a passing glance 
even from the most academic investigator, for it forms an 
interesting link between bar-charts and higher things. 

To make a bar-chart popular, knock it over flat on its side, 
so that the bars stand up on end. Simple, isn’t it f But that’s 




tl.fi 


t-M’ 


•a# 

«.4 » 
•.tf 

•.Si 
».* • 
1,0 1 

t. s I 
•.a t 

u. ii 


iBOMotiMi XI na mm Mufii’ 

atttrfkwtlMi «f «rM« fktu 
JkMlwtfMia m4nmi0, tMtutlmt 
X*a4l»< VtatM, SflS. 

Fig. 119. 

the rule. There being nothing more to discuss in the matter 
of making popular bar-charts, we are tempted to close the dis- 
cussion at this point and produce a pleasant surprise to all. 



!«• 




XftftMM 



134 




VERTICAL-BAR CHARTS 


IJ5 

But the vertical bar-chart is rich in suggestions for the higher 
forms of charts which we are approaching, and it deserves 
a close study. 



u:a i»it mi 

«l,lll.40«,000 l•^*4•,474,000 

90 W mum or m mu) 

Fig. 120. 

The chief value of the ^^pipe-organ chart’’ as It Is sometimes 
called, lies in the realistic picture it gives of quantities. From 
a base line these quantities are seen to rise the full length of 
the bars, as so much substantial material stacked neatly in 
piles where we can compare them. We view them from the 
level or floor on which they are piled. We do not have to 
climb up and get a bird’s-eye view of them as in the ordinary 
bar-chart, where we seem to be looking down upon rows and 
rows of goods, but we see them from a natural view-point. 
Nor do we rely upon an arbitrary arrangement by which their 
left ends have been brought together as in the bar-chart, but 
we know instantly that if they are piled up, it is their tops 
which we must watch. The pipe-organ chart finds instant 
response in our minds, and appeals to us as both logical and 
natural. A child can comprehend it. 

If you call this base-line the x-^'slxis of your paper and give 
the upright bars values in the y-axis, you will be reminded of 
co-ordinates and maps. But it is not necessary to go so far. 
Merely think of your own back yard, and the nice high fence 
about it which you have just white-washed. Assume that 
through some weird freak of carpentry you built it with 


CHARTS AND GRAPHS 


136 



IHBAT ilHOB OATS COUTOH OIL CORN AUTOMOBILES 


OHIIED STATES l>EBCENTA(}E OP THE WORLD’S PRODUCTION 
tS fpeolfied commodities 

Fig. 121. 

boards which run horizontally. Or turn and look at the wall 
of your house, with the weather-boarding running horizontally 
about it. Against such a wall let us pile your quantities in 
neat columns or let us stand up some dark boards of the right 
height against it. You are then ready to take a photograph 
which will be a good pipe-organ chart. The lines of the 
weather-boarding on the house will make the field of the chart, 
and the upright dark boards will be the bars. 

Note also, and this is important, that if through standing 
too close you should take a picture showing only the upper 
ends of the upright boards, but not their full lengths, you 
would consider the resulting picture not only a failure but 
actually deceptive. In other words, you must not omit the 
zero-line or base-line. While you would succeed in showing 
the variation of the top ends more clearly you would no longer 
have comparable lengths. One board might be but a tenth 
longer than the other, but by cutting the lower eight-tenths 




VERTICAL^BAR CHARTS 137 

out of your picture, it would appear to be twice as long. The 
thing simply could not be done, unless you wilfully undertook 
to deceive yourself or someone else. The conception of the 
pipe-organ chart is sound and fundamental. It is perhaps the 
most direct charting method we have. It is almost fool-proof, 
which is more than can be said of most charts. And it estab- 
lishes clearly the vital principle not to omit a zero-line. 

Moreover in the pipe-organ or vertical-bar chart, we first 
encounter labelling or data difficulties. And if there is one 
motto which we should like to print at the bottom of every 
page in bold-face type, as do the publishers of other valuable 
reference-books, it is this: ^‘Never separate your chart from 
its data.’’ On the contrary, incorporate the data in the chart. 
For a chart without its' data is a poor lost thing indeed. And 
the unhappy reader wishing to know what it means must hunt 


FATAL INDUSTRIAL ACCIDEMT RATS3 
for* apecxflod industrioa 
Unitad Statas 
1913 

{S«ur«e:*tr, 8. Bureau of Ubor Stati€tte«» Bulletin W) 
Bataa par 1000 wortceri 



Fig. 122. 


138 


CHARTS AND GRAPHS 


and hunt and hunt till he locates the particular information 
in some distant table. As a matter of fact, he won’t do it, 
for before he has found his data he has lost his interest in 
the matter, and then what good is your chart ? 

In the pipe-organ chart, however, it becomes difficult to 
append data directly to the bars. Following your rule of 
tipping the horizontal bar-chart on end, you would naturally 
have the data down below the bars, reading upward laterally. 
This is at once a logical and a sound place, for the bars should 
be in line with their own data. But because the vertical bar- 
chart is for popular consumption, and because the average 
man does not care to crane his neck to one side and read on 
edge, objection is often raised to this method of disposing of 
the data. 



0EATE RAttS U) WKKfAMt 

IhktU* «nd IlU«a*« ttoaxh p*T 1000 Scldilart fmr T#*!* 

In Specif ltd Warn 
l&46.1«ia 

(Icwcn.o th* Offiatnl 0nlt«d Stntnn BullaUo) 


Fig. 123. 



VERTICAI^BAR CHARTS 


139 


Nevertheless the method remains proper, and one is almost 
tempted to say, let the average man learn to crane his neck 
if he wants to check up on our plotting. As a matter of fact, 
the average reader is generally satisfied to know that the data 
is there where he can get it if he wants it, and so does not 
bother to look at it anyway, An occasional figure in which he 


ACCIDENT MORTALITY 

Oealh-Rat«i per 1000 Population of Each Group, and Sex 
United States 
1910-1912 

(Source: • Mortality Statiatlea, United States Ceneue) 



Fig. 124. 


is really Interested will be read carefully by him in spite of 
its reading upward, never fear. And throughout the whole 
field of charts it is of such great value to be able to place one’s 
data or figures out along projected lines from plotted bars, or 
points, that we must adopt the upward reading data in spite 
of its temporary strangeness. It is to be accepted and adopted 
as a proper feature of charting. 

Where the bars are very wide, or the spaces between them 
wide, there may, it is true, be room in which to write the data 
horizontally, in little boxes below the charts. This method is 
wasteful of space and compresses words and figures confusingly. 




CHARTS AND GRAPHS 


140 



^ O «( «] u 

< H as £«, a t> 


but it Is a “very-simplest” method which you will sometimes 
want to use in presenting large and simple diagrams to school- 
children. If you have the space to give to it, it is perhaps the 
better method for extremely popular work, but it is not to be 


VERTICAL-BAR CHARTS 


141 


generally used as it is not in the long run satisfactory even 
for the average popular chart. 

Two principles can therefore be garnered from the pipe- 
organ chart, first that the base or zero-line should never be 
omitted, second that data should be kept with the chart j-g. 


S2,4 



APR. AU(r. DEC. 

, 19 


APR. 

m2 


Fig. 126 . An Absolute Multiple Bar-chart. 

Volume of Foreign Financing in the United States and in the United Kingdom, 
in millions of dollars (pounds converted at current rates of exchange). — Per^ 
mission of Mr. Carl Snyder, 


gardless of the direction in which that data must be written. 
And as you progress further into charts, not only will it help 
you to retain these principles, but it will also help you im- 
mensely to visualize to yourself again and again this chart 
composed of vertical bars, a chart from which most of the 
higher forms have been evolved, 


142 CHARTS AND GRAPHS 


Per e«nt tjf 

Vimta 

through 

dutfide 

Contaott 


Par oant of 
Vftsta 
through 
Manegamant 


Par cant of 
Taata 
through 
Labor 



Poroant of 
mcata 
through 
Outaida 
Contact* 


Parcant of 
Waata 
dua to 
iCanagamant 


Parcant of 
laata 
dua to 
labor 


llan’a Building 

clothing 

aanufac* 

taring 


Printing Boot and 

ahoa 

manufac- 

turing 


Uatal Textlla 

tradea manufac- 

turing 


THB BLAMB POH IKDUSTHIAI WASTE 
in apacifiad Induatriaa 
(Source:- The Elimination of Waata.) 


Fig. 127. Wide Bars with Data Inserted^ 




VERTICAL-BAR CHARTS 


143 


oth*r 

Injuri## 


Ukcert'tloM, 
tut* tnd 
brviM* 




N 

s 

7.9 


, ------'1 

=».»■ «.i 




I ^ 




Otljfff 

in;jurl*t 


SuffocAtioit 

fr«ctur«» 


Sprain* or 
dltlco*ticn 0 

Burn* 


L*c«rt.tlon«« 
out* and 


factor 1*1 


Bulldinc tnd Uinlivi; tnd 

«ncin*«rlne quarrying 


THt MATURE Of IMDUSTRlAt ACCIOQiTS 
Mow York St«t* 

1911 - 1913 


(Souroo:- M, Y, State Dopt. of Lakor} 


Fig* 128. Connecting Lines Are Often Usefut 




144 


CHARTS AND GRAPHS 



Gross tonnage of world seagoing iron and steel ships in 1914 and 1921 (in millions 
of tons ). — Pernnsiiun oj Mr. Carl Snyder, 



Chapter XV 


CURVES 

It may not have been a very clever fellow who invented 
curves, but he was assuredly lazy. For he balked at the task 
of drawing vertical bars in the pipe-organ style and he said, 
‘^Since I am only interested in the ends of the bars, I will 
place a dot where each bar ends, and let it go at that/^ And 
later when he wished to find the dots quickly, he drew con- 
necting lines between them and, behold, he had a “curve/^ A 
curve can, therefore, be defined as a line passing through the 
upper ends of the bars in a vertical-bar chart. 


1790 

3,930,000 

leoo 

5,310,000 

1810 

7,240,000' 

1820 

9,640,000' 

1630 

12,670,000 

1840 

17,070,000 

1860 

23,200,000 

I860 

31,400,000 

1870 

36,600,000 

1880 

60,160,000 

1890 

62,900,000 

1900 

76,000,000 

1910 

92,000,000 

1920 

106,700,000 

THB POPlJLATIOS OF 

tBB mllTED stAisa 

1790-1920 


Fig. 130. Here is the Data — Historical. 

Let us step out into your back yard again and take another 
look at the upright boards which in the last chapter were left 


us 



146 


CHARTS AND GRAPHS 


standing against the wall of the house. Will it not be an ex- 
cellent plan — if the house is not yours — to drive a nail into the 
wall above each board' to mark its height? Then we can throw 
the boards away or let the children play with them. And if 


tw pommcw or m aassju staibs 



we run a piece of dark string along from nail to nail, we will 
not have any difficulty in following the changes in their posi- 
tions. Here we have a home-made curve. A photograph of 
this piece of string (as long as we also show the ground in the 



m vamjxxm w me toiso sxams 
iTOO-wao 


Fig. 132. Vertical Bars for Popularity. 



CURVES 


147 


picture) will do quite as well as a photograph of the original 
boards, for we can always imagine the boards running from 
ground to string. The picture will be complete if we run 
laths of uniform length up where the boards have been, that 
the exact position of the nails along the. wall may be clear 
when we come to make the next curve on the same wall. In 
a chart these up-and-down laths which serve merely to mark 
the horizontal position of the now invisible bars, are called 
‘‘ordinates'’ and their distances along the ground from the 
first lath are called “abscissae" — ^words never to be forgotten. 

You will already have observed the wonderful thing about 



ITM i«op ww laao vm im wao imp iho 


m fOMunoi or rto: oinnB sum 

Fig. 133. A Curve Through the Barg* 


TBf pormrio* or tee mnwo 

1790-1920 


§ § § § § I I § § § § I I I 

Ills £ I § I i i i I I i 

- - - - a a 3 d s s « s’ 2 S 


110- 

200- 












“1 






































Z _ 

70- 

«»- 

50- 















. 









" 





-j 

z 

40'. 

50,^. 








b 





! 





30- 

10- 

od 



1 

Ji 




2 





a 

- 


- 

- 

- 

- - 


I'/so leoo lexo leso is^o laio isso iboo im isso lasK) i»oo X9io 19S0 


Fig. 134, The Bars Disappearing; the **Fieldi*^ Appearing. 



148 


CHARTS AND GRAPHS 


lEB POPtTLAlIOM OF THE CHITSD STATES 
1790*1920 




Fig, 135. The Evolution of the Curve is Complete. 

a curve, namely that it is easily combined with several of its 
kind upon a single chart. Multiple curves are far better than 
multiple bar charts. A number of curves wiggling across the 
page at the tops of invisible bars are eminently more satis- 
factory than actual bars interlarded. In the first place, com- 
parison of several series of data is greatly facilitated in curves 
because each set has been condensed and simplified into a single 
line. There is no difficulty in comparing values of each series 
with each other. In the second place, such a comparison is 
more accurate in curves because all similar points on various 
sets or series have been brought together upon a single vertical 
line. Had we placed the bars in this way on top of each other, 
the longest one would have wiped out or hidden all the shorter 
ones and in the multiple bar-chart, therefore, each set of bars 


coo'ooi'soT , — , — , — , — i i i i , — , — , ozet 


CURl^'Eii 


149 


has to be shifted slightly out of position to avoid the next set. 
But when we plot only the end points of these bars, the short 
and the long ones show up equally clearly and can be brought 
together upon their true ordinate lines. In the third place a 
curve is much more easily drawn than a bar-chart. This is a 
most important reason, betv/een ourselves. And, fourthly, to 
the reader who understands it (and it is a fact that schoolchil- 
dren understand it, however little the present generation of 
adults may) the curve is less confusing and more easily read 
for its salient points. You will find still other reasons why 
curves are advantageous as you go on. 

A curve cannot, however, always be used in the place of a 
bar-chart, for the line which connects the various points im- 
plies that the data itself can be considered connected. Much 
data can not be so considered. A careful inspection of the 
data will soon show whether it is connected or not, for the 
stubs of connected data always form a variable. In the chap- 
ter on dimensions and variables, the test for variable nature in 
stubs was given somewhat as follows: ^Tan the stubs or items 
be shifted up or down in their arrangement freely or is their 
order naturally fixed by their nature.?’" Variability is shown 
by the rigidity of order. 

This limitation of the curve method can be made clear by 
two or three illustrations. We have before us the statistics of 
the population of the United States for each ten-year period 
during the last century. The stubs for each figure of popula- 
tion in this case are: 1790, 1800, 1810, 1820, 1830, 1840, and so 
on down to 1920. Now no sane person would think of ar- 
ranging these normally in any order except from the earliest 
to the latest, or from the latest to the earliest — it would be 
ridiculous to adopt an arrangement such as the following: 
1910, 1810, 1800, 1860, 1920 and so on. Clearly, this is a case 
in which the order of the items or stubs is naturally determined 
by the data itself and these various years can be considered 
as the various values of one variable, namely “time.” The 
data can be charted on a curve. Consider another example. 
In taking a census of the buildings in a certain well-known 
village, the investigators returned reports of the number of 
one-story houses, the number of two-story houses, the number 
of three-story houses, and so on up to 5 5-story buildings. 
Here again the order of the items or stubs, that is the number 
of stories, is definitely fixed by the nature of these items and 



15 ° 


CHARTS AND GRAPHS 


the number of stories can be considered a variable in the same 
way as before and the data can be shown by a curve. Take 

IMPOHIS INTO HUSSIA 
1921 

(Sourc«:* Russian Information and EoTiov^ London) 



(♦) 

Total 

124,281,000 

Rood stuff* 

16,061,000 

initBal productd 

39,606,000 

Timber end seed 

504,000 

Earthenware 

227,000 

fuel, pltoh, etc* 

2,786,000 

Chemlcale 

2,032,000 

Ketalfi, oree, machinery, tool* 

29,184,000 

Paper and peper goods 

3,977,000 

textiles 

15,206,000 

^Bearing apparel, stationery, etc# 

13,132,000 

MlseelXaneoua (inoluding 48,000 

1,667,000 


tone of *• famine aid**) 

Fig:- 136. Here is Data not in Series. 

another example. The United States exported to England in 
the year 1920 a large amount of copper, wheat, rubber, auto- 
mobile supplies, machinery and paper. If we were charting 
these exports, it makes no difference whether we show the 
cotton exports before the paper exports or vice versa. The 
order of these items is not fixed by their nature and can be 
arranged in any way we desire. Here, then, is a case in which 
we cannot use a curve but must fall back upon the bar-chart. 
In short, while the bar-chart can be used for all data, the 
curve-chart can only be used for data of which the stubs form 
values or readings of a mathematician’s variable.^ 

^ A curve or connected line in the place of vertical bars> for abstract or geograph- 
ical data (that is» data of which the kubs are not an ordered numerical series) is a 
granhic monstrosity, fortunately not often seen. 



CURVES 


151 


IMPORTS INTO RUSSIA 

mi 

{SoWOOi* Ru 0 fi&n Infomatxon and Raviair, LondMl) 



m 

toUl 

124,281,000 

< 

Foodstuff* 

16,061,000 

Animal product* 

39,605,000 

Timber and seed 

504,000 

Earthenware 

227,000 

Fuel, pitch, etc. 

2,786,000 

Chemical* 

2,032,000 

Metal, ore*, maohinary, tool* 

29,184,000 1 

Paper and paper good* 

5,977,000 1 

Taitlla* 

16,206,000 1 

Wearing apparel, atatioiiery, etc. 

13,132,000 1 

MLlfoellaneoua (including fimin* 

1,667,000 1 

aid 48,000 ton*) 

Fig. 137. 

No Curve 


(lailiona of Bollart) 


I I I I 1 r 1 I I y.] I ■■ j..TTT 






If we examine the field or background of a curve, we will 
find that it is drawn up according to the principles of Cartesian 
co-ordinates which we have already observed. The reader 
who has forgotten or omitted that weird chapter had best 
turn back to it and read it carefully. In order to understand 
co-ordinates for curve-chart work, you must know that the 
x-zxis of your chart is that straight horizontal line along the 
bottom of the chart which we sometimes call the base line of 
the chart, or zero line. The y-axis is the vertical line whose 
value at all points is zero on the ;t-axis. In the ordinary chart, 
and y axes are along the edges of the chart, the A;-axis at the 
bottom, and the y-axis at the left hand side. In this case 
there is no room on the chart for negative values. It is not at 
all uncommon, however, to have charts which reach over and 
beyond the two axes for the plotting of negative values. In 
still other charts, the true y-axis does not appear at all, the 
chart not showing no zero x-value whatsoever. This is gener- 
ally a case of data in which zero itself is meaningless or arbit- 
rary. A common example of it is historical data, such as the 
first illustration in the last paragraph, where the time values 
commenced with the year 1790 — ^not with the year zero. The 
horizontal lines, and particularly the distances along the 
x-axis, are called abscissae. The vertical lines crossing the 
ends of the abscissae or points on the ;?;-axis, are called ordin- 


152 


CHARTS AND GRAPHS 


ates. All points having the same abscissae or values along 
the :JC-axis lie in the same ordinate or vertical line, and vice 
versa, all points having the same ordinates or values along 
the y-axis lie in the same horizontal line. 

As we have seen, the curve chart requires data with two 
dimensions, the curve being plotted upon a field which has 
two dimensions. Along the horizontal dimension or A;~axis you 
will find the values of the independent or ^-variable, generally 
the stubs in your table of data. For each value of this variable, 
that is for each stub in your table, there is a corresponding 
value of the dependent or y-variable, namely the figure in the 
column beside the stub in your table of data. This y-value is 
plotted along the ordinate or vertical line from the given point 
on the :v-axis (or abscissae, indicted by the stub) to the height 
upon the y-axis indicated by its value. Another way of express- 
ing this is as follows: In the data for a curve-chart each 
figure to be plotted has two values, one being the value of the 
figure itself and the other being the value of its stub in the 
table. These two values of a figure describe the co-ordinates 
of the point by which the figure is plotted on the chart. 

Not only can the point be plotted from the data showing 
its co-ordinates, but the process can be reversed and the co- 
ordinates of a point can be read from the plot or chart, merely 
by following the intersecting lines through the point to their 
respective axes. For it will be seen that every point on the 
paper has two co-ordinates, one of which is the abscissa or 
horizontal line passing through it, and the other of which is 
* the ordinate or vertical line passing through it. The point 
itself is sometimes called the ^'intersect’’ of these two lines. 

‘ As two perpendicular lines can intersect at one point and one 
point only, there can be only one point described hj any two 
co-ordinates. We can therefore locate or identify any point 
by its co-ordinates and the co-ordinates of a point may be 
said to fix rigidly its position. 

If our data tell us that a certain town has a population of 
3,000 persons in the year 1910, we should plot this population 
by moving along the horizontal or x-axis, to the distance or 
abscissa of the year 1910, and then moving upward along the 
ordinate or vertical line through that point, to the height of 
the horizontal line (or abscissa) passing through the point of 
population, 3,000, in the y-axis. The dot, or point on the paper 
which would indicate this town, would be placed at the inter- 



CURVES 


153 


section of the ordinate for 1910 and the abscissa for 3,000, 
and the co-ordinates of that point would be "^^ar 1910, popu- 
lation 3,000,’’ that is 1910, y, 3,000.” And if we see the 
point of this town plotted upon a chart, we can read from its 
co-ordinates the information that in the year 1910 its popula- 
tion was 3,000, simply by following the two co-ordinates of 
the point out to the axes of the chart. 

The distinction between the dependent and the independent 
variables is important. The independent variable is normally 
formed by the stubs in the tabulation and the dependent 
variable by the corresponding figures, that is, the figures in 
adjoining columns. The tabulation is more or less optional 
however, and for certain purposes stubs and data may be 
interchanged. The distinction between dependent and inde- 
pendent variables goes deeper, and finds its origin in the 
peculiar nature of the data. When the readings along any 
variable are made a basis of classification of data, then that 
variable is the independent one. In general, the dependent 
variable is that one whose values may be said to depend upon 
the values of the other variable. Such dependence need not 
take the form of a mathematical equation or explicit function, 
but is merely a matter of convenience in such matters as the 
classification and arrangement in the statistical table. Our 
chief concern is with the plotting of the data upon curves, and 
the important rule to be remembered is that the independent 
variable should be laid off on the x-axis and the dependent 
one on the y-axis. The rule is not without its exceptions, but 
these should always be founded upon special considerations 
and in the absence of such special reasons, the rule should be 
invariably followed. 



Chapter XVI 


FIELDS 

Most of the good things in this world involve some Sacrifice- 
Curves are no exception. In a curve the direct visible connec- 
tion between the curve itself and the zero line, or A-axis, is 
sacrificed. As time goes on and you become more and more 
used to the curve chart, you will begin to think of its values 



laW 1870 1880 1890 1900 1910 i8«0 1870 1880 1890 1900 1910 iSCO 1870 1800 1890 1900 1910 



1880 ' 1870 1880 1890 1900 1910 * 

«0 


10 I [ \ I I J 

1860 1870 1860 '1890 1900 l«lOi 

From Mr. John WenzeVs '^Graphic Charts that MisUadr in Scientific American Supplement, 
June 6, 1917. , 

Fig:. 138, The Amputated Chart is Deceptive. 


154 




FIELDS 


1 55 

as In some mysterious manner floating disembodied along the 
connecting line which forms the curve. You will be tempted 
to forget that the quantities rest very substantially upon the 
floor (base line, zero line, x-zxis or whatever you want to call 
it), and that it is only their tops which reach the points plotted 
in the curve. And forgetting this, you will try to save space 
by omitting the zero line and lower part of the chart, and by 
showing only that small portion or band of the chart through 
which the plotted curve travels. 

This practice of omitting the zero line is all too common, 
but it is not for that reason excusable. The amputated chart 
is a deceptive one, tempting the average reader to compare 
the heights of points on the curve from the false bottom of the 
amputated chart-field, rather than from the true zero line, far 

Ullllons § 



1917 ^ **GrapMe Charts that Mislead'* in Scientific American Supplement, 

Fig. 139. The Case Against Amputation is Clear* 






CHARTS AND GRAPHS 


156 

below and invisible. A curve-chart without a zero line is in 
general no whit less of a printed lie, than a vertical bar-chart 
in which the lower part of the bars themselves are cut away. 
The representation of comparative sizes has been distorted 
and the fluctuations (changes in value) exaggerated. In a few 
more years, the principle that the zero line, when zero is real, 
must normally be shown in a curve will be universally accept- 
ed. Then the emphasis which now must be laid upon this 
principle, will not be needed. Indeed, the author plans in his 
fortieth edition of this work, to omit almost all reference to the 
rule. But, today, you will repeatedly find violations of the 
rule complacently propagating false impressions. And today 
the principle must be iterated, reiterated, and forever kept in 
minT 


CURATIVE EPFRCT 0? DIPHTRERlA ANTITOXIH 
Temperature record of typical caee of Diphtherie with prompt uee of Antltoxiii 
iSouroo;- U. S. Public Health Service) 



Uaye:- 1 2 3 4 6 « T 

Fig. 140. When Zero is Arbitrary, it can be Omitted. 


There is but one case when the omission of the zero-line 
on the y-axis or dependent variable, is justified. This is the 
case in which zero itself is an arbitrary value, and does not 
really mean a “nothing.” As we have seen in the case of 



FIELDS 


^57 


;c;-values m historical data, the year 0 does not really signify 
zero years, but merely signifies an arbitrary point of time 
from which counting is begun. Science has many such arbi- 
trary zeros; in the Fahrenheit scale of temperature, for in- 
stance, zero degrees is really an arbitrary point. Common 
sense will tell you when the zero is a starting point of the 
quantities measured by your data. And whenever zero is 
really such a lower limit, the rule that the zero line must be 
shown on a chart applies. 

Sometimes, even with the best of intentions, rules must be 
violated and we must do the unjustifiable. The usual excuse 
for amputating a chart is that to show the zero line would 
require too much space, or would reduce the scale and make 
the fluctuations of the curve less noticeable. Sometimes you 
will feel the force of this argument very strongly. It is par- 
ticularly frequent in charts of dividend, interest, and yield 
rates, where the fluctuations are in percentages and the base 
is understood by everyone to be 100%. The argument has 
greater force when the chart is intended chiefly for circulation 
among those in a profession who are already accustomed to 
think of the minor variations of percentages, and who would 
study the chart with interest only with regard to its time to 
time fluctuation-quantities, but would have no interest in its 
relative total quantities. Here it may be argued that the am- 
putated chart would deceive no one and would be of greater 
service than if, at the cost of detail, it were made complete. 

When this argument arises, it must be scrutinized with 
care and hostile scepticism. Often the argument will be found 
specious, resting more on the familiarity of the chart-maker 
himself with his data than upon the true attitude of those 
who will see the chart. In other words the maker of the chart, 
in the thoroughness of his own understanding of the data, 
forgets that others will be less familiar with it, and attributes to 
them his own skill and comprehension. It is easy, in this 
way, to be modest about one’s own powers of understanding, 
but the modesty is costly when, as so often happens, the reader 
is loath to admit his inferiority, and merely lays the charts 
aside for study at some time "later on” which time, needless 
to say, never comes. 

Only if it is quite certain that no misunderstanding will 
result, should the chart be amputated for the sake of saving 
space or exaggerating fluctuations. And even in such cases, 



CHARTS AND GRAPHS 


158 

great care should be taken to make the amputation self-evident 
to the most casual reader of the chart, for it is precisely the 
man who has little time for study of the chart, who is most 
likely to be deceived by it. The best method of making the 
amputation of the chart obvious is to blot out with Chinese 

WORKERS OUTPUT ASD FATIODS 

lnde:)c Nuabdrt of Hourly Output in Doxterou# Handwork Operations 
United States 

(Souroe:- United States Public Health Service, Bulletin Ho. 106) 

Couaiutator 66.2 97*2 97,2 100 95.5 94.3 93.2 SG*5 

Magneto tapi ng 9*2.4 100 95.7 95.1 96.8 96.6 96.0 91.5 

Roll coll 96.1 98.8 100 98.4 92.2 98.4 98.8 88,3 

Rivet press 91.2 96.9 100 94.6 94.5 92.9 94,2 89.1 


Arerage 91.2 98.0 98.2 97.0 94.8 95.6 95.6 88.9 



OOOOu>»0«OiO«« o 

tQ l0,»O «r-« r-t r-« 

«> 00 OJ* O « r-* W W* 

First Second Third Ipourth'^ Fifth Sixth Seventh Eighth 

Fig. 141. The White Zone Warns the Reader. 

white a small irregular zone across the lower part of the chart- 
field, or to erase the co-ordinates in this zone, and show the 
zero-line below this zone. The chart then has the appearance 
of being broken off between the zero-line and the curve, and 
anyone will see that it does not show full distances to the 
curve-points. An easier but less effective method is to make 





Fig. 143. A Wavy Base-line is a Shorthand Warning. 

Adjusted Index of the Volume of Manufactu re (100= Normal). 

^ The use of rounded or dotted base-lines to indicate abbreviation, which is some- 
times advocated, seems ill-advised, since the method is not self-explanatory and hence 
defeats its own purpose. The object is to flash to the casual glance the abbreviated 
condition of the chart, and any symbolism which must be technically understood is 
of no more value than the scale-figures themselves for this purpose. 






CHJRTS AND GRAPHS 


160 


the reader than the true zero-line, from which he should meas- 
ure the quantities shown by the curve, lies far below the visible 
portion of the chart. 

Another principle which will quickly appeal to your common 
sense, is the rule that when zero is real, the zero-line should be 
extra heavy to make it prominent. Remember that it takes 
the place of the floor or lower end of the bars in the bar-chart. 
It should stand out, therefore, in such a way that the reader 
can easily grasp its significance and compare with it the 
heights of the points on the curve. The rule is particularly 
important in cases where the chart extends down below the zero 
line into the negative side in order to show negative and posi- 
tive values. On the same principle the 100% line, when it 
occurs in a chart, should be similarly heavy as it also may be 

IKC01£E C? RAILROADS 

Ket R&llTfflLy Operiiting Incos,»6 of Cl&«a I Rends 
thcBo having wnr4ual Operating Revenues in Excess of $1,000*000) 

Ur.itea States 
1920-1921 

(Source - Interstate Coaaerce Coaaaission) 

(Note:- Set railway operating inccne is total operating revenue lese 
total operati.ng expense, railiray tax accruals, uncollectible railirey 
revenues, equipment and joint facility rente.) 




FIELDS 


i6t 

considered a base for zero points, being the point of zero loss 
or gain. In fact, the rule may be extended to all cases of lines 
showing significant constant values, and the zero line should 
not be heavy, unless it has a special significance. In charts 
showing temperature in Fahrenheit degrees, for example, since 
the zero point is merely an arbitrary value like any other 
number of degrees, it would be more sensible to emphasize 
the freezing and boiling point lines. Common sense must be 
relied on to determine the lines which can be usefully em- 
phasized. 

The ordinary curve-chart has three different types of 
figures which must be attached to it. These figures are: first, 
the scale figures for the A;-axis, showing the values assigned to 
the vertical lines; second, the scale figures for the y-axis, show- 
ing the values which have been assigned to the horizontal lines; 
and third, the data figures, showing the values represented by 
the various plotted points of the curve. There is considerable 
confusion and difference of practice in the positioning of these 
three sets of figures. By going back to the first principles, 
however, and recognizing that a chart is merely a fragment of 
the co-ordinate system of measurement, we can easily find the 
logical and natural places for these figures, and it so happens 
that the positions which are the most logical have proved in 
practise the soundest and most useful ones. 

The scale-figures along the horizontal or .r-axis are really 
the values of the independent variable. In your table of data 
they form the stubs or items. As you read in the last chapter, 
this independent variable belongs on the ;^-axis; it should never 
be placed along the y-axis, as is sometimes erroneously done. 
The proper place for the scale showing these figures or values 
of the independent variable, is at the bottom of the chart, 
each figure or value being immediately beneath the lower end 
of the vertical line to which it has been assigned. Do not, 
merely for the sake of ornamentation or decoration, place 
these values at the top of the chart also. Do not box them in, 
each with a little square or circle. Do not make the printing 
unnecessarily large. Do nothing more than is necessary for 
simple clear results. These precepts will save you a great deal 
of time in the preparation of your charts and will save your 
reader much trouble in its reading. It is enough to place the 
figures once for all at the bottom of the chart, forming a scale 
along its entire base. 



CHARTS AND GRAPHS 


1 6a 


The figures which are assigned to the various horizontal 
lines should be placed in a column immediately beside the 
ends of these lines. They form the scale for the dependent 
variable or y-axis. In the case of isolated charts, that is charts 
which will appear singly and alone, this vertical scale is often 
placed at both sides of the charts so that the reader can read 
the values of the horizontal line at either side. For isolated 
charts, there is no particular objection to this practise, though 
it may be a work of super-erogation. But, in the majority 
of cases your charts appear in groups, and often on separate 
sheets which the reader will wish to place side by side for the 
purpose of comparison. Then certainly the two vertical scales 
would be a nuisance; one is sufficient, and it should be placed 
at the left hand side. Indeed, it would be best to make this 
rule universal, namely, that the vertical scale should appear 


PHODOCTICM OF ACTOyCBlLES 
flu&ber or pasaetiRer Cara ard Trucks Producarf 
Unitad States 
1913-1521 

(Source;- Satlonal AutcmoMle Chaebor of Cpiaaerce) 


rruok* I i I i I I § I I 

^ ^ ^ ^ ^ ^ ^ 


Paaeenrer 


i § 


§ § 



Fig. 145. The Sound Position for Two Vertical Scales. 



FIELDS 


163 

once only, and then at the left hand side of each chart. The 
use of two scales, one on each side of the chart, is desirable 
only for more popular results. 

When several curves are shown upon the same chart, it is 
often desirable to use different scales for them. That is, the 
same horizontal lines may be given two or even more different 
values for different curves. But even in these cases, it is better 
to place both scales, once and for all, at the left hand side. 
The practise of placing one of these scales at the right hand 
side, and another at the left hand side, has little to recommend 
it. Theoretically, at least, the left hand end of your chart is 
normally the y-axis itself, and the scale or scales should logic- 
ally be attached immediately thereto. In practice this logical 
position is justified. 


rCRCtHT. 



Fig. 146. An Interesting Comparison of Different Period*. 

Here it is not the y-zxls, but the .^-axis, which has two scales. 

Monthly price index of 14 basic commodities during two war periods. Pre-war 
year in each case is taken as the base of 100%. Prices of the same commodities 
are included for each period . — Permission of Mr, Carl Snyder, 

We come then to the question of the third set of figures, 
namely, to the data itself, which the curve represents. As we 
have said before, this data should always be presented with 




164 


CHARTS AND GRAPHS 


the chart.2 It should not be omitted entirely or separated and 
printed in an appended table. That rule is one of the most 
important in chart work, and he who violates it fails to afford 
his reader with convincing proof of the accuracy of his chart. 
We must find a way to insert the data in the chart, and typo- 
graphical difficulties or inconveniences must not be allowed to 
deter us. 

As a matter of fact, the place for the data is obvious. It 
should be placed at the top of the chart, each figure immedi- 
ately above the point by which it is represented on the curve. 
The reader can then glance down the ordinate or vertical line 
through any particular point and find the stub or value of the 
independent variable, and he can glance up the same ordinate 
or vertical line, and find the value of the curve at that point, 
that is, the exact value of the dependent variable. Needless 
to say, he could have found this latter, the dependent variable 
value, with approximate precision, by careful study of the 
horizontal line through this point and its intersection with 
the y-axis. 

In entering figures on the chart for the scales of the inde- 
pendent variable and for the data itself, we come to the same 
typographical difficulties which we met in the pipe-organ or 
vertical bar-chart. We do not often find sufficient room to 
print or write these figures horizontally on the page. Even if 
the chart is so large that we can, by fine printing, crowd the 
figures together horizontally, we will generally find the results 
unsatisfactory. In the first place the figures tend to run into 
each other, and in the second place they lie across, rather than 
in line with the ordinates or vertical lines to which they are 
attached. If we attempt to box the figures in with squares, 
circles, or diamonds, we merely add to the confusion of the 
chart and detract from its simplicity. 

2 It is obviously the chart from which data has been omitted, which has led Professor 
Secrist to say: 

^‘Tabulation of classification precedes; the use of diagrams follows. The 
former geneially serves to clarify the meaning of data; the latter frequently 
to obscure it . . . Diagrams alone are more likely to serve as bases for 

conclusions arrived at without study and to foster a disregard for the details 
from which diagrams are drawn , . . Diagrammatic illustrations can 

never leplace data themselves, no matter how accurately they tell the truth 
or how illuminating they are. They are at best statistical aids and should be 
so viewed by those who use and study rliem. A well-drawn and cleverly 
executed diagiam is never a guarantee of the value of the statistical facts 
which it illustrates.** — Secrist, Horace, Jn Introduction to Statistical 
Methods, The Macmillan Company, New York, 1917, pp. 159, 161. 



FIELDS 


165 


The sound principle, therefore, and one which will be found, 
after a little practise, eminently satisfactory, is to enter the 
data-figures and all except the simplest ;?^-scale figures, vertic- 
ally, that is, by writing on edge. The reader has little diffi- 
culty in turning the page about to read these figures when he 
wishes. There is, therefore, no great disadvantage to this 
method. The figures lie clearly along the lines of the ordinates 
to which they belong, so that there is no doubt or confusion 
in finding the figure for any particular point on the curve. 
You will notice, moreover, that the figures for the independent 
variable and the figures for the data arrange themselves in 
the familiar form on your original tabulation, the only differ- 
ence being that a chart has been inserted sideways between 
the stubs and data. And this is logically sound, because the 
curve is merely a modified form of the pipe-organ chart, and 
the pipe-organ itself is merely a bar-chart placed on its side. 
Even the column headings are retained in the curve chart in 
their same relative positions to each column of figures. 

You will find it useful to keep this relation between the 
curve-chart, the pipe-organ or vertical bar-chart, and the bar- 
chart proper or horizontal bar-chart, always in mind. Par- 
ticularly so, when you have several columns of data to be shown 
by several curves upon the same chart, for in this case it is 
important to retain the column headings at the top of each 
column of figures in the data. These column headings will 
then be to the left of the chart itself and the only diflterence 
will be that they can be written on horizontal rather than 
vertical lines, so that they can be read easily while the curve- 
chart is in its normal position, though the data is on edge. 
You will, however, find it useful to re-arrange the order of the 
columns of data so that the position of each corresponds 
roughly to the position of its particular curve, the data for the 
uppermost curve being at the top, and the data for the lowest 
curve being at the bottom of the series of data on the chart. 
In order to distinguish two curves on the same chart, which 
may or not cross each other, you will probably use different 
colors for these curves. In that case, it is useful to observe a 
similar color distinction in the printing or typing of the data 
columns, each column being printed in the color in which its 
particular cuiwe is plotted. You will also find it useful to place 
a small sample section of this curve immediately beside or 
underneath the column heading for the data to which it is 



CHARTS AND GRAPHS 


1 66 

attached, thus forming a sort of key to the curves used on the 
chart. 

For those who use typewriters (and in all large offices, it is 
well to use typewriting exclusively for the lettering and figure- 
writing on charts) the arrangement above described for the 
positioning of figures and data, will be found extremely con- 
venient. It gives the typist no more trouble than the prepara- 
tion of an ordinary table or tabulation of figures. Placing the 
chart sideways in the typewriter, she types in at the left hand 
edge of the chart-field the stubs or items of the table, and at 
the right hand end of the chart, the figures of the various 
columns. If the ordinates of the chart have been arranged at 
the precise typewriter distances of 3 , or | inch apart, she 
has no further adjustment of the paper to make in the type- 
writing machine. In line after line down the page, she merely 
reproduces the table of the original data leaving a wide gap 
between stub and columns of data — a gap which is filled up 
by the field of the chart. The chart can then be plotted in 
upon this field after the data has been typed. 

The whole process of making a curve chart takes no more 
time than that of making a bar-chart, and in fact, very little 
more than that of making a plain mathematical table. The 
only instructions the typist must have are the data (which can 
be in the form of the original table) and clear orders as to ( 1 ) 
which columns must be copied on the chart, ( 2 ) the order in 
which they must be placed, and (3) the color, if two colors 
are used, in which they must be typed. The only instructions 
which the draftsman needs are then contained in the form 
itself on which he is to draw, his instructions being the data 
as already typed on the chart. If the vertical-scale figures for 
the y-axis of the chart have also been typed in, his instructions 
are complete. But unless the chart belongs to a standardized 
set in which the scale has been fixed, the draftsman will prob- 
ably determine upon his y-axis scale after a study of the data 
itself. In this case, he enters the scale in hand-lettering and 
proceeds with the plotting. If this scale also is to be type- 
written, however, he would enter the scale-figures only in 
pencil and the typist would enter the figures permanently 
last of all. The considerations affecting the choice of scale 
will be found in the following chapter. 



Chapter XVII 


SCALES 

Technicians are fond of describing a scale in puzzling and 
abstruse language. Yet, as often happens, the thing itself is 
so simple that a child can understand it. It is usually defined 
as a ratio — the ratio between actual distances in the space 
charted and equivalent distances on the chart. This ratio of 
reduction or enlargement is important to engineers but not 
to the maker of mathematical charts. We therefore use the 
word scale for the ‘calibrations measuring distances on the 
chart. To linear distances, both horizontal and vertical, we 
assign arbitrary values and the figures which tell us these 
assigned values form the scale. 

Curve charts take up two dimensions on the paper, that is, 
they have both a vertical and a horizontal axis, and therefore 
require two scales. These two scales may or may not be alike. 
When they are alike, we have what might be called a normal 
projection. Imagine a simple chart, the field of which is square 
and the two scales of which are alike. Draw a straight line 
from the point of origin or lower left hand corner of the chart- 





CIURTS JND GRJPIIS 


1 68 

field at an angle of 45° to the horizontal and extend it diagon- 
ally across the field to the upper right hand corner. This line 
passes through all points having equal co-ordinates, that is 
equal values along both axes. Now let us see w'hat happens 
to this line when one or the other scale of the chart is changed. 

Suppose we shorten the vertical scale to half of its distance. 
Relatively speaking, this is the same thing as doubling the 
horizontal scale. (By half or double the length of the scale, 
we mean assigning the measurement values to distances half 
or double as great.) Now the result of this will be very 
noticeable upon the slope of the straight diagonal line passing 



Fig. 148. 

through points having the same values as before, for the line 
will rise only half as much as before. If our line were a curve 
wiggling across the chart, its wiggles would be half way 



Fig. 149. 

flattened out, giving us the impression of much less fluctuation 
than formerly. But as a matter of fact it is exactly the same 
curve as before, only its field has been changed so as to dim- 
inish the vertical oscillations or wiggles. 





SCALES 


169 



Fig. 150 . 

On the other hand, suppose that we increase the vertical 
scale to twice the length of the horizontal scale. This is the 
same thing, relatively, as reducing the horizontal scale to half- 



size. Now see what happens to the diagonal line. Its slope 
becomes far steeper than originally, as it must climb to twice 
the height in the same horizontal distance. If that line had 
been a curve, snaking its way across the paper, its wiggles 





170 


CHARTS AND GRAPHS 


would have been twice as great as formerly. It would have 
given us the impression of a very unsteady and changeable 



proposition indeed. First way up, and then way down. Very 
hard to tell just where it is going to go next. Unstable, un- 
reliable, fickle — these are the conclusions we should have 
formed of the items that were charted, and yet those items are 
precisely the same as appeared on the second chart above 
described where their movements appeared to be very even 
and regular. 

In short, the scales on which a curve is drawn can affect 
very much our impressions of the data by magnifying or minim- 
izing the apparent movements of the curve itself. Of course, 
this does not mean that the relative height from the base-line 
of the various points on the curve have been altered. If you 
have been careful to show the base-line always, the base-line 




SCALES 


171 


itself will approach nearer to the curve as the vertical scale is 
reduced and the wiggles are flattened out, and will recede 



Fig. 153. 


farther from the curve as the vertical scale Is enlarged and the 
wiggles are exaggerated. But it means that the oscillation or 
fluctuation of the curve will have been made to appear more 
violent or milder according as either of the scales is changed. 
And it therefore behooves us to give serious thought to the 
matter of scales before we determine upon them finally for 
any particular chart. As a matter of fact, we may have to 
try out several combinations of scales before we find one which 
gives just the right amount of emphasis to curve fluctuations 
to suit us. 

S ' • Now where our chart size is unlimited, and we are free to 
extend the scale and field in either direction as far as we wish, 
this rule of try, try, try again might be perfectly feasible. 




172 


CHJRTS JXD GRJPHS 


Perhaps, in that case, we would generally come' back to the 
normal projection or combination of two similar scales. If, 
as often happens, the scales measure different and incomparable 
(technically “incommensurable”) quantities, such as years on 
one axis and dollars of sales on the other, or length in inches on 
one axis and weight in pounds on the other, we could change 
these to percentages (each of its own total or maximum), and 
consider the percentages commensurable. 

But generally, the space available for a chart is limited. 
If it is to appear in a book, the size of the book-page must be 
conformed to. If it is one of a set of charts, a uniform chart- 
size increases the attractiveness, if not also the simplicity, 
both of the set and of the individual chart. Even if the chart 
is to appear entirely alone, there is much benefit in avoiding 
unhandy sizes. Moreover, worrying through a succession of 
trials consumes time and energy, a needless waste if it is true 
that we can determine beforehand merely from the data 
itself what will be a satisfactory combination of scales. 

Let us consider the horizontal scale first. In the previous 
chapter we have already found certain considerations which 
will affect the arrangement of the figures for this scale. These 
figures will be placed Immediately below the base-line or bot- 
tom of the chart. Normally, they will be written on edge, up- 
ward, or typewritten after the paper has been fed into the 
typewriting machine sideways. The ordinates or vertical lines 
to which the figures belong will then, if extended down the 
chart, pass through the figures, cutting across the middle of 
each digit. In the same way, above the top of the chart the 
data-figures will be placed, each on line with its own scale- 
figure and plotting point and each so placed as to be similarly 
cut by the extension of its ordinate. 

It takes no brains to see, therefore, that the horizontal 
scale must be large enough to permit entering the figures, no 
matter how condensed, of the data. As a general rule, type- 
writer intervals, which are in picas or sixths of an inch, are 
about as small as your horizontal unit-distances should be.i 
And if you have a short series of data, you can double or 
treble this distance without expanding your chart too much. 
In fact, the curve is more easily read when the horizontal 

^All typewriters can be especially equipped, at a slight extra cost, with any 
desired interlinear distance and there is one machine, the Hammond, frequently used 
in academic work, which has intervals of one-ninth instead of one-sixth of an inch. 




SCALES 


173 


units are about typewriter double-spacing distance apart, that 
is, three to the inch. 

We are assuming here that your finished chart is to occupy 
a sheet of paper about standard letter-size, 8^ by 11 inches. If 
larger sheets are to be used, you will modify all dimensions ac- 
cordingly. Where charts are to be exhibited in a large room 
to a large audience, they must be many times larger and all 



oS 




ix4 


U 

0} 




u 

a. 


Fig. 154. Examples of Convenient Horizontal Scales. 

Facsimile Typewriting. 


lines and lettering correspondingly heavier. The most excel- 
lent chart in the world is virtually useless to the man who 
cannot see it, and you must not forget the distance from 
which the chart is to be viewed. For ordinary study, however, 
as well as for convenience in handling and in filing, the 8^^ by 
11 basis is satisfactory. It can always be enlarged by photo- 



174 


CHARTS AND GRAPHS 


stats, or photographed on lantern slides for very large pro- 
jection. (, 

The range of this horizontal scale then depends largely on 
the number of items in the series, to be plotted. A series 
•which contains more than thirty items had best be cut up into 



Fig. 155. Showing One Month by Days on Letter-size Paper* 

Single-spaced for typewriting data. 


two charts, each one of which will run across the shorter dis- 
tance of sheets of the 83 ^ by 11 paper. You can generally do 
this by breaking up the series into convenient segments. Thus 
if the data is monthly, break it up into years and present a 
year on a page. If the data is annual, break it up into ten 
or twenty year groups. Where it seems inadvisable to break 
up the series into parts this way, double width sheets can be 





SCALES 


ITS 


used, either folding up into regular size or not, as desired. If 
you wish to run the chart along the long distance of the 8^4 by 
11 paper, the space for attaching data above the chart will be 
much restricted, but if the data is limited to one or two col- 
umns, this is no disadvantage, and you can get as many as 



Fig, 156, One Year by Months on Letter-size Paper, 

Double-spaced typewriting. 


fifty-two items on a page, thus enabling you to show a year 
by weeks. 

When you can do so, it is always well to make the hori- 
zontal distances one-third inch each, or double typewriter- 
spaced. In this case, you cannot count on more than a dozen 
or fifteen units crosswise on the paper and twenty-five length- 
wise. The advantage of the wider spacing, as has been said, 



CHJRTS AND GRAPHS 


176 

lies in the greater ease with which it is read, neither its ciir\e 
oscillations nor its data figures being so confusingly close to- 
gether as when smaller spacings are used. Moreover, the chart 
with fewer items on it will generally be more closely studied by 
the reader than one with a great mass of detail In fact it some- 



Fig. 157. One Decade by Years. 

Triple-space J typewriting. 


times pays to omit minor details in the data and make the 
items fewer and more important, in order to reduce a great 
amount of detail to a simple series. Thus the daily stock quo- 
tations would require a very large chart for their presentation 
during a year, while the weekly and sometimes the monthly 
average quotations will be just as significant, and far simpler, 
to the reader. 




SCJLES 177 

Now as to the vertical scale.2 The first general rule is that 
the highest plotted points on the curve should ordinarily reach 
about two-thirds of the way up the field of the chart. This 
gives the best results, because the top of the chart neither 



Fig, 158. One Quarter-century by Years 

Single-spaced typewriting. 


crowds the curve too closely not does the space above the 
curve seem to the reader unnecessarily large. If the top of the 
chart is too close to the curve at any point, the reader may be 

^ It is to be understood in the following discussion that what applies to the posi- 
tioning of a single scale for a single curve applies also to two or more scales for two 
or more curves when these are shown on one chart. Unless there is special reason for 
having one curve below the other, or for using a common scale for both curves, the 
second curve may have its own scale (lettered on the chart beside the first scale) 
specially positioned, like the first scale, to bring the second curve to similar heights 
upon the chart. 



8 CHARTS AND GRAPHS 



SCALES 


179 


led to measure with his eye distances on the chart from the 
curve to the top line, instead of from the bottom line. 

When a single long series of items is to be carried through 
many charts, one after the other, forming a set in which the 
individual charts show only parts of the series of data, it is 
important to have the vertical (as well as the horizontal) scales 
uniform throughout. The uniform scales are necessary that 



Fig. 160 . One Year by Weeks on Letter-size Paper. 

Single-spaced typewriting. 

the charts may be individually compared, or “fanned out^^ into 
one long series of continuous charts. And if the scale be such as 
to place the highest point in the whole series three-quarters of 
the way up the page, in one chart, there may be other charts 
in the series, in which the curve will hardly leave the zero, or 
base-line. This cannot be helped without enlarging the scale 
for these smaller parts,, and so destroying the comparability of 
the charts. There is no help for the low charts in this case, 
nor is help really desirable, since the lowness of the curve at 
certain points is the significant fact to be shown. 

The size of the vertical scale depends therefore upon the 
amount of the largest figure in the date. We must glance 













SCALES 


i8i 

through the columns of data to be charted and observe the 
highest quantity in the series. Of course if this is a freak 
quantity, we can disregard it and select the next highest quan- 
tity (leaving the highest one to extend clear out of the chart 
if it will). Having determined on what we shall consider the 
high point or “peak” of the data, let us substitute for this a 
round figure, which we shall position about two-thirds or 
three-quarters of the way up from the bottom of the chart. 


PIRE LOSSES 
Cnitod StcLtas 
1876-1920 

(Souroa:- Journal of CoBniaoroa) 



Thus if the high-point or peak is 38,370,000, let us take38,000,- 
000 as the scale-making figure. Now if this peak is approached 
by several others, that is, is no unusual value, let us make it 
slightly lower down on the chart, but if it is unusual, and the 
gperal level is nearer six or four million, let us make it slightly 
higher up. Anything between a third and a quarter of the 
distance below the top of the chart is sufficient. Assuming 
that the series contains several figures near eight million, we will 
select the slightly lower position, and place eight million two- 



i 82 


CHARTS AND GRAPHS 


thirds of the way from the bottom of the chart to its top. In 
other words the entire vertical distance will be divided into 
twelfths, each representing one million dollars. In this way 
our vertical scale has been determined. 

Of course, the size of the chart itself has not yet been 
settled. Its width we disposed of under the head of horizontal 
scales. But so far we have not settled its total height. We 
have only decided the number of parts into which that total 


jMi 5,902,000 
Peb 5,640,000 
tor 6,413,000 
Apr 6,494,000 
toy 6,309,000 
Jun 6,186,000 
Jul 6,329,000 
Au« 6,261,000 
top 6,360,000 
Oct 6,619,000 
Her 6,147,000 
Dec 8,370,000 

Dhited Cigar Stores Co. 8al«i 
1921 

(Dollar*) 

(Source:- Survey of Currant Bminaai) 

Fig. 163. 


height will be divided. But the total height need give us 
little trouble. For a drawing on ordinary letter-size paper, 
the chart field, that is, the co-ordinate rulings, should not 
cover much more than half the height of the sheet of paper. 
There will be some space needed at the bottom for the hori- 
zontal scale figures, and considerable space should be left at 
the top for the data and for the title to the chart. So on a 
sheet of paper 11 inches high, the chart can best be made 
about six inches high. And in the example we have just con- 
sidered, where this total height of six inches will be divided 
into twelve parts, each representing a million dollars, it is 
easy to see that the ordinates or horizontal lines should be 
spaced half an inch apart. The scale ratio is f inch to 31 >000,- 
000 . 



SCALES 


183 


There are many devices for dividing a length into desired 
divisions. The case of ten, fifteen, or eighteen or more divi- 
sions is no more difficult in a six-inch space than that of 
twelve divisions. Both engineers’ and architects’ rules divide 
the inch into various useful numbers of parts and when we 
desire an odd or fractional number of parts per inch, we can 

United Cigar Stores Co. Sale* 

1921 

(Dollars) 

CSource*' Survey of Current Businea*) 



W3IACOU>(0<0(0<0<0<0«>CO 



easily get them by drawing parallels from the corresponding 
divisions on a regular scale laid off so as to form a triangle 
with the desired scale and the last parallel. However, as we 
had considerable margin of choice in deciding the number of 
dividions, we can always find round figures which will work 
easily in the given chart field. 

The fact is that a standard “field” about 4 inches wide and 
6 inches high, h^s already been adopted by a great many chart- 



184 


CHARTS AND GRAPHS 



Fig. 165# Commercial Forms Available. 

Four Useful Charting Papers published by Mr. John Wenzel, Yonkers, N. Y. The first three are of 
type described in the text to fit the 10 or SO, 30 or 60, and 20 or 40 sides of the Engineer’s rule. 
The fourth is specially adapted to percentage data, requiring a scale from 0 — 100 %^ 


SCALES 


185 


makers, and by some publishers of chart-paper. This standard 
prepared chart-form is very useful. It is printed low upon 
regular letter-size 8^-by-l 1-inch sheet, leaving the necessary 
space below the chart for horizontal scale figures and a great 
deal of space above the chart for data and title. It is generally 
printed with the horizontal rulings only, so that any desired 
number of vertical rulings can be drawn in to suit your hori- 



Fig. 166 . To Obtain a Scale Smaller Than Those Given by the Ruler. 


zontal scale. And the horizontal rulings are printed without 
any scale-figures for the y-axis, so that you can adopt whatever 
vertical scale you please. Three different rulings are made, in 
which the interval is either a fourth, a fifth, or a sixth of an 
inch. These three forms are sufficiently different to enable 
you to place a point almost anywhere you wish on the field, 
merely by selecting the right ruling and attaching to it the 
proper calibrations or scale-figures.s 

2 A single chart-form, which has intervals of one inch up the paper between hori- 
zontals, can be conveniently used in place of the three, when only a few charts au^ 
to be made. It is a master-form which can, if desired, easily be converted into any 
of the three by ruling in the proper number of intermediate horizontals. 



186 


CHARTS AND GRAPHS 


Moreover, if you are doing much plotting, it will help you 
greatly to use what is called an “engineer’s scale” ruler, which 
can be obtained with the inch divided into fourths, fifths, and 



Courtesy of Kenffel Esser, N. Y. 

Fig. 167. Engineers^ Triangular Rule. 


sixths, coinciding with the three types of prepared chart- 
paper, and into other even fractions, namely halves, thirds, and 
tenths of an inch. With these six scales suitable for use with 
the three types of ruled paper, you can conveniently draw up 
any curve in any position on the field. And if you have not 
access to the specially ruled paper and rulers, you can of 
course easily prepare them for yourself. 

For this chart field which measures 6 inches high (or for 
any other given size of chart) a general instructions-table can 
be used by which, without any figuring, you will know what 



Fig. 168 . To Obtain a Scale Larger Than Those Given by the Ruler. 




SCALES 


187 


type of ruled paper, what edge of the- ruler, and what values 
or calibrations in the chart-scale you must use. In the ac- 
companying table for 6-inch high chart-fields, it is assumed 
that you will position the peak of the curve about two-thi/ds 
of the way up the chart-field. You have therefore only to 
glance through your data and find out the amount of the peak 
or largest quantity in the series and with this figure in mind, 
consult the table and find the round figure therein which is 
nearest it, and proceed as for that round figure. The only 



w 60 *0 80 eo 4& 60 60 40 40 

Figo 169. Examples of Convenient Vertical Scales. 

Reduced from Standard 6-inch Field. 

Shows scales with 10, 12, 16, 20, 24, 32, 40, 48, 60, 80 and 100 at the distance of 
two-thirds of the height of the six-inch chart-field, by the use of the three rulings 
for 40, 50, and 60 sides of the ruler. 

thing to remember is that the position of the decimal point 
does not matter. Your number may be .0003 or .3 or 3.0 or 
30 or 3,000,000; you will always find its plotting instructions 
under the first ^^significant’^ digit, namely, in these cases, the 
figure 3, 

These apparently arbitrary rules of thumb are justified 
only so long as they serve to produce the best results. Your 
real purpose is to show the data most clearly and simply, 
either to yourself or to someone else. The chart is a window, 



i88 


CM J RTS AND GRAPHS 



TABLE OP SCALES POH CEASTS 

Fig. 170. Table for Vertical Scales with Engineer’s Rules on 6, 8, and 

10 Inch Fields. 


as it were, through which the reader looks out upon an illu- 
minating picture of the facts he is considering. Through this 
window he sees, if you like, a chain of mountains, whose 
height tells him the values or quantities he is considering. 
That he may see them to the best advantage, the window must 
be low enough for him to see the base of the mountain-range 





















SCALES 


189 

and high enough for him to see at least some sky above the 
highest peak. In general, the best view of the mountains 
would show neither too much nor too little clear sky above. 
And if the window is crossed with a framework for small 
window-panes, he can further judge of heights by the criss- 
cross window-pane lines. Your curve is the silhouette of that 
mountain-range, your field the tiny window-pane outlines, and 
you, the chart-maker, must use your own judgment and ar- 
tistic sense to place the reader’s chair near or far, high or 
low, in front of that window, to give him the clearest view. 



Chapter XVIII 


PLOTTING-POINTS 

A point can be defined or located by its co-ordinates. The 
co-ordinates of a point are the two mutually perpendicular 
lines which pass through it and at whose intersection the point 
is located. One of these lines is its abscissa, the other its or- 
dinate. Neither of them need appear upon the paper; that is, 
they may both be imaginary, and it is therefore sometimes 
difficult to chart or plot a point precisely, or when plotted, to 
read its co-ordinates exactly. 



Fig. 171. 

Here is a simple example. Suppose you have a chart- 
field on which each abscissa and ordinate represent a unit 
value, that is the abscissa and ordinate are numbered consecu- 




PLOTTING^POINTS 


T9T 

tively one, two, three, four and so forth. Now suppose that 
you were to plot on the field the point represented by the co- 
ordinates, 3K, y, You will look in vain for an 

intersection of lines with these values, because the co-ordinates 
of half units have not been drawn on the paper. Nevertheless, 
you can imagine the two co-ordinates, one of them half way 
between the ordinates of 3’’ and AP the other half way 
between the abscissae of and y, 5.’’ And at the inter- 

section of these two imaginary co-ordinates you can plot the 
point. 

This question of the precise plotting-point comes up very 
often in charts showing time by weeks, months, or years along 
the horizontal scale. Suppose you are charting the monthly 
steel prices in 1920. Down at the bottom of the chart you 
will place the time-scale with the words January, February, 
March, and so on under the ends of the vertical lines of the 
chart. Consider this scale carefully. What does it mean ? 
It means that each unit of horizontal distance has been taken 
to represent one month and that all twelve horizontal units 
tiaken together represent a year, the year 1920. Now if a month 
were a single instant of time, it would be very simple. | We 
would then plot the figures for each month or single instant of 
time on the particular vertical line which represented it. But 
as a matter of fact, a month is a long period of time with a 
great many diflFerent instants in it, all of which go to make up 
a single month, just as twelve months taken continuously 
make up a single year. In short, we are no longer dealing 
with single instants of time but with continuous periods of 
time. Yet on our chart the horizontal scale shows the number 
of single points representing these months. Something surely 
is wrong. Obviously we must find particular instants for 
points of time, to correspond with the points on the horizontal 
scale representing time. 

There are two ways of doing this. The more scientific and 
accurate way is for us to seize upon the particular instant or 
point of time between months and represent these points of 
time by the points on our horizontal scale. The origin of the 
x-axis, or zero point on the horizontal scale will then stand for 
the beginning of the month of January. The first point on 
the horizontal scale will indicate the end of the month of 
January and the beginning of the month of February. The 
second point on the scale will represent the end of the month 



192 CIURTS JXD GRJPHS 

of February and the beginning of the month of March, and so 
on. In this case we see that the months themselves are indi- 



Fig. 172. To Plot Anywhere Between Ordinates. 

cated on the scale, not by points, but by spaces between 
points. Thus if we wish to plot the figures for January as of 
the 15th of January, that is the middle of January, we will 
find a point midway between the zero and first upright lines, 
that is in the middle of the first space on the horizontal line. 
To plot a figure as of the end of the first week in January we 
will locate the point only a quarter of the way from the begin- 
ning of the horizontal scale to the first point on the scale, that 
is, a quarter of the way from the first of January to the end of 
January. And the scale itself, that is, the words ^^January,’’ 
'^hebruary,"’ ''March,’' and so on, must be placed beneath the 
various spaces between lines, and not beneath the ends of the 
vertical lines themselves. This method enables us to distin- 
guish prices at the various parts of each month, and is in general 
the more accurate method of scale calibration and point 
plotting. 

The other method, however, is more convenient both for 
chart-maker and chart-reader. Let us assume that each month 




PLOTTING-POINTS 


1:93 


has been condensed into a single instant of time and that the 
upright line or point on the horizontal scale represents only 



Fig. 173. To Plot Only upon Ordinates. 

this single instant of time. What particular point of time in 
the month is in general the fairest one for us to choose to 
represent the whole month? Obviously the middle of the 
month or the middle of the fifteenth day. And when we plot 
the prices for January we assume that those prices are the 
average prices for the entire month and that it is fair to show 
them as the prices for this point in the month, namely the 
fifteenth of the month. In this case our scale figures will be 
written immediately underneath the ends of the vertical lines, 
that is, the word ^^January"^ will appear under the first ordin- 
ate and not under the first open space, the word ^Tebruary’’ 
will appear under the second ordinate, and so on. Clearly 
this method is not scientifically so accurate as the first method. 
But as it is much more convenient, it is the ordinary method 
of plotting a time series. When you use it you must remember 
the assumption upon which it is based, namely, that the entire 
period has been condensed into a single moment or instant of 
time and shown as of that moment. Whether that single 



194 


CHARTS AND GRAPHS 


moment be at the middle of the period or at some other time 
during the period will depend upon your data, and somewhere 
about the chart a memorandum should be placed showing 
what particular moment in the period shown, the figures and 
plotted points represent. 

This second method can safely be used whenever the periods 
for which the data are charted, are uniform and equal periods 
of time. The method becomes very difficult and confusing 

FOOD PRICES IM PRANCE AND OREaT BRITAIN 

Index Humbert of Retail Food Prices xn Franco, Great Britain, and United States 

X920 

(July 1914 • 100) 

(Sourca:- Bureau of Labor Statistics) 


Franco (For current 

(excluding Parle) Quarter) 


o> 

•o 


<t> o 

OO MO 


Groat Britain (For current 
two Months) 


o 

uO 

CM 


O 

«> 

w 



Fig. 174. Data with Different Intervals. 

however, as soon as the time interval of the data changes. 
Suppose that a part of the year was represented by monthly 



PLOTTING^POINTS 


195 


average figures and part of it by weekly average figures, and 
perhaps also a part by quarterly average figures. You would 
have to watch your step in plotting these various periods by 
the second method. But by the first method it is all smooth 
sailing, for it is easy to plot diflFerent points in the space when 
the spaces represent the months. It is also easy to plot a 
single point in the middle of three successive spaces (as for a 
quarterly period) by the first method. The first method, as 
has been said, is sound and logical and should be used whenever 
you are in doubt as to the plotting point on the scale. This 
means also that it should be used whenever the time intervals 
are not uniform and regular. 

It is not necessary to say that one of the reasons why points 
should be correctly plotted is that the reader of the chart 
should be able to ascertain the values they represent directly 
from their co-ordinates on the chart. And the reader may 
have particular need for these values, not at the points plotted 
from the data,' but at other points along the connecting lines 
which form the curve. The technical name for the process of 
locating points on a curve between given ordinates is ^^inter- 
polation.” Just as we can interpolate for points on the scale 
when plotting given points, so also we can reverse the process 
and interpolate for the data of points upon a given curve. In 
the foregoing we have shown how to interpolate foj plotting 
points in making the charts. Let us now consider the reverse 
process of interpolating for data, either in the making or in 
the reading of a chart. It is to this process that the term 
interpolation is ordinarily applied. 

Let us suppose that we have a chart compiled from data 
which is incomplete, that is to say, the months of June, July 
and August are missing. Our chart will show a curve extending 
over the first five months and the last four months of the year 
but there will be a gap during the three missing months. Yet 
we know that the phenomenon was in existence during these 
months. Therefore we cannot leave this gap vacant, for to 
do so would imply that the phenomenon had ceased to exist 
during that time. Now if we can make no guesses whatever 
as to the value which was missing, we should simply draw a 
dotted straight line across the gap connecting the two nearest 
known points of the curve — dotted or broken to indicate that 
data is missing and the curve for that distance is guess-work. 
If however, we can make a shrewd estimate as to the shape of 



196 


CHARTS AND GRAPHS 


the curve across the gap, perhaps from a study of the same 
phenomenon in other years during the same months or from a 
study of similar phenomena during the same year, then we 
will not draw a straight line across the gap but will shape the 
cur ve over the gap in that way which we think most likely to 
be true. It would still be a good plan to use a dotted or broken 
line for these estimated or interpolated months. In any event, 
we have now assigned values to these months which were 
missing, by interpolation from a study of the surrounding 
ones which were known. The values of the interpolated points 
for these missing months can be read off from the chart and 
would form estimates for them with which we can even fill 
out the data record. 


trade DNIOS MHfflEKSHIP 0? IHE WORLD 

Umber of monibers in 20 Comtries 
1910-1919 

(Source;- Interaatlonal Labor Office) 


Huniber 

oi’ 

Meuibera 



CM 

to 


O 

o 

o 

o 

o 

o 

<o 

to 


o 

o 

o 

o 

o 

o 

<> 

lO 


o 

o 

o 

o 

o 

o 


45.000. 000 

40.000. 000 

35.000. 000 

30.000. 000 

26^000,000 

20,000,000 

15.000. 000 

10.000. 000 

5,000,000 

0 

. 























































































j 














\ 

1 





1 

rv> 


0>Cr><S>0iO0J0i0>0>0>0^^^ 


Fig. 175. Interpolation for the Period of the War and Extrapolation 
for the Years after 191$. 


Interpolation for intermediate data from a completely 
known curve is also frequent. Thus if a curve shows the values 
at certain known points, we can easily secure the values at 
other in-between points by noting the points passed through 



PLOTTING^POINTS 


I97 


by the curve, that is, by interpolating for them. This guessing 
or estimating process can also be carried out beyond the limit 
of the curve to points lying outside of the range of the known 
data. A frequent example of this is the well-known process of 


Oil Consumption 

800 
700 

I 600 

500 

cQ 

400 

I ^^00 

i 

100 
0 

1911 1912 1913 1914 1915 1916 1917 1918 I9J9T980 1925 1930 

From Joseph B. Pogue's ''Economics of Petroleum," 

Fig. 176. Extrapolation. 

Here it is the linear trend (having a mathematical formula) that is projected 
into the future. 

extending a curve into the future to predict or forecast what 
will happen at a given time to come. The curve is simply 
projected to points outside of rather than inside of the range 
of its data. This latter process is often called extrapolation. 
The processes of interpolation and extrapolation are capable 
of very general application. 







1 











































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M 

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1 1 

Cons 

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Chapter XIX 


COMPOSITE CURVES 

With the plain single-curve-chart, the reader of this book 
is now supposed to be thoroughly familiar. And as has been 
repeatedly indicated, the multiple curve-chart is formed by 
merely bringing together upon a single chart two or more 
curves, which may or may not cross each other. When two 


WCDUCTICN OF AUTOUCBILES 
Nush»r 6f p*aser.i 5 <‘r C»r» and Truck# Produe#tl 
United Statas 
191S-1S21 

(Sourc* - Rational AutoBoblU Ch*ab«T of Coeaerce) 


.JPrue^#^ i § § i 

<SA 

§ I I 


xa o 

»- o» 


Passer rer 


3 S 



Fig. 177. Each Curve Has Its Own Vertical Scale* 
198 


COMPOSITE CURVES 


199 


curves cross at small angles, it is the better practice to dis- 
tinguish them clearly, either by the use of different colors, or 
by the use of dotted or broken lines for one and full lines for 
the other. An older but slightly more confusing practice is to 
adorn one curve with small circles at its plotted points, another 
with small crosses, and distinguish other curves with double 
lines, wavy lines, lines with small cross-lines and sometimes 
lines of different thicknesses. In general, the best results are 
now secured by smooth lines, either colored or black, full or 
broken or dotted, but all of about equal thickness and visi- 
bility. Too many curves upon a chart are far worse than too 


INVENTION AND WAR 

Nunxbor of patents issued during the Civil War end during the World War 
United States 
1650-70 and 1903-20. 

(Source: - U* S, Statistical Abstract) 


World 

war 




World 

war S S S 


Fig. 178. Each Curve Has Its Own Horizontal Scale. 


200 


CHARTS AND GRAPHS 


few, and except for special laboratory work a chart should not 
normally carry more than three or four curves. The value of 
attaching data is so great that it is unwise to dispense with 
data, and yet if too many curves are used, the data will bulk 
up disportionately. That a few curves can be easily distin- 
guished without recourse to special adornments or thin and 


PER cent. 



Fig. 179. 

Number of persons employed in industrial establishments in New York State 
and in the United States (figures for December 1914 — 100 %). — Permission of 
Mr. Carl Snyder. 

thick lines, is obvious. The chief use for extra heavy or wide 
lines in curve-making should be for emphasis, as in the case 
of one curve for the average or total of the other curves. 

A thorough knowledge of the curve-chart, however, requires 
at least a passing acquaintance with its sisters and its cousins 
and its aunts. We shall therefore hold a reception and intro- 
duce the most important of these. Beforehand, however, let 
us whisper a word in your ear about them. They are, none of 
them, such all around good fellows as the plain curve-chart. 
They are not so flexible and universal in their uses. Each 
answers excellently to certain limited types of data. We shall 
try to make you acquainted with the particular style of data 
for which each is best suited, as we meet them. 



COMPOSITE CURVES 


201 


Consider the case of daily stock quotations on the exchange. 
For any particular commodity, a dozen dilFerent prices may be 



quoted in the same day. It is therefore customary to quote 
“highs” and “lows” as well as opening and closing quotations 



202 


CHARTS AND GRAPHS 


in the stock market record. Now if we plot upon the ordinate 
for each day both the high and low quotations, and connect 
the low quotation points to make a curve for low quotations 
and similarly connect the high quotation points so as to make 
a curve for high quotations, we shall have two curves illustrat- 
ing the same phenomenon, namely stock prices. The two 
curves show merely the extreme fluctuations of this phe- 
nomenon and the reader of the chart must understand that 
prices have ranged between these two curves. To make this 
situation obvious, let us shade the area between the two curves 
so as to make a zone. The shading can be done either with 
gray, with colors, with cross-hatched lines or with solid black 
or white, the co-ordinates being wiped out in the last case. 
This device conveys at once to the reader of the chart the idea 
that prices were not set at one figure alone, but varied con- 
siderably within the same day or period of time. The device 
can be used for any case of data covering maxima and minima 



Fig:. 181 . An Excellent Form of Zone-Curve. 

High, low, and average interest rates on commercial paper each year from 1831 
to 1920 . — Permission of Mr. Carl Snyder. 







'204 


CHARTS AND GRAPHS 


for a single phenomenon. Climatic conditions, such as 
humidity at morning and night, or temperature at mid-day, 
midnight, and noon, or tidal variations, or business statistics 
such as the margins of profit from individual sales, and in 
general all data having a considerable range of variation for 
one and the same thing, at approximately one and the same 
time, can be shown by this method. This type of curve-chart 
is commonly called the zone-curve. 

In a sense, the zone-curve is merely a short-cut for a large 
number of curves superimposed upon each other. In some 
cases you will have such distinct data that you could have 
prepared a large number of separate curves. * If you put all 
these curves together upon a single chart, you will produce 
much the same visual result, so far as the reader is concerned, 
as you produce by means of the zone-curve, in which you 
merely plot maxima and minima and shade the space between 
them. Where the individual curves must be kept distinct 


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Permission of Standard Statistics Co. 

Fig. 183. An Excellent Adaptation of the Zone-Curve. 

however, and compared with each other, of course the zone- 
curve is of no use. The zone-curve, therefore, is not a sub- 
stitute for the multiple-curve chart. 

We have said that the connecting lines between the plotted 
points which form a curve, imply a connection between the 
items of the data. We have said that this connection is es- 
tablished by the variable nature of the stubs, or A;-axis scale. 
It is now time to let you into the secret that these plotted 
points do not need to be connected. The ‘^gun-shot’’ chart is 
an example of a curve without curves. It consists entirely of 
plotted points. It is useful for cases of data secured by sep- 
arate and often contradictory observations. Each observation 





COMPOSITE CURVES 


20 S 


is plotted as a point but no connecting line can be drawn to 
other points and there is merely a large group of dots or plotted 
points extending across the chart and showing the result of 
various observations. This chart and its data differ from the 
zone-curve and its data in that there is no maximum or mini- 
mum known. Isolated points or dots on the chart may occur 
far outside of the general run or trend or zone of the main 
body of observations, such cases being due to freaks, errors, 
or other causes. 

Gun-shot charts are essentially a research device. They 
are often intermediate steps between the first data gathered 


RPrt 

eOt 002 01)3 005007 oof 02 0 

RPn RP« 

3 OS 007 10 2 3 5 7 lOO 



j ■ - Li- ■ _ 

■_i ' A ' L-' ''■'i 



. I ' ' ' » ■ i i 

c.iC.i ... C2 j 3 3 1 '00 


Kw Kw Kw 

Rj»H RPrt RPI1 

Front Leonard A. Doggeit’s "Cost -per pound of Electrical Machinery," in the Electrical World, 
Oct. 2, 1915. 

Figr. 184# A Gun-shot Chart. 

and the final data reported. If we find after making a gun- 
shot chart of any particular observation, that all the points 
lie within a very narrow zone across the chart, we will be 
tempted to draw a line through this zone and so “fit a curve” 
to the plotted points. This is a sort of deductive reasoning 
by which we may often reduce a mass of data to a simple curve. 

A popular form of the curve chart is the “staircase” curve, 
sometimes erroneously called a “histogram.” The staircase 
curve is a direct throwback to the pipe-organ or vertical-bar 



2o6 


CHARTS AND GRAPHS 


MAOmNfi ADVERTISING 
Rumbar of Agate Lines of Adrortising 
in Leading Magazines 
United States 
1913-1921 

(Source;- Printers' Ink) 



Fig. I8S. The Staircase Curve is Almost a Bar-chart. 


chart. If you will I'ccall the original definition of a curve given 
in a previous chapter, you will remember that a curve may be 
defined as a line connecting the upper end of the bars in a 
vertical-bar chart. Now if you will make the bars wide enough 
so that they actually touch each other and will then draw the 
outline or silhouette of the upper ends, you will have a curve 
made of rectilinear lines always parallel to one or the other 
axes of the chart. This is the staircase curve. Whereas the 
ordinary curve represents the end of the bars by mere points 
and connects these points with straight lines, the staircase 
curve gives full value to the entire width of the bar. It is 
the precise silhouette formed by the bar-chart when the bars 


COMPOSITE CURP'ES 


207 



Fig. 186 . An Absolute Compound Pipe-Organ Bar-chart or an 
Absolute Stair-cased Band-chart. 

Thousands of soldiers in the American Expeditionary Force on the first of each 
month . — Permission of Mr. Leonard Ayres. 

are packed close enough to come in contact with each other. 
As compared with it, an ordinary curve, directly connecting 
the midpoints of the ends of the bars, is called a smoothed 
curve.i 

In some cases, the staircase chart is more accurate than 
the smoothed curve and its representation of areas lying be- 
tween the base line and the curve, more accurate. A little 
study will show you that the connected-line curve has cut oflF 
little triangles from every bar whenever the curve descended 

1 Beside the staircased (or rectilinear) and the smoothed (or Hne-and-angle) curves, 
there is still a third which is of such doubtful value and great hazard as not to be 
mentioned here. It is the rounded curve, in which no straight-lines or angles occur, 
but all parts of the curve are rounded oflF by means of “French curves*' or by free- 
hand drawing. It is discussed in the chapter on Frequency Curves. 




2o8 


CHARTS AND GRAPHS 


and added little triangles to every bar when the curve as- 
cended. These little triangles are sufficient to change the 


MAGAZINE ADVERTISING 
Nttmber of Agate Lines of Advertising 
In Leading Magazines 
United States 
1913-1921 

(Source:- Printers* Ink) 


CO 


8 § 8 

o o 

•V* o o* 


o o o 

cT 00 CM 


0> CO I-H 


30,000,000 


26,000,000- 


20 , 000,000 


15,000,000 


10 , 000,000 


S, 000, 000 




CTi 


lO t- <0^ o> O 

rH sH CM CM 

O) O) 0> 0> 0> (7> 


Fig. 187. The Smoothed and Staircase Curves Differ in Outline and 

Areas. 


area lying between the curve and the base line, and bounded 
by the two ordinates about the plotted point, and when it is 
important that this area should be accurately shown, you can 
not use an ordinary curve but must use a staircase curve. At 
other times the staircase curve is less accurate than the 
smoothed one, for its abrupt changes of level give an impression 
of abrupt fluctuations in the phenomenon charted, which may 
be wholly unwarranted. The considerations governing the 



COMPOSITE CURVES 


209 


comparative value of the smoothed and staircase form of curve 
are treated fully in a later chapter.^ 

The staircase curve is a popular form because it conveys 
at once to the average reader the impression of actual quan- 
tities between the base line and the curve. Readers who are 
confused by ordinary curves find less difficulty in under- 
standing this chart. It is not, however, so useful as the ordi- 
nary curve because a number of these staircase curves cannot 
be satisfactorily put together upon a single chart. Their 
vertical portions will so often coincide that it is hard to dis- 
tinguish them. The most that can be accomplished in the way 
of combining staircase curves is to put two or three of them 
together and use dotted, broken, and full lines to distinguish 
those which intersect.^ 

There is a certain type of data for which the plain ordinary 
curve closely imitates the staircase curve in its rectangular out- 
line. This is the case of data in which the values remain ab- 


*6 
5 
h 
3 
2 
1 

1916 1917 I9I8 1919 1920 1921 1922 

Fig. 188 . Pseudo-Staircased Curve. 

Note that so long as wages remain unchanged the curve must be a straight hori- 
zontal line and that when wages change the curve must be a straight vertical line. 
Hence the rectilinear form though truly a smoothed curve . — Permission of Mr. 
Leonard Ayres. 

solutely fixed over a given period, and change only suddenly 
and abruptly. An example of this type of data would be the 
retail price of a single commodity, which after remaining at 



® Cf. Chapter on Frequency Curves. 
» Cf. Fig. 293, p. 333. 


aio 


CHARTS AND GRAPHS 


seventy-five cents for a long period of time suddenly and on a 
single day jumps up to one dollar, to remain there for another 
long period. Obviously to plot the 7Sj?5"Value by a dot at the 
beginning of that period and the $1. 00-value by another dot 
at the time of change and connect the two by a direct line 
would give the impression of a gradual change extending over 


RATE RATE 



RATE RATE 



Fig. 189. 

Open market interest rates at New York compared with the discount rates of 
the Federal Reserve Bank of New York. Open market rates shown are for 
prime 4 to 6 months commercial paper, prime 90-day banker’s acceptances, 
certificates maturing in 4 to 6 months, and an average of the yields of 4 issues of 
Liberty Bonds and Victory Notes most frequently offered as security for advances. 
— Permission of Mr. Carl Snyder. 

the entire period. It is therefore necessary that this curve 
should be perfectly level until the change takes place and then 
jump up to the higher level and remain there. The curve will 
then have a rectangular outline similar to that of the stair- 
case curve, but the length of time or the length of the curve at 
any particular level is not regular and fixed. It is merely an 
accident that this picture has resulted in a curve with recti- 
linear outlines. It is not the same as the staircase chart. 







COMPOSITE CURFES 


21 1 


RATE 



Fig. 190. A Pseudo-Staircased Curve. 

Call loan renewal rate and prevailing rate on prime 90-day banker’s acceptances 
at New York . — Permission of Mr. Carl Snyder. 



BOiro SALES IK BtJKDREDS OF MILUONS OP DOLLARS 
DURING FIRST HALF OP EACH TEAR SINCE 1899 


Towre oroBS hatched are thoae of hatinesa depretaion. 
Note Inoreaaed bond aalea aftoi^ each auoh period. 


Permission of Mr. Leonard Ayres. 


Fig, 191. An Interesting Use of Shadings in a Band Charts or Vertical 
Bar-Chart. 



212 


CHARTS AND GRAPHS 


A gay and giddy member of the chart family is the ^‘band- 
chart.’^ Take up any of the ordinary curves which you have 
made and with a soft pencil shade the entire area under the 
curve. This vividly reminds the reader that the data is rep- 
resented by the distance between the base line and the curve 
and not by the distance above the curve to the top of the 
chart, for it draws his attention forcibly to the lower part of 
the chart lying under the curve. You will remember the 

THE FAMILY BUDGET 

Divided as to Classes of Commodities 
United States 
1914-1921 

(Figures as of December each year) 

(Source;- Monthly Labor hevievj’) 


Total 

103.0 

105.1 

118,3 

142.4 

174.4 

199.3 

200.4 

174,3 

Miscellaneous 

21,9 

22,9 

24.x 

29.9 

35.1 

40.4 

44.3 

44.1 

Furniture and 
Furnishings 

5,3 

5.6 

6.S 

7.7 

10.8 

13.4 

14.5 

11. X 

Fuel end Light 

5.3 

5.3 

5,? 

6.S 

7.8 

8.3 

10.4 

9,6 

Housing 

13,4 

13.6 

13.7 

13,4 

14.6 

16.8 

20.2 

21.6 

Clothing 

16.8 

17.4 

19.9 

24.8 

34.1 

44.6 

43.9 

30.6 

Food 

40.1 

40.1 

48.1 

59.9 

71.4 

75.1 

68.0 

57.3 



Fig. 192. The Curves are True Only for Cumulations of the Layers. 

literal representation of quantities used in the bar-chart. And 
in fact the band-chart showing quantities by its shaded area 


COMPOSITE CURVES 


213 


can be made in stepping form like the staircase chart as well 
as smoothed like the ordinary chart. The staircase band-chart 
is therefore even more of a throwback to the vertical-bar 
chart, or pipe-organ chart, than the staircase curve itself, be- 
cause it has retained the shaded areas of the bars. 

The band-chart becomes interesting when it is broken up 
into several bands running together across the page, each band 
representing a component part of the total amount under the 
curve. This is the band-chart proper, a series of layers or 
bands going across the chart which, when taken together, 
form a total whose fluctuations are shown by the curve of 
the top edge of the top band. This chart is sensational and 
interesting but of little precise value. You will find it hard, 
for example, to measure the width of any band except the 
lowermost. In fact the various curves which mark ojBF these 
bands one from another have no value except that the lowest 
curve is a curve of one segment, the second curve is the curve 
for the total of the first two segments, the third is the total 
for the first three segments, and so on up to the top curve 
which rs the total for all segments or the whole phenomenon. 


rREKCH WOMEK^WOKmi. DDRINO THE WAR 

proportion of Weaen to Total iii^loyoea la iraaa© 
1914-1920 

(Sotireo:- Monthly Labor Koriow} 


^ ^ s ss 


CO O M 
o> eo 00 


90 

80 

70 

40 

30 

30 

10 

0 






























mm 


























^ 














worn 










_ 





S ^ g 

-j 


I I 

i 3 

CM O* 

a s 


Fig. 193* A Relative (or Percentage) Band-chart. 




CHARTS AND GRAPHS 


a.14 

And you will find that area conceptions are inevitably in- 
volved in this chart; the reader tries to measure the value of 
the various segments by the width of their bands. And 
unless staircased these areas will be extremely deceptive, the 
bands appearing to be narrower whenever the neighboring 
bands are moving rapidly up or down. 

The most useful form of band-chart is the “100% band- 
chart.” In this case the entire space between the zero or 
base-line and the 100% line is filled with various bands, each 

CLASS ALIMMEBTS OF THE POPOLATION 
Di-irided IntD Capital « Labor ^ and Public 
United States 
1870-1910 

(Source;- Arranged from Census by A. H# Hansen) 


Capital 

7a 

7.7 

10*2 

io*d 

15.8 

Public 

66*2 

63.7 

4ea 

46.4 

41*9 

Unolasaified 

8a 

8.2 

9*5 

6.6 

6*0 

Labor 

26*6 

30.4 

32*4 

55*3 

38.2 



1870 1880 18S0 1900 

Fig, 194. The Smoothed Relative Band-chart* 


1910 



COMPOSITE CURVES 


215 


IBB BAIOBB OF BiCKiKI QOOBS 

Pmestio nercbandiso exported classed as consumers* or produoors* goods 
United States 
1910-1919 

(Source;- U, S* Statistical Abstract) 


1 

Total value g 
(|-,000,000) 

< 

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to 

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N r« 


a 


«o c^ 0» 


*«o 

u 




Fig. 195. The Staircased Relative Band-chart. 


Indicating a portion of the total or 100%. The fluctuation 
;^pd changes of these hands show graphically the changes of 




2i6 


CHARTS AND GRAPHS 


the component elements of this 100%. This type of chart is 
often used to show the changes in the distribution of cost and 
profit in an industry. The optional illusion of narrow bands 
when nearby bands are moving rapidly up or down is to some 
extent eliminated when the band-chart is made with stepping 
or staircase outline instead of smoothed polygon outlines. For 

IMPOHTS OTO TBS VSITED SIAIBS 
ieOO-1920 

P®ro 0 ntag« frott the diff«rewi oonttnente 


MrioA 
Ootasia ® 
, Asia ^ 


:?RsJSSiSaaaajs8a8S2 



$ S SI S 9 S S I 8 3 SI I 

Fig. 196. 


a simple presentation of the changes in the component parts 
of any phenomenon, this 100 per cent stepping band-chart is 
admirably suited. It is extremely popular in its appeal and 
does not suffer from the general disadvantage of staircase- 
curves because there is no question of superimposing other 
similar charts. It is the right way to represent cost compo- 
nents and other percentages to a general public, being within 
its narrow limits, safe, sound, and attractive. And the reader 
will notice that it is a form of curve which is well-nigh indis- 


COMPOSITE CURVES 


217 


tflUPOKTS Turn THB TJHITBD STATBS 
Value 

1800 - 1920 

percentage to the different continents 
Africa •• o o 

Ooeaztia ** ^ ® *> ® o«t,^oir^Hrr^NiMeiiii>«»iew 

Asia ^ 

3oath o «« w 40 w <c»04ei<o«^’Cw*e«>'Crti"ir«0'ei« 

America 

Kortli g ^ ^ «o «e 

(America e* h »>< •-< 

surope s @ ^ ^ 



Fig. 197, 


tinguishable from a bar-chart, being virtually a vertical-bar 
or pipe-organ compound, relative bar-chart, or in other v/ords, 
a series of 100% bars set on end and brought into contact with 
each other. 

In addition to the foregoing more or less distinct types of 
curves, there are also many and various possible embellish- 
ments which belong to the field of artistic rather than that of 
statistical endeavor. The object which is being charted may 
be pictured realistically and the picture shown at the end of 
the curve. Indeed, the same picture may be used frequently 
along the curve, or the picture may be modified to reflect the 
changes which are shown mathematically by the curve. 
Several different pictures may adorn as many different curves, 
and where one rises particularly high, it may be given a pair of 
wings or set in a balloon or aeroplane. By these and other 
fanciful ways, the imaginative chartmaker may make the 
appeal of his chart more vivid. But such measures are out- 



2i8 


CHARTS AND GRAPHS 


MILLIONS 

OF 

GALLONS 



Fig* 198. An Excellent Band Chart (absolute). 

Showing the consumption of gasoline by classes of uses. — From Joseph E. Pogucy 
Economics of Petroleum, 



)910 1911 1912 1913 19H 19t5 1916 191® 1919 1§3<1 192t 


Fig. 199# The Relative Chart is Supplementary. 

It is well to show data of this kind by two charts, the absolute and the relative 
or percentage distribution, and the latter can well be smaller. — From Joseph E, 
PoguCy Economics of Petroleum,, 


COMPOSITE CURVES 


219 



191S 1916 1917 1918 1919 ■ 1920 1921 

CHANGES IN THE STANDARD OF LIVING. 

Index Numbers of Weekly Earnings in New York Factories, of the Cost of Living in 
the United States, and of the Living Standard (“Real Earningvs’’). 

Fig. 200. A Pictorial Curve. 

side the proper scope of this book; the pictorial curve, like the 
pictorial bar-chart, is really intended for, and is useful for, 
popular consumption. We have come so far into the subject 
of mathematical charts that we shall hereafter have no time 
for purely pictorial effects. These may be left to the enter- 
prise of the individual. 




Chapter XX 


HISTORICAL CURVES 

Statisticians divide all series of figures into two groups. 
A series involving time, that is, a series for which different 
points or periods of time are the stubs or independent variable, 
they call a historical series. Other series in which time is not 
the independent variable, they call frequency series. This is 
a convenient classification for the chart-maker, and we can 
therefore divide all curves into historical curves and frequency 
curves. The historical curve has by some writers been called 
the ''histogram,'’ or "historigram," and the frequency curve 

KEW INCORPORATIONS 
Capital Invested in New Enterprises 
Whose authorized capital equaled or exceeded $100,000 
Principal States, U. S. 

1919-1921 

(Source:- N. Y* Journal of Commerce) 

(Figures in mill ions of dollars) 



1919 

1920 

1921 

Jan 

492 

2280 

1243 

Feb 

324 

1169 

654 

Mar 

371 

1376 

965 

Apr 

516 

1354 

988 

May 

749 

1418 

601 

Jun 

1255 

1323 

676 

Jul 

1420 

1260 

282 

Aug 

823 

941 

580 

Sep 

1947 

951 

490 

Oct 

2364 

1160 

503 

Nov 

1341 

896 

363 

Pec 

1078 

861 

619 


Fig. 201, A Historical Series. 


220 



HISTORICAL CURVES 


221 


the “pictogram,” but these names have not been widely ac- 
cepted in a precise sense. 

In historical curves time is always the ^c-variable and must 
be plotted on the horizontal axis, its divisions forming the 
x-scale. In a previous chapter on plotting points the need 
for a precise scale has been discussed and the two methods of 
indicating periods of time, either by points on the scale or by 
spaces between points, have been dwelt upon. The reader is 
urged to review this section, as it meets a serious problem in 
the plotting of complicated historical data. The reader is also 
referred to a previous chapter on curve scales, in which the 
most useful forms and positions of the chart-field were ex- 
plained. 

The field of a historical curve-chart should be positioned 
very close to the righthand edge of the sheet of paper on 



Fig. 202. Year by Months, Universal Ruling, 




Fig. 203. The Individual Charts Combine Easily. 






HISTORICAL CURVES 


223 


which It IS drawn. There should be not more than a quarter 
or half inch margin between the chart-field and the edge of the 
paper on this side. The reason for this position will be clear 
to you the first time you prepare a series of historical curves 
in which the curve travels across sheet after sheet of paper 
through a succession of years or periods of time. By over- 
lapping the charts (fanning them out) so that they are all vis- 
ible, with only these narrow margins between them, the entire 
series can be made to appear as a single chart. In this form 
the entire series can be conveniently studied and econom- 
ically photostatted. The narrow margin between each chart 
Serves to break up the curve into its component periods with- 
out destroying its continuity. In this way a chart many feet 
long can be made upon ordinary sheets of paper without past- 
ing them together and without inconvenience in filing or 
handling them. And from this long series, a single chart for 
a single period can be abstracted and individually compared 
with other individual charts. The narrow margin to the right 
of the chart may at first seem surprisingly inartistic, but it 
pays for itself in the flexibility of uses which it gives to the 
chart. 

For a similar reason it is well to place the field of a his- 
torical curve-chart as low upon the page as possible. You 
must of course have room to enter the figures for the horizontal 
or A:-scale legibly. This will rarely require more than three- 
quarters of an inch. By placing the field low upon the page, 
it is possible to compare curves for similar periods of time by 
laying one directly above the other, overlapping them ver- 
tically so that the two curves are both visible and their ordi- 
nates and time scales coincide. By this device, the reader can 
easily compare the seasonal or periodic fluctuations of two 
curves and at a glance detect the extent of their similarity. 

In short, the field for a historical curve should be as close 
as possible to the lower righthand corner of the sheet of paper 
upon which it is drawn. This leaves a very large margin at 
the top of the page above the chart, in which should be en- 
tered the data of the curve. It also leaves a large margin to 
the left of the chart. This margin will be partly filled by the 
important vertical or y-axis scale or scales (if two or more 
scales occur on the same chart). But the chief use for the 
lefthand margin is that in it can be written the notes, comments 
or explanations which may be desired with the chart. If the 






HISTORICAL CURHES 225 

sheets are to be bound in a loose-leaf holder or book, the 
binding edge will be on the extreme lefthand edge still further 
away from the chart. At the top of the page above chart and 
data, the title should be placed. 

In historical curves, possibly more than in most, it is im- 
portant that the data appear with the chart. It is important 
for the maker of the chart, for the curve is more easily plotted 
direct from the data, and the plotting checked for accuracy. 
It is important for the reader who is thereby enabled to either 
satisfy himself as to accuracy or to find any particular value 
without relying upon approximations more laboriously de- 
ciphered from the scale. The proper position for the data is, 
as has been said, above the chart, each value plotted appearing 
on line with the ordinate of its plotted point. Unless the data 
is extremely simple and brief and can, without crowding, be 
written horizontally, it is better to enter it vertically, writing 
or typewriting on edge, in the manner described in a previous 
chapter. 

In historical curves, we have much use for a few simple 
mathematical and accounting phrases. The first of these is 
the ^^cumulative,’’ or ‘^total to date.^’ When beside a column 

NEW INCORPORATIONS 

, Capital Inveatad In New Enterprises 
tntioae auttiorlzed capital equaled or exceeded $100,000 
Principal States, U. S» 

1919-1921 

(Source:- N. Y. Journal of Commerce) 

(Figures in millions of dollars) 



1919 

1920 

1921 

MontMy 

Cumula- 

tive 

Monthly 

Coraula- 

tive 

Monthly 

Cumula- 

tive 

Jan 

492 

492 

2,280 

2,280 

1,243 

1,243 

Peb 

324 

816 

1,159 

3,439 

654 

1,897 

Mar 

371 

1,137 

1,376 

4,815 

955 

2,852 

Apr 

616 

1,703 

1,354 

6,169 

988 

3,840 

May 

749 

2,452 

1,413 

7,687 

601 

4,441 

Jun 

1,255 

3,707 

1,323 

8,910 

676 

5,117 

Jul 

1,420 

5,127 

1,260 

10,170 

282 

5,399 

Aug 

823 

5,950 

941 

11,111 

580 

5,979 

Sep 

1,947 

7,897 

951 

12,062 

490 

6,469 

Oct 

2,364 

10,861 

1,180 

13,242 

603 

6,972 

Nov 

1,341 

11,602 

896 

14,138 

368 

7,340 

Dee 

1,078 

12,680 

861 

14,999 

619 

7,959 


Fig. 205. Simple Series and Annual Cumulations. 



CHARTS AND GRAPHS 


226 


of figures showing the sales of your company, month by month, 
you place a second column of figures in which are entered the 

NEW mCORPORATIOHS 
Capital Invested in New Enterprises 
Whose authorized capital equaled or exceeded $100,000 
Principal States, U* S# 

1017 

(Source:- N# Y* Journal of Commerce) 

( Figures in millions of dollars) 


Cumulative 

OJ 

to 

663 

<4* 

8 

IQ 

01 

to 

1 

H 

10 

0> 

to 

8 

10 

s 

0 

to 

10 

§ 





H 

01 

cT 

oT 


to 




Monthly 

0) 

H 

10 

IQ 

Hi 

01 

Oi 

10 

to 

$ 

lO 

01 

493 

to 

V* 

1 

a 

n 

03 

ca 



Fig. 206 . 


I 


<DOO<1/ 

& ^ < a ^ ^ 4 SotesQ 

1917 


Series and Cumulation Plotted With Same Scale. 




HISTORICAL CURVES 


IV] 


total sales to date this year, your second column of figures is 
a “cumulative.” The cumulative series begins with zero at 
the beginning of each period of time, that is, before the first 
value in the period, and is built up by adding each item to the 
previous cumulative until the final entry of the cumulative 
series is the total for the entire period.* The cumulative for 
the next period then begins with a new zero and similarly 
builds up to the total for the next period. And it is important 
to remember that at the end of each period, the cumulative 
has mounted to and equaled the total for the entire period. 
We deal here, of course, with periods of time (such as years) 
which contain a series of individual values for shorter periods, 
such as months. 

Not all data can be cumulated. Economists make a dis- 
tinction between “stocks” or “funds” and “streams” or 
“flows” of goods or money. A stock or fund of goods is some- 
thing which can be considered in existence at a certain moment 


«e» .•«» «<«» 

«*1» 42.99 

•ur 4S.C0 
43.ra 
««jr 

Jhm 44.86 

M *r.\* 
Ant «•.!> 

Stp 80.4A 
Oat 4*.2l 
•or 41.88 
e«fl SA.tA 
till j*n 99.8S 

r«> SI.4A 

lOr t*.IA 
4pf XA.fiA 

m 88.18 

JUK 24.fl 
.Ml 28.84 
«V|t 81.98 
S«p 21 98 
0«t 21.98 


AB01G.SU.E rttcis 08 
^tfisivsR no laoN 


•i 

(iwr lane ion) 

(Aouro* - of Ubor Staitait**) 


Fig* 207. This Data Cannot be Cumulated. 


^ By the forward cumulative described in the text we obtain “up to and including” 
figures. It is of course possible to cumulate historical figures backwards, obtaining 
“after and including” figures, but the step seems purposeless. — C/. Secrist, Horace, 
Jn Introduction io Statistical Methods, pp. 232, 267. 




228 


CHARTS AND GRAPHS 


or instant of time, while a stream or flow of goods is something 
which takes place during a given period of time. Figures of 
the latter, that is, stream or flow figures, can be cumulated. 
Obviously, if sales have continued throughout the year the 
sales for each month can be cumulated, that is, can be added 
together to give a total of sales for any period of several 
months or for the entire period of the year. On the other 
hand, the figures of a stock of fund or goods cannot be cumu- 
lated. In business, a common example of a stock or fund is 
the stock on hand or balance at any point of time. And 
obviously, if your balance was 23,000 on the first of January 
and 25,000 on the first of February, you cannot speak of your 
balance for the two months together as 28 j 000. It is not 
difficult to decide whether a series can be usefully cumulated. 
The use of cumulations or series of sub-totals is frequent in 
accounting. 

The next mathematical conception is at present little used 
in ordinary accounting but is far more valuable for most ana- 
lytical purposes than the cumulative. It is called the ^^moving 
total.’’ To take the example given above, if beside your 
figures for the monthly sales of your company, you were to 
enter another column of figures showing the sales “for the last 

KEW INCORPORATIONS 
Capital Invested in New Enterprises 
Whose authorized capital equaled or exceeded $100,000 
Principal States, U. S. 

1919-1921 

(Source:- N. Y. Journal of Commerce) 

(Figures in millions of dollars) 



1919 

1 1920 

I. 1 


Monthly 

Monthly 

Moving 

Annual 

Total 

Monthly 

Moving 

Annual 

Total 

JltTl 

492 

2,280 

14,468 

1,243 

13,962 

Feh 

324 

1,159 

15,303 

654 

13,457 

Mar 

371 

1,376 

16,308 

955 

13,036 

Apr 

516 

1,354 

17,146 

988 

12,670 

Ma7 

749 

1,418 

17,815 

60l 

11,853 

Jun 

1,255 

1,323 

17,883 

676 

11,206 

Jul 

1,420 

1,260 

17,723 

282 

■ 10,228 

Aug 

823 

941 

17,841 

580 

9,867 

Sep 

1,947 

951 

16,845 

.490 

9,406 

Oct 

2,364 

1,180 

15,661 

503 

8,729 

Nov 

1,341 

896 

15*216 

368 

8,201 

Dec 

1,07B 

861 

14,999 

619 

7,959 


Fig. 208 . The Simple Series and Its Moving Annual Total- 




HISTORICAL CURVES 




twelve months/’ this new column would show the moving 
totals. Beside the January sales in 1921, you would enter the 
sales of the twelve months beginning v/ith February, 1920, and 
ending with January, 1921. Beside the February, 1921, sales 
you would enter the total of sales for the twelve months 
beginning March 1st, 1920, and ending February 28th, 1921. 
It is easily seen that a moving total can be carried all-through 
the year by simply taking the total sales for the previous year 
and successively subtracting the sales for the thirteenth month 
back, and adding the sales for the last month. Each figure in 
the moving-total series can be obtained by dropping off one 
month in the earlier year, and adding the corresponding month 
in the later year.2 

The moving total is so useful that it has sometimes been 
enthusiastically described as the balance-wheel of commerce. 
When you are plotting the curves month by month, you are 
apt to find a considerable amount of monthly fluctuations, 
due in part only to normal seasonal conditions. In such 
cases, these perfectly normal seasonal fluctuations may hide 

^ The work-sheets for computing moving annual totals should always be designed 
to show similar months (or other parts of the cyclic period) together. This is done 
by arranging the periods in successive lines (with like months below each other) or in 
columns (with like months beside each other). Space should also be left for two other 
figures in each month: the first of these is the moving annual change, that is, the 
algebraic difference between the two like periods; the second is the moving total, 
that is, the cumulative of the moving annual change. 

A second method is to arrange the monthly (or original) data in one long column. 
The comparison between like months may then be effected easily by means of a 
movable slip of paper with two slots or windows at the appropriate places to make 
the two desired months visible and hide all intervening months. The moving change 
and the moving total figures can then appear (each in a column) in two columns 
beside the column of original data. Totals should be taken directly from the original 
data at intervals for checking purposes. 

If the cumulative also is being computed, still a different form of work-sheet is 
useful. In parallel columns the successive years should be tabulated, with each 
monthly figure on every fourth line down the page. The sheet should then be fed 
into a listing machine and the tabulated figures reprinted immediately below their 
entries. As they are listed, sub-totals should be taken on every record line below 
them, these forming the cumulative series. The sheet is then removed from the 
machine and the moving annual total entered by hand from a calculating machine 
(which adds and subtracts the proper months from the last totals and retains the 
results), these being entered in the remaining blank line for each month. This paper 
should be originally ruled with horizontal faints at listing machine intervals (of one- 
sixth of an inch) and with horizontal heavy lines every fourth line to separate the 
months, the page having 48 lines in all. As a further guide, vertical faints can be 
ruled in at listing machine intervals (one-sixth of an inch). If not specially printed 
up to order, the cheap cross-ruled paper with lines every sixth of an inch can be used. 
These details all tend to make checking up for errors very simple, and largely eliminate 
mistakes. 




230 


CHARTS AND GRAPHS 


or obscure the true trend of the business, or at least make the 
determination of the trend more difficult. But you can easily 
tell whether the general trend of your business is upward or 
downward by plotting the curve for the moving annual total. 
The moving total series appears to flatten out the seasonal 
fluctuations and respond only to the true movements of the 
trend. In fact the moving total is sometimes called, even by 
statisticians, the ^"trend.’’ 

I The moving total need not be annual, but can be computed 
for" any given period of time. Thus we may have a moving 
24-months total, or a moving S-year total. In any case we 
have again periods within periods, as in the cumulative. The 
most usual form is the moving annual or 12-months total, 
for ordinarily in business there is a certain amount of normal 
monthly or seasonal fluctuation which repeats itself every 
year. These annual seasonal fluctuations are naturally swal- 
lowed up in a total for twelve months, for such a total always 
includes every month in the year.^ The moving total is in 
general an excellent device for smoothing out the wrinkles 
and wiggles in a curve and reducing the curve to a simple 
regular trend-line. It should be used whenever the cycles of 
fluctuations appear to be of regular and uniform length or 
periodicity. 

A word of caution is necessary about the plotting of a 
moving total. Strictly speaking, each item in the curve should 
be plotted in the centre of the period which it covers. Thus, 
the plotting point of each figure in a moving annual total series 
would normally be midway between the ordinates of the sixth 
and seventh months covered by the figure. The entire period 
of the total being one year, each point should be placed in the 
middle of the year which it represents. In this case, the moving 

® Whenever the period of the annual cycle is not regular, as in crops and tempera- 
ture cycles (one period of 123^ or 13 months, the next of IV/i or 11 months) it is 
well to follow Professor Secrist’s suggestion of a thirteen-month moving total. This 
has the further ad vantage of centering the moving total figure precisely upon a monthly 
one (the seventh) instead of midway between two monthly ones (the sixth and seventh). 

The same advantages are much better secured by an average of an eleven-month 
and a thirteen-month moving total, both centered on the same months. This may 
be called a **taper-smoothed"* eleven-thirteen-month moving total, as it gives full 
weighting to the central eleven months and half-weighting to the terminal months 
(first and thirteenth). It will be seen that this precisely corresponds (in the average) 
with the periodicity of eleven to thirteen months. The taper-smoothed eleven- 
thirteen-months moving total is easily computed from the twelve-months moving 
total, as it is the two-months moving average thereof. Of course, a longer taper can 
be used if desired. The test is smoothness of the resulting curve. 




HISTORICAL CURVES 


231 


total curve will begin five and one half months after the 
beginning of the curve of individual months, and will end five 


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Fig. 209. Three Positions for the Same Moving Total* 


and one half months before the end of the monthly curve. 
The moving annual total may then be called a ^Total for the 
current twelve months,’’ For certain purposes, however, you 
may desire to have the moving total end on the same ordinate 
as the monthly curve. This can be done by plotting each item 
at the end of the year which it represents. It has the advan- 
tage of giving a more up-to-date appearance to the chart, but 
it is now necessary to label the series moving ^^total for past 
twelve months,” On rare occasions, you may desire to place 
the moving total at the beginning of its period, in which case 
it becomes a ‘^total for the following twelve months.” When 
comparing trends, however, between various items, it is im- 
portant that these moving totals be plotted at similar points 


CHARTS AND GRAPHS 


NEW INCORPORATIONS 
Capital Invested In New Enterprises 
Whose authorized capital equaled or exceeded il00,000 
Principal States, IT, S* 

1918 

(Source:- N, Y* Journal of Commerce) 

(Figures In'milllons of dollars) 


Moving Total for 

Previous Year ^.^xp-«j**oioto*ocjojoj 


Moving Total 

Current Year rti^t^rorcroTorcJ oToitoto 


eouo 

Moving Total for S?I 
Following Year ci to tfi "fti m 


Monthly 



Fig* 210. A Detail of the Last Figure. 


Pee M U- l - J . I H I I ■■, { ■.■ i - i I . ( . 1 .. L . 1 -L . l l-L - i j 12,680 ' 2,399 


HISTORICAL CURVES 


233 


in their periods, else an unwarranted lag will appear between 
the fluctuations of the two charts.^ 

Similar to the moving total is the ^^moving average/’ The 
moving average is merely an average secured by dividing the 



1920 

1921 


Moving 

Total 

Moving 

Average 

Moving 

Total 

Moving 

Average 

Jan 

14,468 

1,203 

13,962 

1,163 

Feb 

15,303 

1,276 

13,457 

1,120 

Mar 

16,308 

1,361 

13,036 

1,086 

Apr 

17,146 

1,429 

12,670 

1,054 

May 

17,815 

1,485 

11,853 

987 

Jun 

17,883 

1,490 

11,206 

934 

Jul 

17,723 

1,478 

10,228 

853 

Aug 

17,841 

1,488 

9,867 

822 

Sep 

16,845 

1,403 

9,406 

784 

Oct 

15,661 

1,304 

8,729 

727 

Nov 

15 ,216 

1,268 

8,201 

684 

Deo 

14,999 

1,250 

7,959 

663 


UEW INCORPORATIONS 
Capital Invested In New Enterprises 
Whose authorized capital equaled or exceeded $100,000 
Principal States, U. S. 

1920-1©21 

(Source:- N. Y. Journal Of Commerce) 

(Figures in millions of dollars) 

Fig. 211. Moving Annual Total and Average Series. 


moving total by the number of items which compose it, that 
is, a moving monthly average is secured by dividing a moving 
annual total by twelve.^ The moving average has the great 
advantage of lying at about the same height on the chart as 
the curve of individual periods (e.g. months), from which it is 


^ Needless to say, the only accurate picture of events (as regards time) displayed 
hy the moving-total or average curve is that shown by the curve of the current 
twelve months or other period, that is, the curve of points plotted at the centers of 
their periods. {Cf. Chapter on Plotting Points, supra) This is the true smoothed 
curve. At all other positions, the curve has been arbitrarily “lagged’’ forward or 
backward. 

^ The work-sheet for the moving average is the same as that for the moving total 
already described, save that an additional space must be left in each month (in the 
second, or columnar, method, it would be an additional column) for the moving 
average, which is derived from the moving total by dividing the latter by twelve 
(annually, or by whatever the number of items be which go to make up the total) 
(Obviously in the taper-smoothed eleven-thirteen-month moving total, the two 
terminal months have only half weight and the total is still of twelve months.) 




234 


CHARTS AND GRAPHS 


Mfc'g - 

a, u o 

o n o* «It-( 5*< 

Ai M » •*> • Ot-i 
X MCni^rl 

i'S'aS -6 

X 4^ «a (d fH >1 



n: 








1 




-4-r 


/ 

1- 

/ 

Z 

1 

/ 

/- 




/ 

/ 

y r 

. / 

L . 

/ , 


.XI 


/ 


V 














1 









nx; 

x _ 


\ 


< 

\ 

:r 


•S 








Ba»XIoa JO auoTXXTH 


derived.^ And for this reason, you will find it an even better 
method of smoothing curves and showing their true trends 
than the moving totals 


® The moving average has another great advantage over the moving total, in that 
it can be given variable period-lengths to conform to cycles of variable lengths. 
This is not possible with the moving totals. 

^ The moving totals and averages are also sometimes called “progressive” totals 
and averages. 


1919 1920 1921 

Fig. 212. The Moving Annual Average Gives the Trend. 



Chapter XXI 


CYCLES 

Long ago, or was it yesterday, there were neither auto- 
mobiles nor aeroplanes, and the streets were frequented by a 
cheery and wholesome class of persons, who conveyed them- 
selves about on two-wheeled contrivances called bicycles. In 
deference to our age, the reader will permit us to pause and sigh 
a moment over this happy retrospect. Sometimes in the circus, 
a contemporaneous antiquity, trick riders rode one-wheeled 
affairs with perilous skill. Needless to say, the rims of these 
wheels were as smooth and regular as the circumference of the 
averageclock-chart. 



Permission of Mr, Walter N, Polakov 

Fig. 213. The Mechanical Cyclograph. 




236 


CHARTS AND GRAPHS 


Now a clock-chart— if you have forgotten your early 
chapters in this book — is round like the face of a watch. 
Radiating lines or radii take the place of ordinates, and con- 
centric circles or rings take the place of abscissae. Hence the 
chart can be used for the display of recurrent data — that is, 
historical data which after a certain period of time repeats 
itself. Your only care must be that the period of the cycle 
be adjusted evenly and wholly in one complete revolution 
about the circle. Then the curve of the data will meet at the 



SCASONAL FLUeTUATldN IN O^ERATIOMK 

AVERAtt VSAR, X910>X920, IN 25 STaTIS 
(SouroAiir- F. F. Dodge Co.) 

Fig. 214. As a Chart, This is Worthless. 


CYCLES 


two ends of the period, forming a continuous and endless 
curve. 1 

Had the trick cyclist in the circus used a wheel the rim of 
which followed the uneven outlines of this curve, he would 
indeed have had a bumpy ride. And a line drawn on the wall 
behind him, following the shadow of his head, would mark 
the same curve plotted on a chart-field of plain co-ordinates. 
Study the curve as so plotted in the ordinary way, and you 
will see that once every so often the wiggles or^fluctuations 

SEASONAL FLUCTUATION IN BUILDING OPERATIONS 

Total for 25 States in average year 1910-1920 
(Sonroo:- F* W. Dodge Co.) 

Millions 
of 

Dollars: 


350.000. 000 

300.000. 000 
.250,000,000 

200,000,000 

150.000. 000 

100 . 000 . 000 

50,000,000 

0 

Fig. 215. The Rectilinear Co-ordinates Are Much Better. 

^ The clock-chart is similar to carp, the fish which is properly prepared by throwing 
it away after it has been cooked. When the clock-chart has been well and carefully 
drawn, it is ready for the waste-basket. For this reason, no detailed discussion of it 
or its polar co-ordinate field is entered into. The only case in which the clock-chart 
is a justifiable product is the case of automatic mechanical charts or cyclographs. 
These are parts of recording machines for temperature, pressure and the like, in 
which a fountain-pen at the end of a pointer leaves an inked record or curve upon the 
rotating disc underneath it. They are graphic records, but not otherwise useful charts. 




CHARTS AND GRAPHS 


238 

of the curve repeat themselves, like the digits in a recurrent 
decimal fraction. So whenever in a historical curve you detect 
the same or similar fluctuations repeating themselves through- 
out the curve, you are justified in suspecting that in the 
repeated unit or part you have a cycle. It is an important 
function in statistical work to detect the presence of these 







CIURTS AND GRAPHS 


140 

cyclic fluctuations, and to be able at will to remove them. 
The subject has already been touched upon in the last chapter. 

The time between the commencement of one cycle and that 
of the next, is called the period of the cycle. This period may 
be short or long, according to the nature of the data, a very 
frequent short cycle being that of 24 hours or one day. In 
business statistics, there are cycles longer than a year. Some 
investigators have found evidence of business cycles in which 
eras of general prosperity, depression and crises repeated 
themselves every four, eight, or even twenty years.^ In meteor- 
ological and astronomical sciences, cycles of dry and wet 
weather have been found to last thirty-three years and of 
warm and cold weather about a hundred years. The most 
important cycle in most business statistics is the annual one, 
of four seasons or twelve months. The student of business 
statistics can almost always assume that he will find more or 
less of an annual cycle of seasonal fluctuations. Sales may 
repeatedly rise in spring and fall and decline in summer and 
winter. Production may then fluctuate somewhat earlier in 
the year, anticipating the changing demand. If production 
is uniform, ware-housing cycles will appear in order to absorb 
the surplusage in low selling periods. 

It is not often that the recurrent cycles are identical either 
in the shape or the height of their curves. Such variations 
may be due of course to incidental and insignificant causes, 
but in general studies of broad trade or economic movements, 
they are often given a more fundamental importance, as being 
significant of real changes in the phenomena studied. The 
problem then is to isolate these variations in the cyclic fluctu- 
ations, that is, to eliminate from the series its seasonal cycles 
and retain its significant changes. To the series which remains 
after the removal of cyclic fluctuations, the name of ^‘^secular 
fluctuations'’ if often given. And we may therefore look upon 
the original series as being a combination of two dilFerent sets 
of forces, or movements, which we call, respectively, cyclic 
change and secular change. Either or both of these elements 
may be the object of your study and it is important that you 
should be able to determine them easily. 


*The literature on this subject is considerable. In particular, the student should 
refer to: 

Mitchell, Wesley C,, The Business Cycle, and 
Moore, H. L., Economic Cycles; Their Law and Cause. 




CYCLES 


241 


SEASONAL VIRULENCE OF SCARLET FEVER 
Uvjmber of Cases reported to Boston Board of Health 
1900- 19<H 




Fig. 218 . Showing the Use of Relative (Percentage) Figures 
and a Rounded Curve. 


Indeed, the statistician, and the chart-maker as well, would 
fail in one of his most obvious tasks, if he were to report as a 
significant rise or fall, a change which was wholly due to its 
cycles. Are we to conclude that the telephone business is dis- 
appearing because in a series showing hourly number of phone- 
calls, our last report is the number of phone-calls between 
twelve and one o’clock at midnight? It is true that between 
mid-afternoon and mid-night the telephone activity has 
dropped off almost entirely, but we must remember that it 
does this every night (with the possible exception of election- 
day) and that we deal here with a daily cycle. Are we to 
conclude that the cold-storage of eggs is a practise of the past, 
because our monthly report of warehouse stocks end with 


242 


CHARTS AND GRAPHS 


ACCIDENTS IN MANUFACTOSlNO 

Hourly Ooetirrone* of 364 FkIbI end 11,461 Hon-faitl A««id«ntr 
llUnola 

Throe Years, 1910-1912 
(Percentage Plgurea Only) 

(Source.- Onlted States Bureau of Labor Statistics) 



March, when as a matter of every-day knowledge there is 
an annual cycle and the stocks are always low at this time of 
the year ? 

The subject is more properly a statistical one than a chart- 
ing one, but it is of sych importance in the making of the 
specialized form of charts which follow that we will outline 
briefly some of the simpler methods in use. Our concern here 
is with the separation or elimination of the recurrent or cyclic 
fluctuations in an historical series. Ordinarily, in business, 
the seasonal fluctuation, that is, the annual cycle, is most im- 
portant, and the following explanation will be limited to it. 
Other cycles may be similarly treated. The most elementary 
consideration in the analysis has been made obvious by the 



CYCLES 


H3 


COLD STORAGE HOLDINGS OP EGGS 
Stocks of "Case Eg«;s" in Warehouses 
United States 
1916-1921 

(Source;- Survey of Current Business) 
(Monthly Average for Five Years, 1916-1920, * 100) 


5 yr. Average 
1916-1920 

192_0_ 

1921 


34 7 0 
42 9 1 
11 1 1 


7 54 151 

3 58 139 

52 133 166 


190 

196 

185 

183 

186 

173 

204 

206 

195 


162 

122 

71 

144 

104 

49 

170 

119 

66 



foregoing illustrations; namely that the relation between the 
last item in a series and the corresponding item in the previous 
cycle in the same series is of more importance than the rela- 
tion between the last item and the immediately preceding 
item. In the last illustration, how do this year’s October stocks 
compare with stocks of October last year, not how do this 
year’s October stocks compare with this year’s September 
stocks. 

But every business man has progressed beyond this ele- 
mentary stage. He asks to see the figures for the previous 
month in each of the last two cycles. For he knows that it is 
more important to see how the change in stocks from Septem- 


244 CHARTS AND GRAPHS 


ber to October this year compares with the change between the 
same months last year. We may generalize this by saying that 



we are now concerned with the relation between the change in 
the last two items of the series and the corresponding change in 



CYCLES 


245 

the corresponding two items in the previous cycle in the same 
series.® Now it is precisely this relation which the moving 
annual total, or average, described in the previous chapter, 
tells us. A little study will show that the moving total swal- 

K/G PRODUCTION 

Recoipto of Eggs at Five Markets 
(Bolton, Kew York, Philadelphia, Chicago, and San Franelaco) 

United States 
1920-1921 
(Number of Cases) 

' (Source*- Survey of Current Business) 


Monthly 

Moving 

12-Mo. 

Average 



Monthly 

Total 




1920 1921 

Fig. 222, The Moving Average Shows Trend. 


lows up the cyclic variations by the simple process of swal- 
lowing up all the various items which make up the cycle. The 


^As a matter of fact, the changes of the moving total from month to month are 
merely the differences between figures for the new month included and the old month 
excluded (one year previous). Hence, the work of computing a series of moving 
totals can progress largely at sight by comparing the month to be added with the 
month to be subtracted (one year earlier) and algebraicly adding this difference to 
the last moving total. 




246 CHARTS AND GRAPHS 

period covered by the moving total (or average) must of 
course be of the same length as the period of the cycle ^ And 
the resulting changes in the moving total are merely the dif- 
ference between changes in corresponding pairs of months in 
the two cycles. For this reason the moving annual total or 
average may be called the simplest method of eliminating 
seasonal (or cyclic) fluctuations, and determining the true 
secular (or long-time) movement. 

While for many purposes, the trend as indicated by the 
moving total is a sufficient index of the nature of the more 
fundamental changes in the phenomenon, yet in the broad 
study of economic or trade movements, it still retains too 
many insignificant changes. It is true that the moving total 
smooths out all the periodically recurrent fluctuations. But 
it does not yet yield a simple series of perfectly regular change, 
that is, a straight line, or simple mathematical curve, which can 
be expressed by a mathematical equation or summarized in so 
simple a statement, as that, for example, ‘'the population gains 
two per cent annually.” In a much more precise sense the 
latter, that is a fitted straight line, parabolic curve, or other 
regular series, is called the "secular trend.” It is also some- 
times called the "normal” for the particular curve. 

Fitting a straight line, or regular curve, to a historical 
series, is a matter of mathematical statistics into which v/e 
need not go, for it requires skill and judgment to which no 
simple rules of procedure apply.^ It is sufficient to say that 
when this is taken into consideration the original series of data 
which we are analysing can be considered a combination of 
three elements, namely seasonal or cyclic fluctuations, a secular 
or normal trend, and secular fluctuations. And in the best 
statistical work both the former are often removed from the 
data before the curves are published. When this is done, the 
reader is advised of it by a simple statement to the effect that 
the figures published "are corrected for seasonal changes and 
normal growth.” Fortunately he has no idea of the problems 
involved in this correction. 

Accepting then, the moving total or average, as a satisfactory 
method of smoothing away all the insignificant and periodically 

^ When cycles are of varying lengths, this does not apply, for the moving total 
can only be made with uniform lengths or spans. The device next mentioned, how- 
ever, the moving average, does not have this limitation and can be made co-extensiv<? 
with the cycle. 

^ Cf, Chapter on Curve-Fitting, 



CYCLES 


247 


recurrent fluctuations which often make monthly curves un- 
satisfactory — a means in short by which we can promptly plot 
the trend or general direction of underlying movements in an 
historical series — ^we turn to the question of determining the 
true nature of the cyclic, that is, the ascertaining of the true 
seasonal fluctuations. We wish now not to eliminate the cyclic 
changes in the data, but to eliminate everything else in the 
data and retain the cycle alone. How can we isolate the cycle ? 
The simplest method and one which immediately suggests itself 
is to take a single cycle and forget the other cycles in the data. 
This gives us beyond peradventure the change within the 


lEW IHCORPORATIOKS 
Capital Inveated In Kew Sntflpprisft* 
f&OSd vitliorised capital equaled or exceeded lIOO.OOO 
Principal States^ U. S. 

^ lfi21 

(Source:- N. Y. Journal of Cormnerce) 

(Pigurea In nilllona of dollara) 


Jan 

Pob 

liar* 

Apr 

Uaj 

Jun 

Jttl 

Au« 

Sep 

Oet 

lOT 

Dee 

total 

1,S45 

654 

955 

988 

601 

676 

282 

580 

490 

505 

868 

619 

7,989 

is.es 

e.22 

12.00 

12.40 

7.55 

8.50 

5.54 

7.29 

6.16 

e.si 

, 4.62 

7.78 

100.00 


Fig. 223. The Seasonal Cycle Computed from One Cyclic Period. 


cycle. If we wish, we can calculate the various months in 
this cycle as related to the total for the cycle, that is, change 
each month into a percentage of the total for the year, the 
latter being 100%. 

The trouble with this crude use of a single year as an index 
or indicator of cyclic fluctuation is two-fold. For one thing 
it does not take any account of secular trend — ^which in the 
case of a young and rapidly growing business will be very 
marked — and as a result December sales may appear to be 
seasonally larger than January sales, though in fact they are 
really smaller, because every year the following January sales 
exceed the last December sales, just as within the calendar 
year the last December sales always exceeded the last January 
sales; the result of this error is to skew the seasonal fluctua- 
tion curve around in the cycle, tilting up one end of it, giving 
us a warped picture of the cyclic fluctuation, in which the 
warping or tilting may be so great as actually to shift the 
location of the peaks and valleys. If the data be the record 
of sales by an individual concrn, no matter how true a picture 
it may afford of the experience of the company, it does not 
give a true picture of the changes in the market, the seasonal 
variations in consumer demand. 



CHARTS AND GRAPHS 


24S 


The simplest way of correcting for the secular trend or 
general movement of the phenomenon is to take the months 


IhCORPORATIOSS 

c»pu*l In Sen Entarprlsss 

fhaao authorized capital equaled op exceeded $100,000 
Principal States, J S. 

1921 

(Source - U. If. Journal of Commerce) 

(Ptgures in mtlllona of oJllars) 



JttIV 

Pab 

«»r 

Apr 

U47 

Jua 

Jul 

&ug 

Sep 

Ool 

HOf 


Tata 

1921 

Amount | 

1,243 

654 

355 

988 

601 

676 

282 

586 

490 

003 

368 

619 

7,959 


Moiring Total i 

13,963 

13,457 

13.036 

12,670 

U,653 

11,206 

10,223 

9,867 

9,406 

8,720 

8,201 

7,959 



l?ore«nt«g* 

0.92 

4.66 

'».33 

7.01 

5.07 

6,03 

2.75 

5.88 

S.21 

5.76 

4.49 

7.78 

j 71.89 


Corraeted | 

12,25 


10.19 

10.07 

7.06 1 

0.30 ; 

3 93 

8.19 

7.26 

6.02 

6.25 

10.02 

lOO.OO 


Fig. 224, The Seasonal Computed from the Trend. 


not as percentages of the total for the calendar or fiscal year 
of fixed span, but to take them as percentages of the moving 
total (^"for the current twelve months’^), for the same months. 
The results will no longer add up to 100%, but will be less 
than 100% if the moving total has fallen and more if it has 
risen. The monthh/ percentages of the moving totals must 
therefore be summed up and corrected so that their sum 
equals 100% (by dividing them by their sum). The result of 
this process may be taken as in most cases an entirely satis- 
factory record of the typical seasonal fluctuation, during one 
year. 










r 


— 








■ 

■ 

■ 

nn 

HR 

m 



"TJO/t 









j 




TlU^ 

YEARLY 

AVERAGE 

. «ro/ 










( 

L 



m 





jN, 

19 

17-19. 

ASON 

ii 

AL 

N, 

m 

'-si 





m, 

r ^ 

JT"" 



F 

m 

■ 

■ 

■ 

■1 

— a yo 

—1 


n 

■ 


9 

m 



■ 

■ 

■ 

■ 

iv/9j 

-I 

■i 

M 


■ 



■ 

1 

i 

■ 


■ 

-20% 











■ 

■ 











_ 

□ 


JAN. F£B. MAR. APR. MAY JUH. JUU AU<3-._ 5EP. „ OCT. NOV.. p£C. 


Fig. 225. A Remarkable Case of Changing Cycle Fluctuations. 

Typical seasonal changes in interest rates on 60 to 90 day commercial paper for 
the years 1890 to 1908 and the years 1917 to 1921. Weekly variations are shown 
as percentage deviations from the annual average . — Permission of Mr. Carl 
Snyder. 



CYCLES 


H9 


The second objection to the method still remains, however. 
This objection is that the cycle is estimated upon a single 
year’s experience only. The cycle shown by another year 
might be^ somewhat different. And how do we know that 
one year is any more representative of actual conditions than 
another. Of course, in the case of businesses (or other phe- 
nomena) effected by the war (and this includes most business 
and economic records), we might quickly throw out the war- 
time record, as being wholly unreliable. But in the absence 
of special reasons for discarding certain periods or records as 
unrepresentative, we may be confronted with many years of 
equal significance which yield different cyclic curves. And in 
such cases it would be wrong to trust one entirely and discrim- 
inate against the rest. The obvious thing to do is to calculate 
the seasonals for each of these years, by the method above de- 
scribed, and then average them together, to get an average 
seasonal. The resulting curve would meet the second objec- 
tion and be representative of the entire experience, for which 
records are available. 

Perhaps the most important use of seasonals in ordinary 
business statistics, is the calculation of “quotas,” or planned 
“schedules” for the future. In a sales department, for ex- 
ample, the quotas assigned in advance to the salesman, or to 
the sales districts, should be as fair as possible, and to assure 
this, the typical seasonal fluctuations should be known. Our 
problem then becomes slightly different. We no longer want 
the seasonals most typical of the entire experience of the past, 
but we want the seasonals which may be considered most 
typical of the immediate future. A simple average of the 
seasonals for many years past would give too little importance, 
perhaps, to recent developments. It may be that, through 
advertising, or through changes in market conditions, the con- 
sumer demand has been shifted about in the year (usually to 
become more level, that is, regular). For such developments 
it is plain that the later years are more truly representative 
than the earlier ones. 

In the calculation of quotas, therefore, it is well to “weight” 
the later years more heavily than the earlier ones before av- 
eraging. Ordinarily it is satisfactory to weight each year twice 
as heavily as the preceding year. Other weighting systems 
can be used, but this particular arrangement leads to a most 
easily calculated average seasonal which has been devised and 



2^0 


CHARTS AND GRAPHS 


used by the author for a long time under the convenient, though 
somewhat loose, name of the ^^compounded average/’^ It has 
the advantage of being easily carried on from year to year 
without extensive re-calculations, an important factor in a 
busy office, and it also avoids all question of how many back 
years to include, by making all except the last four or five 


Bhote authorised cepl* el equaled or exceeded $100,000 
Principal States, tf. S. 

1918-1921 

(Source - U. Y. Journal of Coramorce) 

(PlBores In nllllcins of dollars) 



Jan 

1 Pet 

Mar 

Apr 

May 

Jun 

Jul j 

Aug 

Sep 

Oct 

»ov 

Dee 

lota! 

asis 

Percentage ! 

6.28 

4.12 

4.69 

6.35 

8.05 

6.23 

6.67 

4.77 

7.24 

4.91 

6.27 

5.42 

68.90 


Corrected 

9.12 

6,98 

6.80 

9.21 

11.70 

9.04 

8.08 j 

6.92 

10.51 

7.13 

7.64 

7.87 

100.00 

1919 

Percentage 

18.87 

11.79 

12.71 

16.22 

20.68 

27.06 

24.16 

12.63 

23.49 

22.44 

11,43 

8.62 

209.88 


Corrected 

9.00 

6.62 

6,08 

7.74 

9.86 

12.80 j 

11.50 

6.98 

11.20 

10.71 

5.46 

4.06 

100.00 

total 

1910 and 1919 

18.12 

11.60 

; 12.88 

16.95 

21.66 

21.84 ' 

19.58 

12.90 

21.71 

17.84 

13.09 

11.93 

200.00 


Average 

9.06 

6.80 

1 6.44 

8.46 

10.78 

10,92 1 

9.79 

6.45 

10.81 

8.92 

6.54 1 

6.97 

100.00 

1920 

Percentage 

15.76 

7.57 

8.44 

7.90 

7.97 

7.41 

7.11 

6.27 

8,64 

7.54 

6.68 

6.76 

92.24 


Corrected j 

17.10 

8.21 

9.16 

a.57 

8.62 

8.04 

7.71 

5.71 

6.11 

8.17 

6.37 

6.23 

100.00 

•iotal 

1920 and Average I 

26.16 

14.01 

15.60 

17.03 

19.40 

18.96 

17.60 

12.16 

16.92 

17.11 

12.91 

12.20 

200.00 


Compound Average j 

13.08 

7.00 

7.80 

8.62 

9.70 

9.48 

8.75 

6.00 

8.46 

8.86 

6.46 

6.10 

100,00 

1921 

Percentage { 

8.92 

4.86 

7.33 

7.81 

6.07 

6.03 

2.75 

5.8P 

5.21 

5.76 

4.4° 

7,7H 

71.89 


Corrected 

12.26 j 

6.77 

10.19 

10.B7 

7.06 

8.39 

3.93 

8.19 

7.26 

8.02 

b.26 

10.82 

100.00 

Total 

1921 and Average 

25. S3 

13.77 

17,99 

19.39 

16.76 

17.87 

12.68 

14,27 

15.72 

16.67 

12.71 

16.°? 

200.00 


Compound Average 

12,66 

6.89 j 

9,00 

9.69 

8.38 

8.93 

6.34 

7,14 

7.86 

! 8.29 

b.36 

a.4b 

100.00 


Fig. 226 . The “Compounded Average” Seasonal. 

negligible. The trick is to average the seasonals for the first 
two years (which can be done at sight), and than average the 
resulting average with the next year to get a new average, 
continuing this process through the years and always working 
by inspection. 

With the method here outlined to use when you wish to 
ascertain the seasonal fluctuations in your data, using the 

®Of course, in this ^‘compounded average"’ the weighting is not two to one for the 
first two years, but with the exception of the first year the weighting is in this ratio 
throughout, and in a very few years the importance of the first year is rendered so 
negligible as to be lost. 

By other weighting systems, it is meant that ratios of three to one, or of one to 
two-thirds, or of one to three-fourths, or the like, can also be easily used and currently 
maintained (that is, brought up to date) almost by inspection. 

The theory of the compounded average is very simple, and appears to be sounder 
than that of any fixed average seasonal. It is believed to be an original contribution 
to the science of averages, which should have particular value in economic work with 
phenomena undergoing changes in seasonal fluctuations. A very spectacular case of 
such a phenomenon was the behavior of the interest-rates for loans in New York 
after the establishment of the Federal reserve system, when a previously marked 
seasonal was almost entirely wiped out in a few years. The compounded average 
affords a sort of moving or progressive seasonal well adapted to such cases. And, in 
the ease with which it is brought up to date, it is, mechanistically, a decided labor- 
saver and time-saver. 



CYCLES 


251 


“compounded average” in the place of the simple average for 
quota-making, and with the moving totaF and average previ- 
ously described for the elimination of the seasonal when you 
wish the real underlying movement, loosely called the secular 
trend, in your data, you are equipped with the mathematical 
means necessary for the successful use of the following charts. 
Apart from the need of the cyclic change in quota-making, 
the usual need is for the secular trend and the latter is indeed 
useful not merely for the following charts, but for a wide vari- 
ety of purposes in statistical work. It is therefore the more 
important trick to have up your sleeve, in attacking either 
business or sociological statistics. However far it may fall 
short of a true secular trend, it still gives a significant and 
easily understood smoothed curve. Though still little known 
to the average executive, it is proving extremely popular among 
those who use it, and has been credited by some business sta- 
tisticians, chiefly those who use the device described in the 
next chapter, as being the only part of the data in which the 
executive should be interested. 

^ By an oversight, the tables in the discussion of the compounded average all 
show the months as percentages of the moving total for ‘"previous’’ 12 months. It 
is obvious that the moving total of “current” 12 months should have been used. 



Chapter XXII 


ZEE-CHARTS 

In this chapter we enter the accountant’s paradise, and in- 
stead of simplifying our data and presentation, we multiply it 
three-fold, by adding to each original series of data, its cumu- 
lative and its moving total series. The result is a chart which 
shows simply and coherently everything about the data which 
can be shown. It takes much space, for each important 
period (i.e. year or month) of data should be given a separate 
chart, and its use is therefore better restricted to a few series, 
whose importance is sufficient to justify their treatment in 
this thorough and painstaking way. In its way, this chart is 
the last word in the analysis of and research into past his- 
torical data.^ 

The ^^Zee-chart” gained its name from the fact that its 
three curves roughly form the letter ‘‘Z.” These three curves 
are, first, the curve of the original data, second, the cumula- 
tive curve, and third, the moving-total curve. In common 
practice there are three kinds of these charts, depending upon 
the time period of the original data. Where the original data 
consists of monthly figures, the chart shows twelve of these 
figures to form one year; when the data is weekly, fifty-two 
weekly figures are combined in one chart to show one year; 
and when the data is daily, thirty or thirty-one days are com- 
bined to show in one chart a month. In the first two cases 
the moving-total is an annual one and in the last case it is a 

^ The Zee-chart is rumored to be of German origin, but appears to have had a 
somewhat later independent American discovery. It has received its greatest develop- 
ment at the hands of Mr. Willard C. Brinton, consulting engineer and author of 
Graphic Methods for Presenting Facts. The present writer is informed that the combi- 
nation of monthly and moving total curves on standard scale combinations was worked 
out by Mr. T. R. Robinson, and the addition of the cumulative curve was suggested 
by Mr. Wallace Clark. Of late, the Zee-chart has been further modified in its form 
by Mr. Arthur R. Burnet who has also suggested the omission of scale-figures to 
focus attention upon the curves, and has invented scale-finding machinery to facili- 
tate plotting, 

25a 



ZEE-CHARTS 


253 

monthly one, though it is to be noted that in most businesses 
a monthly moving-total has little significance. The Zee-charts 
can, however, be made up of any combination of time units 
desired. The most practicable one, and the one which will be 
herein described, is the Zee-chart of monthly data, twelve 
months comprising one chart. Its ready adaptability to the 
needs of the business man and accountant makes it extremely 
useful for recording data in these fields. 



Fig. 227. A Year by Weeks. 

Showing the arrangement and methods advocated by Mr. Burnet. 


By this time, if you have understood the last two chapters, 
you will be protesting that it is not practicable to show a 
moving total curve on the same chart with the curve of the 
original series. Why? Because the moving total for twelve 
months is twelve times as great as the average monthly items, 
and if the moving total curve is to be shown, the curve of 
monthly figures will lie very close to the bottom of the chart. 






Fig. 228. Four Zee-Charts Forming a Single Series. 

Notice the diiFerent scales for monthly and annual data and the corresponding positions of the data captions. In the originals the annual moving 
total and cumulative data and curves and scale are in red. 



ZEE^CHJRTS 


^55 

its fluctuations hardly visible. The objection is well taken, 
but the Zee-chart cleverly dodges this difficulty. How? By 
the simple device of using two scales. A large scale is used 
for the original monthly figures, but a small scale is used for 
the cumulative and moving total curves, whereby they are 
brought down on the chart to not more than two or three 
times the height of the monthly curve. The ratio between 
these two scales has been more or less standardized, the 
monthly-curve scale being five times as great as the annual 
cumulative and moving total scale. When the data are weekly 
and the moving total is a S2-weeks total, the ratio is larger, 
the weekly scale being twenty times as great as the cumulative 
and moving total scale. When the data is daily and the moving 
total monthly, the ratio is again diflFerent, the daily scale being 
ten times as great as the monthly cumulative and moving 
total scale.^ 

Standardized practice also has it that a color distinction 
should be observed between the two scales and their corre- 
sponding curves and data. You should enter the individual 
series in the data at the top of the chart in black, plot the 
curve therefore in black and enter the scale itself in black 
lettering. But the cumulative and moving-total figures should 
be entered in red in the data at the top of the chart, likewise 
their curves should be drawn in red ink and their common 
scale entered in red letters. This distinction is an excellent^ 
one as it causes the curve of original data to stand out most 
prominently while the moving total curve or trend is perfectly 
clear, some distance higher on the chart. 

As you have seen in an earlier chapter, the moving total 
of a series can be plotted at any point within its period, and 
can be a moving total either of the current twelve months, of 
the following twelve months, or of the past twelve months. 
It is the last kind of moving total alone which is used in the 
Zee-charts. From this fact, two advantages arise. In the 
first place all three curves are entered at the same time on the 
same ordinate and a hasty reader who has no time to analyze 
the figures, gains no false impression that the chart is not 

A very shrewd suggestion has been made by Mr. Arthur R. Burnet, consulting 
statistician and graphic expert, that the scale-figures be omitted from charts which 
are to be shown to the non-technical business man, in order that his attention may 
not be diverted from the behavior of the curves. The fact that data is always in- 
cluded in the Zee-chart, and hence scales can always be ascertained though not cali- 
brated, gives to this suggestion unusual merit. 
















ZEE^CHARTS 


^S1 


thoroughly up-to-date, as he is likely to when the moving 
total is plotted upon an earlier ordinate. In the second place, 
the cumulative and moving total curves always come together 
at the end of each chart by this device, since it is obvious that 
the cumulative for twelve months is the same as the total for 
the past twelve months. This coincidence of the two curves 
is an important element in the simplicity of the chart and also 
automatically checks both computing and plotting. 

The Zee-chart should be prepared upon the same type of 
paper as other historical curves, that is, its field should be 
positioned in the lower righthand corner of the page, close 
to the edge of the paper. For Zee-charts are generally pre- 
pared in sets for data extending over many years and requiring 
as many charts in the set as there are years. It is important, 
therefore, that the reader be able to fan the charts out, each 
overlapping the next so as to afford a general view of the entire 
series of years in a small space. The narrow margin to the 
right of the chart on each sheet produces gaps between the 



Permission of Mr. Arthur R. Burnet and the Ronald Press. 

Fig. 230. Two Charts Fanned Upward to Study Seasonals. 




CHARTS AND GRAPHS 


258 

charts when laid out in this way but these gaps are of benefit, 
forming slight breaks between years without destroying the 
general continuity of the set of charts. The low position of 
the field upon the paper facilitates the study of seasonal fluc- 
tuations by overlapping charts one above the other. Needless 
to say, the scale on all charts belonging to a set, should be 
uniform and rigidly maintained within the set in order that 
the curve running through the charts may be homogeneous. 

The scale on a Zee-chart should be somewhat smaller than 
on most historical curves, for the reason that you probably 
expect to continue the Zee-chart series in the future, and you 
must allow ample margin for future growth of the business 
and future peaks which will rise higher than the past peaks. 
To find the scale for a Zee-chart, therefore, look back over the 
series of moving-total figures in your data and locate the 
highest peak figure in the past, and then select a scale which 



Fig. 231. Table for Zee-chart Scales, 

For standard chart-fields six inches high. 

will bring this figure about half way up the chart. Selection 
of the scale is perhaps one of the most difficult parts of Zee- 
chart making, and it is convenient to use a table of scales 
similar to the table for historical scales given in a previous 
chapter, modified onl}?* by increasing the key numbers one- 
third to lower the peaks to half way up the chart. 

One of the most interesting features of Zee-charts is their 
use in what is called ^Tght analysis.’’ Light analysis is a 
method of comparing two curves or charts drawn on similar 
scales. You place the two charts together, one upon the 



ZEE^CHARTS 


259 


other, and hold both up to the light- Both curves will then be 
visible, enabling you to compare them minutely. In some offices 
where a large number of Zee-charts are used, a machine called 
a ‘‘light box’’ is kept for this work. The light box consists of 
an electric light underneath a piece of ground glass, which 
throws a uniform illumination up to the paper laid upon it- 
The charts should therefore be made on highly translucent^ 
paper, and the field should be positioned with absolute uni- 
formity on every sheet. These are considerations which hold 
not merely for Zee-charts but for all curve-charts to be sub- 
jected to light analysis. 

A number of attempts have been made to adopt the Zee- 
chart to current operation control. It is easily seen that by 
extending or projecting the cumulative curve on any up-to- 
date chart in which the end of its period (e.g. year) has not 
yet been reached, an estimate can be quickly made of the 
probable amount to which the future months will bring the 
entire year’s total. Moreover, if a quota for the year has been 
made in advance, the cumulative for this quota can be easily 
plotted in pencil or, best of all, in yellow ink and a comparison 
between the red cumulative for actual performance with the 
yellow quota cumulative will show how well or poorly the 
quota is being fulfilled. A slightly different method is that of 
showing the quota cumulative as a straight sloping line, and 
entering the curve figures and cumulative as percentages of 
the amount which would have been necessary to meet this 
quota. But these various methods have not been so successful 
as to find general acceptance, as they tend to fill up the chart 
with too much detail. 

The plain fact is that the Zee-chart is a “looking-backward” 
chart. The best that can be said of it is that it is an ideal 
method of historical research. The sales of your chief line or 
department should be plotted in this way, in order that you 
may study their past history to the best advantage. The chart 
is designed to show you at once the individual monthly or 
periodic fluctuation, their general trend or moving total, and 
the cumulative or total to date for each year, and from these 
three accounting elements for each year, you can see just when 
sales began to fall off or rise, what the seasonal fluctuation 
was, and how each year’s individual progress compared with 


The paper may be highly translucent without being in the least transparent. 



26 o 


CHARTS AND GRAPHS 



Fig. 232. Mr. Burnetts Arrangement. 

that of other years. The Zee-chart is, among amount-of- 
change charts, the last word in historical research and detail.^ 


^ An excellent description of the Zee-chart is to be found in a series of articles by- 
Mr. Arthur R. Burnet in Management Engineerings beginning Sept. 1921, pp. 153-160. 

The first American description is that by Mr. John Wenzel in an early issue of 
the Scientific American Magazine, 

The best adaptation for forecasting and quota-measuring has been made by 
Mr. John Scoville, Maxwell Motors, Detroit. 




Chapter XXIII 
PROGRESS CHARTS 

From the paradise of the accountant and historian let 
us step into the paradise of the operating executive. The 
operating executive is the man who sees to it that things are 
done. His interest begins and ends with the job to be done, 
how much of it has actually been done, and how much remains 
to be done. When tPld that a job has not yet been finished, 
he is not interested in excuses and reasons, he is not interested 
in why or when the performance fell below the schedule, he is 
only interested in the amount remaining to be done and the 
job of getting it done. We shall not expect to find him satisfied 
with a retrospective or “looking-backward” chart. For him, 
the “looking-forward” chart! 

F ar and away the most “forward-looking” chart known is 
the “progress” chart. It is the product of the man who was 
probably the greatest engineer America has ever produced, 
the late Mr. H. L. Gantt.i It is significant that this chart 
method was devised by an engineering type of mind, for it is 
admirably adapted to an executive control of operation. 
Compared with its dynamic influence on the actual control of 
operations, nearly all other types of charts seem to justify 
the assumption that the word “statistical” is derived from the 
word “static.” 

^ Henry Laurence Gantt was born in Maryland on May 20, 186L He received 
the degree of bachelor of arts in 1880 from Johns Hopkins University and in 1884 
the degree of mechanical engineer from Stevens Institute of Technology. He died 
November 23, 1919, at his home in Montclair, N. J. 

Mr. Gantt was associated with Frederick W. Taylor in his early work at the Midvale 
and Bethlehem Steel Companies and a few years later established his own consulting 
practice as an industrial engineer, which he carried on until his death. 

Among his clients were many of the most advanced manufacturing companies of 
this country. During the war he devoted his entire time as well as that of his stalF 
to the solution of the Government’s problems of production and management. He 
acted in a consulting capacity for the Ordnance Department, the Naval Aircraft, 
the Shipping Board, and the Emergency Fleet Corporation. 

Mr. Gantt developed a method of paying workmen according to the results they 

261 



263 . 


CHARTS AND GRAPHS 


The Gantt progress-chart presupposes a definite detailed 
schedule or plan made out in advance and generally called the 
‘^quota/’ The chart itself merely measures the subsequent 
actual performance, when it takes place, against this pre- 
determined schedule or quota, and shows emphatically 
whether or not this quota is being met. The chart shows 
incidentally how much of each past month’s quota has been 
accomplished, but primarily it shows how much of the cumu- 
lative or total quota to date has been accomplished. The chart 
never shows trend or moving total, nor does it necessarily 
show even the individual monthly figures; its main function is 
to show how much of the schedule has been performed up-to- 
date and how much remains to be done. 

As we might have expected in a chart for an operating 
executive, the progress-chart compresses its information into 
very small space. Where the Zee-chart expanded every series 
of figures three-fold and used a separate sheet of paper for 
each series, the progress-chart combines twenty, thirty, or 
even more, series upon a single page. An entire business or 
industry can be summarized upon one of these charts, each 
of its thirty or more items being in turn shown in detail with 
thirty or more sub-divisions on subordinate charts. In the 
course of time, the Gantt progress-chart will come to be 
recognized as the sine qua non of management, whether it be 
sales management, office management, or production and 
factory management. 

Strictly speaking, the Gantt progress-chart is not a curve- 
chart at all. It is rather a horizontal bar-chart, very peculiarly 
constructed. But the relation between bar-charts and amount- 
of-change curve-charts is so intimate that it can best be 
examined here. If you like to so consider it, the Gantt 
progress-chart is a combination of many curve-charts, each 
flattened out into one dimension and all placed close together 

accomplished, which is known as the Gantt Task and Bonus; he developed the theory 
that the cost of an article includes only those expenses actually incurred in the pro- 
duction of that article, and that the expense of maintaining one machine in idleness 
can not be charged into the cost of the output of another machine. In accordance 
with this theory, he worked out a method of arriving at costs of idleness and of work; 
he originated the Gantt Chart, which compares the amount of work done in a given 
time with what should be done and emphasizes the reasons for failure to attain that 
stand aid; he introduced a change in the installation of management methods from the 
old type, which organized from the top down, to a new type which builds from the 
bottom up. Work, Wages and Profits'' (1910), “Industrial Leadership” (1916), and 
“Orj[>anizing for Work” (1919), are the titles of the most important books written 
by Mr. Gantt . — JVuUace Clark. 



PROGRESS CHARTS 


26 j 

on a single chart. Or if you prefer, the Gantt progress-chart 
is a series of horizontal bar-charts with cumulative bar-charts 
superimposed. 

The scale of the progress-chart is one of its most interesting 
features. At first glance, there appear to be as many scales 
on the progress-chart as there are bars, or items. That is to 
say, every bar on the progress-chart appears to have its own 
scale or set of values for the horizontal distances through 
which it passes. And, unlike all other charts, the horizontal 
distances appear to have no equal and uniform values through- 
out the length even of a single scale; on the contrary, the values 
given to equal horizontal distances, or spaces between vertical 
lines, seem to change weirdly from space to space throughout 
each individual line. But the secret of the puzzle is very 
simple. The common and proper scale for progress-charts is 
“time.” Each equal distance represents an equal unit of time, 
and you will find a time scale placed at the top of each progress- 
chart, one single uniform scale for the entire chart. Time, then, 
is the measure or unit of measurement against which perform- 
ance is measured. In Mr. Gantt’s words, “time is the one 
common thread running through all operations,” and time is 
therefore the one basis on which all performance should be 
judged by executives. 

Now it is obvious that the number of dollars worth of 
goods sold during a month cannot be taken directly as a part 
of, or measured directly in terms of, the number of days in 
the month. The amount of sales, production, or other per- 
formance, and the length of time involved in the performance 
are numerically incommensurable quantities. We must there- 
fore have a ratio or co-efficient between the two, that is, we 
must make up our minds that a certain unit of time is to equal 
a certain volume of sales or other performance. Then the 
actual amount of performance can be judged in terms of this 
predetermined quantity, which has been decided upon for the 
given period of time. And these predetermined quantities are 
the items which at first glance appeared to form the irregular 
scales for each bar. 

In short, the progress-chart measures actual performance 
in terms of a standard. This standard is shown by the small 
figures in each space and is graphically represented by the 
entire space itself. Actual accomplishment is graphically, 
recorded by a bar drawn across the part of the space which 





PROGRESS CHARTS 


265 


corresponds to the percentage (of the standard), which has 
been accomplished. In other words, the standard for each 
space (or period of time) is considered to be 100% for that 
period of time, and the actual accomplishment during that 
period of time is taken as percentage of this standard, and 
shown by a 100% bar, in which the shaded portion represents 
the part accomplished, the unshaded portion the part not 
accomplished. This is literally true of the light lines or bars 
which begin afresh at the beginning of each new space and 
indicate the monthly or periodic performance or accomplish- 
ment. The method is not quite so simple, however, in the 
case of the cumulative performance or accomplishment, that 
is, the accomplishment from the beginning of the entire 
period shown on the chart, to date. This cumulative of per- 
formance is shown by heavy bars. Here (1) all the standard 
cumulatives which are less than the accomplishment cumu- 
latives are considered wholly performed and 100% done, 
and the heavy cumulative bar is drawn entirely across them; 
(2) the remainder of the accomplishment cumulative, after 
subtracting the last standard cumulative, is taken as a per- 
centage of the next individual period standard and (3) the 
cumulative bar is drawn correspondingly across the corre- 
sponding percentage of the last period space. 

A simple example will make this clear. Suppose we are 
allowed by the publishers of this book ten months in which 

PROPOSED 

SCHEDULE 

Month Quota 

1 3 

2 1 

3 A 

4 6 

5 6 

6 6 

7 e 

8 6 

9 6 

10 -A. 

Total 50 

Fig. 234. 

to prepare F . As a matter of fact, the book is the result of 
many years of study — but that is another story. Being a 





PROGRESS CHARTS 


267 


methodical sort of person, we sit down and prepare an outline 
of the book, and discover that it will take about fifty chapters 
in which to tell all that you should know about the subject. 
We then prepare a schedule showing how long it will take us 
to write each chapter, and decide that we can write the first 
three chapetrs in the first month, one chapter in the second, 
then four and thereafter six chapters a month. Next we pre- 
pare a progress-chart of this work showing ten months on the 
chart, one space for each month. We enter the number of 
chapters to be done each month in the upper left hand corner 
of the space for each month. We also enter the cumulative in 
the upper right hand corners of each space, showing that at 
the end of the second month we will have written four chapters, 
by the third month eight chapters, by the fourth, fourteen, 
and so on, until at the end of the tenth month fifty chapters 
are written. This checks our monthly schedule. 

Time passes and we are writing, patient reader — though you 
might not guess it — we are writing with meticulous and pains- 
taking care. If at the end of the first month, only one and one- 



Fig. 236 . The Chart on Jan. 31 st. 

The light line records a performance of 50% of the month^s quota; the heavy line 
records 50% of the first month’s quota cumulative. The V-shaped mark shows 
date of last entry. 

half chapters have been completed halfway across the first 
space, when we should have written three chapters, we draw 
two lines, one light and one heavy, the light one being above 
the heavy one. By this we know that at the end of the first 
month we have only done 50% of the month’s quota. In the 
second month we finish the second and also a third chapter. 
A new, light or monthly bar can be drawn all the way across 
the second space and a second light bar halfway across, above 
it, showing that we had done our bit and 50% more in the 
second month. But as we were short in the first month’s 
work we are still short to date, having done three chapters 



268 


CHARTS AND GRAPHS 


when we should have done four. These three chapters finish 
our quota for the first month only and leave nothing accom- 
plished out of the second month’s quota. We therefore draw 
the heavy cumulative bar completely across the first space 


Progreaa Chart 



Jan 

P»b 

tear 

Apr 


Jim 


Dietatloo 

5 



- 

3 

1 




4 

4 




*8 

6 



T 


"e 





*6 


TP 

■ 

■ 

■ 




" 

















































I 


1 


i 
























Fig. 237. The Chart on Feb. 28th. 

The light lines show 150% of the second month’s quota performed in the second 

month; the heavy bar shows total performance to date (Feb. 28) just one month 

behind schedule. 

but not into the second space at all. A glance at the chart 
now shows us that we are short one month’s work (though we 
have exceeded our quota in the second month). If in the 
third month, in an excess of energy, we write six more chapters, 
we shall have done 150% of the third month’s quota of four 
chapters and shall therefore draw a light line all the way across 
the space, and over it another light line one half of the way 
across the space. But the cumulative or total to date will be 
nine, enabling us to draw the heavy bar all the way across the 
page to the end of the third month and one-sixth of the way 
across the fourth space, since the fourth months’ quota was six 
chapters, of which we have done one. A glance at the chart 
now shows us that we are ahead of schedule. This illustration 
may seem wholly personal, but the sales or factory manager 
who cannot see in it a method applicable to his own problems 
is not worth his salt. 

You will now understand something of the unique merit 
of the progress-chart. It has an uncanny power of making 
human judgment. It does not merely record what has been 
done, but in addition thereto it records whether this accom- 
plishment has been good, bad, or indifferent. It does not 
merely put the question, but it also gives the answer. It 
weighs every fact in the balance and states in unmistakable 
terms the judgment. If you have fallen down on your job, 
the chart does not waste emphasis on why, when, or how you 
fell down, but places before you in a way which you cannot 
dodge the fact that you have fallen down. It is of course 



PROGRESS CHARTS 




true that the chart shows when you fell down, and you can, 
by notes, comments, or various symbols enter your excuses 
upon the chart, but .first and last you cannot escape the fact 
that you fell down on the job. Likewise, if you have done 
better than vour task (standard, quota, expectation, or what 




SALES -ARTICLE A.-Car-+ons 


CHARTS AND GRAPHS 



Fro77i 7F allace ClarFs^ ^^The Gantt Chart*\ published by the Ronald Press ^ 

Fig. 239. A Progress-Chart of Sales by Districts. 








PROGRESS CHARTS 


271 


you will) the chart will bear emphatic witness to that fact; it 
will proclaim your success from the housetops.^ 

Picture to yourself a busy sales or factory manager receiv- 
ing the usual detailed report on the production or activities of 
his various departments. The record is in tabular form show- 
ing what each department has performed during the month, 
or during the year to date. Before he can decide whether 
the work is satisfactory, he must study each figure, and in 
the light of his knowledge of all the various factors and cir- 
cumstances, decide whether each item shown is satisfactory 
or not. It is a task which will cost him many hours of close 
concentration on every occasion when the report is submitted 
to him, and each time he will find difficulty in remembering 
just what were his previous decisions about each item. An 
executive’s time is being taken up, not in getting things done, 
but in thinking about them. It would not be so bad if it 
could be accomplished once for all; the pity of it is that it has 
to be repeated every time a report is submitted to him. 

Now let us help this executive by giving him a Gantt 
progress-chart at the beginning of the year or period for which 
the chart is to run. Let us sit down with him and ask him, 
once for all, to consider the various factors which in his judg- 
ment will be the basis of satisfactory work during the year to 
come, and in the light of those factors to determine upon a 
reasonable standard for the coming year’s activity. Often he 
will give us merely the salient factors and their approximate 
influence and leave to us the working out of a detailed schedule 
in accordance with them. Often we will get much of the 
detail from subordinates closely in touch with them. In any 
case, what we are going to try to do is to devise for the entire 
coming period a schedule of reasonable expectation of the 
business for the coming period (e.g. year) worked out in detail 
for each element, department, or other subdivision, and for each 
unit of time (month, week, or day). This reasonable standard 
or schedule of expectation is sometimes called a “quota” or 
“task.” It will often work very well as a quota, or basis of 
rating by merits or demerits, subject, of course, to unforeseen 


® “Unlike statistical diagrams, curve records, and similar static forms of presenting 
facts of the past (Gantt) charts ... are kinetic, moving, and project through 
time the integral elements of service rendered in the past toward the goal in the 
future.'* — ^Walter N. Polakov, Principles of Industrial Philosophy, Proceedings of the 
American Society of Mechanical Engineers, December, 1920, 


CHARTS AND GRAPHS 



J I 

u w 

.52 S 
. IS ''' 


-Q b 
U a t 

o 

w C! 5^ 
c; o 


fcuO 

.S 

1..4 ^ 

3 ■ 


Q< 


; U ^ I>a 

c« ^ g 
0-0.^ 
{ pq ^ 

5 ^ o ^ 

‘ *a 

} .O.--. •' 
> ^ c > 

) j: ^ 

( no ^ 

! .J3 <3 

) 4-» <u O 

) & c 

i sS 

‘ ^3 -3 

fl t- rt V, 


C 


changes in the various factors or circumstances. But the name 
is not important, and whether we call this a quota, a standard, 
or a schedule, the point is that we have reached what the 








PROGRESS CHARTS 


executive considers to be the best basis for the judgment of 
work done. And we have finished the major part of the work 
of preparing a Gantt progress-chart. We enter these figures in 
the blank form and wait for performance to show the accom- 
plishments as they occur, graphically on the chart. 

Sometimes the difficulty of preparing a reasonable quota is 
so great, or the factors and circumstances which will be in- 
volved in the work are still so obscure, that a quota is not 
desirable. Nevertheless, you will find the executive later on 
using some figures or other for comparison. Most frequently 
he will be using the figures for the previous year as a basis of 
comparison. So when we cannot make up an ideal standard, 
we merely use the last year’s record, or perhaps an average 
of several recent years, in the place of a quota on the chart. 
Gantt engineers, working on production and office problems, 
have developed a scientific technique in quota or schedule- 
making which is intimately connected with and greatly simpli- 
fies the problem of cost accounting in the plant. But whether 
these scientifically reliable quotas, or merely rough guesses, or 
simply the previous records, be used as the standard, it is all 
one to the progress-chart. The chart will use any basis 
adopted, and judge the performance in terms thereof. 

Note the time-and-labor-saving value of the progress- 
chart. After the fundamental decision as to schedule standards 
have been made, the chart works automatically. It is a ma- 
chine, passing up to the executive his own judgments. All the 
labor involved has been transferred to clerks. The executive 
merely glances down the chart, noting the length of the heavy 
bars. His attention is immediately drawn to the exceptional 
performances which he would wish to study. There is no 
dodging or forgetting these exceptional cases as shown on the 
chart, and the executive is enabled either to discount the ex- 
ceptional cases in the light of further developments or unfore- 
seen circumstances, or to take immediate action where such 
action is called for. 

This method of charting is so simple that Gantt engineers 
are accustomed to install it in shops for the use of foremen, 
as well as for the central planning and executive departments. 
They are accustomed to enter the quota in ink and the graphic 
bars in pencil (black lead pencil). The maintenance of these 
charts requires no special staff of draftsmen or computers; 
they are used and filled in by the workmen and foremen them- 



LOAD CHART FOR HAMMERS 


















PROGRESS CHARTS 


selves, the bars being roughly sketched in without regard to 
nice appearance. Where the charts are used in a statistical 
department, or for the higher officials of a concern, it is perhaps 
better to observe more care in the appearance of the chart, 
and in this case colors can be used to advantage. The monthly 
or individual time unit quotas can be typed on the chart in 
black typewriting and the cumulatives in red; the light bars can 
be ruled in black India ink with a drawing pen, the heavy 
cumulative, in red waterproof ink. If this color distinction is 
observed, the ends of the red bars each month should be marked 
with light black cross-lines vertically cutting the red bar into 
segments, and showing the position of the cumulative at vari- 
ous times in the past. The initial letter in the name of the 
month can also be entered in black on the red bar to identify 
these points. When no color distinction is made and the 
cumulative bar is black, it is better to draw slight notches 
below each final position of the cumulative bar to keep this 
record of cumulatives. The first line upon a progress-chart is 
usually used for the total of the other lines and its bars are 
drawn with extra wide or heavy rulings, for the sake of em- 
phasis. 

A further refinement has been adopted by Gantt engineers 
in the binding of these charts. The charts are bound at the 
righthand edge of the paper in order that the stubs at the left- 
hand side may be quickly seen. This is of benefit where a large 
number of progress-charts are kept in bound volumes. 



Ffom Wallace Clark's ^^The Gantt Chart'\ published by the Ronald Press. 

Fig. 242, on a Shprt Fly-sheet — the Gantt Way. 


276 


CHARTS AND GRAPHS 


It has been said that the data should always be available 
with every chart and the Gantt progress-chart is no exception. 
Performance or accomplishment is portrayed graphically by 
the bars, but the figures which these bars represent are not 
shown on the chart. A blank form, similar in its ruling to the 
form of the chart, is laid immediately above the chart page 
with the column for stubs removed, so that the page will be 
short and the stubs as entered on the chart will be visible for 
both chart and data sheet. On this blank form the data of 
performance is recorded in writing, the figures for both indi- 
vidual time units and cumulatives being shown in the same 
spaces as used for their corresponding quotas on the chart. 
Because this method presents the data rather than the chart 
itself when the page is first opened, and the data sheet has to 
be turned over to read the chart-sheet, the winter’s individual 
practice is to reverse the arrangement and place the chart on 
the short sheet and the data on the full sheet underneath — 
an act of heresy which Gantt engineers are not expected to 
endorse. 

It is with reluctance that we leave the subject of progress 
charts. So far as the executive interested in the graphic con- 
trol of operations is concerned, the entire subject of charts and 
graphs begins and ends with this chapter. No other method 
of charting has yet been invented which presents the essen- 
tials of operating so forcibly, so clearly or in such small space. 
The details for each department- can be shown on depart- 
mental sheets with the total for the department at the top 
of each chart. The various department totals can be brought 
together upon a single plant sheet which will show to the 
plant manager at a glance his various departments, and the 
total for the plant, carried at the top of his chart. Likewise, 
on a single summary chart for the entire business, the presi- 
dent or controller can see the work of the various plants, with 
a total for the entire business at the top of his chart. In 
other words, this method of charting can be carried to the 
last degree of detail or reduced to the shortest possible sum- 
mary, and the entire structure of an industry can be shown 
by a similar structure of co-ordinated charts. Once started, 
the work can be carried out almost entirely by clerks and 
secretaries, freeing the executives from routine, analytical 
work, and largely freeing any special statistical department 
for research work. The progress-chart is the ^looking-forward’" 



PROGRESS CHARTS 


chart par excellence, beside which all other charts are either re- 
search methods or ^looking-backward’^ records.^ 


® The best descriptions of the Gantt charts are to be found in Mr. Wallace Clark’s 
The Gantt Chart, Ronald Press, New York City. 

The following articles in periodicals may also be consulted: 

Polakov, Walter N., Kinetic Statistics as an Aid to Production and Distribution, 
Journal of American Statistical Association, Sept., 1922, p. 359. 

Clark, Wallace, Installing Gantt Production Methods, Industrial Management, 
June, 1920. 

The books of Mr. H. L. Gantt, Organizing for Work, Industrial Leadership, and 
Work, Wages and Profit, also contain mention of the charts. 



Chapter XXIV 


SUMMARY CHARTS 

Historical data often comes in three sets of figures showing 
income (credits), outgo (debits), and balance. A wide variety 
of names is used for these three sets. Sometimes they are 


Production Imports 



Consumption Exports 

Fig. 243. The Flow of Goods. 


called production, consumption, and stocks. Sometimes they 
are known as export, import, and foreign trade balance. 
Sometimes there are several groups of these three linked to- 
gether in a single chain of events. Thus in a single business 
concern, the purchasing agent will keep a record of his orders 
(credits), receipts (debits), and balance on order. He will also 
probably keep a record of his receipts (credits), uses (debits), 
and balance on hand of raw materials. The factory manager 
may keep a record of withdrawals from raw material stock 
(uses) (credits), production (debits), and goods in process 
(balance). He will certainly keep a record of production 
(credits), shipments (debits) and finished stock on hand. If 
goods are stocked in warehouses, the warehouse clerk will 
keep a record of receipts (shipments in) (credits), sales or 
consignments (shipments out) (debits), and stock on hand. 

278 




sOmmary charts 


279 



The accounting department will keep track of sales (credits), 
payments received (debits) and accounts payable (balance 
due). Other steps may be inserted between the above. In 
these chain periods of groups of figures, the outgo (debit) from 
one deposit station will appear as the income (credit) to an- 
other. 

In fact all historical data belongs to one or another of these 
three classes. Population statistics are merely a balance be- 
tween the number of births (income) and the number of 
deaths (outgo) in a community or country. Crop and pro- 
duction statistics generally belong to the income class, the 
figures for consumption and goods in storage or process being 
rarely available. Examples might be multiplied. 

The economists’ distinction between stocks or funds of 
goods and streams or flows of goods goes to the bottom of all 
this. For if you will regard the stocks of goods as a reservoir 
or body in repose, you will see that the income is a flow or 
stream of goods into this reservoir and the outgo is a flow or 



28 o 


CHARTS AND GRAPHS 


stream of goods out of this reservoir. And if you are math- 
ematically inclined, you will notice that whenever any two of 
these three sets of data are given us, we can easily compute the 
third. If we know the January 1st inventory, the production 
during the year, and December 30th inventory, we can easily 
compute the shipments or sales for the year, that is, the 
withdrawal or outgo. 

Now there is a very important distinction between stocks 
and streams (whether income or outgo streams). The former, 
stocks, can only be measured at a point of time, while the 
latter, streams, can only be measured during a period of time, 
between two points of time. In the language of physicists, 
streams of goods have one more dimension than stocks, for 
they have the added dimension of time. And the result of all 
this is that while you can cumulate or total up the stream 
figures, you cannot cumulate or total up the stock figures. 
You cannot cumulate daily the population of a city in order 
to get the population monthly, for population is a stock 
figure, though you could have cumulated the number of births 
daily to get the number of births monthly. You cannot cumu- 
late your monthly balance in order to get at your annual bal- 
ance, but you must cumulate your monthly production in 
order to get at your annual production. The distinction be- 
tween stock figures and income or outgo figures is funda- 
mental. 

The usual method of showing these three sets of figures is 
to use three curves upon a single chart. The use of three 
curves for such dissimilar data is always confusing to the 
reader of the chart, as the thin plotted line of the curve repre- 
sents in one case a static or stationary stock of goods and in 
another a series of separate and distinct additions or sub- 
tractions. If the chart shows monthly data, a recasting of the 
chart on an annual basis would raise the production and con- 
sumption curves to twelve times as high a level on the chart, 
but would leave the stock or balance curve unalFected. 

The author has designed what, for the lack of a better name, 
he is accustomed to call a summary chart to show these three 
sets of figures together upon a single chart. 

This summary chart is a combination of two vertical-bar 
charts, and a curve chart in which the bars show the stream 
figures (income and outgo) and the curve shows the balance 
or stock figures. This distinction makes clear to the most 



SUMMARY CHARTS 


281 


THE ACCmWLATED TRADE BALaBCE OP THE 0. S, 

BBiliuit*d ♦xportB, importa and accuouXated (alnca 1800, trada balftno* 
tint ted States, 1800-1920 

(Hote:* Approximtiens xa paranthaeeB; all data aa of Jan, let) 


9uitulated ® 8 8 

balances 't 

(I- ,000,000) 



0» H «0 

(O lO (O 

C»» »- U> 

w t- 0* 






casual reader that the total income is made up of all the little 
income bars and the total outgo is made up of all the little 
outgo bars while the stock of goods changes according to the 
fluctuations of the curve. In practice it has been found that 
the chart succeeds admirably in showing simply and clearly 
the rather complicated relations of the three sets’ of figures. 
And the chart is more or less unique in its nice use of both 
bars and curves simultaneously. 

A color distinction is made between the income and outgo 
bars, income being black or green and outgo red, or income 
being white and outgo being black. A pale tint, gray or half- 
tone, is given to the entire area between the curve and the 
zero line, except where the bars cross this area. The stock 
curve or balance curve being plotted at the beginning and end 


28a 


CHARTS AND GRAPHS 



I 

o 0-2 


u 

£ 









SUMMARY CHARTS 


283 

of each period of time, since these are the dates of inventories, 
the plotting points for the curve are the ordinates of the various 
points of time. The vertical bars on the other hand are placed 
within the spaces for the periods of time (days, weeks, months 
or years) between the ordinates. Two bars appear in each 
space, the first for income and the second for outgo. These 
bars should not be any wider than is necessary to make them 
quite clear. The remaining space between bars is used for the 
plotting of the curve and for the shading of the area under 
the curve. In its finished form the curve, or stock figure, of 
balance on hand, which might be called a band curve because 
of its shaded area, forms the background of the chart. Against 
this background, the quantity added to the stock each period 
of time, and the quantity subtracted therefrom, that is, the 
bars or stream figures, of income and outgo appear in the fore- 
ground as solid bars. 

The vertical scale for the summary chart (like the horizontal 
scale) should be the same for all three sets of figures. When 
this uniform scale is used it will be easily seen that the changes 
or fluctuations of the stock curve exactly coincide in vertical 
distance with the difference between the lengths of the two 
stream bars. If the income bar is higher than the outgo bar, 
the curve of stock on hand will rise by the difference in height 
or surplus, and vice versa, if the outgo bar is the larger, the 
curve will fall by the difference or deficit. Another advantage 
of the uniform scale is that the height of the stock curve can 
be compared with the height of the various outgo bars to show 
easily the approximate period of time the stock on hand would 
suffice if income were to cease. Where the stock represents 
invested capital, a firm desires to keep this margin of stock on 
hand as low as possible, and the chart shows clearly the size 
of the inventory compared with the periodic requirements. In 
the case of non-perishable goods or semi-perishable goods, 
such as fresh food stuffs, the storage, or amounts withdrawn 
from circulation, vary a great deal seasonally, and warehousing 
conditions must be sufficient to meet the maximum stock 
which will be in storage. 

The summary chart can be made to carry a great deal of 
detail by converting the bars into compound or segmented 
bars, and the curve into a band-chart or segmented curve. 
In this case, care must be used in the shading of the segments 
of the bars, in order that they will not obscure the primary 



284 


CHARTS AND GRAPHS 


distinction between income and outgo bars. It is, however, 
possible to make all the shadings of the black or green income 
bar in various degrees of intensity by various black or green 
cross-hatched patterns, and to accomplish the same for the 
segments or layers of the red outgo bar and the green or black 
balance curve. The segments would indicate the various parts 
of the income, outgo or balance. When much detail is shown 
in this way, it becomes necessary to omit a portion of the data 


PWCE CALL 

offiTOCKS J^ATE 

100 

^0 

60 

4.0 

£0 

0- 



« 


10 

8 

6 

4 





• i 

: f - 


*. AVERAGE PWC 

Scf >T6 

J V* 


AVERA(5E'*^i 

CALLU0AN*»^n-, 

RATE 

A 

\ 



STOCK T 

RANSACTIONS 

II 


HILLIONS 
of shares 
30- 



1 

lilUl 

III II mil 

1 

10 - 



919 

19^0 

19^1 




Fig. 247. A Customary and Sound Combination of Bars and Curves. 

Average price of stocks, average call loan rate, and total transactions in stocks 
each month . — Permission of Mr. Carl Snyder. 


from the chart, or to adopt such wide intervals between ordi- 
nates that the data can be entered horizontally. The latter 
method usually calls for a chart of more than usual size. 

The successful use in this chart of a distinction between 
vertical bars and curves suggests that a general rule could be 
made for all cases of complicated charts, wherever more sim- 
plicity is desired. This rule would be that bars should be 
used for streams of goods, and curves should be used for stock 
figures. The rule would have many exceptions owing to the 
convenience of the curve form in general, but it would appear 
to be a sound principle to follow, wherever the choice is open 
to us and the use of either curves or bars alone is not felt to 
give sufficient clearness. 




Chapter XXV 


SILHOUETTE BAR-CHARTS 


For certain purposes, only a few details of historical data 
are required for each one of a large number of different and 
heterogeneous phenomena. In price movements or stock 
quotations, for example, the practical man is interested 


OASOLIOT! STOCKS 

Relative Figures of Stocks on Han*3 of Gasoline at End of Each Month 
United States 
1920-1921 

(Average month, 1919 « 100) 

(Sotirce:- U. S, Bureau of Mines) 



86 


COCRSE OP PnoCtTCTION SiNCB 1919. 


EELATIVE PRODUCTION (1919-100). 



Maxi- 
mum 
since 
end of 
1919. 

Mini- 
mum 
since 
end of 
1919. 

1920 

aver- 

age. 

1921 

aver- 

age. 

Feb., 

1921. 

Mar., 

1921. 

Feb., 

1922. 

Mar., 

1922. 

Foodstuffs: 









Wheat flour... 

125 

64 

82 

91 

* 64 

82 

! 88 

89 

Beef products 

109 

67 

92 

83 

67 

83 

75 


Porlcproducts 

151 

58 

93 

97 

114 

92 

102 


Lamb and mutton 

110 

58 

80 

94 

89 

102 

1 70 


Sugar (meltings) 

165 

40 

104 

92 

80 

133 

128 

165 

Oleomargarine * 

126 

26' 

103 

60 

70 

73 

1 42 

52‘ 

Cottonseed oil..... 

349 

7 

100 

166 

247 

229 

140 

no 


121 

20 

76 

71 

34 

58 




177 

64 

99 

118 

76 

91 

{ 


Cheese ... 

. 169 

41 

86 

83 

49 

68 



Ice cream 

468 

42 

111 

153 

44 

71 



Clothing: 







Cotton (consumption). . . . 

114 

57 

109 

79 

76 

84 

91 

100 

Wool (consumption) 

126 

42 

83 

95 

64 

83 

111 

124 

_ Sole leather 

95 

63 

82 

79 

63 

72 

78 

78 

Fuels: ^ , 

Anthracite coal 

119 

63 

i 101 

99 

105 

101 

; 92 

119 

Bituminous coal 

137 

74 

121 

89 

81 

79 

107 

131 

Beehive coke 

127 

11 

110 

30 

55 

36 

! 35 

46 

By-product coke 


62 

122 

* 79 

90 

85 

1 86 

102 

Cmcie petroleum 

i49 

104 

117 

124 

112 

130 

130 

149 


141 

98 

123 

130 

118 

127 

121 



110 

71 

99 

1 83 

84 

87 

86 



136 

93 

116 

' 127 

115 

119 

120 



135 

89 

124 

104 

103 

103 

98 


Electric power 

119 

98 

113 

105 

98 

105 

107 

117 

Metals: 









Pig iron 

132 

34 

119 

54 

76 

63 

64 

80 

Steel ingots 1 

140 

34 

121 

59 

74 

66 

74 

100 

Copper 

83 

17 

94 

37 

71 

83 

35 

58 

Zinc 

126 

38j 

105 

47 

46 

41 


69 

Silver 

129 

$0 

100 

95 

116 

129 

82 

89 

Gold 

181 

79 

88 

113 

93 

100 

94 

99 

Tobacco: i 









Cigars* 

128 

75 

112 

96 

84 

95 

76 

90 

Cigarettes* 

116 

64 

84 

96 

93 

101 

71 

92 

Manufactured tobacco * . . . 

119 

50 

94 

91 

86 i 

100 

92 

108 

Lumber. 









Yellow pine.. 

113 

69 

94 

99 

88 

101 

98 

113 

W'estern pine 

121 

20 

121 1 

67 

20 

67 

38 

53 

North Carolma pme 

153 

33 

98 

88 

63 

71 

149 

153 

California white and sugar 






... 1 



pme 

204 

8 

121 

78 

n 

12 

19 

15 

California redwood 

156 

57 

122 i 

109 

92 i 

120 1 

90 

135 

Pouglasfir 

118 

44 

102 

79 

57 i 

68 

108 

107 

Idichigan hardwood 

111 

32 

86 

60 

68 1 

86 1 

49 

49 

Northern hardwoods 

161 

21 

105 

88 

117 

147 i 

72 

118 

Hemlock 

120 

33 

91 

57 

67 

52 

44 

67 

Oak floorm& 

202 

42 

106 

123 j 

55 

84 

171 

202 

Paper: 









Newsprint 

114 

69 

no i 

89 

90 

94 

85 

103 

All other paper 

132 

69 

121 

86 

76 

83 

101 

119 

Mechanical wood pulp — 

143 

55 

109 i 

87 i 

98 

118 

82 

119 

Chemical wood pulp 

138 

64 

117 I 

79 ! 

78 

74 

90 

106 

Corrugated paper board > . 

129 

30 

104 

65 

42 

49 

86 

100 

Sohd hber paper board . 

142 

18 

104 1 

89 ! 

53 ! 

75 i 

100 

lie 

Stone, clay, and sand prod- 



i 






ucts: 









Sihca brick.,.. 

130 

13 

106 

40 

66 

63 

47 

65 

Clay fire brick 

127 

43 

120 

63 

81 1 

83 

68 1 

84 

Face brick 

121. 

34 

100 

100 

34 ! 

41 

51 

93 

Cement 

157 

61 

125 

122 

65 

101 

64 

100 

Class battles ... 

124 

48 

104 

69 

87 

6$ 

81 


BtHLDiNG equipment: 






1=0 I 


Baths, enamel. 

189 

65 

149 1 

120 i 

71 

78 

152 

189 

Lav atories , enamel 

199 

86 

112 

127 

136 

1 129 i 154 i 

199 

Sinks, enamel 

170 

80 

no 

122 

96 

128 

135 

166 

Buildings (contracted for) 

118 

30 

72 i 

70 

36 

58 

j 65 

112 

Transportation vehicles: 







1 


Automobiles, passenger... 

1121 

»ol 

114 

93 




79 

111 


152 

132 

102 

46 



49 

74 

Locomotives. 

135 

13 

89 

50 

79* 

72 

20 

17 

Ships 

79 

(*i 

67 

30 

32 

42 

11 

1 

2 


^ Since July 1, 1921 . 

2 As represented by tax-paid withdrawals. 

3 Eelative to last 6 months of 1919. 

From Monthly Survey of Current Business. 

Fig. 249» The Ees^ntial Data, 



SILHOUETTE BAR^CHARTS 


287 


primarily in the latest quotation, but would also like to know 
whether this last quotation is an increase or a decline from the 
quotations on previous dates, and how it compares with past 
maximum and minimum prices. Here, then, are four points 
of interest to him, the present, the immediate past, and the 
prior record-making peak and valley prices (regardless of the 
dates or time of the latter). And the point is that we want to 
see these facts, not for one only but for a large number of 
commodities. It would be easy enough to present curves for 
the individual commodities, or even to combine a few on one 
curve-chart, but how can we present only the facts wanted, 
for all the commodities, graphically in one simple chart ? 

If you were to stand a historical curve-chart up on edge 
and view it from the side toward which the curve is moving, 
you might succeed in imagining that the curve was really 
snaking its way directly at you. And if it had actual volume, 
instead of being a thin line of ink, you would see most clearly 
its nearest end representing the last value, and behind that a 
short portion of its previous values, and still further back you 
could make out the silhouette of its extreme peak and valley 
points. Eureka! These things are all you wanted to know 
about each individual curve, and seen from the planes in 
which the curves lie, each curve compresses to the width of its 
imaginary columns or vertical bars. This suggests the method of 
graphing to which, for lack of a better one, we give the name of 
silhouetting. The silhouette curve-bar is a recent development 
in graphics and probably has not yet reached its final stage. 

Since the graph is really a projection of a large number of 
curves shooting straight out of the page toward the reader, 
something must obviously be done to lift the nearest ends of 
the curves from their other and earlier positions. The method 
of segmented bars alone gives too much flatness to a picture 
which is really a projection of three dimensions on two — a con- 
densation of a three dimension model into a two dimension 
sheet. For this reason it is obvious that the nearest ends of 
the chart stand out clearly and appear to be wider, precisely 
as if photographed from a real model. The eflFort here being 
to produce the effects of perspective, the portion of each bar 
which represents its latest reading or value should be of full 
width, but the earlier readings, and in particular the past 
peaks and valleys, should be considerably narrower, to give 
the effect of greater distance. 



288 


CHARTS AND GRAPHS 


If the portion of each bar connecting the latest and the 
next previous values be kept of uniform width, it is necessary 
to show whether the change has been one of rise or fall, that 



OASOLISE STOCKS 

Relative Plgurea of Stoclra on Hand of Gasoline 
at End of Each Month 
United States 
1920-1921 

(Average month, 1919 * 100) 

(Source:- U* S. Bureau of Mines) 

Fig. 250. The Same Curve Seen From Its End. 


is, which end of the bar is the latest reading. This can be 
indicated with a small arrow-head in the bar, or by solid 
shading of one color for rises and of a totally different color 
for declines, or by both methods together. Moreover the 
latest reading might be indicated by a star or other symbol 
which the reader can quickly glimpse. On the other hand, if 




COMMODITY STOCKS 

Figures of Stocks of Specified Commodities 
United States 
Miirch, 1922 

(1919 Average month • 100) 

(Source.- Survey of Current Business) 


y.,y 

y 

I 


KEY 

March 1920 


Maximum since 1919 


Minimum since 1919 


Fie. 251. 


“'n u. 
->T r 

A Detailed Form. 


Pebruai*y I9i.. 
March 1921 


290 


CHARTS AND GRAPHS 


we are willing to make the bar of tapering shape, then the 
narrower end could indicate the earlier, and the wider end, 
the later value. 

A more pictorial method may, however, in some cases 
prove to be the more efficient means of flashing the story of 
the chart to the reader. Thus, if a large circle be used for the 
latest value, and a small circle for the next previous, with a 
triangle or star for the highest past peak and an inverted 


KETt 

j" * " ■ • " j Average price in 1921 

Average price In 1920 

I i 

r *1 Average price In other year* 


Majtlnum price (since 1912) and date 
f •** Minimus price (sinoe 1912) and dat* 




KETAll, PRICES 

Relative Figures of Annual Average Prices at Retail of Speclfiaa Coraraoditlet 
United States 
1917-1921 

(1915 average - 100) 

(Source - United States bureau of Labor Statistic#) 


Fig, 252. Data in the Chart. 



SILHOUETTE BAR^CHARTS 


291 


triangle or square for the lowest past valley, it would seem 
that the results would be easily understood at a glance. Each 
of the four values could be strung upon the same central line 
(or ordinate) serving as a connecting thread in the place of 
the bar. The two circles for recent values could be white for 
rising values and black for declining ones. Such a pictorial 
system would make possible the addition of even further 
symbols, such as still smaller circles for the second previous 
reading when this was sufficiently different from the last two 
readings, and smaller triangles for minor peaks and valleys. 
The peak and valley symbols could contain numerals repre- 
senting their years or approximate dates. The enterprising 
reader will find still other embellishments, which, so long as 
they increase the ‘Visibility’^ of the facts or the speed with 
which they are flashed to the accustomed and unaccustomed 
eyes, will be justified. 

The labelling of the various bar-curves in this chart calls 
for great care, particularly when the data is heterogeneous. 
Each compressed curve should be so distinctly and clearly 

NORMAL 
100 PER CENT. 

\ 

j MARCH \QIZ 


V/OOL CONSUMPTION 
WHEAT FLOUR. | 

PETROLEUM 
ANTHRACITE COAL 
CEMENT 
,T1N 

MEAT5UUGHTERED 
LUMBER 
WOOD PULP 
BITUMINOUS COAL ; 

PAPER ! 

TOBACCO 
COTTON CONSUMPTION 1 
STEEL INGOTS^ i 
riG IRON j 

Fig. 253. Simple Silhouette Bars Presented Horizontally. 

Production of basic commodities in March 1922, and the low point in 1921 
compared with normal production. In cases in which March production figures 
are not available, February figures are shown — Ptn mission of Mr. Carl Snyder. 



192 . 1 * 

LOW 


SUGAR meltings 


COMPAMSON OP PRESENT WHOLESALE PRICES WITH 1920 AND PRE-WAR. 


(Relative prices 1913* XOO.) 


index NUMsens 


WHEAT 

CORN 

potatoes 
COTTON 
COTTON SEED 
WOOL 

cattle. BEEP 

HOCS 

LAMBS 

wheat, spring 

WHEAT, WINTER 
CORN, NO 3 
OATS 
BARLEY 
hVE. NO 2 
TOBACCO- BURLEY 
COTTON. MIDDLING 
WOOL. OHIO. UNWASHED 
CATTLE. STEERS 
HOGS. HEAVY 
SHEEP. EWES 
SHEEP. LAMBS 

FLOUR, SPRING 
FLOUR. WINTER 
SUGAR. RAW 
SUGAR. GRANULATED 
COTTONSEED OIL 
BEEF. CARCASS 
BEEF. STEER. ROUNDS 
PORK. LOINS 

COTTON YARN 
COTTON PRINT CLOTH 
COTTON SHEETING 
WORSTED YARN 
WOMEN S DRESS GOODS 
suitings 

SILK. PAW 
HIDES, PACKER'S 
HIDES. CALFSKINS 
leather, sole 
LEATHER. CHROME 
BOOTS AND SHOES 

COAL, BITUMINOUS 
COAL, ANTHRACITE 
COKE 

PETROLEUM 

PIG IRON, FOUNDRY 

PIG IRON. BESSEMER 

STEEL billets 

COPPER 

LEAD 

TIN 

ZINC 

Lumber, pine, southern 

LUMBER. DOUGLAS FIR 
BRICK. COMMON. NEW YORH 
BRICK, COMMON, CHICAGO, 
CEMENT 
STEEL BEAMS 

RUBBER. CRUDE 
SULPHURIC ACID 



From the Survey of Current Business. 

Fig. 254. A Silhouette-Bar Chart Set Horizontally. 


SILHOUETTE BAR^CHARTS 


293 


labelled by its descriptive title at the base of the chart im- 
mediately underneath it, that the reader may have no difficulty 
in finding the graph for any particular item in the series, or 
in finding the title of any particular graph. Because these 
charts generally contain a very long list of items, it is well to 
divide them into smaller groups with slight margins bet’ween 
the groups, and it goes without saying that these groups 
should be as logical and useful to the reader as possible. 

The silhouette curve-bar can be projected on either an 
amount-of-change or a rate-of-change scale. Usually the 
index numbers are used in the place of the absolute numbers, 
so as to make the items and graphs comparable, and usually 
the scales are arithmetical. But index numbers can equally 
well be shown on logarithmic scales and the latter give an 
added refinement to the chart which shows with greater 
accuracy the significance of changes, to those readers who 
understand it. 



Chapter XXVI 


INDEX NUMBERS 

It is one of the most important functions of the statis- 
tician to compare the behavior of different phenomena and 
find out whether there appears to be a relation of cause and 
effect between them. For if such a relation exists, we ordin- 
arily expect to find evidence of it in their fluctuation. If one 
phenomenon is directly or indirectly the cause of the other 
we may expect to find the fluctuations of the first paralleled 
or mirrored in the fluctuations of the second. If both are the 
effect of a third common cause, we may still expect to find a 
marked similarity between their movements. Often there is 
a delay or lag between the time of the movements of one object 
and the reaction upon the movements of the other. Thus it 
has been shown that the fluctuations in the production of pig- 
iron follow closely those in the corn crop after a lag of about 
two years. 

The science of business forecasting is largely built up on 
these comparisons. Thus if pig-iron activity follow the corn 
crop exactly after a two years lag, it is easy to see that with 
a knowledge of corn prices today we would be able to forecast 
the prices of pig-iron two years from today. Some of the 
ablest statisticians in the country are engaged upon research 
in this forecasting problem. Unfortunately the relations are 
not simple and easily established, and the available informa- 
tion is not nearly complete enough at present to make general 
business forecasting very successful. It is, however, sometiriies 
possible for a capable mathematician to construct a very 
accurate forecast for an individual business or industry in 
which the determining factors are more easily ascertained and 
measured. 

When a condition of similar fluctuations ^either parallel or 
mirrored) exists, the word ‘^correlation^' is used for the condi- 
tion by both mathematicians and statisticians. They have a 

194 



INDEX NUMBERS 


295 


complicated, mathematical process or formula for computing 
the degree of this correlation between two or more series of 
figures. The degree or extent of this correlation they indicate 
by a “correlation co-ejfficient.’’ The mathematical work in- 
volved in determining this correlation co-efficient, which 
measures the degree of correlation between two series, is long 
and complicated. There is, however, a very simple method of 
detecting the existence of correlation or similarity of fluctua- 
tion between two series, which consists of plotting the curves 
of the two series and comparing the curves by sight. Do the 
wiggles in one curve parallel or mirror the wiggles in the other? 
If the curve has been properly plotted, correlation provided it 
exists, will be apparent at a glance. By using very trans- 
lucent paper, you can subject the two curves to “light an- 
alysis,’’ that is, you can lay one curve over the other, hold 
the two of them up to the light, and immediately see the 
slightest deviation of one from the other. The method does 
not give the correlation co-efficient, or exact measure of the 
degree of correlation, but it serves to give a sufficient idea of 
the amount of correlation for most purposes. 

The only problem is to plot the two curves correctly. 
Ordinarily, the different series of data have different units 
of measurement. Thus corn is measured in bushels and pig- 
iron in tons, one a measure of volume and the other of weight. 
So far as prices are concerned, they read in common units of 
value, but one may lie much higher up on the scale than the 
other curve, because one may be measured in dollars and the 
other in cents. And as you know, the same fluctuation will 
be greatly magnified in a curve lying higher up on the chart, 
than in one positioned low. The fluctuations might be identical 
and yet when plotted on the same scale of numbers they 
would appear very dissimilar, because of the exaggeration of 
the fluctuations in the curve of iron, lying higher upon the 
chart. 

There is however a very simple method of reducing two 
entirely different series to a common scale with a similar posi- 
tion and range on the chart. The trick is to use “index figures."” 
In a previous chapter, the distinction between absolute and 
relative figures has been pointed out. The bushels of corn are 
absolute figures, but the percentages which these figures are 
of figures at a certain point of time are relative figures, also 
called index figures, index numbers and indices. When using 



296 


CHARTS AND GRAPHS 


indices for a historical series, it is necessary always to state 
what year or time is considered as the basis for the percentages, 
that is, which year or time is taken as one hundred per cent. 
The hundred-per-cent year is called the base-year or ^Tase” 
and the price or value at this time is called the ‘Tase figure’’ 
for the relative series or index figures. 

The first step in reducing a series of data to index figures, 
therefore, is to select the base. Obviously a great deal de- 
pends upon the base you choose. If you select the highest 


P£f? CENT 



Fig. 255. 

Sales of 57 department stores in the Second Federal Reserve District and 8 
leading chain stores doing a country-wide business (average monthly sales in 
1919 — 100%). Permission of Mr, Carl Snyder. 

figure in the series the rest of the series will lie below the 100% 
line on the chart; if you select the lowest figure in the series, 
the entire curve will lie above the' 100% line. The common 
practice is to use an average of a number of figures during 
times which were considered normal. Thus in its ^^price rela- 
tives/’ or index figure of prices, the Bureau of Labor Statistics 
has adopted the average price for the year 1913 as the base 
in all its price-series on the general theory that this was the 
last normal pre-war period of time. Others have adopted 
other periods of time as the bases for their series. In special 
cases you may have to adopt a special year regardless of its nor- 






CHARTS AND GRAPHS 


•298 

malcy. In comparing the index figures from different sources, 
you must convert both series to a common base year. A rela- 
tive series can be changed from one base to another in the 
same way that it was constructed from the absolute series, 
that is, by dividing the series through by the value for the new 
base period. 

m&WCncM dP liAlTOFACttJRKD GOODS 

Hiyaioal Voltaad of Produo-^ion and Growth of Population 
United States, 1899-1919. CSourco;- from Mr. E. E. Day) 



^0!^C>O)<T>C>OiOO>OO>O>C>O>Q>€^O)iOO1k<|9k4Pli 


Fig. 257, Obviously, only Index Numbers are Possible. 

Many books have been written on the subject of index 
numbers .1 There is nothing difficult about the task of con- 
structing relative figures for a single series of data. As already 
stated, you first select a base for the series and then divide 

^ The literature on this subject is considerable. In particular, the student should 
refer to the works of Wesley C. Mitchell; also to Irving Fisher, ‘'Best Form of Index 
Numbers/’ American Statistical Association Quarterly, March, 1921, p. 533. 



JNDKY NUMBERS 


299 


all the other figures of the series through by this base figure, 
turning them into percentages of the base, that is, into a rela- 
tive series. To compare two series on a chart, you merely 
turn them both into relatives to the same base, then plot the 
curves of the two series and compare their fluctuations. The 
difficulty comes when you want to make a common index series 
for two relative series. Thus, if you have the price-series of 
various grades of steel, how will you make a single index series 
of figures for steel of all grades, that is, how will you combine 
these various relative series into one single index series. For 
if you are going to compare steel and wheat prices, it is obvi- 
ously not an easy matter to have to compare a thousand dif- 
ferent grades or kinds of steel with as many different grades of 
wheat. It is much easier if you have a single index figure for 
the price changes of all steel, and another for the price changes 
of all wheat. The problem of finding a series of figures which 


PERCENT 



Fig. 258. Various Indices of the Same Phenomenon Produced by 
Different Methods of Weighting. 

Index of the prices of 20 basic commodities compared with the Department of 
Labor Index (325 commodities ). — Permission of Mr, Carl Snyder. 




300 


CHARTS AND GRAPHS 


will serve as index numbers for several relative series is not an 
easy one. 

Briefly, an index for a number of relative figures must be 
some sort of an average of those figures. But there are several 
kinds of averages, each with its own particular merits and pur- 
poses. For simplicity, let us suppose that we have only two 
original series, the price of a loaf of bread in the city of Osh- 
kosh, arid the price of a loaf of bread in Kalamazoo, and wish 
to find a single index for the price of a loaf of bread throughout 
the county containing these two towns (assuming that they 
together comprise the total population of one county). If 


PRICES OP OIL STOCK AND< PETROLEUM 

Rdlative prices of 20 oil iharee, petroleum producti, 
and crude petrolexna* 

( 100 ?{ • . 1919 ) 

(Sourcet- Po^ue, Bconomica of Petroletm) 


Crude 

Petroleum 


pro3uot« 


8 S S S 

f-% #-« 



Fig. 259. 



INDEX NUMBERS 


301 


Kalamazoo bread sells at 10c a loaf and Oshkosh bread at 15c, 
the average price would appear to be 12^c. This is the simple 
arithmetic mean . of 10 and ISc. If we are using a geometric 
mean as an average, the average would be around 12c, and if 
we are using a harmonic mean as the average, the average 
would be around 13c. For most purposes, however, the arith- 
metic mean, that is, the common or garden variety of average 
will do. 

But let us suppose that Kalamazoo has a population of 900 
persons and Oshkosh only 100 persons. Hence, for every loaf 
eaten in Oshkosh there will be nine loaves eaten in Kalamazoo 
and the true average price of every ten loaves will be about 
\Oy 2 C. A little study will show that the average loaf is nine 
times a Kalamazoo 10c loaf for every single time it is an 
Oshkosh 15c loaf. In other words, we must “weight” the fig- 
ures befoi'e averaging them. Now this weighting is sometimes 
a very difficult problem. How would you combine changes in 
the cost of butter and changes in the cost of other foodstuffs 


UDES ilBUS 

«f limrlj itmimu i)i CItII imd Wetld t«r« 
United 1«60*7» «ad 191S-4I 

(Souroe:- Monthly lAbor Effiifc) 



Fig. 260 , 




CHARTS AHD GRAPHS 


302 

to get a common index, an average change in the cost of all 
foodstuffs, which could be used as a cost-of-living index figure. 





fAcis, i^icie affUiKa.® 


INBEX number:^ 




304 


CHARTS AND GRAPHS 


In this writing, nothing more can be done than to indicate the 
problem. It has not yet been finally answered. 

As to the plotting and other details of chart-making for 
index numbers, the rules laid down for historical charts in gen- 
eral apply. The use of index numbers, however, generally 
brings all data to a common scale and range of variation so 
that a uniform charting field should be used for these charts, 
when you are preparing a series of them. The uniformity is of 



Fig, 263 . Correlation Shown by Mirroring. 

The chart shows Foreign Exchanges on New York below the heavy line (m terms 
of depreciation from parity), and commodity prices above the heavy line. — 
Permission of Mr. Carl Snyder, 



INDEX NUMBERS 


305 


value for making comparisons. It is well to place the data of 
the original or absolute series beside the data of index or rela- 
tive figures in the data attached to the chart, whenever the 
relative has been computed directly from absolute data. Of 
course this is not desirable where the indices have been com- 
piled from a large number of original series. 


PRICES 

PERCENT. 


LTABILITY 
fMOUSAND^ 
OF DOLLARS 



Fig. 264. A Slightly Lagged Correlation. 

Average liability of failures in the United States each year compared with changes 
in wholesale commodity prices. (Department of Labor index .) — Permission of 
Mr. Carl Snyder. 


Relative figures and index figures^ can be frequently used 
for all sorts of data other than historical data, but the principles 
and applications are the same and the greatest use occurs for 
relatives and indices in historical series. They afford a simple 

®The distinction between relative figures and index numbers is really very clear 
and should be adhered to. Relative numbers are directly related to absolute data; 
the absolute data is that original series of actual figures which has an individual as 
well as a collective meaning. Thus, price-quotations are absolute figures. From these 
absolute figures we derive relative figures by the process of division, using a constant 
divisor which we call the “base-figure."’ But the relative figures, so derived, have no 
individual significance; they take on a meaning only collectively, as a series, each being 
a ratio between two absolute figures. Relative figures are but one step removed from 
absolute figures. 

Very different from these, are index numbers. These have no corresponding 
absolute data; they are merely indicators of some theoretical and wholly imaginary 
idea, such as the combined movement of many individual things. They are usually 
derived from relative figures, as explained in the text, either by simple or by weighttsd 
averaging. 



3o6 


CHARTS AND GRAPHS 


and sound means of comparing any series, bringing widely dif- 
ferent series, or even series measured in different units, together 
into easily compared curves. They are at bottom no more 



Fis:* 265* 

Wholesale commodity prices in four countries (average prices in 1913 = 100%). 
— Permission of Mr. Carl Snyder. 


than percentages, though different from the percentages used 
in 100% bars and band-charts, in that the value of 100% is 
no longer a total, but merely one of the values in the series. 
That the comparison of curves is largely incidental to the 
search for correlation between the phenomena which the 
curves represent, and that correlation studies are in historical 
series very often directed to the practical end of forecasting or 
predicting future conditions, are details which in no way limit 
the general usefulness of indices. You may be seeking light on 
the probable level of prices in your business in the future; this 
calls for forecasting and therefore for a knowledge of attendant 
and preceding developments. But you may also be only in- 
terested in the relation between changes in your advertising 





INDEX NUMBERS 307 

appropriation and in your gross sales; in this case^ too, you 
can well use index numbers or relatives.^ 

^ A very different type of relative figure is the ‘‘chain-percentage” or “link-relative.” 
Being anti-logarithm of the logarithmic differential (or successive differences) of a 
series, it has very little value and is rather over-estimated. It is secured by taking 
each item as a percentage of the preceding item in a series (sometimes after subtracting 
100), and has, therefore, no constant base. It is discussed in later chapters. 




Chapter XXVII 


FREQUENCY SERIES 

We have now to consider the curves for data of a non- 
historical nature, that is, data in which time is not the inde- 
pendent variable. This is often data of conditions at a single 
moment of time — a cross-section, as it is sometimes called, of 
the phenomenon. At other times it is a compilation or recap- 
itulation of phenomena (events or conditions) through a period 
of time — still, if you please, a cross-section. The analysis of 
such data proceeds through a series of changing conditions, and 
the conditions can sometimes be so coherently arranged as to 
form a variable. When this is the case, the data can generally 
be profitably shown and studied by means of a curve-chart. 
Curves of this nature are called ‘‘frequency curves,” a name 
which is derived from their chief purpose, which is the display 
of the frequency with which the phenomena occur under 
given conditions. They are also sometimes called “picto- 
grams,” but the latter name has fortunately not found general 
acceptance. 

A few examples of this type of data will serve to make the 
class clear. The manager of a chain of retail stores, and to a 

CITY FINANCES 

Percaplta Revenue Receiuts and Cost Paymenta 
United States 
Year Ended June 30, 191R 
(Source:- Tlnited States Census) 


Population 
of Cities 
(1917) 

Psroapita 

Revenue 

(Dollars) 

Percapita 

Expense 

(Dollars) 

30^000 - 60,000 

27.14 

26.23 

50,000 - 100,000 

26.23 

27.29 

100,000 - 300,000 

29.18 

32.10 

300,000 - 500,000 

39.53 

40.18 

000,000 and Over 

41.87 

40.78 

Fig. 266. 



308 




FREQUENCY SERIES 


309 

lesser extent any distributor over a large territory, will be 
benefited by a report showing the per capita sales in cities of 
different sizes, as such statistics will show him the comparative 
value of large and small town outlets for his goods. Here the 
classification would be according to the population of towns, 
and for certain purposes a simple analysis would show the 
average per capita sales in towns of each size. Again a manu- 
facturer is putting up his products in many different sizes and 

(48 - can) 

SI 25 CASES 

1/2 pound cans 1*200,034 

1 pound cans 13,901,692 

1-1/2 pound cans 1,529 

2 pound cans 3,00$ 

PRODUCTION OP RED SALMON 
Output of Canned Red or Sockeye Salmon. 

Alaska Fisheries 
7-year Total, 1913-1919 

(Soxttce:* "United States Bureau of Fisheries") 

Fig* 267.1 

cases, and an analysis of sales according to size might take 
the form of a table showing sales of each size which again 
might be charted in a frequency curve when the sizes form a 
connected mathematical series. And to take one more example, 
the manufacturer of building materials might find advan- 

RENTS IN DENMARK 

Average Yearly Rentals of Famxly Dwellings 
banish Cities 
1918 and 1919 

(1 Crown at par * 26,8 cents) 

(Source*- Monthly Labor Review) 

Capital Provinces 

1918 1919 1913 1919 

— Crowns — ) 

1 room and kitchen 138 148 85 99 

2 rooms and kitchen 290 304 179 198 

3 rooms and kitchen 413 434 271 301 

4 rooms and kitchen 544 566 379 420 

5 rooms and kitchen 780 828 602 557 

6 rooms and kitchen 1065 1117 632 706 

7 rooms and kitchen 1369 1464 706 851 

2103 2328 1033 1151 

Fig, 268. 


6 rooms and more 



310 CHrlRTS AND GRAPHS 

tageous a curve showing the number of one-story, two-story 
and higher buildings in his territory. 

Both the historical and the frequency series are numerical 
distributions, that is, their independent variables are mathe- 
matical series or progressions. When the independent variable 
marks specific points or periods of time we call the numerical 
distribution a historical series. In all other cases we call it 
a frequency series. Nor is it possible to apply this distinction 
always, for there is a large class of numerical distributions in 
which time is counted — not from a single common origin-point 
of time but from various and usually unrecorded and unim- 

EPFECTS OP DIPHTHERIA ANTITOXIN 
Chances of Recorery due to Use of Antitoxin 
On Various Days after Diphtheria is Discovered 


(Sourod:- Kolle and H«tach) 

Day of Disease 
on »hlch 
Antitoxin 
is firet 
Adainiatered 

Percentage 
of Cases in 
which 
Recovery 
is M&do 

1 

lOO 

Z 

96 

a 

86 

4 

77 

a 

61 

« 

46 


Fig. 269. 

portant reference-points, and these also are to be classed as 
frequency series. Counts or classifications (i.e. distributions) 
of the population by age in years, or of mortality-rates, 
marriages, weights, heights, illiteracy, or the like, by ages; 
of orders or shipments by length of time taken to complete, 
or the like, are examples of frequency series which have as 
their basis, time. 

In the consideration of frequency series, we may regress a 
moment to the general subject of statistical tabulation. For 
it is in frequency series that the greatest measure of statistical 
treatment is called for, not alone in the handling of the com- 
pleted series, but in the preliminary work of compiling the 
series. And in actual practise the student will encounter a 
baffling heterogeneity of frequency distributions, presented by 
their compilers in various shapes and statistical fashions and 
often, unfortunately, in what he will come to recognize as 



FIBE LOSSES IN THE OHITED STATES ^ 

Slatiotici of Loeees of Property due to Fire in Larcer Cities U 

1919 

(Sources- N&tiorval Board of Fire Underwriters) 


Humber Property Lose 


state 

City 

population 

Fires 

Total 

Peroaplta 

Ala 

Bimunghaa 

225,000 

2,886 

691,207 

2.63 

cal 

Los Angeles 

700,000 

3,100 

1,398,206 

1«98 


Oakland 

226,000 

1,603 

136,746 

.61 


San FranOlsoo 

626,000 

3,351 



Col 

Denver 

290,000 

1,638 

374,214 

1.29 

Conn 

Bridgeport 

200,000 

762 

118,499 

.59 


Hartford 

140,000 

661 

215,695 

1.64 


New Haven 

175,000 

874 

286,717 

1.62 


Waterbury 

100,000 

459 

133,995 

1.34 

B . ff . 

Washington 

400,000 

1,662 

683,171 

1.46 

Fla 

Jacksonville 

110,000 

423 

250,298 

2.28 

Ga 

Atlanta 

230,000 

762 

665,336 

2.68 

111 

Chicago 

2,816,000 

17,208 

7,331,023 

2^60 

Ind 

Indianapolia 

300,000 

2,969 

1,068,937 

3.56 

la 

Des Koinea 

108,000 

925 

285,338 

2.64 

Kan 

Kansas City 

100,000 

984 

156,766 

1.66 

Ky 

Louisville 

265,000 

919 

662,204 

2.08 

La 

New Orleans 

380,000 

882 

548,248 

1.44 

Ud 

Baltimore 

760,000 

3,244 

3,206,602 

4.27 

Haas 

Boston 

808,310 

4,934 

2,677,584 

3.19 


Cambridge 

112,000 

684 

418,363 

3.73 


Fall River 

130,00 b 

414 

210,631 

1.62 


Lawrence 

106,000 

622 

78,120 

.74 


Lowell 

118,000 

943 

232 , 103 

1.96 


Lynn 

104,000 

631 

96,099 

.91 


Hew Bedford 

120,000 

643 

249,917 

2.08 


Springfield 

130,000 

812 

367,947 

2.76 


Worcester 

190,000 

1,345 

246,839 

1.30 

Uioh 

Detroit 

900,000 

4,190 

4,026,279 

4.47 


Grand Rapids 

145,000 

1,093 

767,604 

6.22 

Uinn 

Duluth 

100,000 

415 

169,807 

1.69 


Minneapolis 

400,000 

2,279 

924,733 

2.31 


St. Paul 

276,000 

1,299 

633,140 

2.30 

lie 

Kansas City 

320,000 

3,297 

1,027,052 

3.21 


St. Louis 

900,000 

4,088 

1,616,254 

1.80 

Neb 

Omaha 

205,000 

1,233 

293,446 

1.43 

N,J. 

Camden 

110,000 

436 

76,933 

.70 


Elitabeth 

110,000 

410 

99,013 

.98 


Jersey City 

300,000 

1,169 

413,563 

1.38 


Newark 

450,000 

1,645 

896,881 

1.99 


Patterson 

130,000 

473 

393,197 

3.02 


Trenton 

108,000 

403 

287,079 

2.66 

N.Y. 

New York City 

j , 006, 794 

13,429 

12,488,258 

2.08 


Rochester 

300,000 

913 

390,375 

1,30 


Schenectady 

108,000 

316 

69,596 

.66 


Syracuse 

160,000 

567 

263,527 

1.68 


Yonkere 

106,000 

482 

168,779 

1.69 

Ohio 

Akron 

175,000 

835 

389,819 

2.23 


Cincinnati 

418,022 

1,468 

612,742 

1.47 


Cleveland 

750,000 

3,906 

1,793,044 

2.39 


Columbus 

240,000 

823 

249,375 

1.04 


Dayton 

153,930 

1,081 

300,361 

1.95 


Toledo 

220,000 

1,066 

1,500,075 

6.82 


Youngstown 

130,000 

745 

199,618 

1.53 

Okla 

Olkahoma City 

110,000 

510 

402,080 

3.65 

Ore 

Portland 

326,000 

944 

562,831 

1.70 

Pa 

Erie 

112,000 

425 

100,267 

.89 


Philadelphia 

1,850,000 

4,204 

4,886,485 

2.64 


Pittsburgh 

600,000 

2,580 

1,707,007 

2.84 


Reading 

110,000 

141 

138,218 

1.26 


Scranton 

150,000 

405 

502,811 

3,35 

P.I. 

Providence 

260,000 

1,766 

627,611 

2.41 

Tenn 

Memphis 

166,000 

1,738 

660,993 

3.92 


Nashville 

160,000 

667 

406,751 

2.71 

5ox 

Dallas 

140,000 

893 

253,436 

1.81 


Fort Worth 

110,000 

637 

226,938 

2.06 


Houston 

160,000 

1,003 

1,010,062 

6.73 


San Antonio 

160,000 

401 

203,996 

1.36 

Utah 

Salt Lake City 

130,000 

672 

347,066 

2.67 

Vm 

Norfolk 

160,000 

773 

4,084,267 

27.23 


Richmond 

170,000 

741 

134,426 

.79 

Vaih 

Seattle 

380,000 

2,358 

762,757 

2.01 


Spokane 

167,625 

729 

334,617 

2.13 


Tacoma 

123,000 

794 

163,863 

1.33 

IILtO 

Milwaukee 

610,000 

2,?28 

S 17,336 

1.70 


Figr. 270, The Raw Material for a Frequency Series, 



312 


CHARTS AND GRAPHS 


various stages of compilation. While we cannot attempt to 
cover the subject as thoroughly as it is treated in the statistical 
text-books, yet we may well give it a brief survey, in order 
that the chart-maker may be enabled the better to construct 
his frequency curve. 

The first stage in the preparation of a frequency curve is 
the simple listing or list of observations. This list is not in 
any sense a frequency series; it is merely the crude form, the 
raw material, from which the frequency series will be made. 
The stubs of the list are names, or numbers, which can be 


Check 

Auerat^e 

number 

daily 

of man 

output 

4003 

381 

4182 

380 

4206 

370 

4215 

392 

4220 

400 

4221 

414 

4223 

894 

4200 

413 

4232 

416 

4238 

807 

4276 

892 

4282 

374 

4287 

347 

4289 

406 

4842 

377 

4860 

428 

4864 

890 

4856 

898 

4361 

402 

4370 

387 

4373 

382 

4892 

411 

4395 

408 

4818 

410 

4402 

391 

4419 

407 

4426 

425. 

4462 

399 

4465 

401 


OUTPUT OP 10RKH.RS 
(Hon-«tereotyp 0 d 
opdration) 

(Source:- Report 
of P* S* Florenco) 

Fig. 271, Another Crude List. 

called items, and the list itself is composed of numerical values 
or other observations which have been noted for these items, 



FREQUENCY SERIES 3 1 3 

It is possible for both stubs and observations to take the form 
of numbers, but still the list does not form a series. Also it 
is possible for both stubs and observations to be abstract, 
that is, not numerical. Usually the stubs are not numerical, 
while the observations are. The length of the list, that is, the 
number of items in it, indicates the total ‘^population’^ or 
‘"universe’" of the distribution or series which will be formed. 
A universe of much less than a hundred items is not likely to 
prove a very reliable “sampling;” as a rule the sampling should 
be considerably larger and detailed reliability can generally 
be had only in samplings which contain thousands of observa- 
tions. The trustworthiness of a sampling also depends, of 
course, on the size of the external or unobserved universe, as 
well as upon bias and error in the selection of observed items 
or making of observations. 

The second stage, that is, the first step in the conversion 
of this list into a series, is the rearrangement of the list in the 
order of magnitude of observations. This is done to facilitate 


Bridgeport 

tO.69 

Fall River 

1.62 

Naahville 

2.71 

Ooldond 

.ei 

Oultttb 

1. 69 

Springfield, Me 

.2. 75 

Soheaeotidf * 

.66 

Portland, Ore. 

1,70 

Pittsburg 

2.84 

Ceadera 

.70 

Vilwaukee 

1.70 

Atlanta 

2.85 

Lavronoo 

.74 

St. Louis 

1.80 

Fatteraoa 

8.02 

Rlobnoad 

.79 

Dalles 

1.61 

Boston 

3.19 

Brie 

.89 

Day too 

1.95 

Kansas City,llo< 

.8.21 

Lpna 

*91 

Losell 

1.96 

SorantOB 

3.36 

Blisabetb 

.98 

Los Angelas 

1.98 

Indianapolis 

3.56 

ColttBbue 

1.04 

Hssark 

1.99 

OklahoBS City 

3.65 

Readiag 

1.26 

Seattle 

2.01 

Caabridge 

3.73 

Dearer 

1.29 

fort forth 

2.06 

Uenphla 

3.92 

•eroeeter 

1.30 

Loulsvills 

2.08 

Baltinore 

4.27 

Roobeetar 

1.80 

Rev Bedford 

2.08 

Detroit 

4.47 

laeoao 

1.23 

Rev York City 2.08 

Grand Rapids 

5.22 

Vaterbury 

1,34 

Spokane 

2. 13 

Houston 

6.73 

Saa baton lo 

1.36 

Akron 

2.23 

Toledo 

6.82 

Jereey Cit| 

1.38 

Jeokaonrllle 

2. 28 

Horfolk 

27.23 

Oaaba 

1.43 

St. Fata 

2.30 



Rea Orlaaae 

1.44 

liiaaeaporlla 

2.31 



Vaablagton 

1.46 

Clorelan^ 

2.89 



ClaolnBatt 

1.47 

Frovldenoa 

2.41 



Me* Haven 

1*52 

Chloago 

2.60 



Yottagatowo 

1.53 

Blrniogban 

2.63 



Hartlord 

1.54 

Dea Moines 

2,64 



Kansaa City 

1.55 

Fblledolpbia 

2.64 



Syraouio 

1.58 

treaton 

2*66 



yonke re 

1.59 

Salt Laka City 2. 67 




PSRCAfltA riR'S LOSSES 
lit 74 Iftrg* Aaorioas oLtl«» 

1919 

Fig. 272. The First Step is Arrangement by Magnitude. 

a count, which will shortly take place, or to enable us to sum 
up two or more sets of observations about the same items in 
the list. Notice that we now arrange by the observations and 
not by the stubs or items. Already the emphasis has shifted 



CHARTS AND GRAPHS 


3H 


to what in a broad sense might be called in this crude list a 
dependent variable. The reason is that we are about to forget 
the stubs altogether and make the observations (which occupy 
the place of a dependent variable) the independent variable of 
our series. In other words we are about to distribute the data 
according to the numerical size of its parts. 

The third stage, and the step which finally yields us a 
frequency series, is to gather the observations into groups, or 


1 10, 000 
e,ooo 

«,250 (2) 

«.000 ( 8 ) 

5.760 (3) 
5,500 (32) 

6.860 ill ) 

6,000 ( 82 ) 

4.860 (8) 

4,800 ( a ) 

4.760 (12) 

4,600 (2) 

4.600 ( S 6) 

4,400 (16) 
4,260 (1«) 

4.800 (8) 
4,160 (16) 
4,000 (207) 
8, S 87 

8.600 (2) 

8,860 (2) 

8.800 (7) 
8,781 (2) 
8,780 ( 49 ) 
8,700 (8) 
8,660 (2) 

8,400 (108) 

8,800 (1 X 7) 

8,460 (11) 
8.487 (2) 


8.400 (5) 

8,860 (3) 
8,300 (69) 
8,260 (64) 
3,200 (36) 
8,160 (6) 
8,100 ( 27) 
8,060 
8,050 

8,000 (819) 
8,900 (16) 
8,870 (8) 

8,860 (10) 
8,620 (2) 

2,800 (74) 
2,780 (68) 
2,700 (120) 
8,690 (4) 
8,660 (20) 
8,640 (8) 

8,600 (101) 
8,670 
8,620 

3,600 (197) 

8.460 (2) 

2.460 
2,420 (2) 

2.400 (91) 

8,860 
8,840 (8) 


2.820 
8«800 (39) 
2,276 (8) 
8,270 ( S ) 
2,250 (22) 
2,220 
2,200 (87) 
2,100 (52) 

2.000 (91) 
1,900 (9) 

1.600 (46) 
1,760 (10) 
1,700 (16) 
1,660 (8) 
1,600 (8) 

1.600 (10) 
1,467 
1.400 
1,860 (4) 

1.000 ( 2 ) 
600 
800 


CQLISQS 2B0TBS80R3< SlLARlIS 
Sklftrle* p»id to full protesoors la tho 
oolleges fta4 aalTsrsitlos (pakllo tactl* 
iutlnns onlp), Oaltod States, 1020. 

(Souro«:« O.S.Bareaa of Idaoatloa.) 

(Total ottober • 8,460) 

Fig. 273. A Common Tendency to Bunch Up. 

classes, and record the count of the number of observations in 
each class. Now the observations have become the stubs and 
are the independent variable, while a new dependent variable 
has been created by the counts of the observations of each 
magnitude (that is, the number of observations occurring in 
each class). Here we have clearly an arbitrary choice of the 
independent variable. Had we recorded a different feature of 
the same original items in our crude list, we should have had 
a diflFerent independent variable for our final frequency dis- 
tribution. Had we recorded two sets of observations for each 
item we should have had to make our choice between two 



FREQUENCY SERIES 


315 



1920 

(Souro* - Onltad Ststas Bureau of Edusatlon) 

(Total tiuaber s 2,460) 

CHotat* Beale ihovi amount of ealarj in dollare, linae aho« numbor of profaeaore raoaiTln|[ eeae.) 


Fig:* 274. Piling Up on the Round Numbers. 


possible independent variables for the same series. When 
these alternative possibilities are presented, a wide variety of 
resulting series may be formed. The final dependent variable 
may be a count (which forms the frequency series in the strict 
sense) or may take the form of rates, ratios, percentages, or 
averages (which are only in a general sense called frequency 
series). It is not our purpose here to make an exhaustive 
study of these possible varieties and combinations; we present 
the reader only with a brief explanation of the simple frequency 
series (strictly so-called) in which the dependent variable is a 
count of the number of items falling within the class or group 
limits. 

It may seem at first tnought a very simple proceeding to 
gather the items into classes or groups, as above described, but 
the fact is that at this point much statistical skill is called for.i 
For the size of the groups will determine their number, and foi 
the best results graphically, there should be from fifteen to 
twenty groups. But we must not only strive for a sufficient 
number of groups, but we must also consider the precise loca- 
tion of their limits. The limits of the groups affect both their 
uniformity of size and their internal distributions. The last 
consideration is fully treated in the statistical authorities; in 
general, the best location of the limits from this point of view 
is one which places the largest number of the observations 

^ Cf. Yule, G. Udney, An Introduction to the Theory of Statistics^ pp. 79-83; King, 
Willford I., Elements of Statistical Method, pp. lOS-106; also Bowley, A. L., Elements 
vf Statistics, and Secrist, Horace, An Introduction to Statistical Methods, 


CHARTS AND GRAPHS 



COUKS FaCPESSORS' SAURISS 

tal«rt«4 of full Profenaora In Colleses <103 Gni.T#fiUUi 
(In public Inaillutlono) 

Onlted State » 

1920 

j^Soyroat* t>. S» Bureau of Bducatlon) 


(total nuabor of profotaoro, t.dSO. Arorago salary — arithm moan -• I S,126) 



Fig* 275a Comparison of Fourteen Series Derived from the Same Data 
by the Use of Different Group Limits and Group Sizes. 


which belong to the group in or near the center of the group .2 
Thus if we are counting men of various heights, and notice a 

^This makes each group include all observations of doubtful accuracy, such as 
the observations at and immediately about the round numbers. 



FREQUENCY SERIES 


317 


COLLEGE PRoFESbCfiS SALi^IES 

Salaries of Full Profet-rcirs in Collfges nr.d CTniTersitife* 

(In Public Institutions) 

United States 
1920 

(Source.- United States Turesu of Education; — 

(iTote-- All date is for ISOO-groups - Senes C from f4Sl - 760, 751 - 1,050, «lC»J 
Series h from $251 - 550, 561 - 850, etc.; - Senes J from $351 - 650, 651 • S50, etc*: 
the total of each series being the same, 2,460.) 


Runber 

’ Salary 


u> « «i 


8|ggg§8888gSSg8§§S|8 

*ft OK><00>cvtii><0>-«'4*r-Oe>«0 Cheu 


Series 

E 


Number 


Salary 




10 10 10 


O C4 O to 


eidH U> 10 Id <0 
4ltOQD<v>«O«C0ff 



tendency of the records to bunch up heavily at the round num- 
bers (which is only natural in such measurements) we should 
do well to make our groups run from half inch to half inch, 
so that each full inch will be in the center of its group. 

Strictly speaking, the ordered list may be considered a fre- 
quency series with such minute groups that there is but one 
stub-value (however frequent it be) in each group; that is, that 



CHARTS AND GRAPHS 


318 

each group contains but one value of the independent variable. 
The series is generally unsatisfactory, however, because of its 
unwieldy length and its many omitted groups or classes (that 
is, classes with zero frequencies). We are therefore called upon 
to make larger groups that they may be fewer in number. 
As we increase the size and reduce the number of these groups, 
we find the curve becoming more smooth in outline, the zero- 
frequency groups disappearing. When carried out in detail, 
the process is very like the moving-total operation which we 
have seen performed on historical series, the same smoothing 
out of insignificant wrinkles being the result. However, unlike 
the historical series, there is no natural cyclic period to guide 
us in determining the lengths of final intervals. Hence when 
we have found the smoothest intervals, we shall take out only 
the totals (not the moving totals) for publication. If the' 
results are to be published to the layman it is well to adopt 
round number intervals or class-limits, for his convenience, 
however much the data may tend to ^Tunch up,’^ as previously 
mentioned upon the round numbers. When the series is to be 
presented ,to statisticians or used in research work, and such 
‘Punching up” is noticeable, care must be taken to select inter- 
vals or class-limits which will, so far as possible, place the 
round numbers near the center of each class, and the class- 
limits will therefore be fractions rather than round numbers. 

Care must also be taken that the limits of the groups be 
explicitly stated so that no confusion will result in the mind of 
the reader. Thus it would be wrong to write *T00-200, 200- 
500, 500-1000,” etc., in a table of the sizes of cities by popula- 
tion. Such a series should be ^TOO-199, 200-499, 500-999,” 
or ^TOl-200, 201-500, 501-999,” etc., as the case may be. 
When fractions are present, as, for example, in a similar series 
of the sizes of farms by acres, the best statement is ‘TOO and 
less than 200, 200 and less than 500, 500 and less than 1000,” 
etc.; but sometimes a shorter form, such as ‘TOO-199, 200-499, 
500-999,” etc., will not be misunderstood. Whenever space 
allows and there is any doubt as to either limits or the mid- 
points of the range, two stub columns should be used, the 
first to give approximate values of mid-points of each group 
and the second to give intervals or group limits. 

To the feature of uniformity of size of groups or classes, 
much importance is commonly attached by statisticians, for 
the convenience which will result in plotting and other analy- 



FREQUENCY SERIES 


3^9 

sis. Obviously when a portion of the series contains groups of 
half-inch size or range and other portions contain groups of 
whole inch size or range, the two kinds of groups are not di- 

FERCAFITA FIBS lASSES 
io 74 Iftrgd ABerloea citios 
1919 


Tfire&pltHi Nuaher 
Fire of 

Lo»« cUiOt 


nna«f $.60 


10.5i-0.75 

6 

0.76-1*00 

4 

i.oi-i.ao 

1 

1.26-1*50 

1£ 

1.51-1.76 

10 

1.76-2.00 

6 

2.01-2.25 

7 

2.26-2. 60 

5 

2.61-2. 76 

& 

2.76-3.00 

a 

3.01-3,26 

3 

8. 26-3,60 

1 

3.61-3.76 

3 

3.76-4.00 

1 

4*01-4.25 

• 

4.26*4.60 

a 

4,51-4.76 

• 

4.76-6.00 

* 

5.01-6.35 

1 

6.3626.60 

* 

6.61-6*76 

* 

8.76-6.00 

* 

6.01-6.35 

• 

6.36-6*50 

• 

6.61-6.76. 

1 

6.76-7.00 

1 

Over 7.00 

1 

The Frequency Series. 


rectly commensurable and comparable. It is therefore always 
a relief to discover that the compiler of a frequency series has 
been able to adopt groups or classes with regular intervals 
between their limits. The fact remains, however, that with a 
very large proportion of business and sociological data the uni- 
form group distribution is neither convenient nor satisfactory. 
There are cases in which the entire range, as it is called, of the 
distribution or series, is very great, and the great mass of 
observations occur near one end.® To show the nature of the 

3 “The general rule that intervals should be equal must not be held to bar the 
analysis by smaller equal intervals of some portion of the range over which the fre- 
quency curve varies very rapidly.” — Y ule, G. Udney, An Introduction to the Theory 
of Statistics, p. 83. 



320 


CHARTS AND GRAPHS 


distribution through this densely ^‘populated’^ portion of the 
range, small groups or intervals must be adopted; but to pre- 
vent an excessively long and tedious, often fruitless detail in 
the remainder of the series, larger intervals must be used in 
the sparse portions of the distribution. In such cases we are 
obliged to alter the sizes of the intervals. Sometimes the 

DUS AT ION OP STRIKES 
United States 
1921 

(Source:- Ifonthly tabor Review) 


Days of Duration Nmber 

of 


proximate 

Range 

Strikes 


1/4 

0 • 

1/2 

32 


1 


1/2 - 

1-1/2 

25 


2 


1-1/2 - 

2-1/2 

42 


3 


2-1/2 - 

3-1/2 

43 


4 


3-1/2 - 

4-1/2 

43 


6 


4-1/2 - 

5-1/2 

32 


6 


6-1/2 - 

6-1/2 

32 


7 


6-1/2 - 

7-1/2 

41 


8 


7-1/2 - 

8-1/2 

27 


9 


8-1/2 - 

9-1/2 

18 


10 


9-1/2 - 

10-1/2 

40 


11 


10-1/2 - 

11-1/2 

18 


12 


11-1/2 - 

12-1/2 

11 

13 


12-1/2 - 

13-1/2 

14 


14 


13-1/2 - 

14-1/2 

24 

1& 

- 

18 

14-1/2 - 

18-1/2 

69 

19 

- 

21 

18-1/2 - 

21-1/2 

42 

22 


24 

21-1/2 - 

24-1/2 

16 

25 

. 

28 

24-1/2 - 

28-1/2 

30 

29 

• 

31 

28-1/2 - 

31-1/2 

31 

32 

* 

35 

31-1/2 - 

35-1/2 

34 

36 

- 

42 

36-1/2 - 

42-1/2 

60 

43 

• 

49 

42-1/2 - 

40-1/2 

37 

SO 

- 

63 

49-1/2 - 

63-1/2 

77 

€4 

- 

77 

63-1/2 - 

77-1/2 

57 

78 

- 

91 

77-1/2 - 

91-1/2 

55 

92 

- 

199 

91-1/2 - 

199-1/2 

166 

Over 

200 

199-1/2 and over 

42 




Total 


1,147 


Fig. 278. 


entire range is so excessively great that no two groups can be 
of the same size, and it is necessary that the groups increase 
progressively throughout the series. 

In dealing with such unevenly-grouped series, the analogy 
of the historical series is useful. What would you do if asked 
to make a curve of a historical series, let us say, the world’s 
production of gold since the voyage of Columbus, in which the 
data covers at first centuries, then ages, then decades, then 
quinquennial periods, and lastly, individual years. Clearly you 



FRESIUENCY SERIES 


jai 


could not directly plot the points for the data and connect the 
points to make a curve. You would have to change the data 
to uniform time intervals before plotting the curve. You 

SIZS OF FARMS 
Oaited State* 

1980 

(Sottvoeto CeasusI 


Aot-eage 


fifiSS 

than 3 


£0,3SCh 

S and less 

than 

10 

268i422 

10 " 

0 

a 

80 

607,763 

20 “ 

o 

II 

50 

1.603,734 

60 « 

# 

u 

100 

1,474,768 

100 • 

0 

u 

175 

1,449,668 

175 ” 

o 

ti 

860 

530,795 

260 ’* 

U 

w 

500 

475,693 

SOO « 

O 

SI 

1000 

149,818 

1000 

ovar 



«7,S87 


tom e,<4MM 

Fig. 279. 

might sum up the parts of centuries into totals or even moving 
totals for hundreds of years and so get a curve of 100-year pro- 
duction. Or you could divide the earlier data so as to get the 

OCLD ERQDUCTIOK OP THE 
Estimated 
1493-1919 

{Soures:. Dnit«d States Statistical AlstraMj 


Period 

Value lA 

Covered 

Dollar# 

1493 . 

1600 

501,640,000 

1601 - 

1700 

606,316,000 

1701 - 

1800 

>,262,806,000 

1801 - 

1820 

194,216,000 

1821 - 

1840 

229,320,000 

1841 - 

1660 

1,696,909,000 

1861 - 

1870 

1,263,015,000 

1871 . 

1880 

1,067,569,600 

1881 • 

1890 

1,074,950,500 

1891 - 

1900 

2,101,240,900 

1901 - 

1906 

1,613,098,600 

1906 - 

1910 

2,167,604,800 

19X1 - 

1916 

2,295,869,67$ 

1916 

464,176,500 

1917 

419,422,100 

1918 

383,605,662 

1919 

366,166,077 


Fig. 280. 


average 10-year production in the earlier periods and sum up 
the latter portions into ten-year groups, so getting a curve ol 
production by decades. The intervals can be chosen at what 



CHARTS AND GRAPHS 


9 



0 

o e 

O B 

s 

£ 


‘I 


iiO*99X‘e9C 

299 * 309 'sac 

OOT'22t''61fr 

OOS'SlX’ 

SCfl'UT'eSi' 

096'029'£9> 

OZt'CXa'EEE 

060'nx'OTZ 

oso'ae^'ioi 

096'39i*90I 

OOS'IOS'92I 


ogt'ava't’B 


000'59»'TX 


09i'0Ii'6 


oao'ezs'zi 


09t'C?0'» 


000'JSA'» 


A 




ever size you wish, the point is that you must, for the sake of 
the curve itself, convert the data into equivalent data for uni- 
form intervals of time. 


Fig. 281 



FREQUENCY SERIES 323 


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frequency series with irregularly-sized groups. The fact that for 
curves of cumulations (either of frequency or historical data) 
this regularity of intervals is not necessary, sometimes makes 
the cumulative curve, which we shall discuss in another chap- 


282 , 




FREQUENCY SERIES 3^5 

ter, far more convenient; but if we are to plot the uncumulated 
frequency curve, and have unequal classes or groups we must 
calculate the equivalents for equal intervals before we can 
plot the curve. And if, as often happens, a terminal class 
(group at one end of the series) be indeterminate, that is, have 
no maximum limit, so that we do not know its group range 
and cannot compute an equivalent figure, then we must simply 
omit the last group from the series, leaving the reader of the 
chart to conjecture that the curve runs off towards infinity. 



Chapter XXVIII 


FREQUENCY CURVES 

Statisticians make a distinction between “discrete” and 
“continuous” frequency series, which to the chart-maker is of 
some assistance in determining the plotting points of the data 
in a frequency curve.i Discrete data is that in which the inde- 
pendent variable proceeds by leaps and bounds, lighting usu- 
ally only upon the whole numbers or integers. When this 
last is the case, the series may be said to comprise “integral 
variates.” Thus buildings may be classified by the number of 
stories or rooms they contain. Here you will find only regular 
intervals of one Integer each, since fractional stories (barring 
the so-called half story) and fractional rooms can hardly be 
said to exist. Leaves may be classified by the number of their 
ribs, flowers by the number of their petals, sales-forces, de- 
partments, and establishments by the number of their em- 
ployees, and cities by their populations. All of these cases are 
examples of discrete series. 

Continuous series are those in which the phenomena may 
vary by infinitely small gradations, the data comprising what 
are called “graduated variates.” Thus, of we examine the 
height or weight of human beings, we find them varying by 
the smallest possible amounts. Property classified as to value, 
crops as to volume in bushels, tons, or the like, farms as to area 
in acres, square miles, etc., and sales as to sizes,' are a few ex- 
amples of continuous series. In business and economics much 
the greater part of frequency data is of this type. And while 
it is not always so, yet it is ordinarily in business statistics true 
that continuous series require irregular group-ranges and 
intervals, discrete series usually falling into equal groups. The 
distinction between discrete and continuous data becomes less 
sharp in those cases of discrete data which cover large 

‘ Cf. King, Willford L, Elements of Statistical Method, p. 106. 

326 



FREQUENCY CURVES 327 

ranges, such as cities classified by populations, for here it be- 
comes necessary to adopt arbitrary groupings which are sim- 
ilar to continuous data groupings. For small ranges the dis- 
crete data usually requires no arbitrary grouping together, as 
it automatically groups itself, and the continuous data is dis- 
tinguished by the fact that group limits have to be arbitrarily 
set for its distribution. 


MEMBERSHIP OF STRIKES 
Kumber of Persons Involved In Strilces 
United States 
1921 

(Source;* Monthly Labor Revie v) 


striking 

Persons 

Involved 

Number 

at 

Strikes 

Group* 

Range 

in Units of 

10 Persons 

Average 
No. in 
Equivalent 
10* person 
Class 

X 

y 

Dx/10 

y/(Dx/l0) 

1-10 

219 

1 

219 

11 - 25 

285 

1.5 

190,6 

26 - 50 

252 

2,5 

100.8 

51 - 100 

214 

5 

42.8 

101 - 250 

215 

16 

14.4 

261 - 600 

153 

25 

6.12 

501 - 1,000 

101 

60 

2.02 

1,001 - 10,000 

126 

900 

0.14 

Over 10,000 

14 

... 

.... 

Fig. 

284. 

Period Data. 



For the cnart-maker, the more valid distinction of fre- 
quency series is between what might be called ''point-data’’ and 
"period data.” The former, point-data, is that which refers 
to isolated, separate, and non-contiguous points along the range 
of the independent variable. The mortality rates at various 
ages are of this type and to this type belong a large class of 
continuous series which comprise rates, ratios, percentages, 
averages, and other comparisons between different basic fre- 
quency series. Most discrete series may be classed as point-data. 
Period data, to which most continuous series belong, is that 
which covers connected and conterminuous groups or classes 
along the range, applying throughout the groups from one 
group-limit or interval to the next. The student is already 
familiar with this distinction in the matter of historical series, 



328 


CHARTS AND GRAPHS 


in which flow or stream figures, for example, cover periods of 
time and stock or fund figures, for example, refer to points of 

SIZE 0? FACTORIES 
Manufacturing Establishments 
Classified as to Number* of Employees 
United States 
1914 

(Source:- United States Census) 


Number of 
Employees 
per 

Establishments 

Employees 

Establishment 

Humber 

percent 

Number 

Percent 

a 

32,856 

11.9 


.... 

1-5 

140,971 

61.1 

317,216 

4,5 

6-20 

54.379 

19.7 

606.594 

8.6* 

21 - 50 

22,932 

8.3 

742,529 

10.6 

61 - 100 

11,079 

4.0 

731,726 

11.3 

101 - 250 

8.470 

3.1 

1.321,077 

18.8 

261 - 500 

3.108 

1.1 

1,076,108 

15.3 

601 - 1000 

1,348 

.5 

926,828 

11.2 

Orer 1,000 

648 

• 2 

1,266,269 

17.8 

total 

276,791 

100.0 

7,036,337 

100.0 


Fig. 285. Period Data. 


time. Needless to say, point-data is normally plotted upon the 
ordinates of the chart; period data is normally plotted in the 
spaces between the ordinates. 

VALUE OF MANUFACTURED PRODUCTS 

Sstrabllahsanta Classified as to Value of Products, with Number of Employeea in Same 
United States 
1914 

(Source;- United States Census) 



Sstabli shments 

Employees 

'Value of Products 


Number 

Percent 

Number 

Percent 

Dollars 

Percent 

Less than ^)5,000 

97,061 

36.2 

129,623 

1.8 

233,381,081 

1.0 

45,000 and lesa than 420,000 

87,931 

31.9 

429,037 

6.1 

905,693,168 

3.7 

420,000 and less than 4100,000 

56,814 

20.6 

999,800 

14.2 

2,660,229,411 

10.6 

4100,000 and less than 41,000,000 30,166 

10.9 

3.002,071 

42.7 

8,763,070,135 

36.1 

41 # 000,000 and over 

3,819 

1.4 

2,476,006 

36.2 

11,794,060,929 

48.6 

Total 

276,791 

100.0 

7,036,337 

100.0 

24,246,434,724 

100.0 


Fig. 286. 

• Period Data. 





We come now to the last, and what is ostensibly the most 
important division of frequency curves, namely whether the 



FREQUENCY CURVES 


329 


curve shall be in staircase form or smoothed. The staircase 
form, which really represents a collection of vertical bars, is 
often called a histogram, and the smoothed-curve a frequency 

HOURS OF LABOR 

Number of Wage Earners Employed in Manufacturas 
According to Prevailing Hours of Labor 
United States 
1914 

(Source:- Statistical Abstract) 


Hours of 

Labor 

Employees 

Number Percent 

48 and under 

831,779 

11.8 

Between 48 and 54 

944,562 

13.4 

54 

1,013,079 

25.8 

Between 64 and 60 

1,547,374 

22.0 

60 

1,484,662 

21.1 

Between 60 and 72 

249,026 

3.5 

72 

106,080 

1.6 

Over 72 

59, ns 

.8 

g. 287. Point-and-period Data. 


polygon. Of course, as we noticed in historical curves, the 
staircase form, if the number of steps or bars be great enough, 
will closely approximate the smoothed curve in appearance, 


ECONOifICAL SPEEDS OF TRUCKS 
Maximum Speeds at which Loaded Trucks can be Driven 
Without Reducing Life of Tires 


Fig. 288. 


Trucic 

Miles par 

Tonnage 

Hour 

^ and 1 

19 

4 

4 

17 

2 

15 


13 

4 

11 

5-7 

9 


Point-and-period Data. 


and there remains little reason to maintain it. But for series 
of but a few items or number of groups, the distinction between 
the two is great and each has its special advantages and proper 
uses. 

The staircase curve or histogram is always more accurate 
for period data, in that it preserves the exact areas underneath 



330 


CHARTS AND GRAPHS 


the curve between each set of ordinates or group-limits. The 
reader who recalls the belittling of area-representations for 
charts in which we have early indulged in this book, may find 

tmsavti. KRK Lsssss 

In 74 Large ioarican Cities 
19X9 


Huttbor 

of 


O 


M O 



Dollare of For capita Los* 

Fig. 289. 

Showing how the smoothed curve varies from the staircased curve. The added 
triangles (dotted) are equal to the deducted ones (black) in the aggregate, but 
are not equal between any two adjacent ordinates. 


this feature to be of little consequence. But statistical prac- 
tise has it that the area is important in frequency curves. Of 
course, if we plan to apply a planimeter or other area-meas- 
uring instrument to the chart, the area is of real importance. 
Otherwise it is generally to be relegated to the limbo of aca- 
demic and scientific interests. We should, however, bear it in 
mind, that we may the more correctly Interpret our charts and 
base analysis upon them. 

Not only is all period data more accurately represented by 
the individual group-areas under the staircase-curve than by 
the individual group-areas under a smoothed curve, but also 
much point-data, if we class discrete series as point-data. To 
be strictly accurate, discrete data should not be shown by a 
connected curve at all, but by separate bars; for there are no 
intermediate observations and the connection-line which forms 
the curve has no meaning over intermediate spaces on the chart. 



FREQUENCY CURVES 


o n T 



Nttmbdr of 1Ioa«n 


> lO CHt O M ri 


Number of Women 


Children per Woman 


'<ca«0'^iocoe»a 


Children per Homan 


SIZE OF FAMILIES 

Number of Children of 1,000 Women 
(married at least 15 years and having at least one child each) 
British Peerage Statistics 
(Source;- Yule, Theory of Statistics) 


Fig. 290. The Staircased Form is Appropriate. 


The chart-maker has largely to use his own judgment for plot- 
ting discrete data, as he can almost equally well, for different 
purposes, use the different methods of separate vertical bars, 
staircase or bar-like curves, and smoothed curves, not to men- 
tion plotting upon or between the ordinates. 



By C. B. Davenport, Permission of Popular Science Monthly. , 

Fig. 291. A Very-Simplest Staircase Curve. 

Showing the distribution of scallop-shells by number of ridges. 

The disadvantages of the staircase form are many. In the 
first place, as in historical curves, it is more difficult to distin- 
guish a number of curves brought together for comparison 
when they cross each other frequently. In the second place, 
for period data, though not for discrete data, it is less significant 
than the smoothed form. For while the data changes abruptly 



33 ^^ 


CHARTS AND GRAPHS 


from group to group, the phenomenon observed usually changes 
gradually, the values usually merging between groups. This 
is the more obvious if by a rearrangement of the original data 
we produce more and smaller groups, for then the new groups 
created take intermediate values. So to chart this data by a 
staircase curve is to give a wholly meaningless sudden change 
between groups, while to chart it by a smoothed curve is to 
bring out to the readers of the chart more clearly the gradual 
nature of these changes. In short the smoothed curve or fre- 
quency polygon has a truer significance than the staircase form 
or histogram, for period data. 

EFFECT OF TUBERCULOSIS UPON LENOTH OF LIES 
Kxp&ctancy of Lifo in Years for llhite Males vith and without Tuberculosis 
and Consequent Shortening of Life Dus to ths presence of Tuberculosis 
Metropolitan Life Insurance Company Industrial Policy-holders 
1911- IS 

(Source:- L. J. Dublin, Costs of Tuberculosis) 


Loss due to 
tutsrculosls" 





Age in Years 

Fig. 292. The Smoothed Form is Necessary. 


For continuous point-data, that is, for point-data other 
than discrete series, the smoothed curve is often the only pos- 
sible form, the staircase form being out of the question. For 



FREQUENCY CURVES 


333 


as the data represents observations at isolated points only, 
along the range (the ^c-axis scale) it is to be assumed that for 
intervening points intermediate values obtain, and the stair- 
case form would be not only lacking in significance, but also in 
accuracy. The dependent variable in continuous point-data 
is usually the resultant of a process of comparison of two or 
more different frequency series, being ordinarily expressed as 
a rate, percentage, average or other ratio — a series of fractions, 
if you will, in which the denominators are not constant. Point 
data is to be found in a wide variety of forms, but is almost 
always in essence a derived series of this sort. The processes 
which yield point-data cannot be described as simply as the 

BAIIK SALARIES 

Salaries of federal Reserve Bank Employees under I500(^ 

Kew York City 
1919 

(Source:- federal Reserve Bulletin^ 


Individual# 

of ‘’"ssssssssasa 

Families — — t *- . ' 


Families — 



r4 



(1901) 

gQO 













«k 

* 

• 

s- 

I 

^ 4()Q 


1 

1 






i 





o 

%> 

0 

1 
a# 

800 



1 


1 

1 





1 



1 

1 

1 

■ 

1 

M 

i 

1 

m 

1 

1 

1 

1 

1 



■ 

■ 

■i 

■ 

1 8 8 8 8 S 

v> <n cv) to 
^ 

f 1 

t c\ 

* « 

: 8 
' *' 

1 1 

i 8 
* 

J 8 

> u 

> sr 

1 t 

> «< 

^ 1 


Dolls re of Salary 


Fig. 293. It is DiHicult to Compare Two Staircased Curves. 

processes which yield period data; for they are also of almost 
unlimited variety and we shall not attempt their discussion. 
It is worthy of notice, however, that during such preliminary 


334 


CHARTS AND GRAPHS 


steps in the comparison of two frequency series we commonly 
find the gun-shot plotting method useful. 



suiting from the comparison of two series, is permissible only 


Dollars of Salary 

Fig. 294. A Cumulable Series. 



FREQUENCY CURVES 


335 


in a broad sense, the point-data series not being a distribution 
displaying the frequencies of the phenomena in the specified 
groupings. Such point data, like the balances, stocks-on-hand, 
or fund figures, in historical series cannot be cumulated, and 


if 



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the connection of the plotted points by a curve is a symbol of 
the changes of the same phenomena through different condi- 
tions, not a short-hand method of indicating dififerent and dis- 
tinct quantities. 


Fig. 295. A Non-cumulable Series 




336 


CHARTS AND GRAPHS 


The question of staircase and smoothed curve plotting 
methods have been given a somewhat lengthy treatment be- 
cause it has afforded an opportunity to consider the dis- 
tinctions between discrete and continuous series and period 
and point data. As a matter of fact if there be but a sufficient 
number of intervals or groupings in our series, the distinction 
between staircase and smoothed curve plotting disappears, 
and both forms of charts become alike and merge into a third, 

PSRCAPITA FIRS LOSSES 
In 74 Large American Citle* 

1919 



the rounded curve. The rounded curve is the true frequency 
curve and is superior in significance even to the smoothed curve 
or frequency polygon as the latter is to the staircase (rectilinear 
or bar-form) curve or histogram. For the rounded curve not 
only gives gradual change of values between plotted points, 
but it also gives gradual changes of the rates of change of these 
values* The derivative of. a frequency polygon would be a 
histogram, but of a rounded curve would be another rounded 
curve or at least a smoothed one. 

We have not, however, laid much emphasis upon the 
rounded curve, because if the data be sufficiently detailed it 
will be approximated by either staircase or smoothed curve 
plotting. Some authorities recommend the artificial rounding 


FREQUENCY CURVES 


337 


lOHKMBH’S COMPEtrSATIOS 

Delays in Making Payment for Claims in Three States 
Hew Yorlc (state and private insurance) 

Ponnftylvania (state and private, except self insurance) 

Massachusetts (private insurance only) 

(Source*- Monthly Labor Review) 

(Figures show percentage of total cases, 137 in N.Y,, 4,093 in Pa. and 186 in Mass.) 



Fig. 297. 

Computed averages must be used for the irregular intervals. 

of curves.2 This is to be done either free hand, or by a curving 
ruler (called by draughtsmen a “French curve”), taking care 
in either case to pass the curve through all known values (i.e. 
plotted points), but making the remainder of the curve as 
little angular as possible. The result is almost always more 
interesting to the casual reader, obviously because of the more 
faithful portrayal of the nature of changes from interval to 

2 ‘The object of smoothing is to eliminate accidental variations and establish 
normal tendencies.'’ — King, EUments of Statistical Method, p, 108. 


CILiliTS AND GRAPHS 


3 J 3 


AdSS OF HOOEASDS AND WIV® 

ProbabXo A£« of Wife oooordlni; to AX* ot Ru*b&nd 
Greet Britain 
1901 

(Bource:- lule. Theory of Stetlatlce) 


Ojuper Cueriil* 

OOa>coM*o«o«<<n<«>t^r>'40 
Uedlen OrtOi4r-dioOy‘a>.o»“<-<io 

<VtNNi4«Q-^'«t0l0in<0«>r~t- 

iOl<>lO»««^ 0 »iOt'jOO«M<vloe«l^ 

Lower Quart! le l;SjSS‘^;g:j!§gJgS^25SS 

90 


«0 


70 




5 60 


^40 

30 


20 


10 


lOOutOiOpiaOioOiOOioOio <> 

Age of Husband in 'Yeara 

Fig. 298. A Zoned Frequency Curve. 

interval. But it is a dangerous practise for the beginner to 
round his curves artificially, being a wholly inspired embellish- 
ment and often leading to slipshod execution. In the early 
work of the student, the smoothed curve is all that should be 
attempted, for it is all that the data establishes. And in the 
research office, it is for the same reason about all that is neces- 
sary or safe. In fact, in the research office, it is often sufficient 
to plot the points only and omit altogether their connections 
which form the curve, since it is often desirable to superimpose 
thereon rounded curves of a theoretical nature.^ 

In general, the problems in the graphic presentation of 
curves arise, first, in the selection of the independent variable 

^Needless to say, composite curves may be drawn for frequency series as for 
historical series, in the various forms which have been described (see Chapter XIX), 
Thus, we may have relative and absolute band*charts, gun-shot plotting, and even 
vertical and horizontal bar-charts.^ 



FREQUENCY CURVES 


339 


FElklALE OCCIDENT liORTi^LlTY RATES 
Oe&th-ntes oer 100,000 of Population of Pemalea of Each Ago 
For Specified Accidonts 
United Statea 
1910-1912 

(Source - Mortality Statistics, United States Census) 

nil Accidents 

Miscollfineoua 

BaiLwiys 

Cromimg 

Pail* 

70 

60 

EO 

40 

30 

SO 

10 

0 

< 

Fig. 299 . A Frequency Band-chart. 

and the processes of compiling the frequency series ; second in 
the establishment of group limits for the groups in the series 
and the conversion of irregular intervals into corresponding 
equivalents ; third, in the plotting of data on the ordinates or 
between them and lastly, in the use of the staircase curve (his- 
togram) or smoothed curve (frequency polygon). To the solu- 
tion of these problems the distinctions between discrete and 
continuous data (the integral and graduated variates) and be- 
tween period and point data bring some assistance, but no set 
rules of thumb can be given, to which exceptions may not be 
found. In the wide field of frequency curves, to which the 
historical curve stands in the relation of a small but Important 
part, the chart-maker and the statistician must rely largely 
upon native judgment and the precepts of his individual ex- 
perience. 




34 ° 


CHARTS AND GRAPHS 


OUTPUT OP WORKBPS 

Relative fiRurea of averer.e dally oulpat of manual workers 
in stereotype!' end non-sterectypr d oferptions 
(Total number of workers stereoptji d, ? 1 , not sterect. 29 ) 
(Source - P. Sargei.t Flcrorco) 

(Output cf med*an worker * ICO ) 


Stsreetvped 


Rot sterecljped 
100 



















































































































































, 














_J 







r 

1 










Jl 














J 







r 










t 










i 




~ 


~n 















j 

1 









1 





















i 

X 



-J 






J 






._i 

L 

n 

u 







] 



/ 


i: 

/ 


iQ 










SooS SoJotSSSoS 
Volume cf output (relative figures) 


Fig. 300. 

A ‘‘Relative’^ Frequency Curve is as possible as a relative historical 


one 



Chapter XXIX 


OGIVES 

If moving totals are your strongest weapons in the analysis 
of historical statements, cumulation is your trump card in the 
analysis of a frequency series. Where the series is continuous 
(as explained in the previous chapter) the process of cumulation 
does away with the need for the staircase curve, and gives us 
a smoothed curve which is far more convenient. And for both 
discrete and continuous series, the curve of the cumulated data 
is one which can be easily compared with similar curves, re- 
gardless of diiEFerences of scale figures or group units. The 
curve of cumulated frequency is called an ‘^ogive,’^ from its 
resemblance to the outline of a shoulder. It runs diagonally 
across the chart, generally in an ^^S”-shape. 

SIZS OF FAflMS 
United States 
1920 

(Source:- Census) 

Simple series "Less- than” cumulation 


Acreage 


Numher 

Acreage 


Number 

Loss 

than 3 


20,360 

Less 

than 3 

20,360 

3, less 

than 10 

268,422 



10 

288,772 

10, 

It 


20 

607,762 


- 

20 

796,534 

20, 

« 

fl 

SO 

1,503,734 

« 


60 

2,500,268 

50, 

n 

f9 

100 

1,474,753 

ID 


100 

3,775,021 

100, 

fi 

« 

175 

1,449,659 

» 

i> 

175 

5,224,680 

175, 

n 

a 

260 

5^0,795 

It 

It 

260 

6,755,475 

260, 

» 

t» 

500 

475/692 

9 

n 

600 

6,231,167 

600, 

«» 

9 

1000 

149,812 

It 

a 

1000 

6,380,979 

1000 

and 

over 

67,387 

Total 



6,448,36$ 


Fig. 301. Tlie ‘‘Less-Than’’ Cumulation* 

341 



34 ^ 


CHARTS AND GRAPHS 


While k would be meaningless to cumulate a historical 
series backward, and we therefore cumulate historical series 
only in one direction, it is possible to cumulate a frequency 
series from either end of the series. If the cumulation begins 
at the lower end of the data, it is called a ‘%ss-than^’ cumula- 
tive, for the sub-total or progressive cumulative figure repre- 
sents the number of items having less than the maximum quali- 
fication of the last added group. If the cumulation begins at 
the upper end of the series it is called a “more-than^^ cumula- 
tive, the sub-total or progressive cumulative figure representing 

SIZE OF FAHidS 
United States 
1920 

(Source:- Census) 




Stmplei 

series 



cumulation 


Acreege 



Number 

Acreage 


Number 

1000 

and 

over 



67,387 

1000 and i 

over 

67,387 

500 and leas • 

than 

1000 

149,812 

£00 


217,199 

2eo 


** 


soo 

475.692 

260 

n 

692,891 

175 




260 

630,795 

175 ” 


1,223,686 

100 




175 

1,449,659 

100 


2,673,345 

60 




100 

1,474.753 

50 


4,148,098 

20 


n 


50 

1,603,734 

20 ” 

i» 

5,651,832 

10 

,r 



20 

607,762 

10 

n 

6,159.594 

3 

" 



10 

268,422 

3 


6,428,016 

La-.s 

t>-an 

3 



20,350 

Total 


6,448,366 


Fig. 302. The “More-Than” Cumulation. 


the number of item having more than the minimum qualifica- 
tion of the last added group. It is often useful to prepare both 
the *^more-than'^ and "less-than’’ cumulatives for a frequency 
series and to plot them both on the chart as well as the series 
itself. 

It is one of the great advantages of the ogive that by its 
means a frequency series may be graphically presented and 
analysed whether or not the groups of the series be uniform in 
size (group-range). There is no labor of calculating values for 
equivalent groups. All question of staircase curves likewise 
disappears, even discrete series, when cumulated, being prop- 
erly shown smoothed. It is another advantage that several 



343 


ogives can be easily shown together and compared upon the 
same chart. The various series need not have uniform and 
identical group intervals. The ogive is therefore the only 
feasible method of comparing frequency series which do not 
have the same groupings. A further benefit is that the many 
ogives will generally be found to intersect very little, so that 
the confusion which attends superimposed frequency curves 
is avoided by ogives. 

For anatytical purposes it may not be amiss to note that 
the median of a series is shown by the intersection of the two 


EXPECT AH CY OF LIFE 
For Adults without Tuberculosis 
Registration Area, United Statsa. 

1910 

(Source:- L. I. Dublin; Cost of Tuberoulosif ) 


Years 

of 

Ago 

20 

25 

30 

35 

40 

4'5 

60 

65 

60 

65 

fo 

n 

6d 

65 

90 

95 


Average 

After Lifetime 

46.$ 

42.3 

38.1 

33.9 

29.9 
26.0 

22.1 
10.5 
16.2 
12.1 

9.6 

7.2 

5.4. 

4.0 

2.9 

1.9 


Fig. 303. An Example of a Frequency Series (So-called) 
Which Cannot be Cumulated. 


Ogives, the more-than and the less-than, for the series, or by 
the value of the abscissae at the intersection of the curve with 
the ordinate of half the height of the 100% ordinate; while the 
mode is shown by the portion of the ogive in which the slope 
is steepest. These are statistical rather than charting concep- 
tions. The median may be described as the middle or central 



344 


CHARTS AND GRAPHS 


observation, and the mode as the most common observation.^ 
We may also note that two minor variations of the two 
cumulatives obtain, which depend in part upon the plotting 

SIZE OP FARMS 
United States 
1920 

(Source ~ United States Census) 

(Figures shov number of Farms containing more than and less than speoifiod axsaber of acres) 




and in part upon the nature of the data. These variations are, 
for the “less-than” cumulative, a “less than and including” 

^ Readings from the curve, for the median, decils, quartiles, or percentiles, when 
secured by interpolation from the curve and not from plotted points on the curve 
give values, but of course do not give cases. The median case, for example, can be 
found only by reference to the original data, and exists only if the total number of 
frequencies be odd. The median value, however, is the intersection of the curve with 
the 50 per cent abscissa, and is obtained with increasing accuracy as the frequency 
groups are taken smaller and smaller, and the curve itself plotted in greater detail. 


Oneorreotod CvimulatlToa Corrected 

a 3 = 3 Cimulattvse 


OGIVES 


345 


SXZS 0? FAHHIIS 

Rvffiber of Children df 1,000 Women 
(married at least lb years and haring at least one child each) 
Sritish Peerage Statistics 
(Source.- Yule, Theory of Statlatlos) 



Figf. 305. Showing the Four Possible Cumulations For Point Data. 

To find the median or quartiles, etc., graphically, it is necessary to use the dotted 
line showing the averages of these cumulatives the “corrected cumulatives"). 


0 .& 



346 


CHARTS AND GRAPHS 


cumulative (stated concisely as “-and less”) and, for the 
“more-than” cumulative, a “more than and including” cumu- 
lative (stated concisely as “-and more”). They are essen- 

BOORS OF labor 

Muober of Wage-aarnora Employad In Manufacturet 
Aocerding to Provailing Hour* of Labor , 

United States 
1914 

(Source'- Statistical Abstract) 




61.88 

16.55 

iM 


30.15 

83.65 

98.45 


T4.a 

26.9 

2.9 

ee .3 

48.9 

5.8 

0.9 

11.8 

61,1 

94.2 

99.2 



Uuaber of Boor* 

Fig. 306. The Four Possible Cumulations for (Point-and-) Period Data. 

To find the median or qiiartiles, etc., graphically, it is necessary to use the dottei 
lines of the averages between these cumulations (i>,, the “corrected cumulatives”). 


tially due to differences in the plotting points of data, and are 
sometimes more suitable for cumulations of discrete data. 

It has not generally been observed that the ogive is really 
simpler in its nature than the frequency curve. Because we 
have secured the frequency series by a very careful grouping 



OGIVES 


347 


HOURS OF XlBOR 

ffUfflhflr of W9R<»-earner» Employed In llandfadtUfM 
According to Prorailing Jlour# of Ld1)or 
United States 
X914 

(Source:- Stotlatical Abstract) 


Percent of Waga-oarnore 
Worlcing more than and 
Including each Speolflod 
Rumba r of Hours 

Percent of Wage-earner* 
Worlcing less than and 
Including each Specified 
Number of Hour* 

Percent of Wage- earner* 
Worlcing each Specified 
Number of Hour* 


Vumbar of Hour* 

100 
90 
60 
fO 

eo 
60 
40 

60 
20 
10 
0 

U <0 -r o <a oi u 

« iC ¥> <0 <0 «- «» 

I - 

Fig. 307. The Rounded Ogives. 

Showing that median and quartiles, etc., cannot be easily found from two un- 
corrected ogives. 

of our original data, arranged in order of magnitude, and have 
then derived the ogive data from the frequency series by cumu- 
lation, we are prone to think of the ogive data as a somewhat 
more advanced and possibly more puzzling form of statistical 
series. The fact is, however, that the cumulation merely 
brings about a reversion to the original data in order of mag- 
nitudes, somewhat condensed as a result of the groupings. If 
we lay off the original data in the form of a bar-chart we will 
see at once that the ogive is merely a smoothed curve passing 
through the ends of the bars. It is for this reason that the size 
of groups or their uniformity is of no importance in making 
the ogive-chart, smaller groups merely defining the ogive-curve 
more precisely .2 

- Cf. Robert E. Chaddock, in the American Statistical Association Quarterly, June 
1921 , p. 769 ff. 




34^ 


CHARTS AND GRAPHS 


tolluTB ot I>«r(japita loss 





35 ° 


CHARTS AND GRAPHS 


SIZE OF FAMILIIS 

number of Children of 1,000 Women 
(married at least 16 years and having at least one child each) 
British Peerage Statiatice * 

(Source:- Yule, Theory of Statistics) 


Ifothera haring 
each specified 
iTinflber of Children 

Uothers having up 
to and including 
each specified 
I^u^l■ber of Children 


t- 

ta 


fON iocMOW 
irt cvi cy 1-4 


*00 

U>»-4 r^.^^OOO•-^•-4 

«-4 CM »0 <0 t- CO 


^ to to «n 
to fo no o» <30 
o> cn m O) 


CR 

Oi 


Mothers having more 
than and including 
each specified 
Kuaber of Children 


o 

o 

CO 


o 

a» 


CO U> -f >~f 

lo <>-1 d> CO 

to to lO CM 


to «d* 
to «-« 




<v» 



Where individual series are to be analyzed by themselves 
the horizontal scale for the ogive can be the same as the hori- 
zontal scale for the ordinary frequency curve from which the 
ogive has been derived and for which it has been substituted. 
The vertical scale, however, will have to be condensed so as to 
include the total of the entire series. But because a frequency 
chart is usually designed to show the comparative behavior of 
the phenomena studied, it is often useful to turn the actual 
data into percentages and to use on the chart a vertical scale 
calibrated in percentages. The percentage values are more 
useful for generalization and ready comparison with other 


ocn-'ES 


3^1 


DUStATlCl. CF EMPLOYVEJT 

Percent Lietribtticn of 1,30S yal« ard H4 Par-ala Ehsployeas cn ih* Payroll 
an4 2.618 Male and 63 Fecale Separancne wl-o had Served aio-e than Specified Periods c? Tta« 
Califorrie Sugar Sefirery- 
Acure . May 31, 1S18 
Separated - April 1, 1917 - May 31, 1918 
(Source - Paul F. Brtsserdcn) 



ogives, than the absolute scale figures of one particular series 
of observation or samples. For similar reasons you may find 
it desirable to turn these group-divisions which form the hori- 
zontal scale also into percentages, both in the data and on the 
chart. In both cases the percentages are percentages of the 
total or maximum limits of the series. When several frequency 
series are being compared, and the series differ both in the 
total number of observations or items in the series and in the 
group-divisions or group units into which the series is divided, 
this little trick of turning all readings into percentages may 
be very useful, as by its means you can chart the ogives or 
cumulatives of all the series upon uniform chart-fields. The 
fields on which the curves are to be plotted should generally be 



CHARTS AND GRAPHS 



and Hour® of T<Mian 

Weekly Wage-rates and Hours of Labor of 3,720 Women 
In Department Stores and Dry-gcods and Uillinery Eetabiishaents 
Virginia 
April 1, 1920 

(Source*- Uonthly Labor Review) 

(figures show number of women receiving more than specified wages 
apd working for more than speoified number of hours.) 


.HI (O OS to <4* Q 

r, , , „ jOi!0«-tO>carH 

Dally Hours Jo <3 ^ 



Figf. 312. Comparison of Absolute Data is Sometimes Difficult* 


square, running from zero to one hundred per cent along both 
axes of the chart. Needless to say, the fields should be uni- 
formly positioned upon the sheets of paper so that the various 
charts to be compared may be freely subjected to ‘‘light analy- 
sis,'' that is, to the method of analysis which consists of holding 
two or more charts together up to the light to detect the varia- 
tions of their curves. 

In the ogive chart we first meet with a type of chart which 
illustrates at the same time two different sets of figures for 
the same curve. There should therefore be space for data 


OGIVES 


353 


not only above the chart but to the right of the chart, and the 
chart field should not be placed close to or near to the right- 
hand margin of the paper as was the case in historical curves. 
The data above the chart is obviously the original data of the 
cumulative from which it is plotted, each data figure being 
placed above the ordinate or corresponding scale figure on the 


WAGES OF OFFICE, SALES, AJJD SHOP WOBSSRS (JiAlE) 

W.tJcly lAges of 932,808 Wago-oornors, 63,619 Bookkeapara, Stanographar*, 
and Offica Clarks, and 23,766 Salaaman (not travailing) 

(All Ualaa 18 yaara of age and over) 

Maniifacturing Indvatrlaa 
Ohio 
1919 

(Flguraa ahaw parcantaga of total racairing leae than each tpeoifiad mga} 
(Source:- Xnduatrial Comi&iaaion of Ohio) 


Salat 

Clarka 


Earnara to S ® 81 



Fig. 313. Comparison of Relative Data is Easy. 


x-axis of the chart. The data to the right of the chart field 
will be secondary or derived data, obtained by taking the 
readings or values of the curve at each of its intersections with 
the abscissae or horizontal rulings, using the corresponding 
scale figures of the y-axis for the new stubs, and taking the 
corresponding values along the x-axis as the new or derived 
data. This secondary data forms a new table of the same 
phenomenon rearranged so that the second variable or de- 


354 


CHARTS AND GRAPHS 


pendent has become in a sense the independent one and its 
values would appear as the stubs in a retabulation. 

The ogive-chart is excellently adapted for the process of 
interpolation. The derived data just described are an example 
of this use of the chart. Interpolation, of course, is the name 
given to the process of reading new values between originally 
given values. Thus, by means of the ogive-chart, originally 
incomplete data can be filled out with interpolated figures. 
But the interpolated figures of course do not have the same 


kaoss or orriCE lOBiisa (rnuu) 

IttJtly «**•• e* Muiv »o«Wt*«p*r». Sv*negr.f>h«r*, »ti4 Oftle* CUtK* 

(U T**r» *r *(14 Ov»r) 

Itanufaeiurinc Induitri** 
or.l» 

(Vtiur** »h*w paraant. of foUl roool*tm U*f Uuin »««h tp»clfU4 
(touroo,- Induttrur ComUstioB of Ohko) 






5 

a 


I ; *« e « U « u * 

•k of 

^ (Ovstrt) ton poroont 

of oawn 

^ m e>tr t.'&.SO 



Sf.tO 

22.00 

20.10 

X7.7» 

K.eo 

UM 


Drir 42 s. SO 
22.00 • 20.60 

20.60 • 22.00 

10.00 • 20.(9 

17.7( • 1».00 

1(.(0 . 17.71 

U.t( • U.KO 


U .»0 O IC .» 

12 .tQ 

U . S 0 . u.to 

ii.eo 


OniMT tU.«ft 


degree of accuracy as the original data, being made on the 
theory that the line drawn between the plotted points of the 
original data has been correctly drawn. In spite of their pos- 
sible inaccuracies, they are often extremely useful in reducing 
otherwise incomparable frequency series to comparable group 
units or to uniform percentages. Where the chart itself is to 
be used, the interpolation is not necessary, the connecting 
lines which form the curve being in themselves plottings of 
interpolated values. But when the chart will not be presented 
in the final report or summary of the case, the interpolated 
figures are necessary, the interpolated figures being obtained 
from the chart before the chart itself is discarded. 


OGIFES 


355 


The ogive-chart is one of the most important and generally 
useful of the non-historical chart-forms and we will have oc- 
casion to return to it in the future with various elaborations 
and improvements.® 


® It is thoroughly regrettable that statistical practice has so consistently considered 
the range of a frequency series to be the independent variable and its frequencies the 
dependent. For while this is logical enough in the simple curve, it introduces into the 
ogive or cumulated curve, absurdities which make the latter not only unnecessarily 
obscure to the layman, but also brings about an unjustifiable violation of the primary 
rule in curve charting that the plot of all points should be independent Xy dependent y. 

In the simple frequency curve, we are interested only in frequencies and they are 
obviously and properly dependent. The reduction ad initium of this chart to a bar- 
chart would, as has been seen, require the use of vertical bars, and the curve is but 
the short-hand connection of the tops of these bars. 

A very different case is that of the cumulated series. Here the frequencies are 
only in an immediate sense dependent; in the last analysis, they are independent and 
the range is dependent. As has been seen, the return of this curve to a bar-chart 
would require the use of horizontal bars — a fact which clearly illustrates the really 
dependent nature of the range. 

Statisticians have, however, so short-sightedly adopted the ogive as a derived 
chart (by cumulation) from the simple frequency curve, that they have followed its 
arrangement of the variables on the chart; and as the ogive has been confined to 
use by statisticians, the practice has become so settled that to advocate a change at 
this time would seem only to be adding confusion to a science which, more than all 
else, is in need of standardization. 

Life does not, however, always confine itself within academic rules, the round- 
about path must always be supplemented with a fence; and we venture the prediction 
that in time, as the ogive comes into commercial use, this arrangement will be scrapped 
and the ogive plotted on ;t-frequencies, y-range, passing first through a period of 
confusion which we do not seek to bring about. But he who must tell his story clearly 
or not at all will drop the old arrangement, A step in this direction, though perhaps 
un'concious, is that of the publishers of probabilities paper for ogives, who probably 
only by accident or for convenience have calibrated their scales so as to give 
A:-frequencies, y-range. The chart in this form is more intelligible to the layman. 



Chapter XXX 


LORENZ CURVES 

Neither the frequency curve nor its ogive have that pecu- 
liar tang of popularity, that engaging frankness which appeals 
to the “average man.” If we consider the ogive the simpler of 
the two, since it is merely a curve passing through the ends 
of horizontal bars, then indeed it is a curiously unscientific 
chart, in which the usual position of the dependent and inde- 
pendent variables is reversed. The frequency curve is then a 
short-hand method of arraying these, with a large degree of 
chance in its formation when various groupings have diflPerent 
results. And if we consider the ogive as a cumulated frequency 
curve it then involves all the obscurities of the simple frequency 
curve, augmented by further complexities of its own. We 

otJim or FACiosiss 

VtimfcHir ojT l&zxafaoturixig SstabliafaDunts 
of apeolflod Bizaa 

(tlze 1)01212 2Maa\irod hy valu® of prgduotf) 

TIzilted Siaiat 
19U 

8ouro0t . S « Qeziaut 


Spaolfiod 

Valu0 of Products 
per 

Bstahlislsaent 

• 

Humber 

of &11 Hstablishments: 
haTing apooified value of products 

Humber 

per 0 eat 

Less than 15,000 

97,061 

15«2 

16,000 - 820,000 

57.921 

11.9 

120.000 - #100,000 

56,814 

20.$ 

#100,000-4l»000,000 

10,166 

10.9 

#1,000,000 Olid over 

1,819 

1.4 

-TOTAL 

275,791 

100.0 


Fig. 315. The First Measure — By Count of Items. 
356 




LORENZ CURVES 


357 


now take up, therefore, a curve which has more popular ele- 
ments in it, with a consequent sacrifice of statistical detail. 

OUTPDT OF FACTORISS 

ViLlxid of.Produots of Manufacturing Batablisfaaonta 
of apooified alzos 

(also being measured by value of prodaota) 

United States 
1SX4 

Souroe: — O.S*Census 


specified 
Value of Products 
per 

Establishment 

Value of Products 
of all Establishments 
having specified value of products 

Dollars 

Percent 

Loss than $5,000 

223,30L,O81 

1.0 

$5,000 « $20,000 

905,693,168 

3.7 

$20,000 - $100,000 

■ J?,660,229i4n 

10.5 

$100,000-51,000,000 

8,763,070, 1«5 

36.1 

$1,000,000 and over 

11,794,060,929 

48.6 

TOTAL 

24,246,434,724 

100,0 


Fig, 316, The Second Measure — By Count of Units. 


All frequency distributions afford two possible series for 
precisely the same data. The first and more usual series is the 
count of items in each group of the distribution, the second 

OUTPUT OF FACTORIES 

Humber and Value-of-Produots of Manufacturing Establishments 
of specified sizes 

(size being measured by value of products} 

United States 
19U 

Source:- U.S. Census 


Specified 
Value-of -products 
per 

Establishment 

All establishments having specified value-of-produets 

Ntimbor 

Value-of-products 



Dollars 

Percent 

Less than $5,000 

97,061 


235,381,081 

1.0 

$6,000 - $20,000 

87,931 

31.9 

905,693,168 

3.7 

$20,000 - $100,000 

56,814 

20.6 

2,550,229,411 

10.5 

$100,000-$1,000,000 

50,166 

10.9 

8,765,070,135 

86.1 

$1,000,000 and over 

3,819 

1.4 

11,794,060,929 

48.6 

TOTAL 

275,791 

100.0 


100.0 


Fig. 317, Both Measures. 












358 


CHARTS AND GRAPHS 


and alternative series is the count of the units of measurement 
attributed to these items. Thus a classification of farms by 
their size (in acres of land) can show us either the number of 
farms of each size or the aggregate number of acres in the 
farms of each size. The data of cities classed by their popula- 
tion may count either the number of cities of each specified 
number of inhabitants, or it may count the inhabitants residing 
in these cities. The Census of the United States, in its analysis 
of the manufacturing establishments of the country, according 

0OTK3T OF FACTORIES 

tJRd Vuluo-of-Producta of Manufacturing Establishmenta 
of specified alaa 

(cite being measured by value-of-produots} 

United States 
XS14 

(»otej— Ali daU in percentages of total or aggregate) 

Source: «*• U. S, Census 


Spaoificd 

Valua - of -Pr oduo t s 
per 

Est&blishmai^t 

All Establiehaenta having 
specified value-of -products 

Number 

•Value-cf-Pro ducts 

lesa than t5|000 

S6.2 

1.0 

15,000 • $20,000 

21.9 : 

3.7 

less than |20,000 

07.1 

4,7 

$20,000 - 1100,000 

20.9 

10.5 { 

Lt35 than 1100,000 

87.7 

15.2 

1100,000-11,000,000 

10.9 

16.1 

Less than 11,000,000 


51.5 

$1,000,000 ana over 

mm 

' 46.6 

itoy value whatever 

100.0 

100.0 


Fig. 318 . Cumulating the Percentages. 


to their employees, gives both the number of establishments 
and the aggregate number of employees in such establishments ; 
in its analysis by value of products, gives both the number of 
establishments and their aggregate value of products. Ex- 
amples might be multiplied without end, for whenever we dis- 
tribute the items of any phenomenon into groups upon the 
basis of some units for measurement, we are then at liberty to 
count either the items themselves or their units of measure- 
ment, group by group. 













LORENZ CURVES 359 

The thought, therefore, occurs to us that a chart could be 
made in which one of these series serves as the independent 
variable for the other, and in which the two values for each 

OUTPUT OF FACTORIES 

V&lue-of -Products wad Numbcr-of-Eotablishm&nts 
of Itonufacturing Establishments of specifiad siz® 

(size being measured by value-of-produats) 

United States 
1914 

(Kote:- All data in percentages of total) 

Source:- U.S. Census 


Specified Size 
as shovm by 

Establishments having 
specified value-of-products 

per 

Establislmeni 

Ntmiber-of- 

Establishments 

Value-pf- 

Produots 

Loss than $5,000 

35.2 

wmm 

Loss than $20,000 

$7.1 

mm 

Less than $100,000 

87.7 

15.2 

Less than $1,000,000 

98.$ 

51,S 

Aiy value whatever 

100.0 

100,0 


Fig. 319. Data For the Lorenz Curve. 


group of items are made the co-ordinates of plotted points. 
Obviously, if we are not to have the curve which connects 

OUTPUT or PACTCSUES 

The Value of Produete of 
ipeelfled groups of )Canuf&oturi»g Sitehllahnentt 
United Siatee 
1914 

Xu percentage figures 

(Koter*- ill groups eomposed of estahllshmentf hariog, 
least value of produotl.) 

Source:— U 6 Oensut 


Ktoiiber of 

Value of 

SstahlishRients 

Produett 

percent 

Percent 

35.2 

1*0 

67<1 




67.7 


96*5 


100.0 

100.0 


Fig. 320* Data to Plot the Lorenz Curve. 

these points moving backward and forward as well as up and 
down, we must cumulate the series which is to be used as the 















360 


CHARTS AND GRAPHS 


independent variable, and since it will be found that the curve 
has greater significance when fcoth are cumulated, we in- 
variably cumulate both series. It is then a matter of indifFer- 

OUTPOT OF FACTORIES 

The of Products of 

specified groups of Manufaofcuring Eatsiblisfamentt 
United States 
19X4 ' 

In percentages 

(Note:*— ^ All groups ooBjposod oumilativoly of the 
eatabliahments havirg least value of products) 

3ouroe:*«o U. S. Census 



0 10 20 30 40 60 60 70 80 90 100 

Percentage of aggregate number of Establishments 


Fig. 321. The Lorenz Curve. 

ence which series be used as the independent one, and either 
series may be plotted upon either axis of the chart. It will be 
seen that the chart is closely related to the ogive, since it uses 


oirrm tr facwrib 

Vnitsd States 
19 li. 


7h« 

n 

Isr^est 10 peroent of the 

factories preduoe 78 percent of the values 
" " 87 " " *1 " 

the 

smallest 

90. 

ao, 

only 22. 
" IS. 


m 

50 " 


H 


** 

n 

" 

" 


" 

" 

w 

70, 

" 

7. 


n 

40 ■ 

" 

« 

** 


9« 

II 



" 

n 

" 

60, 

** 

4. 

H 

m 

half 





97 

n 


*• 

n 

tt 



II 

S. 

ft 


60 " 


** 

" 

*• 

98 

•• 


n 



n 

*40, 

'* 

2. 

tl 

•* 

70 ” 


n 

*• 

e 

99 


n 

H 

m 


n 

50, 

about 1. 

n 

tt 

80 " 

n 

n 


** 

99f 


*' 


n 

n 

n 

20, 


4. 

It 

n 

90 " 



" 

H 

99| 


* 

" 

« 

* 


10, 

” 

ir* 


(Kota;— “Largo” and "small" refer to the si*e of the factory aa measured by the raluo of Its produotto) 

Also 

10 percent of the values are produced by the largest ^ percent of factories'; 90 by the aioAllest 99jr 

20 " " " " " n » « II II « " j 80 ^ " " 99. 

•ioii;. .. • »*• 


Fig. 322. What the Lorenz Curve Tells the Layman, 



LORENZ CURVES 


361 


a cumulated series; it will also be seen that the chart omits 
altogether the classes or groups in which the data has been 
collected. Lastly, to produce a uniformity of these charts, and 
to facilitate the comparison of different distributions upon the 
same chart, all items are turned into percentages of the totals, 
and plotted upon percentage scales along both axes. 

When this type of curve is drawn upon a square field, with 
equal percentage scales upon each axis, it takes the shape of 
an archer’s bow, and the curvature of the bow has a peculiar 

LOBENZ CUBVE SHOWUSTO THE BISTBIBUTIOK OF 
INCOMES IN 1918. 



Front Income in the United States,” hy the National Bureau of Economic Research, by permission. 


Fig. 323. The Familiar Example. 


significance as an index of dispersion in the original distribu- 
tion. For a little thought will show that a uniform distribu- 
tion in which all items are alike will yield not a curve, but a 
straight line. The first ten per cent of the ''population” in the 
series of personal incomes, for example, if all incomes were 
equal, would have ten per cent of the total income of the 
country, the first twenty per cent would have twenty per cent 
of the total income, and so on. Hence, the distance between 
the curve and the straight-line diagonal indicates the degree 
in which the series is removed from a perfectly uniform dis- 



362 


CHARTS AND GRAPHS 


tribution — a feature which statisticians call dispersion or 
scatteration. 

The Lorenz curve, as this form of chart has come to be 
known, has not been much used except in the analysis of in- 
come and wealth distribution, but it is obvious that it is 
capable of use for any and all frequency series. It is simple 

OUTPUT OF FACTORIES 

The Value of Products of 
specified groups of Manufacturing Psiabllshnonto 
United States 
1914 

In percentage 
Source:— U. S. Census 



Percentage of aggregate number of SstabXishmenta 

Fig. 324# Two Curves of the Same Data By Using Both **Morc-than’^ and 
'^Less-than'^ Cumulatives. 

and popular in its appeal, without being in the least Inaccurate 
or meaningless. It has certain advantages in the emphasis it 
throws upon dispersion and unequal distributions. Its chief 
disadvantage is in the omission of the group-by-group data 
for the series it illustrates, but this data is more in the nature 
statistical detail, and does not belong to what may be called 
a summary analysis of a distribution; to the average man such 
detail is confusing rather than helpful, while the results of the 




LORENZ CURVES 363 

dispersion, which this chart shows, form in his mind the meat 
of the matter.i 

The principles of the Lorenz curve can, however, be ex- 
tended to innumerable comparisons between frequency series. 
It is not necessary that the two series compared be the two 
alternative forms for the same data. Though the latter is 
usually the sounder practice, there may be occasion to bring 

ODIPIII or FACTOSXSS 
Th* Value of Produote 

of «peoified groupe^of Mawafacturing Establlilmiist* 
as 4 of speoifled groups of Employee* tberelA 
United States 
1914 

In percentages 
Souroe; U* S. Censu* 



together series which, for example, have different units of 
measurement. Thus the manufacturing establishments of the 
country are classified in the census as to number of em- 
ployees, value of products, value added by manufacture, horse- 
power used, and the like. Taking any one of these classifica- 

^ As no data can be easily appended to the Lorenz curve, unless we elect to give 
readings of the curve at various points (in which case data belongs at both the top and 
on the right side of the chart, to give readings for both variable scales), it is generally 
sufficient to append to the Lorenz curve the percentage cumulations from which the 
curve has been drawn. These afFord to the inquisitive full details for the group-by- 
group distributions which the chart itself does not show. 




364 


CHARTS AND GRAPHS 


tions, the census gives the other features just mentioned, for 
the establishments forming each group in the classification. 
The true Lorenz curve will then bring together, for example, 
the number of establishments having a specified value of prod- 
ucts and the group value of the products of these establish- 
ments. If we like, however, we can bring together the value 
of products of each group and the number of employees at- 
tached thereto, or the value added thereby, or any other 

OUTPUT OF FACTORIES 

*Valu« of products" and "Value Added t>y Msmifacture" 
of specified groups of Manufacturing EstaUllshmenta 
and of specified groups of Emplcyeea therein 
United States 
1914 

In percentages 
Source: 0. S. Census 



Fig. 326. The Logical Form is Triangular. 

feature we desire to show. This forms a pseudo-Lorenz curve 
which, though slightly more complicated in principle, has the 
same popular features. 

Popularity is the main feature of the Lorenz curve, but 
it is not without its scientific significance. As already re- 
marked, the deviation of the curve from a straight line shows 
the dispersion or scatteration of a series. For this reason, it 
would seem useful to plot the Lorenz curve upon triangular 
or tri-axial ordinates, by omitting the useless half of the square 
chart-field, and to make the stright-line diagonal the base of 
the chart in order to emphasize the deviation of the curve 
from the straight-line diagonal. A second feature of the 



LORENZ CURVES 


365 


Lorenz curve is that the lack of similarity between the two 
terminal parts or “tails” of the curve, indicates what statis- 
ticians call skewness in the data. In these ways, this form of 
chart is a useful tool for the technician, and yields an intelli- 
gible message of details in which he is interested and which 
will escape the lay reader. Primarily, however, the Lorenz 
curve is popular — the one and only way of making an inter- 
esting picture of a frequency distribution for the average man 
and of bringing strongly home to him the practical aspects 
of the frequency distribution presented. 




PART III. RATE-OF-CHANGE ANALYSIS 



Chapter XXXI 


THE GENEALOGY OF NUMBERS 

The first mathematical operation in the world was piobably 
more difficult for its discoverer, than the most complicated 
mathematical processes are for us today. Prehistoric man was 
able to master that initial operation and hence you are con- 
fronted with the disconcerting question, ‘‘are you intellectually 
weaker than the cave man, the stone-age man and the iron-age 
man?'^ If you admit the charge, or if you have already mas- 
tered higher mathematics, you should skip this chapter and 
continue in the straight and narrow road of charting, for in the 
first case you will not understand it and in the second you 
will not need it. The chapter is by way of being a comic inter- 
lude in which the reader is invited to wander down a by-way 
into pure mathematics, which will give him a theoretical 
understanding of the charts which follow. For a practical 
working knowledge of them, this theoretical understanding 
is not needed, but it will be a source of abiding satisfaction to 
him and will incidentally raise his batting average against 
charting errors and mistakes. 

The first mathematical operation was that of counting off 
or numbering. That is to say, standing in the middle of a 
road, you walked forward and your first step was your “first^’ 
step, your next was your “second'^ step, your next was your 
“third’^ step, and so on. The implements are called ordinals 
(“first, “second, “third, etc.). The result of this counting 
off or numbering is to give you the number of steps you have 
taken, that is, measurement or mensuration. The measure- 
ment comes in the form of what is called a cardinal number 
(“one,’’ “two,” “three,” and so on). Hence note that you 
have the following: 

Materials: Distinct items 
Operation: Counting off or numbering 
Result: Ordinal numbers 

366 



THE GENEALOGY OF NUMBERS 


367 


Materials: Ordinals 

Operation: Measurement or mensuration 
Result: Cardinal numbers 


Several centuries may have passed before another bright 
young chap came along who was a little less hairy than his 
ancestors and had a little higher forehead. He discovered 
that if he walked five miles one day and five the next, it was 
the same as walking ten miles in all, the interesting thing being 
that the same two cardinals always made the same third car- 
dinal. This made possible the great and fundamental law 
upon which our civilization is said to rest, that two and two 
make four. The operation is known as ^‘addition/^ It is a 
sort of multiple measuring. Its result is a ‘‘sum.’’ An in- 
verse operation exists which is called “subtraction,” the result 
of which is called a “difference.” In this inverse operation we 
first meet with what are called “negative numbers” giving 
rise to a conception that numbers can sometimes be either 
“positive” or “negative.” And in this inverse operation we 
must distinguish the two numbers operated on, calling the first 
the “minuend” and the second the “subtrahend.” Now note 
that you have the following: 


Materials: 

1st material 
2nd material 
Operation: 
Result: 


Direct 

Terms 


Increment 

Addition 

Sum 


Inverse 

Terms 

Minuend 

Subtrahend 

Subtraction 

Difference 


Again many centuries elapse before the third act. This 
time the inventor discovers that if he walks five miles every 
day for five days, it is the same as walking twenty-five miles 
in all,' and that no matter how often he repeats the operation 
the result will always be the same for each two given numbers. 
From this we discover the law that two times two make four, 
and with it the multiplication table. The process is called 
multiplication and is a sort of multiple adding. Most of our 
so-called multiplying machines are built on this principle, the 
operator simply turning the crank of the machine often enough 
to add the quantity the right number of times. The reverse 
process is called ‘division” and is a sort of multiple subtrac- 
tion, The result of “multiplication” is called a “product,” of 
division a “quotient.” And the reverse process, division, gives 



368 


CHARTS AND GRAPHS 


rise to a new type of number called a “fraction/’ showing us 
that numbers can sometimes be “integrals” or whole numbers 
and sometimes “fractions” or part numbers. And remembering 
the negative numbers we met, we also find negative products 
and -quotients or fractions. Note now that we have the fol- 
lowing : 



Direct 

Inverse 

Materials: 

F actors 

F actors 

1st material 

Multiplicand 

Dividend 

2nd material 

Multiplier 

Divisor 

Operation: 

Multiplication 

Division 

Result: 

Product 

Quotient 


Again a long time passes. The fourth act begins. Some 
one says: A five-mile distance walked by five persons, total 
walking, 25 miles (in which 5 is used twice as a factor), on 5 
-different days, total 125 miles (in which 5 is used three times 
as a factor), in five different cities, total 625 miles (in which 5 
is used four times as a factor) and in five different countries, 
total 3125 miles (in which 5 is used 5 times as a factor). Now, 
says he, instead of writing“5X5X 5X5X5” why not write 5^ 
and be done with it. His invention, you see, is clearly one of 
notation. His process is called “raising to a power,” his result 
being a “power” of the original number. It is a sort of multiple 
multiplication. The inverse operation is called “reducing to 
a root” the result being a root of the original number. It is a 
sort of multiple division. We use the method- when we say 
that the square (or second power) of two is four. The little 
number up in the corner is called the exponent. When it is in 
the righthand corner it signifies raising to a power, and when 
on the lefthand side in a radical sign it signifies the inverse 
operation of extracting a root. Again the raising to a frac- 
tional power also signifies the inverse process. And in the in- 
verse process we meet with the square root of negative num- 
bep, which we call “surds” or “irrational numbers.” And we 
^ also find negative exponents. Now note that you have: 

Direct Inverse ' 

Operation: Involution Evolution 

Materials: 1st Number Number 

2nd Exponent Fractional exponent 

Power Root 


Result: 



THE GENEALOGY OF NUMBERS 


3h 


Here, the author, in the role of stage manager, must step 
out in front of the curtain, with a little speech of apology. 
The play would progress better had not the playwrights, that 
is the mathmeticians, been badly put to it to find new names 
and symbols for their operations. They have progressed 
bravely up to this point. Thus reviewing their work you find: 
Counting off: 1st, 2nd, 3rd, 4th, 5th, etc., gives us Measurement; 
1, 2, 3, 4, 5, etc. 

Multiple Measuring: 1, 2, 3, 4, 5, and 1, 2, 3, 4, 5, gives us 
Addition; 5 -|-5 =10. 

Multiple Addition: 5 + S + S + 5 + S gives us Multiplication; 
5x5 =25. 

Multiple Multiplication: 5xSxSx5x5 gives us an Involu- 
tion; 5^ = 3125. 

So far, the}^ have given us a marvelous system for the easy 
notation of their ideas. You will notice that the phrase 5''^ is 
a highly compressed expression, which would otherwise have 
to be written 5 X 5 X 5 . . (to 5 times) or 5 +5 +5 4-5 +5 . . 

(to 625 times) or 1 4-1 4-1 4-1 4-1 . . . (to 3125 times). But 
we warn you that this simplicity is at an end. Examine the ex- 
pression, 3125 =5^. Substitute for it the general algebraic ex- 
pression A = This describes A as the C-th power of B, 
From it you can readily derive the expression for 5, as follows: 

c 

B = VA^ that is B is the C-th root of A, But they have no 
convenient symbol for C, the exponent of the power to which 
B must be raised to equal A, and they can only give you a 
cumbersome word by which you can describe C as — but wait 
and see. 

The fifth act, with which, so far as we are concerned, the 
play should end happily, opens with a young man who discovers 
that the fifth power of five is the same thing as multiplying to-, 
getherthe second and third powers of five, and that, in general, 
to multiply two powers of the same number together you need, 
merely add their exponents, thus B"^ X B"^ = Likewise,, 

to divide a power by another power of the same number, you 
need merely subtract their exponents, thus B^ ^ B'^ = 
Whereupon he promptly says, let us change all numbers in the 
world into powers of one common and universal base number 
and then we shall be able to substitute for the lengthy tedious 
process of multiplication and division, the simple and easy 
process of addition and subtraction. Instead of multiplying 



370 CHARTS AND GRAPHS 

together a long series of large numbers we would only need 
to add their corresponding exponents of this universal base. 
The discovery was in the nature of a miracle. To add expo- 
nents instead of multiplying powers! The process has been 
accounted one of the nine wonders of the world. And it’s as 
easy as falling olF a log! 

Then this excellent discoverer has to spoil his work by 
using a long and terrifying name for his process. For he calls 
it logarithmation. He calls his exponents of the common base, 
logarithms to that base. He calls his table of exponents a table of 
logarithms. He cannot think up a new symbol and when 
asked what c is in the equation, A = he writes: 

c^log^A 

(This is read, “c equals log A to base B’\) For he abbreviates 
his long word logarithm by the short word log. But it is no 
use. The public has decided that the use of logarithms is not 
as easy as falling off a log. All of which goes to show that 
there is something in a name after all. The public fell off the 
logs long ago and has been off them ever since. After this 
unhappy denouement, we introduce the following pageant, 
as additional entertainment to an audience which has sat 
faithfully through five tedious educational acts.i 

Marshal before your eyes the countless myriads of num- 
bers known to man. (For the sake of simplicity consider the 
whole numbers only, forgetting for the moment the fractions.) 
Arranged in single file from zero out into infinity, it would 
take forever for their procession to pass. For there is literally 
no end to them. Marching by at the rate of one at every 
tick of the clock, the first ten thousand would pass in an hour. 
And marching day and night, after four days one million would 
appear. But it would be ten years before the first number of 
ten digits, the first billion number, comes into view. And as 
to the trillion, that would not yet have appeared if the parade 
had begun before the pyramids were built. Yet the trillion 
is no longer a stranger to financial circles and is a poor small 
thing in the world of science. 

Now hovering over the shoulder of every one of these num- 
bers the close observer might discover its spiritual counterpart, 
its soul. Subject this soul to close analysis and you will fi nd 

* The foregoing text has been largely modelled after the excellent introductory 
chapter in “Engineering Mathematics’* by Charles P. Steinmetz. 




THE GENEALOGY OF NUMBERS 


371 


it is the exponent which will raise some common universal 
base-number to the value of the number itself, and since our 
numbers are arranged on the decimal system, the most con- 
venient base figure for the exponents or souls is the number 
ten. From this we may easily identify the souls of all powers 
of ten. Thus it is easy to see that the soul of ten itself is 1, 
since ten is the first power of ten. It is easy to see that the 
soul of one hundred is 2, since it is the second power of ten 
(that is, the base number, ten, must be taken twice as a factor 
to give us the number one hundred). It is easy to see that the 
soul of one thousand is 3 ; that the soul of one million, for ex- 
ample, is 6; and so on. Indeed we quickly discover that every 
whole or integral soul belongs to an even power of ten and coin- 
cides with the number of ciphers between the initial digit one 
and the decimal point. In short, the soul tells us the position 
of the decimal point. 


Going back into small numbers and fractions it is equally 
simple. The soul of one, for instance, is 0, for the zero power 
of any number, including the base ten, is one. Notice that the 
soul still tells us the position of the decimal point, for the 
latter is immediately beside the initial digit, without any inter- 
vening digits. Now what is the soul of one tenth? Obviously 
it is -1, for as you know, to convert a denominator into a 
numerator we need merely change the sign of its exponent, and 


10 


=io-‘. 


Likewise the soul of one-hundredth is -2, for 


100 


1 


— = 10 '^ 
102 • 


The soul of one-thousandth is 


. 3 , of one ten- 

thousandth is -4, of one-millionth is -6, and so on. And if 
we write these fractions, one-tenth^ one-hundredthy one-thou- 
sandth, one ten-thousandth, or one-millionth, as, respectively, 
‘^000,r^ or ^^000,001,^’ we shall see that 
their souls, namely -1, -2, -3, -4 or -6, tell us again the 
positions of the decimal points. Only this time, since the 
decimal point has been moved backwards, that is, to the left of 
its position beside the first significant digit (initial ciphers are 
not called significant), the soul has become negative. A 
quaint and convenient fact, that the soul always tells, by its 
sign and whole or integral part, the precise position of the 
decimal point in a number. 



CHARTS AND GRAPHS 


372 


But what of the souls of numbers lying between the even 
powers of ten ? There are eight numbers between one and teUj 
eighty-nine between ten and one hundred^ and many, many 
more between the higher powers. They too have souls, but 
it is clear that they cannot have even whole or integral souls, 
for these belong to the powers themselves. The numbers too, 
three^ four and so on, for example, lie between one and ten; so 
they must have souls between 0 and 1. We easily conclude, 
therefore, that their souls must be fractions somewhere be- 
tween 0.0000 and 1.0000. That this is correct we can quickly 
demonstrate. Consider ike square root of ten, a number, as you 
know, a little greater than three. It is obvious that its soul 

must be since the square root of ten is the one-half power of 
^ 2 

ten, that is VIO—IO^. Hence for the square root of ten we 
have a soul 0.5000, lying as you see between 0.0000 and 1.0000. 
Mathematicians have figured out to many places the souls of 
other numbers, that of three (which is but a little less than the 
square root of ten) being to four places 0.4998; that of two being 
0.3010. Remember these two and you will always be able to 
reconstruct the souls of almost all other numbers without as- 
sistance. In short, the souls of all numbers other than powers 
of ten are not integral, but are fractional. 

Returning to the parade, let us call a halt to the intermin- 
able thing and hold a grand review of the numbers, marshalling 
them according to their significant digits. In the entire bat- 
talion of numbers there will then be but nine regiments, each 
led by one of the significant digits, one, tzuOy three^ four^ five^ six, 
seven, eight, or nine. Each regiment will again be composed 
of ten companies in which the second digit is one of the ten 
numerals, zero to nine. Each company will be divided into 
ten platoons in which the third digit likewise varies,, each 
platoon into ten squads whose fourth digits vary, and each 
squad will be. similarly divided into ten subdivisions. This 
subdivision could proceed indefinitely. You will notice that we 
have here disregarded entirely the position of the decimal 
point. Now the interesting thing about this arrangement is 
the fractional parts of the souls. For the souls would never 
repeat themselves in this review, but there would be one 
ftactional part of- a soul assigned to each file or succession of 
significant digits, and belonging to that particular file al- 



THE GENEALOGY OF NUMBERS 


373 


ways, regardless of changes in the position of the decimal 
point. The integral parts of the souls would indeed change 
with the change of the decimal point, but not the fraction. 
Thus glancing down the file ‘‘200000,’’ we find that the soul 
of two (“2.00000”) is 0.3010, that the soul of twenty 
(“20.0000”) is 1.3010, that the soul of two hundred (“200.000” 
is 2.3010, that the soul of two thousand (“2,000.00”) is 3.3010, 
and so on. In short, while the integral parts of souls are the 
same for similar positions of the decimal point, the frac- 
tional parts of the soul are the same for similar successions of 
(significant) digits in numbers. 

But this glimpse of the souls of numbers must come to a 
close. From now on in this book (and in all other books), you 
will meet them again only under the prosaic names of logs or 
logarithms, or more precisely, common or Briggsian logarithms.^ 
When logarithms are used, the natural numbers for which 
they stand are sometimes called anti-logarithms. The frac- 
tional part of the logarithm is called the “mantissa” and be- 
cause it is the same for all similar combinations of natural 
numbers or significant digits, it forms the body of the table 
of common logarithms. The integral or whole part of the 
logarithm is called the “characteristic,” and since it records 
the position of the decimal point is not shown in logarithm 
tables but is left to be determined by inspection. With the 
information dispensed in this chapter, in as heavily sugar-coated 
pellets as we could provide, you are prepared to meet, master 
and make use of any logarithm which strays your way as if 
it had been your life-long servant — ^no, no, much better than 
that! 

In this chapter we shall go no further into the uses of 
logarithms. They shall sit up and perform for us through the 
major part of the rest of this book. We merely repeat, for 
your lasting remembrance (and don’t ever forget it) their 
fundamental relations: 

log A+\og 5 = log {AxE) 
log A -log 5 = log {A -^B) 


^ “Logarithms were invented and a table published in 1614 by John Napier of 
Scotland; but the kind now chiefly in use proposed by his contemporary, Henry 
Briggs, professor of geometry in Gresham College in London .’* — Century Dictionary. 



374 


CHARTS AND GRAPHS 


N 

0 

1 

2 

3 

4 

5 

6 

7 

8 

9 

\\ 

12345 

10 

0000 

0043 

0086 

0128 

0170 

0212 

0253 

0294 

0334 

0374 

4 a 12 17 21 

11 

0414 

0453 

0492 

0531 

0569 

0607 

0645 

0682 

0719 

0755 

4 8 n 15 19 

12 

0792 

0828 

0864 

0899 

0934 

0969 

1004 

1038 

1072 

1106 

3 7.10 14 17 

13 

1139 

1173 

1206 

1239 

1271 

1303 

1335 

1367 

1399 

1430 

3 6 U' 13 16 

14 

1461 

1492 

1523 

1553 

1584 

1614 

1644 

1673 

1703 

1732 

36 3 12 15 

15 

1761 

1790 

1818 

1847 

1875 

1903 

1931 

1959 

1987 

2014 

3. e. 8 1 1 H 

16 

2041 

2068 

2095 

2122 

2148 

2175 

2201 

2227 

2253 

2279 

3 5 8 11 n 

17 

2304 

2330 

2355 

2380 

2405 

2430 

2455 

2480 

2504 

2529 

2 5. 7 10 12 

18 

2553 

2577 

2601 

2625 

2648 

2672 

2695 

2718 

2742 

2765 

2 5. 7. 9 12 

19 

2788 

2810 

2833 

2856 

2878 

2900 

2923 

2945 

2967 

2989 

2 4 7 911 

20 

3010 

3032 

3054 

3075 

3096 

3118 

3139 

3160 

3181 

3201 

2. 4 6. 8 1 1 

21 

3222 

3243 

3263 

3284 

3304 

3324 

3345 

3365 

3385 

3404 

2 4 6 8 10 

22 

3424 

3444 

3464 

3483 

3502 

3522 

3541 

3560 

3579 

3598 

2. 4- 6. 8 10 

23 

3617 

3636 

3655 

3674 

3692 

3711 

3729 

3747 

3766 

3784 

2 4. 5 7 si 

24 

3802 

3820 

3838 

3856 

3874 

3892 

3909 

3927 

3945 

3962 

2- 4. 5 7. 9 

25 

3979 

3997 

4014 

4031 

4048 

4065 

4082 

4099 

4116 

4133 

2 5- 5 7. 9 

26 

4150 

4166 

4183 

4200 

4216 

4232 

4249 

4265 

4281 

4298 

2 3 5 7 9 

27 

4314 

4330 

4346 

4362 

4378 

4393 

4409 

4425 

4440 

4456 

2* 3 5. 6 8 

28 

4472 

4437 

4502 

4518 

4533 

4548 

4564 

4579 

4594 

4609 

2- 3- 5- 6 8 

29 

4624 

4639 

4654 

4669 

4683 

4698 

4713 4728 

4742 

4757 

1. 3. 4. 6. tj 

30 

4771 

4786 

4800 

4814 

4329 

4843 

4857 

4871 

4886 

4900 

1 3. 4. 6. : 

31 

4914 

4928 

4942 

4955 

4969 

4983 

4997 

5011 

5024 

5038 

1. 3. 4. 6* 7 

32 

5051 

5065 

5079 

5092 

5105 

5119 

5132 

5145 

5159 

5172 

1 3. 4 5 7 j 

33 

5185 

5198 

5211 

5224 

5237 

5250 

5263 

5276 

5289 

5302 

1. 3* 4. 5. 6! 

34 

5315 

5328 

5340 

5353 

5366 

5378 

5391 

5403 

5416 

5428 

1 3 4. 5. ei 

35 

54.41 

5453 

5465 

5478 

5490 

5502 

5514 

5527 

5539 

5551 

1-2 4 5 6 

38 

5563 

5575 

5587 

5599 

5611 

5623 

5635 

5647 

5658 

5670 

I 2- 4. 5> 6 

37 

5682 

5694 

5705 

5717 

5729 

5740 

5752 

5763 

5775 

5786 

1 2. 3 5^ 6 

38 

6798 

5809 

5821 

5832 

5843 

5855 

5866 

5877 

5888 

5899 

1. a. 3* 5'. 6 

39 

5911 

5922' 

5933 

5944 

5955 

5966 

6977 

5988, 5999 60I0 

1-2. 3.4 6 

40 

6021 

6031 

6042 

6053 

6064 

6075 6085 

6096 

6107 

6117 

1 2. 3. 4. 5 

41 

6128 

6138 

6149 

6160 

6170 

6180 6191 

6201 

6212 

6222 

1-2. 3. 4. 5 

42 

6232 

6243 

6253 

6263 

6274 

6284 

6294 

6304 

6314 

6325 

1-2. 3* 4. 5 

43 

6335 

6345 

6355 

6365 

6375 

6385 

6395 

6405 

6415 

6425 

2. 3* 4. 5 

44 

6435 

6444 

6464 

6464 

6474 

6484 

6493 

6503 

66|13 

6622 

1- 2* 3* 4 si 

45 

6532 

6542 

6651 

6561 

6571 

6580 

6590 '6599 

6609 

6618 

1 2. 3- 4. 5 

46 

6628 

6637 

8646 

6656 

6665 

6675 

6684 

6693 

6702 

6712 

1 2. 3. 4 5 

47 

6721 

6730 

6739 

6749 

6758 

6767 

6776 

6785 

6794 

6803 

1 2 3. 4. 5 

48 

6812 

6821 

6830 

6839 

6848 

,6857 

6866 

6876 

6884 

6893 

1 2. 3 4. 4 

49 

6902 

6911 

6920 

6928 

6937 

6946 

69'55 

6964 

6972 

6981 

1. 2. 3-4. 4 

50 

6990 

6998 

7007 

7016 

7024 

7033 

7042 

7050 

7059 

7067 

12. 3- 3t 4 

51 

7076 7084 

7093 

7101 

7110 

7118 

7128 7135' 7143 7162 

1/2. 3s 3. 4 

52 

7160 7168 

7177 

7185 

7193 

7202 

7210 

7218 

7226 

7235 

12 2. 3 4 

53 

7243 

7251 

7259 

7267 

7275 

7284 

7292 

7300 7308 

7318 

1. 2. 2 3. 4 

54 

7324 

733'2 

7340 

7348 

7350 

7364 

7372 

7380 

7388 *7396 1 

1, 2. 2. 3. 4 


Fig. 327. Table of Logarithms, t-5. 





THE GENEALOGY OF NUMBERS 




55 

7404 

7412 

7419 

7427 

7435 

56 

7482 

7490 

7497 

7505 

7513 

67 

7559 

7566 

7574 

7582 

7589 

58 

7634 

7642 

7649 

7657 

7664 

59 

7709 7716 

7723 

7731 

7738 

60 

7782 

7789 

779S 

7803 

7810 

61 

7853 

7860 

7868 

78'75 

7882 

62 

7024 

7931 

7938 

7945 

7952 

63 

7993 

8000 

8007 

8014 

8021 

64 

8062 

8069 

8075 

8082 

8089 

65 

8129 

8138 

8142 

8149 

8156 

66 

8195 

8202 

8209 

8215 

Z!i22 

67 

8261 

8267 

8274. 8280 

8287 

68 

8325 

8331 

8338 

8344 

8-351 

69 

8388 

8395 

8401 

8407 

8414 

70 

8451 

8457 

8463 

8470 84761 

71 

8513 

8519 

8525 

8631 

8537 

72 

8573 

8579 

8585 

8591 

8597 

73 

8633 

8639 

8645 

8651 

8657 

74 

8692 

8698 

8704 

8710 

8716 

75 

8751 

8756 

8762 

8768 

8774 

78 

8808 

8814 

8820 

8825 

8831 

77 

8865 

8871 

8876 

8882 

8887 

78 

8921 

8927 

8932 

8938 

8943 

79 

8976 

8982 

8987 

8993 

8998 

80 

9031 

9038 

9042 

9047 

9053 

81 

9085 

9090 

9096 

9101 

9106 

88 

9138 

9143 

9149 

9154 

9159 

83 

9191 

9X96 

9201 

9208 

9212 

84 

9243 9248 

9253 

9258 

9263 

85 

9294 9299 9304 9309 

9315 

86 

9345 

9350 

9355 

9360 

9365 

87 

9395 

9400 9405 

9410 

9415 

88 

9445 

9450 

9455 

9460 

9465 

86 

9494 

9499 

9504 

9509 

9513 

90 

9542 

9547 

9552 

9557 

9562 

91 

9590 

9595 

9600 

9605 

9609 

92 

9638 

9643 

9647 

9652 

9657 

93 

9685 

9689 

9694 

9699 

9703 

94 

9731 

9736 

9741 

9745 

9750 

95 

9777 

9782 

9786 

9791 

9795 

96 

9823 

9827 

9832 

9836 

9841 

97 

9868 

9872 

9877 

9881 

9886 

98 

9912 

9917 

9921 

9926 

99S0 

99 

9956 

9961 

9965 

9969 

9974 


r 

7443 

7451 

7459 

7466 

7474 

7520 

7528 

7536 

7543 

7551 

.7597 

7604 

7612 

7619 

7627 

7672 

7679 

7686 

7694 

7701 

7745 

7752 

7760 

7767 

7774 

7818 

7825 

7832 

7939 

7846 

7889 

7896 

7903 

7910 

7917 

7959 

7966 

7973 

7980 

7987 

8028 

803^ 

8041 

8048 

8035 

8096 

8102 

8109 

8116 

8122 

8162 

8169 

8176 

8182 

8189 

8228 

8235 

8241 

8248 

8254 

8293 

8299 

8306 

8312 

8319 

8357 

8363 

8370 

8376 

8382 

8420 

8426 

8432 

8439 

8445 

8482 

8488 

8494 

8500 

8506 

8543 

8549 

8555 

8561 

8567 

8803 

8609 

8615 

8621 

8627 

8663 

8669 

8675 

8681 

8686 

8722 

8727 

8733 

8739 

8745 

8779 

8785 

8791 

8797 

8802 

8837 

8842 

8848 

8854 

8859 

8893 

8899 

8904 

8910 

8915 

8949 

8954 

8960 

8965 

8971 

9004 

9009 

9015 

9020 

9025 

9058 

9063 

9069 

9074 

9079 

9112 

9117 

9122 

9128 

9133 

9165 

9170 

9175 

9180 

9186 

9217 

9222 

9227 

9232 

9238 

9269 

9274 

9279 

9284 

9289 

9320 

9325 

9330 

9335 

9340 

9370 

9375 

9380 

9385 

9390 

9420 

9425 

9430 

9435 

9440 

9469 

9474 

9479 

9484 

9489 

9518 

9523 

9528 

9533 

9538 

9566 

9571 

9576 

9581 

9586 

9614 

9619 

9624 

9628 

9633 

9661 

9666 

9671 

9675 

9680 

9708 

9713 

9717 

9722 

9727 

9754 

9759 

9763 

9768 

9773 








Fig. 328. Table of Logarithms, 5-9 




















376 


CHARTS AND GRAPHS 


A device which will do all this is worth knowing.2 In the 
language of valedictorians, we commend to your early atten- 
tion a small table of logarithms and many pleasant hours of 
easier computing therewith. 

2 From logs, that is, the logarithms of numbers, it is but a simple step to proceed 
to loglogs, that is, the logarithms of logarithms. Consider the phrase in which 
A and B are any values we wish, such as 29.37 and 43.921. We can write log 
log A. This reduces the involution to a mere matter of multiplying B into the log 
of A, But if the multiplication be tedious, as with the values first instanced, it will 
be simpler to write 

log (log A^) —log {B log A) 

=log .^-j-loglog A 

and proceed by addition. The loglog of a number is the logarithm of its logarithm, 
and is found in the log tables by treating the logarithm as a number. 



Chapter XXXII 


THE LAW OF ORGANIC GROWTH 

The law of organic growth, as it is called, is well-nigh as 
important to the practical business man as the law of cause 
and effect, but is unfortunately much less understood. The 
chart papers and methods discussed in this section of the 
book are designed to interpret statistics in the light of this law. 
To the uninitiated their construction remains a mystery, but 
to those who know the law which is the key to their meaning 
they are so valuable as to eclipse and almost to obviate all 
other chart methods. The law relates to the way in which a 
large majority of natural organic forces have been found to 
grow or change. It prescribes or defines the manner in which 
this growth or change will take place. The law is that, at 
regular intervals of time, each new value will be a constant 
percentage of the immediately preceding value. 

This feature of a constant relation between successive 
items in a series marks what mathematicians call a progression. 
There are several kinds of progressions, only one of which 
follows the law of organic growth. By far the simplest form 
of progression is the one called arithmetical. In the arith- 
metical series or progression, each item differs from the pre- 
ceding item by a constant amount (quantity, difference or in- 
crement). The series progresses from item to item either by 
addition or by subtraction of this amount. For example, in 
the series, 1, 2, 3, 4, 5, 6, . . ., the constant increment is +1. 
In the series 4, 3, 2, 1, 0, - 1, -2, . . ., the constant is ~1. In 
business, the familiar instance of the arithmetical progression 
is the accumulation of simple interest. 

Another and a very different series or progression is the one 
called geometrical. In a geometrical progression, each item 
differs from the preceding item by a constant ratio (rate, per- 
centage, factor, multiplier, or divisor). The series progresses 
.from item to item by multiplication or division by this con- 

377 



378 


CHARTS AND GRAPHS 


stant ratio. For example, in the series, 1, 2, 4, 8, 16, 32, 64, 
. * . ,the constant ratio or factor is 2. In the series 4, 2, 1, 
h h h • • * ^he constant is In business, a familiar 
instance of the geometrical progression is the accumulation of 
compound interest. And it is the geometrical progression 
which the law of organic growth prescribes. 

It is interesting to study these two types of progression, 
for they are the gist of the distinction between the curve 
charts which we have so far considered and the curve charts 
to which we are coming. In the first place let us consider the 
relative speed of these progressions. Compare the series 1, 2, 
3,4, 5, 6, . • with the series, 1, 2,4, 8, 16, 32, 64, . . ., and 
you will see that the geometric progression rapidly outruns 
the arithmetical one. These series have begun at unity and 
progressed by a 100% increase, which is a fairly rapid rate of 
increase. But the acceleration, from the arithmetical point 
of view, of the geometrical series will still be evident if we 
take A slower rate of increase such as 10%. Starting at unity, 
the arithmetical series will be 1, 1.1, 1.2, 1.3, 1.4, 1.5, 1.6, 1.7, 

• . . while the geometrical series will be 1, 1.1, 1-21, 1.33, 
1.47, 1.62, 1.78, 1.96. ... Of course either of the two types 
of progressions can begin with any item and increase at any 
rate, but from any point you wish to choose, if the rates are 
the same for the two series, the geometrical progression will 
always increase more rapidly than the arithmetical one. 

On the other hand, in the decreasing or diminishing direc- 
tion, the arithmetical progression will leave the geometrical 
one behind. Compare the series, 2, 1, 0, —1, -2, -3, . . . 
with the series 2, 1, f, and this will be evi- 

dent to you. And here we come to an important distinction 
between the two series, namely that while the arithmetical 
series can reach zero and pass into negative values, the geo- 
metrical series can never reach zero at all. In the example 
just given, the arithmetical series diminishes by subtracting 
I of the value of its first item and quickly passes zero, but 
the geometrical series diminishes by division by 2, and gives 
no indication of ever reaching the value of zero. Now we 
could have made the geometrical series begin with any other 
positive value and decrease at any other rate we please, but 
it still would be impossible for us to bring the geometrical 
progression down to zero. We can, by constantly diminishing 
it, that is, by repeatedly dividing its last item, bring it as 



THE LAW OF ORGANIC GROWTH 379 

close to zero as we please, without ever succeeding In entirely 
wiping it away. In mathematical language, zero is the in- 
finitesimal limit of the geometrical progression. 

Malthus made popular the distinction between these two 
kinds of progression with his theory that while the population 
of the world increased geometrically, the wealth of the world 
increased only arithmetically and hence soon limited the wel- 
fare of the population. But his theory has been proved to be 
false, the wealth of the world appearing to increase geomet- 
rically, though sometimes at a slower rate than the popula- 
tion. Indeed an attempt has recently been made ^ to invest 
mankind with a peculiar and to some extent exclusive power 
of geometrical progression, both in mental and physical accom- 
plishments, a theory to which the work of Professor Ogburn^ 
in suggesting something like a geometrical progression of all 
that may be called human civilization, bears important con- 
firmation. While it may not be so certain that the power of 
geometrical development is exclusively a property of human 
individuals, not shared by individual animals and plants, it 
is safe to say that human accomplishments, including business 
enterprises, are as often subject to the law of organic growth 
as are natural forces. 

The law of organic growth therefore is the proper criterion 
for the business man in judging the development of a business, 
as it is for the economist in his study of industrial and socio- 
logical records. In applying this criterion, we must forget 
(for the time being at least) the amount of increase in our 
business from year to year and center our attention upon its 
rate of increase. What are the year-to-year percentages of 
increase.? If the 1911 sales were 10% larger than the 1910 
sales and the 1912 sales were again 10% greater than the 1911 
sales, the business has increased in accordance with the law of 
organic growth. If the 1913 sales were again 10% greater than 
those in 1912, the increase has still followed the law. If the 
1913 sales were only 8% greater than those in 1912, there 
has been from the point of view of the law, a definite slowing 
down, or falling off in the rate of growth, which must either 
be explained by conditions outside the control of the company, 
such as a general business depression, or is a harbinger cf ill 

^ Cf. Korzybski, Alfred, Manhood of Humanity, E. P. Dutton k Co.,NewYork, 1921. 

^ Cf. Ogburn, William Fielding, Social Cha^ige, B. W. Huebsch, Inc., New York, 
1922. 



380 CHARTS AND GRAPHS 

omen which should call for almost as careful consideration by 
the directors as if there had been an absolute loss. On the 
other hand, if the 1913 sales were 15% greater than those in 
1912 and the event is not to be explained by forces outside 
of the control of the company, there is reason for far-sighted 
rejoicing and thanksgiving among the directors. 

That the results of the use of this criterion are radically 
different from the results reached by a study of the amount of 
change, is evident from the fact that the former may at times 
be directly contradictory to the latter. Let us suppose that 
in its first year the gross sales of the house amount to ^50,000, 
and in the second year to $100,000, that is, there has been an 
increase of $50,000, or 100%. If in the third year, sales 
amount to $160,000, obviously the amount of increase has gone 
up from $50,000 to $60,000, but the rate of increase has fallen 
from 100% to 60%. If in the fourth year sales amount to 
$225,000, the amount of annual increase has again risen to 
$65,000 but the rate of annual increase has fallen to about 
40%. If in the fifth year sales amount to $300,000, the 
amount of annual increase has again risen, this time to $75,000, 
and the rate of annual increase has again fallen, this time to 
33%. This fictitious example makes clear how illusory would 
be any conclusion based wholly upon the amount of change 
from year to year and how Important it is, that the annual 
rate of change should be watched, that is, that the records 
should be studied in the light of the law of organic growth. 

As a matter of fact, few business houses follow closely the 
law of organic growth for any considerable period of time. Or 
perhaps it would be better to say that though operating under 
the law of organic growth, they fail to maintain a constant rate 
of change. For it is certain that they operate under this law 
rather than under any law of arithmetical progression. Theo- 
retically, perhaps, given constantly similar external conditions 
and internal efficiency, the growth of a business house would 
conform to a geometrical series and illustrate perfectly the 
law. But as a matter of fact, the individual business house is 
at the mercy of a large number of external forces which lie 
outside of its control and do not remain constant but are ever 
changing, and the records of its growth therefore show a great 
amount of the play of what we might call chance variation. 
Business men are accustomed to thinking, in some fields, of a 
very definite saturation point in their markets. Of course when 



THE LAW OF ORGANIC GROWTH 


381 


such a point is approached, it becomes a limit which will neces- 
sitate a slowing up of the rate of increase, in spite of otherwise 
equal conditions, which would have favored a strict adherence 
to the geometrical progression. These individual variations 
and any approach to limiting points do not invalidate the law 
of organic growth, nor do they diminish its value as a criterion 
of business success. They are separate and additional forces 
imposed upon the development * of the individual business, 
their co-action with the law of organic growth determining the 
fluctuating records of the house. 

In entire industries, or in large aggregates of individual 
business records, the adherence to the law of organic growth 
is much closer and the operation of the law easily seen. In 
the last two decades, the automotive industry has afforded a 
spectacular illustration of a geometrical progression with a 
very rapid rate of increase, although a decline in this rate in 
recent years is terrifying manufacturers with visions of the 
approach of a potential saturation point in their domestic 
market.^ Two other recent industries, whose entire history 
can be covered in the last twenty years, show similarly close 
adherence to the law, both the phonograph and the moving- 
picture industries having grown by leaps and bounds, which 
when analyzed in this way become surprisingly regular and 
uniform. The operation of the law of organic growth in bus- 
iness and economic affairs is even more rigid in national and 
world-wide records. 


' ^ There is another curve which sometimes fits economic data better than the log- 

arithmic curve, namely the Gompertz curve. This is dealt with more fully later on, 
in the chapter on Special Projections. 



Chapter XXXIII 


RATE-OF^CHANGE ANALYSIS 

To subject a business record or the events in any other 
phenomenon to analysis according to the law of organic 
growth is not really a difl&cult problem. It implies of course 
a comparison of the rate of change or ratios between each two 
successive items in a series, and these successive ratios are the 
successive quotients obtained by dividing each item by the 
item immediately preceding it. This method of successive 
divisions would, however, be tedious even for the shortest 
series, and when applied to the wholesale analysis of a large 
body of statistics, such as (in the individual business house) the 
records of various lines and articles, or (in economics) the 
statistics for many industries or sociological developments, 
would indeed mount up to a forbidding and costly task. Mere 
inspection of the data, from which we could at once detect an 
arithmetical progression or recognize the failure of a given 
series of figures to conform to an arithmetical progression, will 
not often suffice to dig out the geometrical progression. 
Indeed, a fairly close approximation to a geometrical series 
may be so completely veiled in the figures that it passes un- 
noticed through close and even expert inspection of the data. 
The question, therefore, is can the geometrical series be made 
as apparent as the arithmetical one.^ And how can the failure 
or deviation of a series of data from a straight geometrical 
progression be as easily measured as its deviation from an 
arithmetical one? 

Between the two types of progressions, arithmetical and 
geometrical, there is a curious inter-relation which it is well 
to master. Let us examine again the series 1, 2, 4, 8, 16, 32, 
64, . . . With the exception of the first item in this series, 
it is evident that all the items are merely powers of 2 and 
since, as you know, 1 is merely the 0 power of any number, 
we may include it in the series calling it the 0 power of 2. 

382 



RATE-OF-CHANGE ANALYSIS 


383 

Therefore we can rewrite this series as follows: 2^, 2^, 3^, 2^, 2^, 
2^ 26.... Now examine these exponents and you will find 
that they form an arithmetical progression, 0, 1, 2, 3, 4, Sy 6. 

... In short, we find that if a geometrical series be rewritten 
as a series of the powers of a single quantity (the constant 
multiplier or rate of change), the exponents of these powers 
will form an arithmetical progression. This is a rule of general 
application and might be used as a means of defining the 
geometrical series. 

Here we come again to logarithms. For a logarithm, you 
will remember, is merely the exponent by which a common or 
universal base figure can be raised to a given value. In re- 
writing the series 1, 2, 4, 8, 16, 32, 64, ... as the series 
2^, 2b 22, 2^, 2^, 26, 26, . . . we are obviously using 2 as a 
common or universal base for the series and the exponents, 
0, 1, 2, 3, 4, 5, 6, which will raise this base figure 2, to the 
value of the items in the original series may be called the 
logarithms (to base 2) of the items in the original series. 
Since 1=2^ it is obvious that 0 = log2l, since 2=2b clearly 
1 =:log22, and since 64 =2^, 6 = log264. In short, in turning the 
geometrical series into a series of the successive powers of a 
common base figure, we find ourselves writing as exponents 
of these powers, the logarithms of the original series (to the 
base figure which was used as the root of these powers). And 
therefore we may say that the logarithms of the items in a 
geometrical series will form in themselves an arithmetical pro- 
gression. This is indeed a very usual definition of the geo- 
metrical progression, namely that it is composed of items whose 
logarithms form an arithmetical progression. 

Logarithms can be taken to any common base figure we 
desire. For example, the same geometrical progression, 1, 2, 
4, 8, 16, 32, 64 . . . may be, if we wish, written as a series of 
the powers of 4, as follows : 4b 4:1^ 4b 42, 4®/ 2, 4^. . . . Or 
that same series can be written as a series of the powers of 
any other number provided we but care to do the necessary 
calculating. Now as you know, logarithms are ordinarily 
taken to the base figure 10 and not to the base figure 2 or 4 as 
in the above examples. The reason for this is that our numbers 
are arranged upon a decimal system and by taking the base 
figure as 10 we are able to make the integral part of the logar- 
ithm (characteristic) a mere record of the position of the 
decimal point in the original number, and we are able to make 



384 


CHARTS AND GRAPHS 


the fractional part of the logarithm (mantissa) the same for 
all similar succession of similar digits. Suppose therefore that 
we adopt 10 as the quantity whose powers we wish to sub- 
stitute for the original series. In this case we rewrite the 
series, 1, 2, 4, 8, 16, 32, 64 ... as the series 10^, 10^-^^^^, 
10*^ 10^ 10^ . . . Again we find these expo- 

nents or logarithms, 0.0000, 0.3010, 0.6020, 0.9030, 1.2040, 
1.5050 . . . , forming an arithmetical series. 

The inter-relation between the arithmetical and geometrical 
series is therefore such that in a sense, both series may be 
spoken of as arithmetical, the former being arithmetical in its 
original form and the latter becoming arithmetical when its 
logs are used. For this reason the term logarithmic is often 
used synonymously with the term geometrical to distinguish 
the latter form of progression and its item-to-item changes, 
from the progression which is truly arithmetical in its original 
form. For though the two types of progression are made 
similar by the substitution of logarithms for one of them, yet 
it must be remembered that they are two radically different 
things which must never be confused with each other. In 
their original form or natural numbers the one progresses by 
addition or subtraction and the other by multiplication or 
division and there is a world of difference between them. That 
they behave similarly when logarithms are substituted for one 
of them, is chiefly due to the peculiar qualities of logarithms, 
that by their use the process of addition or subtraction may 
be substituted for the process of multiplication or division 
(instead of dividing one number into another number to get 
a quotient, you subtract the logarithm of the first from the 
logarithm of the second and the difference is the logarithm 
of the quotient). 

In our analysis of our statistics in the light of the law of 
organic growth, we can find a short cut, therefore, through 
the use of logarithms. In other words we can turn the items 
in our data into their corresponding logarithms (consulting 
for this purpose a table of common logarithms) and then, by 
comparing the logarithms, we can quickly discover any uni- 
formity or constancy in their amount of change, and so easily 
detect and measure the degree of adherence in the original data 
to the geometrical series. The deviation of the series of logar- 
ithms from an arithmetical progression with uniform amount 
of change, is a measure of the deviation of the original series 



RATE-OF^CHANGE ANALYSIS 


385 


of data from a geometrical progression with a uniform rate of 
change. In practice, this method is very simple and it may 
be regarded as a distinct labor-saving device in the careful 
analysis of statistics. 

In the chapter on Index Numbers, you will recall reading 
that relative figures (that is, percentages) can be substituted 
for an absolute series or series of original data. While these 
relatives are ordinarily computed with a single item in the 
series as the norm or 100%, yet they can be computed with 
each item taken as a percentage of the item immediately pre- 
ceding it. In this case the series is called a series of 
chain-relatives or chain-percentages. Now it is precisely a 
series of chain-percentages which the method of successive 
divisions already mentioned gives us. But you will find that 
the short-cut method of successive subtraction of logarithms 
does not yield results in precisely the same form. For the 
short-cut method gives us the logarithmic differences and 
these differences are the logarithms of the percentages them- 
selves. If therefore we desire to know the rate of change in 
terms of its percentages of change (and not in terms of the 
logarithms of its percentages of change) we must again consult 
our logarithm tables, if we are using the short-cut method, and 
convert the logarithmic differences back into the percentages 
of change (by substituting for each difference its anti-logar- 
ithm). As a matter of fact, however, the chain-relatives or 
chain-percentages are, except for very popular purposes, not 
ordinarily of sufficient importance to justify this additional 
labor. 

You will observe, however, that we have not yet reduced 
the work of rate-of-change analysis of our statistics to the same 
simple and easy steps as are found in an amount-of-change 
analysis, for the use of logarithm tables and the substitution 
of logarithms for the natural numbers requires, even with great 
proficiency, a considerable amount of time and effort. And in 
the wholesale analysis of a large body of statistics by this 
method, we will not only find the work long and tedious but 
we should also expect to find a large number of errors creeping 
into the work which would be difficult to detect. The short- 
cut method has, it is true, eliminated the more difficult proc- 
esses of division (or multiplication), and in the lack of special 
calculating machines, is a long step in labor saving, but the 
rate-of-change analysis is not yet as simple as an amount-of- 



386 


CHARTS AND GRAPHS 


change analysis. In the next chapter this final step will be 
taken and through the simple use of the graphic method com- 
bined with the use of logarithms, the work of substituting logs 
for natural numbers will be eliminated and the rate-of-change 
analysis made as simple as the amount-of-change analysis. 

Organic, percentage, geometric or logarithmic change 
(whichever name you prefer) is growth in which the rate or 
ratio of change is uniform. Increment, difference or arithmetic 
change is growth in which the amount or quantity of change 
is uniform. The former naturally forms the basis of judgment 
for the fluctuations of phenomena which cannot be negative, 
that is, which must always be positive. The latter is fre- 
quently the better basis of judgment for the fluctuations of 
phenomena which can be zero and negative as well as positive. 
In general it is perhaps best to study your data from both 
points of view.i 

^ Speaking of the amount-of-change curve, Professor Marshall says: “Its defects 
are such that many statisticians seldom use it except for the purpose of popular 
exposition, and for this purpose, I must confess, it has great dangers.” — Alfred 
Marshall, On the Graphic Method of Statistics, Jubilee Volume of the Royal Statistical 
Society, June 22-24, 1885, pp. 251-260. 



Chapter XXXIV 


RATE^OF-CHANGE SCALES 

The rate-of-change curve chart affords in some t aspects the 
most powerful analysis known of statistical data. An attempt 
has been made in the last chapter to explain the general theory 
of this chart method, but a real insight into its various uses 
can only be obtained from a study of its applications. The 
method is really nothmg more than the charting of the logar- 
ithms of numbers in the place of charting the numbers them- 
selves. A careful reading of the last chapter will doubtless 
have already suggested this process to the student, and it only 
remains to set forth the technique of charting logarithms. 
Indeed, as will be seen, such simplified methods have been 
developed that it is not necessary for one to understand logar- 
ithms or be proficient in their use in order to benefit from this 
chart. In the present chapter the development and construc- 
tion of these simplified charts will accordingly be discussed with 
the general principles covering the use of logarithms in the 
charts. 

Three methods are open to us in the plotting of logarithmic 
curves. The first is the obvious one of substituting for the 
items in a series to be plotted, the logarithms of those items. 
We must consult a table of logarithms and for each item find 
the logarithm and tabulate these logarithms in a column beside 
our original series of data. Then on the plain co-ordinate 
paper used for amount-of-change curves, in which the scales 
are arithmetically projected (that is, the scale-figures at equal 
distances form an arithmetical series), we must plot these 
logarithms, and draw the curve through these plotted points. 
The result, of course, will be a curve of the logarithms of our 
original series, or, as we have called it, a logarithmic (or 
^‘rate-of-change’’) curve. This curve will behave as a logar- 
ithmic curve should and will tell us what we wish to learn 
from the use of logarithms. The straight line, which always 

387 



388 


CHARTS AND GRAPHS 


PRICE OP POTATOES 
Average Retail Price per Pound 
United States 
1913«*1920 

(Source:- Btxreau of Labor Statistics} 


3 

o LOgar- OlOOlHtoiooiOi 

Ck -t+ViTn COiOC-tOtOOC-O 

lunm cvicoH-^J^toioior- 

fU *•••*«•« 


01 J><]OiOl>tOCQcOtO 



tO*«j<tOtOl>CDCf>0 

o>o>a>cs>o>o>a>S 


Fig. 329. The Rate-of-change Curve — First Method. 

This scale carries the logarithms, not the numbers 

represents equal amounts of change and therefore depicts an 
arithmetical progression, will here indicate an arithmetical 
series of logarithmic values and hence a geometric series in 
the original data — thereby instantly betraying to us the fact 
that our phenomenon has for the length of the straight line 
followed the law of organic growth. And the failure of our 
curve to maintain a straight line will indicate the failure of 
our phenomenon to follow the law of organic growth. All this 
is as it should be, but the method of charting is tedious. 

The other two methods open to us achieve precisely the 
same resulting curve on the chart, but obviate the need of 
turning our original figures into logarithms. No need to 
bother with a table of logarithms, nor indeed, to understand 
the so-called intricacies of such a table. The trick is turned by 




RATE-OF-CHANGE SCALES 


389 


merely converting the scale of the chart, once and for all, be- 
forehand, into a logarithmic scale. That is to say, we must 
calibrate the scale figures for the natural numbers, but enter 
these calibrations or scale figures at points on the scale which 
are plotted, graduated, or measured, at the values not of the 
natural numbers themselves, but of their logarithms. Such a 
scale we shall throughout the remainder of this book call a 
logarithmically projected scale. 

PRICE OP POT'ATOES 
Average Retail Price per Pound 
United States 
1913-1920 

(Source:- Bureau of Labor Statiattos) 


^^CJt-COlOt-tOCMCOfcO 

<DlBp • m • * • • • • 



Fig. 330. The Rate-of-change Curve— Second Method. 

This scale carries the numbers, not the logarithms, but is not handy. 

The first of these two simpler methods uses the same 
arithmetically ruled co-ordinates which we have used for 
amount-of-change curves.i The scale is therefore somewhat 
unhandy. For if every equal interval or distance up the paper 
or scale is to stand for an equal logarithmic value, it must 
stand for an equal arithmetic or natural number ratio. If we 

^ For a full description of this method, see Irving Fisher, llie Ratio Chart for 
Plotting Sfati?ticsj American Statistical Association Quarterly, June, 1917, p. 578. 



390 


CHARTS AND GRAPHS 


calibrate the first (i.e. lowest) abscissa (horizontal line) as 
unity or 1.0, and let each distance or interval between the hori- 
zontal lines stand for a 10% increase (that is ratio of y^), then 
obviously we must calibrate the second horizontal as 1.1, the 
third as 1.21 (that is ^ of LI), the fourth as 1.331 (that is 
fj of 1.21), the fifth is 1.474, the sixth as 1.622, and so on. 
This is what we would call an unhandy scale. It is difficult 
to plot points on such a scale. Nevertheless, it can be done, 
and the resulting curve will be the same as secured by the 
previous method of plotting the logarithms of our series. And 
we have avoided the task of turning each figure of the series 
individually into a logarithm. And by either method you will 
notice that we have been free to make our curve fluctuations 
as high or as low as we wished, by merely selecting our scale 
on a larger or smaller unit length. 

The third method is, however, the best of all, for it makes 
the plotting of logarithmic curves as simple and easy as the 
plotting of arithmetical ones. It consists in using specially 
ruled paper, provided by many publishers of chart paper, in 
which the co-ordinates are unevenly spaced so as to correspond 
with the logarithmic values of the round numbers in the 
original series. Thus instead of an abscissa or ordinate at the 
value of 1.21 (equidistant with the abscissa or ordinate of 1.0 
from the abscissa or ordinate of 1.1), this paper has the ab- 
scissa or ordinate of 1.2, slightly closer to that of 1.1. Like- 
wise instead of an abscissa or ordinate for 1.331 (at another 
equal distance), this paper has the abscissa or ordinate of 1.3 
still closer to that of 1.2. So it goes throughout the scale. 
The paper has been carefully ruled up with these gradually 
diminishing distances or intervals between ordinates accu- 
rately measured to correspond with the true logarithmic dis- 
tances of the round numbers from 1 to 10 and all fractions 
between these round numbers. 

And since, as you have seen, the logarithms of every similar 
succession of significant digits are the same (in mantissa), we 
need merely multiply or divide these round numbers in the 
printed scale of this chart-paper, by any power of ten to make 
the scale suitable for our data. This is the same as saying that 
we can shift the decimal point as far in either direction of 
these printed scale figures as we please, and the paper will still 
be properly ruled off and scaled. Again it is the same as saying, 
that we may add or prefix as many ciphers as we want to these 



RATE-OF-CHANGE SCALES 


391 


printed scale figures. The changing of the printed scale-figures 
running from 1 to 10 into a scale in which the round figures 


PRICE OP POEATCES 
Average Retail Price per Pound 
United States 
1913-1920 

(Source!- Bureau of Labor Statistics) 


u u 

O <D 

ft's 
U g 

© 01 p 



Fig. 331. The Rate-of-change Curve — Third Method. 

The simplified and handy scale of original numbers. 


fit our data is very easy. The only thing to remember is that 
it is done by multiplying or dividing the printed scale figures 
by a constant — ^whatever constant we please. In this it differs 
from the changing of scales on the amount-of-change curves — 
in which we could have used addition and subtraction. The 
writing in of ciphers behind or before the printed scale-figures, 
is merely a form of multiplication or division, in which the 
constant is some power of ten. It is indeed perfectly possible 
to use for our constant some figure which is not a power of 
ten. But we must multiply or divide by this constant — ^we 
cannot add or subtract. 

Now it often happens that a scale running from 1 to 10, 
that is in which the maximum of the scale is ten times the 
minimum, does not afford us sufficient range for the fluctua- 
tions of our data. Were we to attempt to plot our curve upon 
this specially prepared, paper, we would find that the curve 
would quickly run off the chart. To this problem the answer 
is very simple. We merely ’join together two sheets of this 









RJTE^OF-^CHJNGE SCALES 


393 


paper, or two sets of these rulings, and recalibrate the upper 
one by adding an extra cipher to its scale figures. In this case, 
the entire scale, through two sets of rulings, runs from 1 to 
100 — that is, the first runs from 1 to 10 and the second runs 
from 10 to 100. Simple, isn’t ill Not only two, but many 
of these sets of rulings, can be joined together in this way, 
giving us a scale range of from 1 to 1000, 10,000, 100,000, 
1,000,000, or more. In fact, the publishers of chart paper 
have anticipated this need, and provide paper with these sets of 
rulings combined two, three, four and sometimes more, upon 
a single sheet. Each set of rulings is called a ‘‘deck.” The 
single-deck paper runs from 1 to 10, the double-deck from 1 
to 100, and so on, two and three-deck papers being the most 
generally useful ones. 

These considerations of the number of decks needed for a 
chart are all based upon the range of fluctuation in the series 
to be plotted. Before determining upon the number of decks 
to use in your chart, you must first glance through your series 
and note not merely its highest but also its lowest items. If 
both have the same number of (integral) digits, a single deck 
is sufficient; but if the maximum has more (integral) digits 
than the minimum, you need as many additional decks as there 
are additional digits in the maximum figure. A little thought 
will enable you to determine exactly the number of decks you 
need before you start your chart. 

A very different problem is the size of decks used in your 
chart. In order to make their chart-forms of uniform over-all 
size, the publishers of this paper are accustomed to make the 
decks smaller as they join more of them together. Thus if in 
single-deck paper the chart measures six inches to the deck, in 
double-deck paper the deck will measure three inches that the 
chart may still measure six, and triple-deck paper will have 
three two-inch decks and in four-deck paper the four decks will 
each measure one and one-half inches. This, for general ap- 
pearance, is excellent, but you must not mix the various sizes 
of decks in the same report or set of charts. You must main- 
tain a uniform size of deck, for a chart upon a three-inch deck 
cannot be compared with one upon a two-inch deck. The deck 
on the smaller scale will show the same fluctuations smaller 
than they would be upon a deck on a larger scale. So if you 
use, let us say, the two deck paper in which each deck meas- 
ures three inches, you must keep on using that paper so long 



394 


CHARTS AND GRAPHS 


as you are charting statistics to be compared with it, regard- 
less of whether your data at times calls for only one deck or 
for three or more decks (in this latter case you must make up 
three or more deck paper to fit the two deck paper, the decks 
being uniform and the chart larger). So it is best, therefore, 

400 
375 
360 
325 
300 
275 
250 
225 
200 
175 


150 


125 


100 


80 



Fig. 333. A Rate-of-Change Part-Deck Form. 

This form, designed by the author, for price-fluctuations, is used by the Bureau 
of Labor Statistics both as an office-form and in its publications on prices. The 
horizontal faint-rulings (those without scale-numbers) are blue in the original, 
so as to disappear in reduced reproductions. 


before preparing a series of charts, to inspect all your data and 
pick once for all the best paper suitable for the most widely 
fluctuating series in the data. 

In addition to the one, two, and three or more deck papers, 
you may occasionally need, and can also obtain from some pub- 
lishers part-deck paper. This is useful for showing fluctua- 
tions which do not cover a range of more than 1 to 3 or 4, that 
is, in which the maximum item is not more than 200 or 300 per 
cent greater than the minimum item. Here you may find that 
a whole deck would waste paper and fail to show the fluctua- 
tions clearly enough. You may therefore feel called upon to 
adopt a chart-ruling covering only a part of a deck. But, as 


1 9861 


RJTE-OF-^CHJNGE SCALES 


395 


will be later shown, it does not pay ordinarily to carry this 
detail too far, for as you take a snntaller and smaller part of the 
deck you will find the rulings approaching nearer and nearer 
to plain arithmetical or uniform distances and your curve re- 
sembles more and more closely a plain amount-of-change curve. 


tfSTALS AND KETAL PRODUCTS' Copper, Ingot, Eloetrolytlo, N««r Yoric, Uonthly, ISIS-ISIS 
(Before 1907, Lake) 


owoo^iooiutr. o» w o 

price rioc»So»o>oiSgooo>5o>o><»oioo®r“e-e“P“«owo»o>o^2 


« <e oj o w 



Fig. 334. Part-Deck Rate-of-Change Paper. 

The curve-chart record form used in the Bureau of Labor Statistics for price 
relatives. This is an office form— in this case filled out for electrolytic ingot 
copper prices at New York — the chart nearly filling 8| x 11 inch paper sheets. 


There is, however, still another form of ruling which, you 
will often find useful, known as the ^^split-deck.’"' By means 
of a split-deck you can often keep to larger decks though 
your maximum and minimum figures in a series lie in addi- 
tional decks. The split-deck is merely the upper half of one 
deck and the lower half of another joined together in a single 
chart. You may have split one-deck paper or split two-deck 





RATE-OF-CHANGE SCALES 391 

papers or more, but the first is the only kind ordinarily pub- 
lished. By means of a split-deck chart-field you can often 
keep to a larger size of deck and yet show a curve whose 
maxima and minima lie in different decks. Any paper can be 
converted into split-deck paper merely by multiplying the 
printed scale figures by some constant other than ten or a 
power of ten — ^two and five being the usual and most con- 
venient constants for this purpose. 

If you do not have access to the marketed forms of spe- 
cially ruled logarithmic chart-paper, you can readily prepare 
it for yourself, either by plotting for your scales along the 
axes, the logarithms of the round numbers, as found by con- 
sulting a table of logarithms, or by copying the calibrations and 
graduations from an ordinary slide-rule. If the slide-rule (in 
which the deck is usually about five or ten inches long) does 
not have the right size of deck to suit you, and in general if 
you wish to alter a scale as to size of decks, you can accomplish 
this by the trick of laying off (or ^^projecting^’) the given cali- 
brations to precisely the size you desire by the use of parallel 
lines from the given scale to the desired scale, across a triangle 
formed by the two scales and the last parallel.^ 

It is a pretty way of ornamenting the page on which a 
rate-of-change chart is shown, to mark off a short additional 
scale near, but not as part of, the chart. This scale need not 
be as long as the scale upon the chart. It may be made up of 
two parallel lines close together, with cross-lines at the round 
numbers on the scale, the whole looking very like a long narrow 
ladder. If you wish to make it more conspicuous, the alter- 
nate spaces between cross-lines can be blacked in. The virtue 
of this gratuitous and emphasized scale is that it calls the 
layman^s attention to the strange and unusual (to him) nature 
of the scale of the chart. And its strong markings also show 
the constant significance of distances upon the chart, regard- 
less of height. By recalibrating this extra scale with scale- 
numbers of ‘^per cent increase or decrease’^ (that is, 0 at the 
point of 100, SO at the point of 150,-25 at the point of 75) you 
make this constant significance of distances even clearer. The 
small extra scale is then an excellent device for use with a pair 
of dividers — it is like a scale of miles on a map. The reader 


2Cf. Figs. 166 and 167 on p. 185. 




Ibstraot) 


CHARTS AND GRAPHS 


t 

I 




r 

I 





I 


O in' o p;: 

._ii,, I t I I n n 



RATE-OF-CHANGE SCALES 


399 


can adjust his dividers for any two points, hold the dividers 
to the scale, and read the percentage relation between them. 
And this, after all, is the purpose of rate-of-change charts. 


Note to Fig. 336 

Fig. 336 illustrates the computing possibilities of rate-of-change paper. The 
data, as will be seen above the chart, is for periods of irregular length as shown 
by the dates below. While the points have been plotted for the data, these points 
cannot all be connected as a single curve. It is necessary, as pointed out in the 
chapter on frequency curves, to find avemges for periods of uniform length. 
We need not, however, calculate these averages — on the contrary with a pair of 
calipers or dividers we lay off the proper distances below the points from the special 
scale at the right (or, in its absence, from the regular scale at the left) and obtain 
at once the plotting points for a single connected curve. In this chart two such 
calculated curves have been drawn — one for an annual average and the other, 
just one deck higher, for a decennial average, 






RATE-OF-CHANGE SCALES 


401 


Fig. 337. One Way to Find the Rate-of-change Scale. 


On any horizontal distance OX lay off OA equal to one-tenth of OX and project 
a semi-circle on OX (see upper left-hand diagram); drop a perpendicular Ab from 
OX to intersect the semi-circle at b. Then OA : Ob : : Ob : OX and = {OA) 
{OX) — (1) (10) and Ob — 'V 10. Lay off OB on OX equal to Ob (see upper 
right, hand diagram) and drop a perpendicular Be from OX to intersect the semi- 
cir cle at c. Then OB : Oc : : Oc : OX and (9c2== {OB) {OX) = 10 VTO and Oc=: 
\/l0\/l0. Likewise (see third diagram) lay off OC, OD, OE, and OF on 


OX, These distances (see fourt h diagram) represent 10 \/ 10, V 10 a/ 10 a/ 10, 
VloVloVloVlO and V loV loV loV lOVlO respectively, or 10/^, 


\ 10 \ 10 V lOvlO and \ 10 \ 10 \ 10 v lOvlO respectively, or 10/^, 
lOK, lO^^’^ifi, and 10®^^ while we already have in OA, OB, and OX, obviously 10®, 
101^, and lOL Similarly (see fifth and sixth diagrams) we can find 101^, and 
10^, lO^iB, 10^'-'^2 from semicircles upon OB and OC. The ordinates from these 


points (see lower left-hand diagram) intersect abscissae from a scale of the expo- 
nents, 0, ]4:, so as to form a logarithmic curve, or curve of the loga- 

rithms of numbers, in which y = log;r. By taking abscissae from the intersect 
points of this curve with ordinates from the even numbers from 0 — 10, we find 
the logarithmic scale of these numbers (see lower right-hand diagram). 



Chapter XXXV 


RATE-OF-CHANGE CURVES 

From the construction of the logarithmic chart, we turn 
naturally to the general principles of its application, and here 
we must consider two of its limitations. The first of these has 
already been touched upon, that the utility of the logarithmic 
projection is limited to data in which the range of fluctuation 
is fairly great. There is not much to be gained from the logar- 
ithmic projection when the maximum of a series does not vary 
by more than a 100% from the minimum of the series. For the 
logarithmic scale and the arithmetic scale approach each other 
more and more closely as the percentage between the limits is 
made smaller and smaller. Within a range of 100%, that is, 
when the maximum or upper limit is not more than twice as 
great as the minimum or lower range, the difference between 
the two projections or scales is not great enough to justify 
ordinarily the effort of the less usual method. Within a range 
of 50% variation the approximation of the two projections or 
scales is very close indeed, and within a range of 25% varia- 
tion, the difference is hardly noticeable. The real value of 
the logarithmic projection is for data which fluctuates to ranges 
exceeding two or three hundred per cent or more. 

This fact, that when only slight changes take place in the 
total series under observation the geometric progression closely 
approximates the arithmetical one, enables us to use the 
latter, because of its simplicity, even for the purposes of inter- 
polation and extrapolation. Thus while the population of the 
United States increases by about two per cent per annum, a 
geometrical progression, yet the Census Bureau employs con- 
stant differences or amounts of change in estimating the local 
population for the inter-censal years. The results are sufii- 
ciently reliable, because at two per cent it would take the geo- 
metrical progression many years to outdistance the arith- 
metical progression noticeably. And in the charts which fol- 


402 



RATE-OF-CHANGE CURVES 403 

low, designed to show geometric progressions instead of arith- 
metical ones, it must be remembered that no great benefit is 
secured from charts in which the range of fluctuation of curves 
is slight. 


ANNUAL 

RATE 



! I I I ^ L_J 1 1 ^ I L_1 

1919 1920 1921 1922 


Fig. 338. Comparison of Series Lying in Different Parts of Chart, Though 
Not Fluctuating Greatly. 

Annual rate of turnover of bank deposits in representative groups of banks in 
different cities . — Permission of Air. Carl Snyder. 

To this limitation of the usefulness of the logarithmic 
chart method, we must note an important exception, arising 
when a number of different series are to be compared and al- 
though their individual fluctuations are slight, yet they would 
lie upon far different portions of the chart. In the chapter 
on Index Numbers, you saw that such quite different series 
could be easily compared by reducing them to percentages, the 
change into percentages or relatives making their fluctuations 
comparable when charted upon arithmetical or ordinary 
amount-of-change chart paper. The use of the logarithmically- 
projected chart scale, that is, the rate-of-change paper, will 
however obviate the need for mathematical computing re- 
quired to change the series into relative percentages, as the 
logarithmic projection makes their fluctuations comparable 
regardless of their position upon the field of the chart. Thus 



404 


CHARTS AND GRAPHS 


pfflM /iim PACioay toes 

Average farm labor wagee (irher© board was not included) in the United State© 
ccnipared with average weekly eaminge in repreeeritetive factories, H.Y* state 

1910-20 

(Souroesj- U* S# Dept* of Agriculture and K* Y* State Dept* of Labor) 


Farm Labor g 

by the month 
without board ^ 


CO 

to 



Factory workers 
(office and shop) 
weekly earninge 


CO 


to to e* to 

CO to *o 

* • • • 

CM <•«» to O 

•H rHI CM 


O 

lO 



two series of data which fluctuate similarly as to rate of change, 
appear very unlike when plotted arithmetically, if one lies 
further from the zero or base line than the other (as when the 
units of measurement of one are millions of dollars, and of the 


3.69 28.15 64.95 




RATE-OF-CHANGE CURVES 


405 


FARM AND FACTORY WAGES 

Average fam lebor wages (where board was not included) in the tJnited States 
compared whth average weekly earnings in representative factories, N. Y* state 

1910-20 

(Sources:* 0# S* Dept* of Agriculx.ure and N* Y* State Dept* of Labor) 


Farm labor 
by the month 
without board 

Factory workero 
(office and shop) 
weekly earnings 


o 

IT 

^ o> 


«> to wo 




1:8 

W fH 


U3 
• P'3 

o «H 


OC* to 
• <o 
CO H 


lO to 

• U) 
O H 


U3 CO 
• CO 

to 


o 

• <VJ 
CO CN| 


Farm labor by the 
day (not harvest) ^ <» 
without board 


to CM 

• M 

r-t 


;0 

• 00 
CM rH 


r-t ID 
to CM 


uaco 

to CM 


250 


200 


160 


100 


60 


10 

0 





























































/ 










/ 

. 










/ 









^ 





mm 

mm 

mm 

■H 

mm 

mm 

mm 




mm 

HHI 

HH 

mm 

mm 

mm 

/A 





mmn 

mm 

^m| 

mm 

mm 

mm 








mm 


mmi 




mm 

■■ll 

mm 

mull 

IM 

gmi 

mm 







umi 





1 

1 




imm 

imm 

mm 











V' 


















mmgi 











WSM 

Qum 







■■I 



HH 

BHI 

HH 

■ml 
















. 












































































to t> ® <ft O 


Fig. 340. Amount-of-change Curve (Relative Numbers). 


Other dollars and cents). But when logarithmic paper is used, 
these two series appear to fluctuate together (just as they did 
when reduced to index numbers or relatives). The logarithmic 
chart method moreover avoids all confusion which might arise 
as to the base year or period employed for the two relative 
series. This advantage becomes important when diflPerent 


4o6 


CHARTS AND GRAPHS 


PAHM AUD PACTORTf WAORS 

Average Perm labor wages (where board was net included) in the United States 
compared with average weekly earnings in representative B*y. state factories# 

1910-20. 

(Sources:- U. S. Dept, of Agriculture and H* Y* State Dept, of Labor reports) 


Farm labor o 
by the month 
without board 


<0 

lO 


lO 

f-4 

6 

to 


Factory workers 
(office and shop) 
weekly earnings 


to 

lO «c 

<0 o 

r-l CM 



periods of time are used as the bases for the two relative series, 
for even identical series would differ from each other with dif- 
ferent base figures when plotted upon amount-of-change paper. 

The other limitation of the logarithmic or rate-of-change 
chart (and a much more important limitation) is that this 



RATE-OF-CHANGE CURVES 4°? 

chart can be used only for values in which zero is an absolute 
limit. The chart cannot be used for data in which the values 
cross from positive into negative numbers or vice versa. Zero 
is an absolute limit to any geometric progression and to any- 
thing operating under the law of organic growth. The popu- 
lation of a community can never be zero (if it is to remain a 
population) and it cannot be a negative quantity. The pro- 
duction of a factory might be zero, but it cannot be a nega- 
tive quantity. The sales of a concern cannot be negative. 
Innumerable examples could be given of data to which zero 
is an absolute limit and to all such data the rate-of-change 
chart is not only applicable but proper. 

To the rule that zero values cannot be shown upon a logar- 
ithmic chart, there is an apparent exception, to be found in 
the case of data measured in units which are made upon an 
arbitrary and not upon an actual, zero-point. The Fahrenheit 
scale of temperature, for example, places its ^^zero^’ value a 
short distance below the freezing point for water at sea level. 
Zero here is an entirely arbitrary valuation and does not mean 
an actual nothing, that is, it does not mean zero heat. To plot 
temperature by taking the logarithm of Fahrenheit degrees 
themselves would be ridiculous. Not only would we be unable 
to show zero degrees Fahrenheit (because the logarithmic scale 
cannot reach zero) but indeed the shape of any curve which we 
might plot in this way would be meaningless. The sensible 
procedure would be to plot the temperature after changing 
the readings into the absolute scale of temperature, or more 
simply, to prepare a special scale in which the degrees were 
plotted at their values on the absolute scale. This is done by 
graduating the scale according to the logarithms of the ab- 
solute degrees of temperature, and then recalibrating or label- 
ling these graduations with the equivalent Fahrenheit read- 
ings. After this recalibration or special labelling the figure O 
would of course appear upon the scale of the logarithmic chart, 
having been entered at the scale-point which really represented 
about 265, the point on the absolute scale corresponding to 
Qo p This example makes clear that a zero reading or value 
can appear upon a logarithmic chart when it is fictitious and 
really represents a positive value. Another example of the 
same type would be a scale of time which included the year 0 
A. D., from which we date our years in modern history. All 
such are cases in which the real values plotted upon the chart 



4o8 charts and GRAPHS 

have actual positive values, which through some peculiar 
circumstances must be assigned zero or negative values to 
conform to ordinary practice. 

A more general example of this recalibration of the scale 
resulting in zero and negative values is to be found in per- 
centage scales in which the hundred per cent point or line has 
been relabelled zero and all other figures on the scale corre- 
spondingly relabelled to represent percentage of increase or 
decrease from this particular point. What has really happened 
here of course is that 100% has been subtracted from every 
point along the scale in order to get the desired calibration. 



It is an apparent (though not a real) exception to the rule 
given in an earlier paragraph on the construction of logarithmic 
charts in which scale changes were said to be made only by 
multiplication or division of the scale figures, and not by ad- 
dition or subtraction. Reading upward on this new ‘"^per- 
centage increase or decrease’^ scale from “0’^ (entered at the 
true point of 100), we find “+50"’ entered at the true point of 



Femalea Kftloa 


RATE-OF-CHANGE CURVES 


409 


ISO, “4-100” at the true point of 200, “4-900” entered at the 
true point of 4-1000%, and so on. Reading downward we 
find “ -10%” entered at the true point of 90%, “ -S0%” 
entered at the true point of 50%, “ -90%” entered at the 
true point of 10%, and so on, the chart approaching but never 
reaching the point of -100%, which belongs to the real zero 
value which cannot be shown upon the logarithmic projection. 
Such a recalibration as this special “percentage increase or 

ACCIDENT MORTALITY RATES 

THortallly Rated per 1,000 Population of Specified Aecidentfi 
United States 
1910*1912 

(Sottrcdf United States Bureau of Censue) 



Dro]»min^ ooo^oooooooooooocjo 



Fig. 343. 


CHARTS AND GRAPHS 


410 

decrease^^ scale, though possible, is really little used and in 
actual practice more or less exceptional. In common with 
the examples given in the previous paragraph, it is always a 
little puzzling because the uniformity of ^^decks'^ has appar- 
ently been destroyed. 

To the fact that the logarithmic charts cannot show a true 
zero point, we owe one of its most important and unique fea- 
tures, namely that the height of a curve upon this paper is 
entirely without significance and the curve may be moved 

MARRIAGE AND DIVORCE 

Jfmber of marriages and divorces reported emd total population 
United States 
1887-1916 

(Source:- Census Report) 



Fig. 344. Several Scales in a Single Split-deck, 



RATE-OF^CHANGE CURVES 


4IT 


bodily up or down upon the chart without altering the sig- 
nificance of the curve-fluctuations. When we say that the 
chart cannot show a zero point, we mean that you could con- 
tinue the deck and ruling of the chart paper downward infin- 
itely far without ever succeeding in reaching zero. You would 
merely reach smaller and smaller fractions of positive values. 
The true zero-point is located out in infinity. It is therefore 
taking no liberties with the chart to slide one curve up or down 
as far as you please to make it more easily comparable with 
another curve, because you are not really changing the position 
of the zero point (that still lies for both curves out in infinity). 
If the two curves are upon separate sheets of paper we may 
slide one piece further down than the other so as to bring the 
curves into close association with each other. Likewise if we 
plot both curves upon the same chart we can use a small scale 
for the lower curve and a much larger scale for the higher 
curve, and so superimpose one upon the other. (In this case 
separate scale figures may be an advantage to the reader but 
they are not essential.) This juxtaposition of curves is one of 
the chief advantages of the rate-of-change paper and can easily 
be carried so far as to make one curve cross or intersect the 
other. It is however considered better practice to prevent the 
crossing of two curves which have been brought together in 
this way, by sliding one curve lower down and altering the 
scale correspondingly. If you are intent upon a very clear ex- 
position of the artificial nature of this juxtaposition, you can 
wipe out a small portion of the co-ordinates of the paper 
between the two curves so as to indicate a break or omitted 
portion of the chart-field between them. 

From this arises a very important use of rate-of-change 
charts in the detection of correlation. For not only is the dis- 
tance or interval between points upon the logarithmically 
projected chart useful for comparing the successive items in 
the same series of data, but it is also useful in comparing 
corresponding points upon different series. The problem here 
is not to scrutinize the slope of parts of one curve, but to 
scrutinize the distance between two curves. This distance is, 
as you remember, when a distinct parallelism or mirroring of 
the two curves is noticeable, an evidence of that similarity of 
behavior w^jich is called correlation. To some extent, corre- 
lation can be discovered by the use of index numbers, or re- 
lative percentages, which make the fluctuation in different 



412 


CHARTS AND GRAPHS 


COLTURAL O&ORXa 07 tHS OSXtCD STaTSS 

Howspupore and parlodleali publisbod, patanta loauad, atudents in eo liases uniTsrsitiss and 
sohools ot teohnelogy, and voluaea in libraiYes of various eisas (over 300 volunas each befof# 
1690 and over 1000 voluoas tharsaftor) conparad with the population in the United States* 
1870-1920 

(Souroa:- U. S. Statistical Abstraet) 


s a 

•0 *“ 

Feptilatlon jg 

(July 1st) w 

s' 2 


Voivsttas in 
publio* 
soeial and 
school 
libraries 


Patents 

isBuad 



jUen 
Students .. 
in eollagat 
univarsitiaa 
and schools 
of technol- 
ogy, total 


Tonen 





Fig. 345. Shifting Curves to Avoid Insignificant Crossings. 

sets of data more comparable. But a far more precise com- 
parison is afforded by the rate-of-change curve.* To obtain 
an exact measure of the degree of correlation between various 
data, it is of course necessary to fall back upon the mathe- 



RATE^OF^CHANGE CURVES 


413 


matical operations which yield a ^^correlation coefficient/’ But 
for* most purposes the graphic method afforded by rate-off 
change charts is sufficient and it is always, of course, much 
easier and more rapid. 

When a great number of series are plotted upon rate-of- 
change curves they can be compared in short order merely by 
inspection. If they have been plotted upon paper which is 
sufficiently translucent, closer inspection can be made by 
the use of ‘^light analysis,” that is by laying one chart over 
the other, holding the two of them up to the light, and sliding 
one back and forth and up and down until it most nearly 
coincides with the other. Mirroring can be detected by turning 
one of the charts upside down and bringing them together for 
light analysis. The great advantage of the use of the rate-off 
change chart for correlation detection is due to the fact that 
various ^‘lags” in the correlation of the fluctuation can be im- 
mediately corrected by this method, whereas by the long^ 
mathematical process, a slight lag might be sufficient to wipe 
out and conceal any correlation which might exist, even 
though that correlation be most complete^ Even when the 
mathematical processes are to be used, in order to measure 
the correlation exactly, it is best to use the graphic method 
first, in order that the mathematical work may be performed 
only upon the series showing appreciable correlation and in 
order that any lag which may be present can be corrected for. 
In short, for the work of correlation studies, so essential to 
forecasting, the rate-offchange curve chart is becoming recog- 
nized as necessary. Extrapolation has already been discussed 
as a means of forecasting or predicting the nature of future 
developments and this paper will be found admirably adapted 
to such work, being statistically indicated wherever the fluc- 
tuations of data are logarithmically more regular than they 
are arithmetically. 

A word may be said as to terminology. The curve charts 
which we have previously examined under the general name 
of ''amount-offchange charts” are sometimes called increment 
charts or difference charts from the fact that the fluctuation 
of the curve plotted upon them represents increments added to 
or differences subtracted from their previous values. They 
are also sometimes called arithmetical charts, from the fact 
that the straight line upon them represents an arithmetical 
series. The charts to which we are coming and to which we 



414 


CHARTS AND GRAPHS 



POP 

MlH. 

)00 

«0 

Qa 


M 


YEAR& 


ACTUAL POPULATION OF THE UNITED STATES.^ DIFFERENCE METHOD. 
Showing the impossibility of correctly comparing rates of increase at different periods. 

From Irving Fisher's "'The Ratio Chart” in American Statistical Association Quarterly, June, 1917. 

Fig. 346. An Amount-of-change Chart- 


give the general name of ^Vate-of~change’’ charts are some- 
times called ratio charts^ from the fact that the fluctuation of 
the curve plotted upon them represents in a certain sense the 
ratios of change rather than the amounts of change. The 
name is a poor one because the ordinary bar-chart and the 
ordinary amount-6f-change curve both express more graph- 
ically the actual ratios between the quantities; the rate-of- 
change chart showing graphically only the changes of ratios 
but not the actual ratios themselves. These charts are most 
frequently called logarithmic charts from the fact that they 
show logarithms and not the anti-logarithms or natural num- 
bers. 

The real distinction between the amount-of-change curve 
and the rate-of-change curve is the distinction between quan- 
titative and qualitative analysis of data. For a quantitative 
analysis, that is a study of the actual quantities involved, the 
amount-of-change paper is necessary. But for a qualitative 
analysis of the figures, that is a study of their comparative re- 
lations, ratios, and proportions, the rate-of-change paper is 
necessary. The fundamental distinction to keep in mind is 
that this qualitative rate-of-change paper illustrates relative 
or proportional changes and is significant only as to them. 
Moreover, because this paper does not illustrate totals, it is 
always well to have at least your important data plotted both 
'apon amount-of-change curves and rate-of-change curves, that 
from each type of curve you may easily get its particular sig- 


^ The name, it is believed, was introduced by Professor Irving Fisher, ohiu cit 



RATE-OF-CHANGE CURVES 


415 



VEAR& 

. THE SAME. RATIO METHOD. 

Showing clearly the slight deviations, since 1860 , from a uniform rate of growth. 

F'rom Irving Fisher's “The Ratio Chart," in American Statistical Association Quarterly, Ju7ie, 1917 , 

Fig. 347. A Rate-of"change Chart. 

nificance. And It is because the qualitative study, that is the 
study of relative values, is so frequently the more useful one 
that the rate-of-change charts are themselves so commonly 
more valuable.^ 

2 The significance of the logarithmic projection need not be difficult to understand’ 
The measurement of star-light in magnitudes, and the measurement of sound-waves 
by means of the octave and its parts, are familiar examples in which we have adopted 
logarithmic (or exponential) units of measurement, as clearly necessitated by the 
type of the phenomena. It is permissible to think, therefore, that in all cases where 
the logarithmic projection is found suitable, nature is operating in logarithmic units, 
that is, changing organically in geometric progression, while man is still thinking in 
terms of arithmetical units, and must needs project these logarithmically, 



Chapter XXXVI 


HISTORICAL RATE-OF-CHANGE CURVES 

For the curves of historical data we find a type of rate- 
of-change chart which is fast increasing in popularity and 
general use. Though it involves the logarithmic projection of 
scale, yet that fact is so completely camouflaged by the rulings 
of the chart (in ‘^^decks"’ as described in the last chapter) that 
we need no longer apologize for its use in a popular publication 
nor attempt to explain it in conferences. We merely murmur 
something about its being a truer picture of fluctuations and 
let it go at that. If the other chap does not understand — and 
this includes chief executives and officials — he at least realizes 
that he ought to understand and enters no protest. In short, 
this chart form has already reached the stage of notoriety in 
which it need no longer skulk about in laboratory corners, but 
can parade in public with a slightly exclusive, but very ef- 
fective manner. 

The peculiarity of this chart is that it has a logarithmically 
projected scale along one axis only, the vertical or y-axis. 
Its x-axis is innocent as a new born babe of any such develop- 
ment — that is to say, its A;-axis is projected arithmetically. 
And for this reason the chart is often, in charting office par- 
lance, somewhat crudely but tersely called ^^semi-logarithmic.’’ 
Technically, of course, it can only be described as “A:-arith- 
metic, y-logarithmic.” That the form is appropriate, however, 
for historical data, may be seen if we recall the law of organic 
growth in which it was stated that growth by uniform per- 
centages took place at uniform intervals or periods of time. 
Indeed, as the law of organic growth essentially deals with his- 
torical data, that is, data during various points or periods of 
time, we may consider that chapter a discussion of the general 
theory of the historical rate-of-change chart in particular. 

The student may be surprised that time, in itself a natural 
phenomenon, should defy the law of organic growth. Eminent 

416 



HISTORICAL RATE-OF-CHANGE CURVES 417 


THE WOULD* S PHODOCTIOH 

Esiiam.'iftd gold« iron« coal and ootton produotlon and population 
World. Spoolfiod yeara, 1800-1919 

(Hote;- Qold figurea ar« annual aToragea for erirrent dooados befer® 1900} 
(Source:«> 0. S. Statistloal Ibttraet) 



Fig. 348. Long-Time Series of Economic Data. 


engineers "with exceptional mathematical ability, have ques- 
tioned the logic of charting time arithmetically with logar- 
ithmically projected dependent variables. The answer may be 
found in the very close approximation of the logarithmic series 
to the arithmetical one through small ranges. In the whole 
history of time the origin is so infinitely far removed and the 
range of known history so extremely minute (comparatively 
speaking) that there would be no appreciable difference in the 
resulting chart were the A:-scale plotted by either method. 
While it is certain that for modern times the two would coin- 
cide, it is furthermore impossible to fix the true origin of time. 
For zoological and palaeontological charts the birth of the 
moon, or some similar event, might be a useful zero-point, but 
in business and in historical charts in general the result would 
still be the same. In other words, we may consider the his- 



4i8 


CHARTS AND GRAPHS 


VIOLENT-DEATH RAIjBS 
United States, 1900*1920 

<Scmrcee;- For Hoiaxcides, euioldes, total accidents and automobiles, the Census Reports; 
For tynohings, the Tuskeoge© Institute; for street accidents. Dept of Health, N« Y* City. | 
(Note;.? Figures in parenthesis are annuel arerages for 1901-1905.) 


street accidents 

25 

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0000000000«H-^-4i-4r-t-H-i-4*<-i)NI 

Fig. 349. Short-Time Series of Economic Data. 


torical rate-of-change chart to be really logarithmically pro- 
jected on both axes, with the :v-axis scale range, however, so 
short that it appears to be arithmetical. 

In the construction of historical rate-of-change charts, the 
same principles apply (with the exception of the logarithmic 
scale on the y-axis) as in the construction of historical amount- 
of-change charts, to which several chapters have been devoted. 
A standardized form is useful when many charts are being 
made, most of the marketed forms described in the last chap- 
ter being useful for this purpose, as they contain no ordinates 
or vertical rulings and can easily be provided with the latter 


HISTORICAL RATE-OF-CHANGE CURFES 419 


to suit each case. The field should not occupy more than 
half of the page (on an 8| by 11 basis) in order that data can 
be entered in full. The same position of the field in the lower 
right hand corner should be maintained, when the charts fit 
together to form a series, in order that they may be closely 
overlapped either horizontally (to show one continuous curve) 
or vertically (to show seasonal and cyclic fluctuations). The 
same problems as to plotting points of data at unequal time 
intervals arise and they must be settled in the same way. In 
general the historical rate-of-change chart is but a duplicate 
of the historical amount-of-change chart, modified in regard 
to its y-axis scale and the plotting of its dependent variable 
data. 

Not all the historical amount-of-change charts, however, 
can be duplicated in this way. With the simple curve, there 
is of course no difficulty (either in its usual or silhouette form). 
But in the Zee-chart the cumulative is not profitably copied; 
indeed it is rarely of any use to plot historical cumulatives (at 
least when these are for limited and repetitive c^^cles or periods 
of time) logarithmically. The bar-charts (except silhouette 
bar forms of curves) should never be plotted logarithmically, 
as by their nature they suggest and imply a significance in their 
heights, and the logarithmic chart, as you know, is without 
significance in the height of its curves. ^ 


^ It is here perhaps best to warn the student against too confident use of other 
chart methods for the purpose of showing rate-of-change fluctuations. In previous 
chapters the series of chain-relatives or chain-percentages has been discussed and it 
has been pointed out that the chain relatives are the anti-logarithms of the logarithmic 
differences between successive items m a historical series. As the rate-of-change 
chart shows by the fluctuations of its curve the amount of these logarithmic differences, 
it is easy to see that the fluctuations of a rate-of-change curve do not represent the 
chain-relatives or chain-percentages, but represent the logarithms of these chain- 
percentages. Attempts have therefore sometimes been made to present graphically 
the chain-relative series itself. A little experimentation however will show that the 
method is not for most purposes useful. To be strictly accurate, the chain-relative 
series must not be shown by a single continuous curve but by a number of successive 
curves in which each plotted point is connected with the previous ordinate at its 
intersection with the 100% line. l‘he result is a wholly disconnected picture and is to 
some extent liable to wholly meaningless- changes of form when the time units of the 
data are shifted or changed. Nor is it possible to present a more connected story 
by joining each of these disconnected curves and plotting these new points the proper 
distance above or below the last preceding points instead of above or below the 100% 
line, for this would amount to a cumulation of the chain-relative series, additively, 
when the series properly cumulates only by multiplication, and it w-ould result in a 
curve in which no uniform scale is possible for the dependent variable, and in which 
points at the same height upon the paper have different meanings or values at different 
portions of the series. Except in very special circumstances the rate-of-change curve 
chart is the proper method for showing the rate-of-change of fluctuation in data. 




Fig, 350, A Careful Positioning of the Curve. 

Showing retail price of all articles of food, combined, in the United States. 

It would have been even better to begin the chart with 50 for the base line, as the 200-line would then be just twice the height of the 100-line 
and the similarity to an amount-of-change curve would have been more complete . — From the Bureau of Labor Statistics "Monthly Labor Review F 


HISTORICAL RATE-OF-CHANGE CURVES 421 


Where the charts are to be used popularly it is well to go 
to considerable pains to lessen the misunderstanding of the 
chart by people who do not understand its logarithmic nature. 
Some misunderstanding is bound to arise, but one of the sim- 
plest and most effective measures is to position the curve (where 
one only is shown) at about the height upon the paper at which 
an amount-of-change curve with similar fluctuations, would 
appear. Thus if your curve covers a range on the y-axis of let 
us say from the 100% point to the 200% point, the highest 
point on the curve is obviously double the absolute value of 
the lowest. Now if we cut off our chart-field at the 50% 
point, then clearly we will have equal distances between the 
bottom of the chart, the low point on the curve, and the high 
points on the curve. Now when Mr. Average Man — and it 
may be Mr. Average Congressman and seem very important 
to you — picks up this chart, he goes through the following 
motions: “Ah, one of those damned curves — ^what the deuce 
does it mean? Oh, profits on rotten meat. Well, I see they 
doubled during the war. I can understand this thing easily.” 
And then he drops it again. He does not notice that the bot- 
tom of the chart registered 50% and not zero on its vertical 
scale, but that does him no harm. He has at least seen one 
thing truly, the relation between high and low points. 

In business reports it is always a good plan to present both 
rate-of-change and amount-of-change curves simultaneously 
for all important historical data. The two charts of the same 
information should be face to face so that the reader is con- 
fronted with both at once, and cannot mistake the rate-of- 
change form or judge quantities by its curve. Nor is this 
useful merely to avoid mistakes on the part of readers uncon- 
versant with rate-of-change paper. There is often a real use 
for quantitative analysis of the data, which can be seen only 
from the amount-of-change paper. The rate-of-change chart 
is indeed for most purposes more effective, but it fails wholly 
to give any picture of total sizes or quantities involved, and 
is not the panacea which some of its enthusiasts would have 
us believe. The whole truth about a series of data requires 
not only the rate-of-change but also the amount-of-change 
method. 

In more scientific reports and in records which will only 
be used by those who cannot misunderstand them it is often 
useful to combine the two types of curve for the same data 



422 


CHARTS AND GRAPHS 



B-RATiO chart 
SHOWING RATE OF CHANGE 


A-INCREMCNT CHART 

Showing amount of change 


Fig. 351. Comparison of Rate-of-Change and Amount-of-Change Curves. 


The chart shows the growth of one dollar (lower curve) and six dollars (upper 
curve) at compound interest . — Permission of Mr, John Wenzel. 


upon a single chart, superimposing one upon the other. The 
simplest method of doing this is to plot one curve for the 
natural numbers and another curve upon the same chart, with 
the same arithmetical rulings, for the logarithms of the data. 
The first or natural number curve can be labelled Y and the 
second or logarithmic curve can be labelled Log Y. If the 
paper used for the chart is fairly translucent, it is not neces- 
sary to look up the logarithms in plotting this second curve, 
but a sheet with heavy logarithmic ruling can be placed 
underneath the chart and the two sheets held up together to 
the light while the logarithmic curve is plotted, from the 
logarithmic ruling on the lower sheet, which are not intended 
to appear upon the chart itself. The slide-rule will serve 
equally well, if its scale is appropriate, an engineer’s scale 
being used for the arithmetic curve and the slide-rule for the 
plotting of the logarithmic curve. A clearer method of show- 


HISTORICAL RATE-^OLSCHAAGE CURVES 423 

ing the distinct nature of these two superimposed or combined 
curves than by merely labelling them Y and Log F, is to trace 
or draw in a small portion or zone of typical logarithmic ruling 
immediately around the logarithmic curve, thus showing that 
the latter has been cut out from a logarithmically projected 
chart and inserted upon the arithmetical chart. Needless to 
say, the combination of these two wholly different types of plot- 
ting of a curve should be made upon a single chart only when 
that chart will show a single series of data, for obviously several 
curves brought together in this way would become confusing. 

No discussion of the historical rate-of-change curve is com- 
plete without mention of its value in forecasting, The use of 

TltADE UNIOM MSaiBJjktbHIP OP THE WOkLD 

l>iximbar of memborsi in ZO coxmtries 
1910-1919 

(Source:- Interimtioiml Labor Office^ 



Compare the extrapolated forecasts with those in Fig. 175 . 

the logarithmic projection in general for correlation studies 
has already been noted in the last chapter. But there is a 
very special usefulness of the rate-of-change chart in predicting 
from the course of past events, the probable course of future 
events. The curve is merely extrapolated to the ordinate of 


CHARTS AND GRAPHS 


424 

the desired point In the future and the intersection point is 
read from this extrapolation. The degree of success or reli- 
ability achieved in such methods of prediction depend of 
course upon the faithfulness with which the future develop- 
ments follow the course of the past record. But an estimate 
of the probability of this can often be made from an inspection 
of the past course of the curve itself. The method is only sta- 
tistically indicated where the curve of the past shows very 
regular and uniform trend. Through a combination of causes, 
it often happens that these estimates can be more reliably 
and usefully made by extrapolation of the rate-of-change curve 



From Joseph E. Pogue's "Economics 0 / Petroleum" 

Figr. 353. Careful Extrapolation. 

A straight line (dotted) has been fitted to the curve and projected ahead ten years 
to give forecasts. In 1930 the forecast is about 1250 million barrels as against 
SOOmillions indicated by extrapolation on amount-of-change paper (see Fig. 176). 

than by extrapolation of the amount-of-change curve, for not 
only is the trend of the past often more uniform upon the for- 
mer, but also in general it is true that the phenomena which 
show uniform rate-of-change in the past can be more relied 
upon to maintain their trend than the phenomena which show 
uniform amount-of-change. 

The historical rate-of-change curve is indeed one of the 
most important instruments in the treatment of ordinary 




HISTORICAL RATE-OF-CHANGE CURVES 425 

business statistics and economic studies. It has not yet 
reached the height of its vogue but it is fast gaining in prestige 
and is fully deserving. You will not only find it illuminating 
and fascinating to work with, but you will soon discover, if 
you have not previously used it, that it opens up to you a 
new world of investigation and research. 



Chapter XXXVII 


LOGARITHMIC FREQUENCY CURVES 

Hamlet: Do you see yonder cloud that’s almost in shape of a camel ? 

Polonius: By the mass, and ’tis like a camel, indeed. 

Hamlet: Methinks it is like a weasel. 

Polonius: It is backed like a weasel. 

Hamlet: Or like a whale? 

Polonius: Very like a whale. 

This same doubt and debate arises over the shape of every 
frequency curve. Such curves commonly present the widest 
variety of shape and contour. It is indeed possible to con- 
ceive of frequency data for almost any curve which may be 
imagined. Some attempts have been made to classify these 
various forms and divide them into a few typical groups. 
These classifications rest upon the relative positions (along 
the A;-axis) and magnitude (or amplitude) of the peaks and 
valleys in the curve. They are restricted to simple curves, 
presenting not more than one peak and two valleys (strictly 
speaking, half-valleys) or one valley and two peaks (half- 
peaks). Where more peaks or valleys occur in the curve, and 
these cannot be smoothed out by applying a process similar 
to the moving-average or total process, it is rather assumed 
that the curve is not simple, but compound, being really a 
combination of two or more separate simple curves. The 
breaking down of a composite curve into simple curves is a 
problem of advanced and difficult mathematical steps, super- 
ficially not unlike harmonic analysis, and cannot be discussed 
here. Outside of the engineering and scientific fields, these 
curves will be rarely met and the student of business and eco- 
nomic statistics need only acquaint himself with the treat- 
ment of simple frequency curves. We shall first consider these 
simple frequency curves as they appear on amount-of-chanee 
plotting paper. 

426 



LOGARITHMIC FREQUENCY CURVES 


427 


While no classifications have proved very useful, the best 
which has so far been formulated, and one of the simplest, is the 
classification of Professor Yuled Yule finds four common types, 


VITAi SUPERIORITY OF THE FBHALB 
Percentage Exo«a« of Male ever Female Death Sat« 
England and Wales 
1851-60 and 1901-10 

((Source:- Reports of Regiat-rar Oeneral of England and Walea) 



Fig. 354. Compound Curves- 


which he calls, respectively, the symmetrical curve, the moder- 
ately asymmetrical curve, the extremely asymmetrical or /-shaped 
curve, and the t/-shaped curve. These names are self-explana- 
tory. In the first or symmetrical curve, there is a single peak, 
from which on both sides the curve slopes away symmetrically. 
The salient facts about this curve are its width or spread 
(‘‘range’')? the height of its peak ordinate, and the relative 
heights of its ordinates at regular or certain irregular (‘^quar- 
tiles,” ‘Cecils”, or “percentiles”) intervals away from the peak 
ordinate. The last detail would tell us whether the peak was 
narrow, indicating great concentration of the observations 
about that point, or wide, indicating a scattering or “disper- 


^ Cf, Yule, Theory of Statistics. 



428 


CHARTS AND GRAPHS 


sion^^ about the point, and there are mathematical methods of 
expressing these details which may be found by consulting the 
statistical authorities. 


OUTPUT OP COAL MINERS 

Average Ntimber of Tons of Bituminous Coal Mined by Pick-miners 
per a-hour day in 118 mines, 17 states (all fields) 
United States 
1919 

(Source:- Ethelbert Stewart) 


Nximber Humber 

of of 

Tons Miners 

Under 3 577 

3- 4 913 

4- 5 1251 

5- 6 1491 

€ - 7 1395 

7- 8 1275 

8- 9 984 

9- 10 672 

10 - 11 462 

11 - 12 290 

12 - 13 171 

13 and over 336 


Fig. 355. A Frequency Series Which Appears Slightly Asymmetrical. 

The second, or moderately asymmetrical curve, presents the 
same general form as the first, but its peak is no longer in the 
middle of the curve, being nearer to one end than the other. 
Consequently the curve does not fall away on both sides with 
symmetry. Here we have a new element which is statistically 
known as ‘^skewness’^ the curve being skewed over to one side, 
and there are mathematical methods of describing more or less 
explicitly the degree of this skewness. 

In the third or extremely asymmetrical type of curve, we 
generally have but half a peak and half a valley, that is, the 
curve begins at a peak on one side and slopes down toward a 
valley, but the other half of the peak, the opposite slope, as it 
were, may be lacking. Where the opposite slope is present, it 
is very near to a straight vertical line and the curve is merely 
extremely asymmetrical. When it is lacking, the curve is 
called /-shaped and not only the lower or valley end, but also 
the peak end, of the curve may be “asymptote,’’ to the axis 
of the chart. By an “asymptote” is meant a line which, while 



LOGARITHMIC FREQUENCY CURVES 429 

approaching infinitely near to an axis, gives no promise of 
actually meeting it, no matter how far it be extended outward 
along the axis. 


THE DURATION OP MARRIAOES 

OlTorcea Classified by Years of PreviouB Married Life 
United States 
1887-1905 

(Source:* United States Statistical Abstract) 


Number of 

Divorces « ^ ^ <»“ uT 

(Tota 5 900,684) « ® cva ^ 


10 CO C^il 



•-4 Csj CM to lO •<*« 

Years of Married Life 


Fig, 356. An Asymmetrical Distribution. 

The dotted line is the same curve plotted upon a logarithmic horizontal axi.s. 
Note that, if this plot could be extended through the first open group, it would 
probably become approximately symmetrical. 


The fourth type, the [/-shaped curve, is one which describes 
a letter U, being made up of a valley and two half-peaks. And 
though it may be a very sharp or pointed, V-shaped valley, it 
is perhaps more frequently found to be more or less flat, just 
the reverse being generally true of the other three types. And 
it might be added that this [/-shaped curve may be found in 
both symmetrical and asymmetrical forms, according to the 
presence or absence of skewness. Yule, however, makes no 
subdivision of the U-shaped curves, as they are comparatively 
rare. 

It is now our purpose to show that these four more or less 
distinct types are often interchangeable forms, which can be 
evolved by different statistical and graphical processes, from 
the same original series of data. For this purpose we naturally 
regard the symmetrical type of curve as the more desirable 
form, and shall consistently refer other forms back to it. The 
reason for this, as has already been indicated, is that the more 



430 


CHARTS AND GRAPHS 


regular and symmetrical a curve be, the safer and more trust- 
worthy would seem its use for interpolation and generalization. 
The symmetrical form is not significant only to the mathema- 

SKY CLOUDINESS 

Distribution of 3,653 Obeervod Intensitiei of Cloudiness 
Breslau 
1876-1886 

(Source*- Yule, Theory of Statistics) 



Fig. 357. Yule’s Example of a U-shaped Distribution* 


tician who will seek a general equation for the phenomenon 
described on the chart, but it is also more significant to the 
layman, who, having once seen the symmetrical curve, will not 
so easily forget it. And at this point we enter the subject of 
the logarithmic projection of the scales. 

To begin with the second, or moderately asymmetrical form 
of frequency distribution, we have to note that its curve can 
often be made symmetrical by plotting upon a logarithmic 
scale. Plotted on rectilinear co-ordinates, that is, on the 
amount-of-change plotting paper, the right-hand ‘^taih^ of the 
curve, that is the slope toward the half-valley at the right-hand 
side, is generally longer than the one at the left. At the same 
time, the values of the independent variable, that is, the values 
of the points along the A:-axis, are larger at the right-hand end 
of the scale than at the left. So it is obvious that a logarithmic 
projection will shorten this part of the scale in comparison with 
the rest of the scale (for the log projection always condenses the 
larger values). The result is to shorten the longer tail, often 



LOGARITHMIC FREQUENCY CURVES 431 


enough to produce absolute symmetry in the two slopes of the 
curve.2 Nor does this process need to be wholly empirical, for 
the student will soon learn to detect in advance the curves 

COLLBGI. SALARIES 

Sal&riee la Aaorican Collegos tnd UniTer«lii«a 
Including Public and prirate Inatituticns 
Onitad States 
1920 

(Source: U. S* Bureau of Education} 


Ajtsisttints g 

Inotruotors ^ 

Assistant Professor 6 ® 

<0 

Asscciato ProfesBora 

Pull Profccsoro ^ 




Dollar* of Salary 


Fig, 358. Six Moderately Asymmetrical Distributions. 

Note that these have been made more symmetrical as to their sides and more 
rounded as to their peaks by means of logarithmic scales. 


“ See Fig. 361 on p. 435. 



432 


CHARTS AND GRAPHS 


which;^ by this treatment, may become symmetrical.^ The suc- 
cess of the method depends, of course, upon the nature of the 
independent variable, whose values appear as calibrations or 
scale-figures along the ^c-axis of the chart. 

From the above it is clear that it would be impossible to 
apply this method directly to data in which the independent 
variable includes both negative and positive values and crosses 
through zero. When zero is not a limit of the range, but is 
included inside the range, it would be necessary, if the method is 
to be applied, to change the variable to values which are wholly 
positive or negative. This can easily be done, if the zero- 
value proves on inspection to be purely nominal, arbitrary, or 
relative, and to have no real zero meaning. Thus if the series 

SENT INCEEAEKS 

Number of Paailies Reporting Increases of Rent 
(Jorerment Employees, Washington, P. C. 

Year Ending Oct. 1, 1920 
(Source: - Monthly labor Review), 


0 


1,983 

•1 • 

9 

83 

10 - 

24 

648 

2S • 

49 

480 

60 • 

74 

142 

75 - 

99 

41 

100 and over 

29 


Fig. 359. The Independent Variable is Measured from an 
‘Arbitrary Zero Point. 


be so arranged as to show deviation from its mid-point (median), 
mode, mean, or from some other particular value, the devia- 
tions, being measured above or below this point, will show in 
the table as positive and negative stubs, and the point itself will 
show as zero- By merely adding to all stubs the true value of 
this point, we return the data to its primary form and wipe out 
the false zero-value. In other cases the zero-value, though 
arbitrary, cannot be so easily given its true value, and the work 
is more difficult. When zero is a limit of the range of the data, 
and is actually met in some of the data, the log-chart can be 
used, but of course the values of the curve in the first interval 
(next the zero point), cannot be plotted, as that interval becomes 


» See Chapters XXVII and XXVIII, 




LOGARITHMIC FREQUENCY CURVES 433 

infinitely long,^ In the same way, the final class or group 
cannot be plotted where it is indeterminate, for it too is 
infinitelylong. 

In general, the same considerations apply to the possibility 
and usefulness of the logarithmic projection of the a:- axis scale 
as are applied to the logarithmic projection of the y-axis scale, 
already discussed in the foregoing chapters. The logarithmic 
projection would seem appropriate whenever zero is an infinites- 
imal limit (approached but never reached) to the independent 
variable. Such a condition is inherent in the nature of the 
phenomenon and can be detected immediately therefrom. 
Most economic data are susceptible to the process of log 
projection. It is noteworthy that each of Yule's examples of 
the moderately asymmetrical curve can be plotted on logarith- 
mic paper and made symmetrical thereby. Human beings, for 
example, cannot have a negative height, nor a zero height; 
communities cannot have zero populations; manufacturing 
establishments cannot have zero employees; nor farms, zero 
acreage. Frequency series of such phenomena, classified as to 
their sizes, seem to call for logarithmic projection a priori. On 
the other hand, profit or loss can be negative, as can net worth 
and balances of all sorts, including ‘^stock’^ or ^^fund^^ data, 
time and space dimensions with reference to particular points, 
and for such data the log projection would ordinarily be both 
impossible and meaningless. 

Whether or not the vertical or y-axis be given a log projec- 
tion is relatively unimportant. Ordinarily when the A?-axis is 
so plotted, the y-axis can be also, and the resulting curve shows 
a more rounded, less pointed peak. This may or may not be 
desirable. For identification with the normal curve described 
in the next chapter, perhaps more often the arithmetrical pro“ 
jection of the y-axis, even with the log is desirable, but it may 
be that the identity will be established only when both y and 
are logarithmic. 

The third, that is, the extremely asymmetrical or /-shaped 
curve, presents two possibilities. If it is extremely asymme- 
trical, but has two ^'tails’^ or half-valleys about its peak, it may 
belong in the same category as the second or moderately 
asymmetrical curve. The difference in the degree of skew, 
which seems so much more violent in the third than in the 


^ See Fig. 3S6 on p. 429. 




434 


CHARTS AM) GRAPHS 


LENGTH OP WORDS 

Distribution of 10,000 Words by Number of Letters in Them 
(Source:- BoTrloy, "Elements of Statistics") 


Number 
of Words 


O O Oi H 

CD <M 

(M ’rH 





Logarithmic 


Number of Letters 


Fig. 360. A Moderately Asymmetrical Distribution which the 
Logarithmic Scale Has Not Made Entirely Symmetrical. 


second, may be found wholly due to the greatly extended range. 
Thus if we classify farms by acreage, our table may include 
farms of less than three acres and farms of more than a thousand 
acres- Here the range is very great, being through three 
logarithmic decks, and the arithmetical projection has obviously 
brought the log mid-point very, very close to its left end (and 



LOGARITHMIC FREQUENCY CURVES 435 


with it the peak, resulting in extreme asymmetry. The height 
of human beings varies through no such great range and hence 
shows, when arithmetically projected, only mild asymmetry. 


SIZE or FAfiMS 
0ait9<l St&tvs 
1920 

<8ouro» - C»asm*} 


iTortig* lunbar ef SSS S 2 C 

Farmt aacn ''.•’.''-'t • 

6lnel#-<wire aub-greup ** S 2 S 2 2 

In •nch Clnta 


fci»l Bumbar of f«r»a 
is a«oh ClsM 



s 

I 


s 


2 




Fig. 361. An Extremely Asymmetrical Distribution Made Symmetrical 
by the Logarithmic Projection. 

Note that the left ‘'tail” of the lower curve has been extended through the open 
class (zero to two acres) as a straight line, and therefore obscures the symmetry. 


Large ranges are extremely common in business and economic 
statistics, and the data will nearly always fly storm signals 
indicating the need for logarithmic projection. Thus the usual 
classification of cities by sizes runs through intervals with 


£>i/.E or 

Huaber of workers involved in Btriies 
United States 
191 «- 1921 

(Somrce;- Monthly Labor Review) 


Claeeee: Ko. of workers 
Ko. of equiv. eub-olasees 


\pprox, ntunber of workere 

3001 


1-10 

1 

11-25 

1.5 

26-60 

2.6 

197 

(197) 

346 

(230) 

412 

(164) 

164 

(164) 

296 

(197) 

341 

(136) 

143 

(143) 

268 

(17S) 

334 

(133) 

170 

(170) 

279 

(186) 

333 

(133) 

IBO 

(150) 

299 

(199) 

313 

(125) 

219 

(219) 

286 

(191) 

262 

(101) 

«6" 

•’IS” 

"se” 


251-600 

25 

601-1000 

60 

over 

348 

(13.9) 

238 

(4.8) 

254 

284 

(11.3) 

193 

(3.86) 

286 

278 

(11.1) 

141 

(2.82) 

216 

339 

(15.6) 

206 

(4.1) 

576 

262, 

(10.6) 

136 

(2.72) 

196 

153 

(6.13) 

101 

(2.02) 

140 

”376’' 






Sgg8 8 888 

H N ^ «0 00 



iJ 1 ^- LJLLLLL L 1 1 L J 

S S ^§§8 8 8 8 


Fisf. 362. Th<* Doubl«-Logarithmic Projection is Best. 


LOGARITHMIC FREQUENCY CURVES 437 


various division points, such as 1000, 2500, 5000, 10,000, 
25,000, 50,000, 100,000, 250,000, 500,000, 1,000,000. Who 
cannot see at once that these intervals are merely round num- 
bers approximating, as closely as convenient, equal geometric, 
and not equal arithmetical, intervals? 

When, however, the curve is /-shaped, that is, has only one 
tail, another possibility creeps in. For it may be that what 
we are treating as a /-shaped frequency distribution is really an 
ogive, that is, a cumulated frequency series. The cumulation 
of a distribution which is symmetrical on an arithmetical 
projection is easily detected, of course, but the cumulation of 
other forms may be neatly disguised in the description of the 
series and pass for a time unnoticed. The behavior of these 
other cumulatives we will discuss shortly, but it should be borne 
in mind that the most frequent example of the /-shaped curve 
is an ogive or curve of a cumulated series. And when you 
meet a /-shaped curve, examine it first to make sure that it is 
not an ogive. If it is not, then the possibility remains that 
it is a very extreme asymmetrical curve, which is really not 
/-shaped at all, and has two perfectly good tails, but one of 
them is so very short as to be swallowed up in the peak.^ Thus 
Yule’s illustration of the /-shaped curve, being the un cumu- 
lated distribution of personal incomes in Great Britain, is as he 
himself says, not really /-shaped, but merely so asymmetrical 
that its lower portion has been swallowed up in the mode of 
the series. 

As to the fourth type, the i7-shaped curve, rare as it is, it 
presents two or three obvious possibilities, one or another of 
which may serve in its analysis. In the first place, we must 
note that it may be merely an approximation to a distinct 
‘‘yes or no” tabulation, its two terminal maxima representing 
the two alternatives arid its intervening minimum the more 
infrequent compromises. Thus a tabulation of eyes by degrees 
of blue or brown color might show many wholly blue and many 
wholly brown eyes with relatively few eyes of the various inter- 
mediate shades, if the whole matter of color be a resultant of 
the presence or absence of dominant color determinants. Yule’s 
illustration of this type of curve suggests a similar condition, 
being a record of sunshine and cloudiness at Breslau. If clouds 
be a local evidence of a falling barometer over a wide area, 


See Fig. 362, page 436, where this has happened in the last year. 



43 B 


CHARTS AND GRAPHS 


and clear skies of a rising barometer, since it is obvious that the 
air pressure can shift only one way or the other, we might be 
justified in expecting the local conditions to show few inter- 
mediate results. Closely allied to this is a second possibility, 
namely that in a particular [/-shaped curve we really are not 
dealing with a simple curve, but with a compound one in which 
two opposite, extremely asymmetrical and apparently /-shaped 
curves have been combined. 

As a third possibility, we have to note that since a [/-shaped 
curve is merely one of the first or second curves upside down, it 
is possible that by taking the remainders or complements 
(especially if the data be in p ercentage form) of the dependent 
variable, we can right it again, taking the data out of the fourth 
class entirely and throwing it into the first or second (or even 
third) class, there to be treated as above outlined. And just 
as the symmetry of the minimum-maximum-minimum curve 
may be effected by the logarithmic projection, so the maximum- 
minimum-maxiitium or the [/-shaped curve may be similarly 
converted from asymmetry to symmetry. Mortality rates 
often show an extremely asymmetrical [/-shape, which can be 
changed to a valley of perfect symmetry by the log-scale, giving 
a beautifully rounded curve with clearly emphasised variations 
for different racial and occupational groups of the population.^’ 
And by subtracting the death rate in each age from the base 
of the rate, we obviously get what might be called a survival 
rate which, though less known, is a clear example of the second 
group of curves. 

It is not to be understood from the foregoing discussion of 
statistical and graphical methods of producing symmetry in a 
curve, that all frequency series can be made symmetrical by 
proper treatment. Sometimes the very failure of the series to 
be symmetrical is of prime importance and while we might by 
round-about methods produce symmetry, yet the inappro- 
priateness of these methods would be so great as to make 
symmetry meaningless. Nor is it true that all frequency curves 
will fall into one or another of the four classes mentioned. The 
point of what has been said in the foregoing discussion is that 
it is sometimes, indeed often, possible by very simple steps to 

®The Census Bureau in its Life Tables has published elaborate charts of these 
curves, but unfortunately through the use of arithmetically-projected scales, it has 
been obliged to break up each curve into three or four parts, each part with a suitable 
but different, scale. 



LOGARITHMIC FREQUENCY CURVES 


439 


PBMAIB MORTALITY RATES 
Uni tad States 
1910 

(In percerxtagas ) 
Sonrce:— U.S. Census, 19L4. 



C- oo 0> O O) <0 CO 6 to o to 

« rt 

Teare of Age 


Fig. 363. An Extremely Asymmetrical U-shaped Distribution Brought 
to a Beautiful Symmetry by the Log-scales. 

Note the emphasis given to significant ii regularities, such as the increased 
mortality-rate at adolescence, among negroes, and its absence among the foreign- 
born. 

% 

attain the desired symmetry, and discover an underlying 
regularity in the behavior of the phenomena observed. To 
determine whether the symmetry is desirable and significant, 
and to interpret the meaning thereof when the symmetry has 
been secured, is indeed a task calling for experienced judgment. 
Furthermore, to detect the possibility of such symmetry 


28.1 



440 


CHARTS AND GRAPHS 


r, ^ . - mortality rates 

oeeths at Each Aga.ohoan aa a Eareantaga of Thoaa Living at the Beginning of the Travloua Yean 

The United States 
1901 and 1910 

(Source:- U« Sa Census Bureau) 


<1^ ^ 


w to tOHOwr* o> to<«)<c.»aj w cjcuHcnc* lO'fonio 

00 to tOOtOCD'f* H (OCOUOOJ aj* Wt>v-ICI>C- C~HHT0tI« 

e- lO M<tOtOWW W WWTOal* U> tOt-C'OtO lOmCiaJ'liO 


0> lOOrtuOt- <0 t»t“0>t0 

OOHafO lO C-^TOIO 

t> <£)U5a(J*tOCU Cl «tOa)<lO 


C0C-t00>0> WaJ'OWt-l 
C-C^C3tOO> tOafiOlOlO 

t-coa*H<o locic-e-co 


Cl lO I-I to w 



Fig. 364. Same as Previous — Historical Comparison. 



LOGARITHMIC FREQUENCY CURVES 441 


requires imagination and familiarity with statistical data 
which the student will not quickly achieve. 

Some idea of the sign posts which indicate the appropriate- 
ness of the logarithmic projection has already been given. 
When the class or group limits which break the phenomena into 
a series are at widely varying and rapidly increasing intervals, 
such as (0), 1, 2, 5, 10, 20, SO, 100, 200, . . . (infinity) or 1 
month, 2 months, 3 months, 6 months, 1 year, 2 years, 5, 10, 
15, 20, 25, 30, etc, years, and similar arrays, then the geometric 


CONVENIENT GEOMETRIC INTERVALS 



Fig. 365. A Table of the Convenient, Nearly-geometric Intervals by 
which the Range Between Successive Powers of Ten May be Divided. 


nature of the progression is evident. But the law of organic 
growth applies in far more cases than those which wear this 
obvious marking. It may not be amiss to note some of Yule's 
illustrations, since we have followed his classification of curves. 
As he says, the symmetrical curve is rare in economic statistics 
and his one example of it, relating to the stature (height) of 
groups of adult men, covers so small a range in inches (from 
58 to 76) that the logarithmic projection of the scale would not 
appreciably alter it. Hence we may conclude that while this 
particular series is practically symmetrical — on arithmetical 
projection — yet it may really call for a logarithmic projection 
because of the organic nature of human growth, and the arith- 
metical symmetry may be entirely accidental. This idea grows 
stronger as we observe that his illustrations of moderately 





Number of Cases 


442 


AMERICAN ACCICENT TABLE 
tluration of Temporary Total Dleabllity 
(95,388 oaaee per 100,000 accidonts) 
United States 
1919 

(Source:- Olive E. OutuRter) 


Cases 


IS 

a> 


OCMWttSOCUOie-UO^lOWCVjeUr^iHi-IM 


a ♦> 


tl 


Period 


period 


essscscsssssssssstsrsss 

O»- 4 M« 0 ^UJt 0 t-C 00 »O<^N»e'i|'«l 

)eOrt*IO(Ot-OOOkr-li-<rHH>-4r-li-«i-l--li>4CMNMO}CMr 

iittitillilii itiliiiit 

cMK»^uj<or“COO»Oi-<e»»(o^u>«>t-«oa» 0 '^Mrt'' 


•o< 04 M^u 3 (o»«o-e'Ou>(aaoo 
CM«lX>f«ll 0000 >to^t-C-< 00 > 
C0O04OCMU> C0OOt-'«SW00i-» 
COaOt-tCU}'<l«‘<titOlOCUt\>CM«-«M 

>» >. 

« AC CSC rsescssc 
tj -o 



Fig. 36 $. The J-shaped Distribution. 

(Shown by the dotted line and plotted upon the outer or arithmetic scales) 
becomes more rounded as logarithmic projection (shown by the full line and 
plotted by the two inner or logarithmic scales) is used. 


LOGARITHMIC FREl^ULNCY CURVES 


443 


asymmetrical curves include distributions of the stature of boys 
and young men, in which the ranges are considerably larger 
(great enough to show appreciable dilFerence between the two 
projections) and in which the curve becomes symmetrical on a 
log-A; scale. The weights of the adult men likewise showed 
moderate asymmetry which disappeared on the log-^ scale, 
again because of a greater range (from 100 to 250 pounds). In 
all these cases, the class or group intervals are even and regular, 
and yet from the organic nature of the phenomenon — human 
growth in height or weight — ^we could suspect the desirability 
of the logarithmic projection which is so successful in fact. 
The true significance of the success of the log projection in 
producing symmetry, when it does so, is that the proper units of 
growth are magnitudes, such as those by which we measure 
star-brilliancy or musical pitch, rather than increments; nature 
uses geometrical, not arithmetical, units. 

As has already been said and as may be deduced from the 
above, it is not always necessary that both axes should be upon 
the logarithmic projection. Frequently one has use for a chart, 
the scale of which is arithmetically projected along one axis 
and logarithmically along the other. Thus we may note at 
once four possible chart-fields: the plain rectilinear co-ordinates 
or A;-arithmetic y-arithmetic; the logarithmic or ^-log, y-log; 
and the two semi-logarithmic, ;c;-arithmetic y-logarithmic, and 
^^-logarithmic y-arithmetic. The discussion has so far turned 
upon the projection of the ^JC-axis scale. With regard to the 
y-axis scale, the different projections obviously do not affect 
the symmetry of simple curves and we must base our selection 
of the proper projection either upon the nature of the 
variable to be shown and the apparent appropriateness of either 
method, or upon the emphasis or detail which we wish to give 
to certain parts of the curve, or upon mere convenience. The 
log projection of the y-scale always gives more pointed valleys 
and more rounded peaks than the arithmetical projection. 
Log-logs, or the logarithms of logarithms, have been mentioned 
in a previous chapter, and by their use still further changes can 
be effected in the contour of the curve. In short, the student 
will find ample means in these projections to study his data in 
various forms in the course of his analysis. 



Chapter XXXVIII 
LOGARITHMIC OGIVES 

It is in regard to tlie ogive that the projection of the y-scale 
becomes important. It will be recalled from the chapter on 
ogives, that these charts show the cumulation of frequency 
series. It will also be recalled that the frequency series can be 
cumulated from either end, forming either a ^^more-than’^ or a 
‘^less-than’' cumulation. Hence, even on an arithmetically 
projected field we can always have two ogives for the same 
original uncumulated frequency series. If this series be a sym- 
metrical one, the two ogives will mirror each other on both axes; 
but if the original distribution is asymmetrical, they will not 
mirror both ways even when arithmetically projected. But by 
the use of logarithmic-scale projections, either on one or the 
other or both axes, we can sometimes produce mirroring again, 
a condition which often indicates that on such scales the curve 
would become symmetrical. For the treatment of the ogive, 
then, as for the simple curve, the proper projection of the ^-axis 
is important. But in ogives we have, of course, only one 
maximum and one minimum, with the entire range of the series 
distributed between. Hence it is sometimes possible to secure 
in ogives what can never be secured in uncumulated frequency 
series — a straight line. The single exception to this is the 
/-shaped frequency curve with only one tail, and this curve 
will often, as has been said, be found to be an ogive in disguise, 
the cumulated nature of its data being not immediately 
apparent. 

Now just as symmetry is more desirable in general than 
asymmetry, so a straight line is in general more desirable than a 
curve. For it still further simplifies the significance of the 
chart, and it still further displays regularity of behavior in the 
phenomena. Hence in work with ogives, which are merely 
irregular curves, typically of an S-shape, the search for a 
straight line is legitimate. And at this point, the value of the 


444 



LOGARITHMIC OGIVES 


445 


log-projection of the y-axis scale comes in. For it may be that 
an ogive of very great curvature will straighten out into at 


Yearc Total 


DURATION OP STHITCBS 

Number of Strikes ended in Specified Periods of Time or Lead 
United States 
1915-1921 

( Note’- Strikes emitted ’becnuse lengths not reported;- 1916, 332; ISlT^ 616; 1918, 484j 
1919, 301; 1920, 437, and 1921, 262.) 

(Source - Monthly Labor Sevie'^") 


e-ift 05 <0 je 

StnO'<l*2>Ou> CJiSS 
e-c-QooococbO OO^ 


»-l 0«D Ot-^tOtOr 

(T> ‘a 

O 0<-t csJi'OeOfC'd*-^ 


in to r^toa><» 






CIIJRTS JND GRAPHS 


446 

least a close approximation of a straight line when the y-scale 
is made logarithmic. This possibility applies in general to all 
truly /-shaped curves. And when you have been unable to 
make a curve symmetrical, you still may succeed in making one 
of its ogives into a straight line, and so pull success out of 
defeat, and bring order where chaos was. 

A spectacular example of this close approach to a straight 
line on the part of an ogive is the ^‘more-than’’ cumulative of 
the distribution of personal incomes in a community. Govern- 
ment reports show tabulations of the number of persons who, 
according to their income tax statements, enjoyed incomes 
between specified limits. By cumulating this distribution so as 
to get the number of persons enjoying more than each specified 
amount of income, there is obtained the data for an ogive 
which will pass through such excessive ranges in both variables 
as a dozen persons enjoying more than ten millions of dollars 
annual income and two millions of persons enjoying more than 
a thousand dollars of income. The curve of this cumulated 
series will, on arithmetically-projected scales seem asymptote 
to both axes, hugging them so closely throughout its length 
that were the chart-field as large as the side of a house, the 
curve would never leave the axes by more than a few inches. 
But plot the same data on logarithmic paper and the ogive 
comes so close to a straight line that one is tempted to ascribe 
its variations to errors in the data. This particular example 
not only illustrates the tremendous compression of large num- 
bers on a log-scale, but it also nicely exhibits the analytical 
power of the logarithmic method, for by its use the Italian 
economist, Vilfredo Pareto, was led to formulate a ^^law’’ of 
the distribution of wealth and income which was simply the 
mathematical expression of the slope of the straight line. And 
while Pareto’s law has not withstood the waves of debate which 
it has occasioned, the straight line on which it was based 
remains the best means of analysis of comparative income 
statistics for different communities. 

Another advantage in the logarithmic y-scale, and one 
which applies to all frequency curves, as well as to ogives, is 
that by its means, very dissimilar (as to amplitude or height on 
the y-scale) frequency curves can be compared. Thus when 
two series would on ordinary co-ordinates lie so far apart, the 
one high above the other, that they could not profitably be 
shown on the same chart without using different vertical scales 



PERSONAL INCOMES 

Huabor of Persons Reporting Incomes in Excess of Specified Aaotanta 
United States 
1919 

(Source;- Collector of Internal Revenue) 



448 * CHARTS AND GRAPHS 

for them, it is often a very great saving in labor, as well as an 
assistance in analysis, to use the logarithmic vertical scales. 
The slopes of the various parts of the curves may be compared 
upon this projection and significance attached to parallelism, 
just as in historical rate of change curves. Commonly, the 
method is most useful when the two curves lie upon the same 
portion of the horizontal scale. Curves can also be made com- 
parable by the use of percentages in the place of the numbers, 
each value being turned into a percentage of the total of the 
series. This requires more computing, but is for some pur- 
poses superior to the use of logarithms or logarithmic y-scale 
projection. 

In the construction of the logarithmic frequency curves, the 
principles laid down under amount-of-change frequency curves 
apply as to the positioning of the field. When the ogive is used, 
there should be room above the field of the chart for the original 
data to enable reading from the independent variable, and it 
may often be well to leave room to the right of the chart for 
derived secondary data in the form of readings from the depen- 
dent variable. As for other frequency curves, the selection of 
the independent variable is sometimes difficult and often merely 
a matter of whim, choice, or convenience. In such cases, 
particularly, both the original and the secondary derived data 
are useful, for you cannot be sure in advance which data you 
will ultimately adopt. There is, however, in the logarithmic 
frequency curve, little use for the staircase form of plotting, as 
the areas between ordinates have no significance, and we can 
limit the discussion of the logarithmic curve to frequency 
polygons and smoothed forms of curves. As to the logarithmic 
projection of scales, of course, the principles laid down in the 
previous chapters apply. And other things being equal, the 
logarithmic projection of the a;- and y-axes of each chart 
should be upon a common scale, that is, with decks of equal 
size, whatever the calibration may be. 

The possibilities of application of the logarithmic frequency 
curve and the logarithmic ogive are very great and the student 
will soon discover that they exceed in usefulness for research 
purposes the ordinary amount-of-change frequency curves as 
much as the historical rate-of-change curves exceed the his- 
torical amount-of-change curves. 

We have mentioned population distributions as obviously 
calling for logarithmic projection. This is important in sales 



LOGARITHMIC OGIVES 


449 


analysis and merchandising research. Rent statistics, pos- 
sibly an even better index of local buying power than income 
statistics, have been found, where they have been compiled, 
to behave as do the incomes. In building statistics, it has 
been found possible to set up normals of new building for each 
community on the basis of size of population, and the com- 
parison of the actual building with this normal affords a useful 
index of local business conditions, the entire analysis being 
carried out on logarithmic paper. The possible useful applica- 
tions of this form of chart are innumerable. In the engineering 
world it is in common use, being much better known than the 
semi-logarithmic, historical rate-of-change curves. Though 
less popular than the latter and perhaps less often required, the 
logarithmic frequency curve should play an important role in 
the business or economic research laboratory. 




PART IV. SPECIAL ANALYSES 



Chapter XXXIX 


THE NORMAL CURVE OF ERROR 

The statistical authorities usually make a great to-do over 
frequency curves, for much statistical work of a precise nature 
involves the close study and measurement of frequency distri- 
butions. The fundamental conception in such work is one 
ideal or theoretical form of distribution which is known as the 
^^normal curve.’’ The analysis is more often than not directed 
at the question of whether given distributions conform to this 
normal, and if not, how closely they approximate it. In 
graphics the question is whether a given frequency curve can 
be found to be identical or nearly identical with a corre- 
sponding normal curve. For reasons which will presently ap- 
pear, the discovery of this identity is always attended by re- 
joicing and relief, similar to the discovery that a historical 
curve conforms to the law of organic growth. For in each case 
a condition of meaningless irregularity has been replaced by 
the establishment of a definite and significant law. 

If you select at random a hundred men, provide them with 
yard-sticks, and let them measure the length of the city block 
in front of your house, you will be disappointed if you expect 
a unanimous report from them. Their measurements will vary 
through a considerable range, and “bunch up” most thickly 
about midway between the extremes. Pick your men for ex- 
perience and ability and you may expect the variation to 
extend through a shorter range, that is, the highest and lowest 
estimates will be nearer together, but the variation will still 
be present, with its bunching up at the mid-point. Provide 
the men with accurate engineers’ chains instead of wooden 
yard-sticks and you will still further reduce the range of varia- 
tion, perhaps down to inches instead of feet or yards, but it 
will still be present. The results are not changed if, instead 
of a hundred men, you use but one man, letting him measure 
the distance a hundred times over (provided he does not 

450 



THE NORMAL CURVE OF ERROR 451 

voluntarily repeat his estimates). As a matter of fact, all 
these measurements are approximations; the actual distance 
itself has not changed or varied in the least. We are simply 
confronted with the human equation and its inevitable errors. 
And the interesting thing is that these mistakes or errors have 
been found to group themselves in a certain characteristic for- 
mation or distribution. In any sujfficiently large body of ob- 
servations the scatteration or dispersion of items due to mis- 
takes or errors of observation, falls ever into or approximates 
the same characteristic form. Plotted upon a chart, this form 
is the normal curve, and the normal curve is therefore often 
called the curve of error or the curve of errors. 

Under the name of ‘^the probable error,’’ artillery officers 
study the scattering of gun-fire, for no two successive shots 
from the best cannon in the world will hit at precisely the 
same spot. If you step outdoors and pick (without choosing) 
a hundred leaves from a tree you will find that while they may 
be of approximately uniform size, yet there will be minute 
variations of length or breadth in these leaves. Or glance at 
the stock exchange quotations and arrange the first hundred 
into a frequency series. In every case the form of normal 
curve will again be approached by the curves of your observa- 
tions. Hence the normal curve is often called the ^^probable 
curve” or the curve of normal probabilities. 

In algebra every school boy knows the expansion of the 
binomial {a-\-h). The square of the binomial is +2ab -{-IF) . 
Its cube is {a^-{-3a?b-{-'ial>^-\-h^)y its fourth power is {a^-{- 
4:a^b -{-6d^F -{-^alF -{-F ) its fifth is {a^-{-Sa^b-{-10a^'^-{-lQa?b'‘^-{~ 
Sab^-{-b^)\ and so on. Note that these coefficients increase 
always as they approach the center from either end. If we 
were to plot them as a frequency curve we should again find 
a suggestion of the normal curve. Carry the expansion out 
into higher powers and the approximation becomes closer. 
If the expansion could be made indefinitely great, the curve 
of the coefficients would precisely conform to the normal 
curve and for this reason the statistical study of the normal 
curve is closely tied up with the binomial theorem. If in no 
other way, the normal curve could be mathematically com- 
puted by its means. 

Enough has been said to show the importance of the normal 
frequency distribution. Let us therefore attempt to describe 
its appearance. This is not an easy task, in as much as any 



452 


CHARTS AND GRAPHS 


THE NORMAL CURVE 

Ordinates of the Uncumulated Series 
(Formula: 

(Note: Values (ordinates) are given for parts of the range (abscissae) on both sides 
of the Median (origin), the units of measurement for abscissae being the Standard 
Deviation, and for ordinates, the Median.) 


Negative Side of Median (origin) 

Positive Side of Median (origin) 

Abscissa 

Ordinate 

Abscissa 

(x) 

(y) 

(x) 

0 

1.000,0 


0 

-0.2 

.980,2 


0.2 

-0.4 

.923,1 


0.4 

-0.6 

.835,3 


0.6 

-0.8 

.726,2 


0.8 

-1.0 

.606,5 


1.0 

-1.2 

.486,8 


1.2 

-^1.4 

.375,3 


1.4 

-1.6 

.278;0 


1.6 

-1.8 

.197,90 

1.8 

-2.0 

.135,34 


-2.2 

.088,92 

2.2 

-2.4 

.056,14 

2.4 

-2.6 

.034,05 

2.6 

-2.8 

.019,84 

2.8 

-3.0 

.011,109 

3.0 

-3.2 

.005,976 

3.2 

-3.4 

.003,089 

3,4 

-3.6 

.001,533,8 

3.6 

-3.8 

.000,731,8 

3.8 

-4.0 

.000,335,5 


-4.2 

.000,147,75 

4.2 

-4.4 

.000,062,52 

4.4 

-4.6 

.000,025,42 

4.6 

-48 

.000,009,930 

4.8 

-5.0 

.000,003,727 

5.0 


Fig- 369. 


change of scales upon the chart, along either axis, results in a 
change of its shape. Enlarge the horizontal scale and the 
figure of the curve is spread out wider, reduce that scale and 
it becomes narrower. Increase the vertical scale and every 
part of the curve is raised, making its peak much taller; dimin- 
ish the scale and it is flattened out. Hence the normal curve 
may have an infinite number of conformations. Always, how- 
ever, it has a hump at its horizontal mid-point where the fre- 





THE NORMAL CURVE OF ERROR 


453 


quencies are thickest. Hence it may be described as bell- 
shaped, showing a peak at the mid-points and a die-away curve 
or tail at each side of the peak, one at least of the tails being 
asymptote to (i.e. approaching but never reaching) the hori- 
zontal axis. 

Now there are any number of possible curves which fit the 
above description but are not normal curves, hence the de- 
scription is not a definition. Curves may be rounder or flatter 
or more pointed at the top or may slope away at different 
angles from the corresponding normal curve or any similar 
normal curves. Hence it is important to be able to distinguish 
between normal curves and curves which are not normal. It 
is not enough to find in analyzing a given distribution, that its 
curve has a central peak and is symmetrical. The student 
should be familiar with the various forms of the normal curve, 
but it is not always possible, even for an expert, to be quite 
sure whether a given curve is normal or not, if he can rely only 
upon inspection. We need to compare the given curve with 
a precise drawing of the corresponding normal curve. And re- 
membering the infinite number of normal curves, it becomes 
difficult to select the proper one for the given distribution. 
Obviously the compared normal curve, that is the ideal dis- 
tribution, for a given series, is one which will have the same 
total area under the curve, that is, the same number of obser- 
vations or items in the series. But there is an infinite number 
of normal curves with the same inscribed area, differing from 
each other according as their peaks are tall and narrow or 
short and broad. So the proper normal for any series must 
be one which will intersect the given curve at certain points. 
Usually the standard deviation is used as the abscissae of 
these intersecting points. So we are led into a tedious math- 
ematical process, only a part of which is the computing of 
what statisticians call the standard deviation and all of which 
is more statistical than graphic. The comparison of a given 
curve and its normal is not easy by this method.^ 

In the next chapter will be described an easy trick by 
which you can make such a comparison graphically, and learn 
whether the given distribution or series is normal or not, and 
if not, how closely it approximates the normal distribution. 

^ The two ways of fitting the proper normal to a given curve, other than the 
graphic one in the following chapter, can be found in Yule, Theory of Statistics, pp. 
307 - 9 . 



Chapter XL 


PROBABILITY CURVES 

Those readers who have understood the form of graphic 
legerdemain by which the adherence of a historical series to 
the law of organic growth is flashed upon the rate-of-change 
chart paper, will be prepared for a similar trick by which the 
adherence of a frequency series to the normal distribution is 
graphically shown. They will anticipate that the graphic 
form eliminates practically all computing and calculating 
from the treatment of the data, this computing having been 
absorbed once for all into the projection of the scale of the 
chart. The trick is very simple. It consists of plotting the 
ogive of the distribution upon paper which has been specially 
ruled off in such a way th at the ogive of any normal curve will 
become a straight line upon it. 

The normal ogive, as you know, is S-shaped. If you 
know the ordinates of the normal ogive you know precisely 
how much to distort the scale for the dependent variable so 
as to produce a straight-line projection of the normal ogive. 

You need only select points equidistant along the vertical 
scale, read the abscissae of corresponding points on the ogive, 
lay off these horizontal values vertically (on the vertical 
scale), and shift the scale figures from the old to the new ver- 
tical scale. By doing this you have made the ordinates and 
the abscissae of each point on the normal curve alike and so 
of course the normal curve becomes a straight line. But any 
other S-shaped curve, any other ogive, or any curve at all, 
which is not a normal one, will fail to straighten out perfectly. 
And so at a glance you can see, by this chart, not only whether 
a given distribution is normal, but if it is not normal, how 
closely it approximates or deviates from a normal distribution. 

To plot a given ogive upon the probabilities projection of 
the dependent-variable scale just described, it is best to turn 
all frequencies, i.e. dependent variables in the data, into per- 

454 



THE NORMAL OGIVE 455 

Ordinates of the Cumulated Series 

(Note: Values (ordinates) are given for parts of the range (abscissae) measured in 
both directions from the Median as origin, the units of measurement for abscissae 
being the Standard Deviation, and for ordinates, the total of the series. The table 
can also be used to show fractions of the area under the normal curve (uncumulated) 
lying on each side of verticals (ordinates) from specified abscissae.) 




456 


CHARTS AND GRAPHS 


centage figures. For the peculiar spacings of the probabilities 
projection are arbitrary and cannot be freely changed. The 
total of a series is the limit of its cumulation, and the cumu- 


THB PROBASILITISS FfiOJECTICN 
fhowlns th* nsthod of censtructlng « 
probabilitio# proJocUen, along tho Y-sJtls. 


Cl.«»t-than 

CunulatlTa) 

Percantaga 

of 

Fraquoneiaa 





Fig. 371. 

Showing how the dependent y-scale of percentage-frequencies is readjusted from 
the arithmetical projection which gives the curved ogive to the probabilities 
projection which gives the straight-line ogive. The frequencies must invariably 
be converted into percentages for this chart. ^ 


lated series has definite limits (for its dependent variable), 
these limits being “no items” and “all items,” that is, 0 and 
100% of the total of the series. Hence the only common 
measure for all frequency series is a percentage one and the 
normal curve and ogive are both given in all tables in per- 




PROBJBILITY CURJ'ES 


457 


centages. The distortion of the dependent variable scale is 
made for values of these percentages, and you must not seek to 
shift the scale figures of the probabilities projection scale as 
you could an arithmetical or logarithmical projection scale. 
Your only way to alter the probabilities scale is to turn the 
percentages into values of your particular series, in which case 
the scale is restricted to this series, a fruitless if not danger- 
ous step. It is sufficient to turn the cumulated series into 
percentages before plotting upon the probabilities projection. 



.11) O© « H O O<De*-OU>^,«0 « H O rj N «0 .tirtiOC;®® O H Cl W^lOO COOinft 

(m Wr-f f-iHH*** • • t * » r-t H H HNOlw 

I It I I » I • 4 1 I Kang® 


Figr. 372 , A Less Useful Form in Which the Independent or x-Scale 
of the Range is Readjusted to Straighten Out the Ogive. 

It is less useful because the range-intervals must be turned into units of the 
standard deviation before plotting. Its sole advantage is that the frequencies 
need not be turned into percentages. 

The scale for the independent variable, that is, ^-axis 
scale, may be projected either arithmetically or logarithmically. 
If a given series will straighten out upon the former, it indi- 
cates that its curve would be symmetrical upon an arithmetic 
projection; if the ogive straightens out upon the logarithmic 
paper the distribution is one of the asymmetrical types which 
are made symmetrical by a logarithmic projection. Hence the 
probabilities paper not only gives the approximation to the 
normal, but it also determines whether that normal be sym- 
metrical upon a geometrical or arithmetical basis. Chart 



458 


CHARTS AND GRAPHS 



Fig. 373. Commercial Probability Forms. 

These twQ sheets, an arithmetical-probability form and a logaiithmic-probability 
form, are marketed under these names b^ the Codex Book Company. — Per- 
mission of the Codex Book Co. 

forms with the probabilities projection of the dependent vari- 
able scale, are published with both projections of the inde- 
pendent variable scale.i 


^ The true nature of the “dependent” and “independent” variables in ogives has 
already been discussed. (See Chapter XXIX.) The same considerations hold of 
the ogive on probabilities paper, but by accident some of the publishers of probabil- 
ities paper have reversed the arrangement in their printed scales, thus inadvertently 
hastening the time when, in the author’s opinion, statistical practice will correct 
itself and plot :v-frequencies, y-range. 




Farm Acreaga 


PROBABILITY CURVES 


459 


The probabilities scale, calibrated in percentages, will never 
reach either zero or one hundred per cent in either direction. 


SIZE OF FAHUS 

P®rc»nt Diatrlbution of Pams of Specified Number of Acres or Greater 
United States 
1890-1920 

(Source:- United States Census) 



Fig. 374. The Logarithmic Probabilities Projection in Use. 

Note the close approach to straight lines. Also the ease with which, median, 
quartiles, etc., and interquartile range are found. 


for the true normal curve is asymptote to the x-d.xis and its 
100% parallel. We can therefore never plot the two limits, 


460 


CHARTS AND GRAPHS 


0 and 100%, on this paper. We can only come as close as we 
wish toward these limits by extending the scale on into the 

coLLne sAunins 

, Sftl&rlas In toorlMn Colle'se UtilTrarsleiaa 

IneXudlng public and Private Institution* 
nnltai Stitss 
1920 

{Source - United Stele* Bureau of EdueaHon) 




Fig. 375. An Arithmetical Projection of the Dependent 
^ (or Frequency) Scale. 


small fractions near each limit. After we pass the points of 
.01% and 99.99% the scale resembles a logarithmic projection 
so closely that we can add to it by logarithmic scales. But 
the tails of a curve are least significant, and it is rarely worth 
while to make this extension. Unless we deal with large series 
containing over ten thousand items and so grouped that the 
terminal groups have only one item each, we shall not need to 
plot points less than .01% or greater than 99.99%, Usually 


PROBABILITY CURVES 


461 


it is safe to chop off all of the scale beyond 1% and 99%, thus 
reducing the chart, either because of the absence of data out- 


COUESE SAUfilES 

In Aaarlcan Collnfea aid Onlvaraitiaa 
Including public and PriTBta Inatlluticna 
United Stataa 
1920 

(Source • United States Bureau of Education) 




64 ITS 628 lOlO 840 TT5 1040 


ISO 780 IISO ITSO 1250 14S0 2200 

250 1050 18D0 2000 1800 1750 2600 

300 1120 1870 2100 1720 1900 2800 

570 1200 1640 2200 1880 2100 3000 

800 1340 1750 2380 2100 2380 S4S0 

«30 1800 1900 2500 2400 2700 3900 

740 1570 2040 2620 2670 5000 4600 

800 1700 2200 2760 5080 3400 8200 

1000 1760 2300 2860 3300 3660 6600 

1080 1600 2400 2950 3850 4000 8000 

1380 2000 2650 3200 4280 4800 8600 


2000 2800 3400 4000 6000 7750 9200 



Fig. 376. A Probabilities Projection of the Previous Chart. 

Note the secondary data and bar-chart obtained from interpolation of the curve 
at the various decils, showing the median and other salaries for each group of 
educators. The swing of the upper tails of the ogives away from the straight line 
of the normal distribution might be interpreted as due to a few institutions 
which give titles out of proportion to the salaries attached thereto,* 



462 


CHARTS AND GRAPHS 


side this range (other than the limits) or because of the lack 
of their significance. 

The significance of the ogive is always elusive to the layman 
and the probabilities projection of the ogive, while it clears 
up, for the technician, the question of normality, is even more 
baffling in other respects. A little study will show us, how- 
ever, that both the direction of the curve and its position are 
significant. When comparing two ogives, if we find the ogive 
of one series further out along the horizontal scale than the 

OOTHTT OF FACTORIES 

Th« Value of Products of Manufacturing Establishment a 
.having less than specified value of products 
per establishment 
United States 
1904-1914 

In percentages of the total 
Source;— U S Census 



Fig. 377# Symmetrical so Far as Data Obtains. 


t 


other, it means that the items in that series are greater than 
corresponding items (in similar parts of the distribution) in 
the other series. Thus an ogive for the heights of children 


PROBABILITY CURVES 


463 


will be to the left of an ogive for the heights of adults. If the 
two simple frequency curves had been plotted they might 
overlap but the main bodies of each would be at different 
positions along the scale. The significance of the positions of 
ogives will be clear if the corresponding simple curves be 


miOLESALB PRICE CHANOSS 

Qlatrlbutlon (by aagnituda) of "Chain Relatives" of Rholasala Prioae of 23C Coamoditla* 

Onited States 
1891-1913 

(Total nunbar of chain ralativea showing change of price, 4,881, 697 cases of no change being omitted) 
(Arranged from Ultchell "Index Humbers of Wholesale Prieea") 

(ifean * 1,51 Ircre».se, Sta-^dard De/let. cr ■ 14.44^1. dotted line shows fitted normel) 



imagined underneath them or if horizonal bars be imagined 
as lying between each ogive and the y-axis. 

As in other ogive-charts, secondary data may be derived 
from the curves, being the reading upon the ^c-axis scale of 
intersepts of the curve and the horizontal rulings. In other 
words,' while the curve is drawn by plotting the ordinates at 
certain abscissae we may interpolate from it the abscissae of 
certain ordinates. The readings are usually taken at the 


464 


CHARTS AND GRAPHS 


median and quartlles, and decils, and occasionally at the ex- 
treme percentiles 2 In this derived or secondary data we see a 
reversal of the dependence of the variables, the dependent one 

nOBATIOJI OF STRIKES 

of Strllcx andod in Spaolfiad Parlods tiaa or tool 
llflltod Statoa 
1918«19jSl 

(Sourea - Kanthly Labor Rarlav) 




Fig. 379a The Comparison of Ogives for Different Dates. 

This gives a historical curve instead of a bar-chart for the secondary derived 
data. The ogives are useful for interpolation but the derived curves afford the 
best view of changes. 


2 That the interpolation for median, quartiles, etc., does not give cases, but values, 
has already been pointed out. (See Chapter XXIX.) 




PROBABILITY CURVES 465 

becoming independent. This secondary data affords most of 
the statistical measures of both dispersion and skew. 

The significance of the direction of the ogive upon the 
probabilities paper (when it approximates a straight line) is 
more subtle, but far-reaching. For as we have seen, the range 
of observations may vary in different series. In the example 
already given of measurements of a given distance, we saw 
that as precision of measurement is increased, the distribution 
becomes more concentrated, the scatteration less, and the peak 
of the simple curve taller. It is precisely this condition which 
will make the ogive curve more nearly perpendicular to the 
x-axis. As the dispersion increases and the precision dimin- 
ishes, the ogive curve swings about toward a horizontal direc- 
tion. These considerations hold as well for the ordinary ogive, 
but are more clearly seen and measurable in the ogive pro- 
jected upon probabilities paper.^ 

In the analysis of frequency data by means of the ogive 
curve upon the probabilities projection, a difficulty is often 
met in that the data is incomplete, no figures being obtainable 
for a portion of the range. Thus the statistics of income do 
not include the personal incomes below two thousand dollars 
for heads of families and one thousand dollars for individuals, 
and for this reason omit perhaps ninety per cent of the popu- 
lation. Astronomers have estimated the number of stars of 
each magnitude down to the twentieth, but do not carry their 
estimates much further. In such cases as these we do not 
know the entire ‘^population,^^ ^^universe,” or total body for 
which the distribution applies, and hence cannot turn fre- 
quencies into percentages. 

The problem is largely statistical but affects the subject 
of charts in that an ogive upon probabilities paper, of these 
incomplete distributions, obtained by turning the frequencies 
into percentages of the known sub-total, will almost certainly 
fail to form a straight line although the entire distribution 
may be perfectly normal. It is not legitimate to plot such 
parts of distributions upon the probabilities paper unless we 
can turn the frequencies into percentages of the true total. ’ 
At this point, therefore, we will mention a statistical trick by 
which you can sometimes dodge the difficulty. For in all fre- 
quency data there are two possible series, both covering the 

3 On the probabilities projection, the mode can not be graphically determined by 
'the slope of the curve, as it could on arithmetical projections of the ogive. 



Relative Number ct Stars of Various Ka^nitudes and Quantity of Licnt Thrrofrom 

(Wore-than cumulativea only. JPull llnpa for plots as ppr scales shown, dotted 
lines for arithmetical projection of scale for relative brilllat»cy. } 




Figr* 380. The Ogive of the Units of Measurement of the Items (Star 
Brilliancy) in an Incomplete Series is Straighter and more Reli- 
able than the Ogive of the Items (Number of Stars). 

See footnote on opposite page. 


PROBABILITY CURVES 


467 


LABoa rtni 

Separated Eisployees and Equivalent wuaber of Full-yoaf Jobs, Subject to Instability* 
clasaafiad as to length of service. 

("Enployees” • percent distribution of 2,581 separated enpleyoes) 

("Jobs’* • percent dlstrib-jtion of aggregate length of tlta ser/sd bj 2,563 separated enployooa 
who eerved less tnan five years) 

Sugar Refinery 
California 

Year Ending Hay 31, 1918 
(Scu’^ro.. Paul ?. Snesendoa' 


Jobs 9J.0 97.3 92.6 75.7 61.4 43*0 25.7 19.3 0.( 

Esployoes 78. 65. 46. 21. 12. 6. 3. 2. 1, 



Fig. 381. Another Example of the Two Interconvertible Frequencies 
for the Same Data. 

same observations. These two series have been described in 
an earlier chapter. They are, briefly, the count of items, and 
the count of units of measurement of the items, group by 
group, through the distribution. The point is that these two 
series for the same phenomenon are oiFten available and can 
usually be estimated if not available. And if a considerable 
portion of the data of one series be missing, it is generally 
true that the missing portion covered items of small or negli- 
gible numbers of units individually. If then we convert the 

Note to Fig. 380 

The dotted lines are plotted upon an arithmetical scale (not shown on the chart) 
of relative brilliancy. The full lines are plotted by the two horizontal scales 
(appearing on the chart), namely a logarithmic projection of relative brilliancy 
and an equivalent yithmetical projection of magnitudes. It would also have 
been possible to project the magnitudes logarithmically (thus obtaining a log-log 
projection of brilliancies). The interesting point is that star magnitudes though 
projected arithmetically are in themselves geometric units and form a logarithmic 
projection of brilliancies. 




468 


CHARTS AND GRAPHS 


item data into unit data, we generally find that the importance 
of the missing portion of the data has greatly diminished. Thus 
while income statistics omit perhaps ninety per cent of the 
families and individuals in the country, they omit only about 
ten per cent of the total income. In the case of stars, the 
astronomers have computed the light of all stars, so that the 
unit data is complete, while the item-data is incomplete. 
When the incomplete data can be reduced to a relatively small 
amount in unit-data, it may more safely be estimated, and 
so completed. Thus by converting the data into another 
form, we may find it possible to project the ogive curve upon 
probabilities paper with satisfactory results.^ 

OUTPUT OF FACTORIES 

The Value of Products of groups of Employees 
eraproyed in Manufacturing Estahlishments 
(all groups composed of employees in establishments 
having lonrost value of products) 

United States 
1904 - 1914 

(in percentages of total) 

Source: U S Census 


Class of 
Establishment 
by Value 
of Products 

1904 

1909 

1914 

Employees 

Huniber 

Product 

Value 

Employees 

Number 

Product 

Value 

Employees 

Humber 

Product 

Value 

Lese-than |5,CX)0 

1*9 

1*2 

2*2 

1*1 

1.8 

I.O 

Less then 120^000 

9*6 

6*3 

9.3 

5*5 

7.9 

4.V 

Leas than llOO^OOO 

28*4 

20.7 

25.8 

17.8 

22.1 

16*2 

Less than ♦1,000,000 

74.4 

62*0 

69*6 

56.2 

64.6 

61.3 

Any value whatever 

100.0 

100.0 

100,0 

100.0 

100.0 

100.0 


Fig. 382. Alternative Data Yielding the Lorenz Curves. 


^ “If the observations are not complete (i.e. cover only a small part of the unknown 
total range of the variable, though it is highly desirable that what observations we 
have do not constitute a mere extreme tail), it is possible to fit a normal curve to 
the data by means of fitting a second degree parabola, by the method of least squares 
{y = to the logarithms of the number pf observations in each interval. 

The theory is based upon the equation of the normal curve, 

Taking logs of both sides, y—Kie 


log^- y^logfiTi— -i 
K.2 

we get a second-degree parabola.” — Dr. Frederick R. Macauly. 





PROBABILITY CURVES 


469 


We have spoken of the alternative series into which an]!- 
distribution may be converted. The combination of these two 
yields, upon arithmetical paper, the Lorenz curve. And it is 
for the Lorenz curve, of all types, that we can profitably use 
double-probabilities paper, that is, paper projected upon the 
probabilities scale along both axes. For, as will be remem- 
bered, the tails of a Lorenz curve are nearly asymptote to the 
axes when the dispersion is great, and the values near either 
extreme become difficult to interpolate or read from the chart. 
Moreover, when the groups or classes, into which the distri- 
bution has been arranged, are few, the curvature of the curve 
becomes angular and interpolation is unreliable throughout 

OUTPUT OF FACTORIES 

The Value of Products of groups of Enplcyoes 
eiiiployed in KlanuTacturing Estubli shnieiits 
(al3 groups composed of emplcyoes in estahlisliments 
having lowest value of products) 

United States 

-1904 

1909 

1914 

Source; U S Census 
(In percentages of the total) 



percentage of aggregate Numher of Employees 


Fig. 383. The Double-Probabilities Projection Straightens Out the Lor- 
enz Curves When of Normal Distributions. 


the length of the curve. But when both axes are ruled on the 
probabilities scale, the tails become indefinitely long, the zero 



PERSONiiL INCOMES AND TAXES 
Distribution of Incorae and tax among tax -payers 
United States. 

1919 

(Source:- Collector of Internal Revenue) 



Percentage 


CD ID CO o> 

o> o> Cf> o o> 

• CJ> 0> CJ> CJ> 


Fig. 384, Double-Probabilities Projection for Several Lorenz Curves. 
The chart shows that, for example, one-half of the tax-payers paid only 3% of the 
taxes, having only 22% of the income, so that one-half of the income of tax- 
payers yielded only 8% of the taxes. The curves are not straight because the 
tax-payers do not constitute the entire income-receiving population and form 
therefore an incomplete or truncated part of what is probably a normal dis- 
tribution* 







PROBABILITY CURVES 


471 


and hundred per cent points disappear, receding to infinite 
distances, and the curve, throughout its length, becomes very 
close to a straight line. When the distribution is normal, ob- 
viously the curve becomes a straight line, and hence the 
straight-line Lorenz curve on double-probabilities paper is a 
quick and useful indication that the distribution is normal. 
Obviously the accuracy of interpolation is improved by this 
straightening out of the Lorenz curve, as is also the facility 
for detailed comparison, such as through light-analysis, of 
several distributions so plotted. 

The utility of the probabilities projection must be ap- 
parent to those who deal with frequency data. For analytical 
purposes, as a labor-saving and illuminating chart, it takes its 
place beside rate-of-change paper for historical data. 



Chapter XLI 


SHIFTED ZERO-POINTS 

We have seen, thus far, three great types or kinds of scale 
projections, arithmetical or uniform, logarithmic or geome- 
trical, and normal or probabilities. We have seen these com- 
bined in every way upon the two axes of the chart. All 
this has been done in the search for simplicity or regularity of 
behavior, and convenience or ease in interpolation. There 
remain still other projections of the chart-scales, which serve 
the same purposes and will be discussed in later chapters. 
And there are a few minor variations of the logarithmic pro- 
jection which can well be discussed here. 

We have seen that historical data can be plotted with either 
logarithmic or arithmetical vertical scales, but that it is not 
correct to use anything except 'an arithmetical scale on the 
horizontal axis. To this rule we may now note tw^o exceptions. 
The first arises in the case of data with a definite origin point. 
Thus the pseudo-historical frequency series which involve time 
have already been put upon logarithmic A:-axis scales together 
with other frequency series. From these frequency series in 
which time is the independent Variable, it is but a short step to 
strictly historical series, in fact the distinction disappears here, 
the same series being called equally well a frequency or a 
historical one. But there is also a class of purely historical 
data, involving specific points of time, which can be placed 
upon a logarithmic A;-axis. This is data, generally of a geo- 
logical, or other scientific nature, covering very large periods of 
time, such as the age of the earth, and its important geological 
eras. 

The second variation of historical series is extremely 
interesting, though of very limited application. It may be 
called the retrospective projection. If from any point of time 
we look backward over the years, we may notice that the more 
recent events stand out more clearly, and in more detail, while 

472 



SHIFTED ZERO^POINTS 


473 


the events of early years become more vague and their details 
lose importance. In business, this importance of the last years 
is recognized and business statistics therefore often contain full 
detail for the most recent period and only brief summaries of 
previous periods. In histories, the space devoted to ancient, 
medieval, and modern times, usually shows a similar com- 
pression of earlier times. If these witnesses are of any value, 
they testify that the importance of detailed data diminishes as 
its remoteness in point of time increases. And the chart-maker 
has therefore a legitimate object in devising a chart method to 
display the data in its proper detail or lack of detail. . 

Several methods have been tried to meet this charting need. 
By the silhouette bars a few facts of the past history are given 
in addition to the very latest figure. By the juxtaposition of 
two curves with a single y-axis scale but different ;v-axis scales, 
one, let us say, for years, the other for months, data for a recent 
period can be given in full detail, and that of a previous or the 
entire period in summarized form. But the inventive mind 
will seek still a better method, which will not have the rigidity 
of the last and in which the disappearance of detail will be 
gradual and so we arrive at the use of a logarithmic A:-axis scale 
projection, reversed in its direction so as to compress the earlier 
periods of time upon the chart. 

This retrospective logarithmic projection of the time scale 
has both intriguing advantages and baffling disadvantages. 
Upon its credit side we may observe that it presents precisely 
the degree of importance to data at various points along the 
line that we desired and has unlimited possibilities of extension 
backwards into remote antiquity without consuming space 
wastefully. If we are, in the year 1900, let us say, to look back 
over the centuries, we shall doubtless attach the same relative 
importance to the entire nineteenth century as we do to the 
seventeenth and eighteenth combined, the same relative impor- 
tance to the last thousand years as to the two previous thousand 
years. Important exceptions occur, of course, but in the main, 
this proportion of weight of importance holds, else historians 
would not be justified in devoting their space to the different 
periods in these ratios. . The real nature of that phenomenon 
of change which we call the passage of time is still a profound 
mystery and it is an interesting speculation that it may in some 
occult way combine elements of progressive and regressive 
organic growth. But idle as this thought may be, the chart of 



474 


CHARTS AND GRAPHS 


a m 

MNABtocM osKise tra-dc-Qiiicm BMiai>«r« la tlw oat«r amtrfitai 
igi3-X92X 

(SoorM:* ltot(th]jr Uibor Srrlttj 



Fig. 385. A Historical Retrospect with Reversed Log Plotting for the 
Horizontal or Time Axis. 

The purpose is to present recent developments in greater detail. 


the geometrically retrospective historical curve has a certain 
value in presenting graphically a survey of the past in proper 
emphasis and detail, and alFording a comprehensive picture not 
otherwise equalled. Owing to the fact that the significance of 
the slopes of the curve disappears in this chart, its usefulness in 
mathematical curve-analysis will always be limited, if not 
doubtful. But when the gun-shot method of plotting be 
employed (that is, isolated points be plotted) its success is 
marked. It is not improbable that in time all school histories 
will be illustrated with diagrams in which events will be entered 
at their proper positions upon such a scale. 

The chief disadvantage of the logarithmic retrospect chart 
lies in the fact that before entering the time-figures upon the 
scale, these figures must be computed back from some origin 
point, either in the present or in the future. The choice of 
origin-point for our backward count of the months or years 
directly effects the degree of expansion which the most recent 
periods of time will undergo on the chart-scale. If we take the 



SHIFTED ZERO-POINTS 


475 


HEOLBSiLB' mticss 01 tE> xms> 

Xtid»x maibars tor tb« oMat Mtlon* 
1913-mi 

(3mrea.» Uo]iilil 7 Labor Koriov) 


CJTnaair S 


t 

§ % 






3 



III 

s 

a 

s 

1 

1 

i 

1 

E 

1 

s 

3 

S 

B 



V 


§ 

3 a 0a a 2 1 


a a 

a 

S 

a 

a 

a 

g 

iii 


3 

a 

a 

a 

i 

3 

g 

1 

3 

a 

a 

8«d«a 

a 

8 

2 1 3 

a 

« 

s 

S 

s 

i 

% 

I 



3 

s 

s 

3 

3 

3 

•0 

g 

g 

s 

a 

lUly 

% 

§ 

s 

3a§2 333 1 ^ 0 3 i 


5 5 

a 

a 

s 

3 


9 

2gS 

s 

1 

2 


3 

3 

i 

1 

3 

3 

a 


Tvaas. 

§ i 

s 

3ass2ssgs|gs 


s s 

1 

K 


t 

i 

S 

SaS 

1 

I 

g 

5 

s 

3 

§ 

8 

9 

1 

B 

I 

KlBCdCB 

1 

* 

s 

S33§3la33§§S 

a ass 

a a 

3 

a 

a 

i 

3 

3 

ssa 

I 

% 

3 

3 

s 

2 

g 

3 

3 

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S 

1 

Cioad* 

§ 

a 

s 

llaaSaSaSB?? 


a a 

3 

o 

2 

3 

3 

3 

sss 

3 

S 2 

a 

3 

3 

s 

3 

a 

1 

2 

g 


eoo 

700 

600 

soo 

400 

KO 


Fig, 386. Another Example of the Same. 

immediate present, then last month's figures will be plotted at 
unity, as being one month back, the previous month's data will 
be entered at the logarithm of two, on the left side of unity, and 
so on backward along the axis of the chart. But where will we 
plot next month's figures when they appear.? We cannot plot 
them at the logarithm of zero. In other words such a retro- 
spective chart would have to be redrawn each month. The best 
way to avoid this is to assume an origin point of time some 
distance in the future. Although this destroys the significant 
relation of the more recent events, so far as that relation was 
desirable, yet it enables us to bring the chart up to date for 
sorne time to come. But the student will now see that com- 
parisons cannot be made from one such chart to another unless 
common ^View-points" have been used in both. The dis- 
advantage is so serious as to make the chart useless for research 
purposes, but it is still worthy of notice for general records and 
popular presentation.! 

^ periods of time, a ‘‘squares” or other powers projection will serve 

equally well and can be continually added to. 




476 


CHARTS ANT) GRAPHS 


The use of altered logarithmic scales for the frequency series 
is a step which requires much more technical mathematical jus- 
tification. We seek here to bring not detail nor convenience, 
but symmetry and regularity, to the curve. Experiment will 
show that a great many asymmetrical distributions can be 
made to approach symmetry by assuming false origins and 
correspondingly altering the logarithmic scale projection. That 
this is necessary for data in which the original zero is a false or 
arbitrary one, having a real positive value, has already been 
pointed out. But when cause for shifting the zero does not 
clearly exist in the very nature of the data, the student should 
be slow to alter it, for even the most excellent symmetry which 
may be induced thereby may be utterly lacking in significance. 
This applies not only to shifting of zero points, but also, of 
course, to reversing of directions from the zero, a step which is 
closely allied in that it amounts to giving to some value above 
the maximum of the range an assumed value of zero and treat- 
ing the resulting negative values in the range as if they were 
positive. 

There is open to us another alteration of the x-zxis scale 
projection which is not of any value for historical curves, 
namely, the anti-logarithmic projection. For just as we have 
been able to plot the logarithms of our scale-figures, so, too, we 
can plot their anti-logarithms. The device has results similar 
to the retrospective projection, in that it expands the larger 
numbers and compresses the smaller ones. Here, too, caution 
must be used in attaching significance to the results. But the 
mathematical interpretation of this projection, though still 
technical, is much simpler. There are in fact certain classes of 
measuring units which are definitely of a geometric nature and 
not arithmetical: It would be useless to plot these upon 
logarithmically projected scales, for the numbers themselves are 
already logarithms, and the log scale would really give a log- 
log projection. Thus stars are classified as of various mag- 
nitudes, each magnitude being two and a half times as bright 
as the next. Musical pitch is measured in tones and octaves, 
each octave having twice the wave-frequency of the preceding 
octave. In these cases if we seek an alternative projection we 
must obviously use the anti-logarithms of the magnitudes and 
tones. Both the anti-log and the log-log projections may 
occasionally be useful upon either axis of the chart, 



Chapter XLII 


CURVE-FITTING 

The reader has now seen a variety of ways by which sym- 
metry or regularity can be brought to the curves of historical 
and frequency data. The reason, as he has seen, behind this 
quest for simplicity, for straight lines, for parallel or mirroring 
curves, and the like, lies in the ease with which generalization 
can proceed from such forms, and the degree of confidence with 
which we may accept the data as reliable samplings and their 
curves as significant pictures. When we see the curve of the 
country’s population mounting higher so steadily that it forms 
one single straight line, we know, without performing any 
mathematical exercises at all, that the population grows at a 
constant rate, and we are thankful to the logarithmic projection 
of the chart which has yielded this simplicity. When we see 
the curve of our advertising appropriation paralleling, on rate- 
of-change paper, the curve of our gross sales, we know without 
any computing that the same fraction of the dollar has gone 
into advertising every year. When we see the cumulated curve 
of the nation’s population as divided into cities of various sizes, 
forming a straight line upon the probabilities paper, we know 
that without appreciable error or efi^ort w'e can by interpolation 
find the number of persons inhabiting communities of any 
particular size, whether or not the Census has mentioned com- 
munities of such size. And in every case, the same causes 
assure us some degree of confidence in the reliability of our 
observations as fair samplings, when we have put partial data. 

The question of the reliability of data is properly a statis- 
tical one, for which the student should consult the statistical 
authorities.! It arises in the collection of data, before charting 
has begun, and only recurs again when the near approach of a 
charted curve toward regularity and simplicity raises the sug- 

^ See particularly Bowley, p. 178, 

477 



478 


CHARTS AND GRAPHS 


gestion that the deviations of the actual curve-line from the 
desired simplicity of form are due to errors of data. Thus if 
the ogive of the distribution of incomes is very near to a straight 
line on logarithmic paper, it is but natural that the theory 
should arise, as at least a tentative explanation, that the 
deviations are due to omissions in tax collection, evasion in 
income reporting, or in some cases chance variations due to few 
observations. 

And it often happens that in the desire to justify a theo- 
retical simplicity, we are too ready to excuse deviations from 
it as errors in the data or chance variations. A straight line 
may fit so closely to the data that we feel sure that it, instead 
of the observed curve, represents the truth. Thus the entirety 
of Pareto’s law of incomes is a result of adopting the fitted 
straight-line rather than the actual income curve (ogive). 
Since the income curve is truncated at its lower end owing to 
lack of information on incomes below the tax limits, that law is 
based upon insufficient data. And recent Investigations lead 
to the belief that the true ogive of incomes is not a straight line 
upon logarithmic paper, but upon logarithmic probabilities 
paper .2' Slight deviations from a straight line are not con- 
clusive evidence of errors in the data and the student should be 
extremely careful in drawing hasty conclusions from a close 
approximation to a straight line upon the special projections 
which have been described. 

There is, therefore, always a danger that the close approxi- 
mation of a given curve to a straight-line, or other simple 
theoretical curve, is fallacious and deceptive. This caution 
cannot be too strongly emphasized. It attaches prima facie 
to all attempts to fit theoretical curves to actual ones and 
casts upon him who would fit such curves the burden of proof. 
The presumption is that the deviations of the given curve, 
from the fitted one, are significant. The removal of this 
presumption may call for all the analytical powers of the 
statistician, but we should always start with the presumption, 
and never lightly abandon it. 

There may be many reasons why the deviations are insig- 
nificant. Some of these may be found in the particular cir- 
cumstances surrounding the collection of the data, such as 
bias on the part of the investigators, or difficulties of observa- 


2 See National Bureau of Economic Research, Income in th United State.^ 



CURJ^E-FITTING 


479 


tion. But, whatever else may be found, there is likely always 
to be one cause for the lack of a perfect fit, in what are com- 
monly called ^^chance variations/^ These are more marked 
in small samplings than in large ones. A definite mathema- 
tical law for the probability of this occurrence can be found in 
books on the subject. The reader who recalls the normal 
curve of error will understand the inevitability of such chance 
variations. And, needless to say, when we can safely consider 
the deviations of a given curve from a fitted theoretical one to 
be due to chance variations, these deviations lose all signi- 
ficance and we may safely proceed with the fitting. 

The theoretical curve which we propose to fit to a given 
curve may have any shape. The simple linear curve or 
straight-line upon plain paper with arithmetically-projected 
scales, is merely the simplest of these. And the reader will 
remember that, in the discussion of cycles in historical data, the 
fitted straight-line was called the '^secular trend.'' It is a very 
crude secular trend, convenient, but in most cases not pre- 
cise. The reader has since seen that, for most economic 
data, a straight-line upon the rate-of-change (or semi-log) 
paper would be more accurate. Still other ‘^trends" and 
straight-lines will be described in later chapters. For frequency 
data, the fitted curve is generally the normal curve, or its 
equivalent straight-line upon probabilities projections. Of 
the significance and appropriateness of these straight-lines, 
in each case, the reader has already a general understanding, 
and the mathematics of these and other straight-lines will be 
discussed later. 

While so much attention is being given to the various 
charting methods by which theoretical curves are reduced to 
straight lines and by v/hich actual curves are more easily com- 
pared with theoretical ones, it would seem well to mention 
briefly the mechanics of fitting. This problem arises after 
the particular theoretical curve to be fitted has been chosen. 
Let us assume that it is a straight line upon one of the chart- 
forms already described, such as the semi-logarithmic or rate- 
of-change paper, or the probabilities paper, or even the plain 
uniform paper with arithmetically projected scales. The 
problem of fitting is virtually the same in all cases. 

Whenever a straight-line (in the example we have taken) 
is to be fitted to a given curve, and that curve does not form 
in itself a perfectly straight line, it is obvious that the straight 



480 


CHARTS AND GRAPHS 


line may lie in an infinite number of slightly different positions 
and still fit very closely to the given line. The problem is, 
therefore, to find the particular straight line (or other theo- 
retical curve of the selected type) which gives the best of all the 
possible fits. If we call the deviations of the given curve from 
the fitted one, its '^residuals,’" the problem is, broadly speaking, 
to find the fitted curve which makes the total of these residuals 
a minimum (that is, the least possible sum for the given curve) 

There are three outstanding methods which have been 
developed for determining the best fitted straight-line. These 
may be called the graphical method of selected points, the 
method of averages, and the method of least squares.^ Of 
these, the first is the simplest; the last, the most accurate; 
and the second, the most satisfactory because both fairly simple 
and fairly accurate. The graphic method of selected points is 
nothing more than laying a transparent straight edge or tightly 
drawn piece of thread over the curve and adjusting its position 
until an equal number of points appear on both sides of the 
straight line and the fit appears optically most satisfactory. 
The other two methods are mathematical processes, for which 
the reader will have to consult the proper statistical authorities. 

But the first of these mathematical processes for deter- 
mining the position of the fitted straight line, namely the 
method of averages, is also capable of a graphic solution. If 
you join the first and second plotted points and plot a new 
point midway on their joining line, this new point will repre- 
sent their average. If you repeat the process with the third 
and fourth, the fifth and sixth, and so on with each successive 
pair, you can reduce the whole curve to a slightly shorter curve 
with only half the number of plotted points all of which are 
averages. On the new curve fresh averages can be plotted, 
this time representing averages of averages, or averages for 
four points on the original curve. After repeating this opera- 
tion a sufficient number of times, you can reduce the longest 
curve to a series of two average points, through which a fitted 
straight line can be projected. 

3 Because the algebraic sum of the differences from the mean is always zero, 
statisticians often use the squares of these deviations. Strictly speaking, therefore, 
the problem is to find the fitted curve which makes the total of the squares of the 
residuals a minimum. If the residuals alone, instead of their squares, be used, we 
must seek to make the arithmetical sum (that is, the sum of the residuals, disregarding 
their signs) a minimum. 

^ Cf. Merriman’s Method of Least Squares ov Bartlett’s Method of Least Squares. 



CURVE-FITTING 


481 


For many purposes it is sufficient to fit curves by inspec- 
tion, just as it is sufficient to correlate them in this way. The 
graphic analysis, made more precise by "^light analysis,’’ is a 
tremendous labor-saver, and may serve at least in the pre- 
liminary stage of the study, at least. 

In fact, curve-fitting is but a variation of correlation, 
being merely the determining of the theoretical curve which 
best fits or correlates with the given curve. And the con- 
siderations affecting correlation likewise govern curve-fitting. 
For precise purposes, the mathematical method of least squares 
should be employed and a mathematical coefficient of correla- 
tion and probable error be computed to measure the success 
of the fit. 



Chapter XLIII 


SPECIALLY PROJECTED SCALES 

We are about to embark upon an orgy of distortions, 
modifications, and special projections of the scales for curve- 
charts, all of them being designed graphically to facilitate the 
study of particular data. The general principles and the 
more useful forms for the non-mathematical reader will be set 
forth in the present chapter. In the succeeding chapter, the 
mathematics of all special projections will be discussed, from 
which any particular projection can be designed. The present 
chapter will suffice for most. 

It will by this time have occurred to the reader that the 
scale figures or calibrations may be plotted or graduated at 
any points along the axis of the charts which we desire, and 
can therefore be made to express any function of the variable 
plotted thereon. Thus the logarithmic projection is merely 
one in which, if we can designate by X the scale-figures or 
calibrations and by x the actual distances at which these are 
placed along the axis, then in the logarithmic projection x — 
log X (and X = anti-log ;c: and 10 From this it is no 

difficulty to proceed to the scale projection of other functions 
of the variables. A very simple example of this would be 

the expression of reciprocals by the scale x —-y (orX=“"). 

yi. X 

Obviously such a scale along an axis would straighten out all 
curves in which one variable varied with the reciprocal of the 
other, and if both axes be plotted on such scales, then curves 
would straighten out when the reciprocals of both variables 
vary together. 

Perhaps to the economist the most interesting application 
of special scales lies in a recently discovered use of what may 
be called a ‘^square-root projection’’ for certain historical data. 
The speculation which leads to the use of this projection is 
founded upon the analogy of familiar physical laws governing 

4S2 



SPECIALLY PROJECTED SCALES 


483 


the intensity of light, the flight of falling bodies, and the like, 
in which one set of values varies (directly or inversely) as the 
square of another. In the case of light, as every one knows, 
its intensity varies inversely with the square of the distance 
from its source and the area of the cross section of a beam of 
light varies directly with the square of the distance. Falling 
bodies travel in each unit of time over a distance proportional 
to the square of the number of units of time they have been 
falling, and their velocity therefore varies with the square of 
the length of time elapsed since leaving a position of rest. The 
idea suggests itself that certain economic phenomena may 
closely parallel in their growth the growth of such natural 
phenomena. It would be obvious, of course, that this method 
of analysis could only be applied to phenomena which are free 
of elements of organic growth or other factors, or in which 
corrections can be made for such elements and factors.^ 
Other powers and roots may equally well be the basis of 
the special projection. These have not, however, as yet be- 
corne important to the economist; they are chiefly useful in 
engineering and the natural sciences, where formulae and 
equations are found of every type, and degree. The conic sec- 
tions, the circle, ellipse, hyperbola and parabola are all im- 
portant to the scientist, while the economist does not need 
to go beyond the parabola and the hyperbola when he leaves 
the straight-line. Indeed the statistician either in business 


^ Ihe Gompertz curve, as it is sometimes called, to which much economic data 
fits, is not unlike the curve which straightens out on a square-root projection, when 
the curve has been plotted upon a logarithmic projection instead. In other words, 
the square-root projection suggests itself for all economic data in which the curve, 
like an ogive, seems to have a “die-away’’ approach to a maximum when plotted on 
log-paper, as if reaching a saturation point. 

The Gompertz curve is, however, probably nearer to the typical behavior of 
economic phenomena through their initial stages, from discovery and through experi- 
mentation and inyallation, to the final stage of “saturation” in which maintenance 
and upkeep constitute the chief requisites. This curve has not yet been made the 
subject of a special projection. Its formula is 


y = or log y = log a+c^ log h, or loglog {—) log c+loglog b 


indipring that a loglog y-scale with shifted zeros and an arithmetical x-scale will 
straighten the curve, when the value of the constant a has been determined. For a 
recent excellent discussion of this curve and the methods for determining the constants, 
the reader should see Prescott, Raymond B., Law of Growth in Forecasting Demand, 
m the Journal of the American Statistical Association, December, 1922, pp\ 471-479. 
See also Running, Theodore R., Empirical Formula^, John Wilev & Sons, New York, 
1917, pp. 29~35. ’ 



484 


CHARTS AND GRAPHS 


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Fig. 387. The Four Lower Curves Fail to Straighten Out 
on Logarithmic Vertical Scale. 


or economics rarely works with such precise and inflexible 
data as the scientist, and cannot so often attempt precise 
mathematical generalization, in the shape of formulas and 
equations. 


SPECIALLY PROJECTEB SCALES 485 


THE WORLD'S COlOiERClAL EOUIPUENI 
8$tlmat«di Railiwiye, Steamships, Cables and. Telegraph 
World, 1820-1919 

(^gource:- 0* 5. Statistical Abetrap^J 


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(Thousand mils a) 


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(Thousand tons) 


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(Thousand mllss) 



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Fig, 388. The Square-root Projection of the Vertical Scale Brings 
Much Greater Regularity to the Curves of the Preceding Chart* 


486 


ftrojdotions of ths Siao C?ui^ 



(Any Boalo) 
Periods 




Fig. 389* The Two Ways of Straightening Out Semi-cycles of a Sine 

Curve. 



SPECIALLY PROJECTED SCALES' 487 

It is a rule of general application that any curve can be 
easily made straight if it does not undulate, that is, has 
neither peaks nor valleys. The process of straightening re- 
quires no more than the projection of the y-axis scale, that Is, 
the scale of the independent variable, in such a way as to 
make its calibrations record the values of the ordinates at 
equal intervals along the A;-axis scale of the arithmetically 
projected chart. A more detailed specially projected scale is 
given by the following steps: 1, Divide either axis of the arith- 
metically projected chart into uniform parts or intervals; 2, 
From the points so obtained erect ordinates or abscissae to the 
curve, and from their intersections with the curve project ab- 
scissae or ordinates to the other axis, and read the values 
thereon; 3 , Lay off these values along the first axis but calibrate 
them with the original values. The object of this is always 
the same, namely, to introduce in the altered scale of the 
variable those inequalities and irregularities which will exactly 
counterbalance the irregularities of the curve and smooth it 
out into a straight line. 

It will quickly occur to the student that such specially pro- 
jected scales can even be made for some undulate or periodic 
curves, to reduce them to regularity and uniformity of undula- 
tions. By undulate curves we mean curves with peaks or val- 
leys or both. Thus a sine curve can be laid out on such spe- 
cially projected scales so that it forms a succession either of 
semi-circles or of angles and straight lines. It is in such work, 
however, most obvious that the peaks should be correctly 
positioned at the maximum ordinates or abscissae, the valleys 
at the minimum ordinates or abscissae and where cycles, are 
different in amplitude or phase, that they be converted to com- 
mon levels or intervals. The intricacy of this work is consid- 
erable, its usefulness highly specialized and the economist, 
sociologist, or business statistician will have little occasion 
for it. 

The subject of special projections and their use for the 
analysis of curves is still In an elementary stage and little can 
be dogmatically stated about it. Collections of the typical 

NotE TO Fig. 389 

The first requires the conversion of all amplitudes into percentages of the nodes, 
and permits the use of variable phases and periods. The second requires the con- 
version of all cycles to common units of or percentages thereof, and permits any 
amplitude readings. , 



488 


CHARTS AND GRAPHS 


hyperbolic, parabolic, and other curves have been published, 
intended as guides to the engineer to assist him in the recog- 
nition of the nature of given curves. Such collections famil- 
iarize the student with the curves of his equations, but are re- 
stricted in their usefulness in the reverse process of equating 

COLD STORAGE EOLDIROS OF EGGS 
Average Monttily Stock* of "Cae® Egge" in Varehoueee 
Dm ted States 

Average of five years, 1916-1920 
(Source*- Sux'vey of Current Business) 

(Relative figures, 100 * average month) 


tUelMi ® 



Fig. 390 . Showing How Closely the Cycles of One Set of Periodic 
Economic Data Approach a Sine Curve Wave. 


curves. The trouble arises in the fact that slight changes 
either in the scale of the chart or the constants in the equation 
produce great changes in the appearance of the curve. It is 
therefore impossible to prepare complete catalogs of curves 
classified by their shapes. 

It is probable that in the development of special scale pro- 
jections which straighten or regularize the curves of certain 
equations, the greatest advance in the science of curve equat- 


Mur* 


SPECIALLY PROJECTED SCALES 


489 


ing will be made. For very often these special scales are free 
of the limitations of the fitted curve, neither scale alterations 
nor changes of constants affecting the regularity of the curve 
upon the chart with the correct special scale. This is a field 
of graphics as yet little explored, its possibilities are just 
opening up to us, and only time and continued usage will de- 
termine what forms are valuable and the limits of their value. 
It is clear, however, that the probabilities projection is not 
the last invention of its kind nor yet is the square or powers 
projection. 



Chapter XLIV 


FORMULAE FOR CURVES 

While it is a great step forward in the analysis of data to 
have plotted the curve and be able to visualize the behavior 
of the phenomenon, yet the mathematician often seeks to 
take a further step, and formulate from the curve a law for 
the data, by which its behavior will be precisely described in a 
single mathematical sentence. This mathematical sentence is 
known as an ‘^equation.’’ And it is the object of the equation 
to give us a general description of the data under all circum- 
stances and times for which the equation is prepared. The 
process of describing the behavior of a curve with this math- 
ematical precision, is called writing an equation to the curve. 

For a great many curves the description is extremely easy 
to formulate. If you see a straight line on amount-of-change 
paper, in which the two scales are alike and the straight line 
slopes at an angle of 45° from the origin of the chart, you will 
say at once that the y-values which the line passes through 
are equal to the A;-values, or that the y-values are increasing 
equally with the A;-values; and you would express this de- 
scription mathematically in the sentence (or equation) y=Xj 
that is, that the value of y for any is the same as the x itself 
and whatever the A;-value is, that also will the y-value be. [Let 
us vary the case a bit. If the y-scale be twice as great as the 
;c-scale, that is, each unit on the y-scale equal to two units on 
the :v-scale (the line still sloping at 45 degrees), it would not 
take you long to determine that the formula or equation for 
the straight-line curve is y=2^. Again, let us suppose that 
instead of passing through the y-axis at the origin, the curve 
passes through it at the value of 3. Now this adds 3 to each 
value of y throughout the length of the curve and so you will 
quickly write the formula as y—2x+3. 

Or let us take a descending curve which on a chart with 
equal scales on each axis describes a 45° downward slope from, 


490 



FORMULAE FOR CURVES 49 ^ 



0 1 2 3 4 S 6 0123458788 10 IX JS? 


Figr. 391. The Linear Equation, ^=ax + c. 

examples: 

y^x y—2x 

y=2x-\-S y=10—x 

The value of c can be read at the intersection of the curve with the y-axis; in 
other words c is the ordinate of the curve when x = o. The sign (+or— ) of a is 
shown by the upward or downward direction of the curve; its value cafi be found 
from the phrase, a — y—c, when x^l. 

(Note. — The small letters immediately above each diagram in this chapter Indi- 
cate the functions plotted to form the curves.) 

let us say, the point of 10 on the y-axis. A little study will 
show you that as the curve descends, the values of y diminish 
from their original value by the amount of the corresponding 
^-values. This condition can be expressed mathematically by 
the sentence, y = 10 — All of these cases are simple and we can 
observe that in all of them the curve forms a straight line. So 
we may hazard a guess that whenever we meet a straight line 



492 


CHARTS AND GRAPHS 


upon amount-of-change paper, we can write an equation to it 
which will be a simple equation or an equation of the first 
order, that is, both the unknowns, y and a:, will be found in 
their first powers. The general formula for the straight line on 
plain co-ordinates is sometimes written as y=ax+Cy in which 
both a and c are constants for the particular line. (The values 
of these constants were seen in the examples just given to have 
been, for 1, 2, 2, and -1; and for ‘V,'’ 0, 0, 3, and 10.) 

Remembering that the logarithmic projection substitutes 
the processes of multiplication and division for the processes 
of addition and subtraction, we may further generalize that a 
straight line upon logarithmic paper will have the general 
formula of logy =b log x+dy or log y=b log ^^-flog ^3, which is 
the same as saying y And a little experimentation will 

show you that every equation of this form {a and b being con- 
stants) will appear as a straight line upon a logarithmic chart. 
Here again we find a simple formulary relation which it is 
convenient to determine. For an equation so simple as y = 
ax-+c or y —ax^ is distinctly more convenient to remember and 
apply than the plotted curve itself. Two familiar examples of 
this are to be found in the computing of interest, the first 
being the formula for simple interest plus principle and the 
second for compound interest plus principle. 

The special scales which have been discussed in the pre- 
vious chapter are of course designed expressly to whip into 
straight line formation the recalcitrant and unwilling curve, 
and when they succeed, or even very nearly succeed, greatly 
simplify the writing of equations. But as has been pointed 
out, they can only be used with care, since some curves, or 
short portions of curves, will behave similarly upon several 
projections, and the approach to a straight line upon one scale 
projections does not always indicate that the formula for that 
scale is the best, or even a correct, formula for the curve. This 
danger has already been mentioned and illustrated. 

A little study of the various special scale projections will 
show that they are all outgrowths of the simple linear equation 
of the straight line upon uniform or arithmetically projected 
scales. The object of the special projection in each case is to 
so graduate the values of the scale that they absorb all the 
powers of the variables, leaving to be plotted the remainder of 
the equation, in which the variables occur in the first powers 
only and which therefore form straight line curves on the 



FORMULAE FOR CURVES 


493 


chart. Lipka enumerates eleven typical equations whose 
curves straighten out upon the charts with the scales and we 
shall briefly repeat this list, that the student who has found 
a combination of scales which makes his curve straight may 
quickly find the equation best describing his data.^ 

For the straight line upon uniform (that is, arithmetically 
projected) scales, we have an equation in the first degree, 
called, from its form, the linear equation. Its type is y ^ax-^Cy 
in which and c are constants whose values can be easily found, 
c being the intersect point of the curve upon the ^^-axis and a 
being the tangent of the angle of the curve upon the x-zxisy 
easily computed from any observation after c is known. For 
all curves which pass through the origin, the equation is re- 
duced to y—axy since c has disappeared. 

For the straight line upon log paper, both scales being 
logarithmically projected, we have, as we have seen, the equa- 
tion log y—h log X’^dy which is but another way of saying 
y—ax^ in which Uy b, and d are constants, d being the logar- 
ithm of dy and both d and b are as easily found as c and a above. 
Drawn upon arithmetical paper, the curve is, of course, not a 
straight line, but becomes a simple parabola or hyperbola. 
It is a hyperbola, that is, in this case, a falling curve, if b is 
negative; if b is positive, the curve is a parabola, that is, in 
this case, a rising curve, and approaches the vertical as it in- 
creases if b is greater than unity and approaches the horizontal 
if b is less than unity. In the one case where b is unity, the 
curve straightens out (on arithmetical paper) since here b can 
be omitted from the equation and the latter becomes y==ax. 
Thus we see that the equation y — ax will be a straight line upon 
either the arithmetical or the logarithmic projections. This 
is the same as saying that if a straight line curve on arith- 
metical paper pass through the origin, it will also be a straight 
line upon logarithmic paper. 

We have in the previous chapter mentioned the shifting of 
the zero point upon a logarithmic projection, that is, the re- 
calibration of the scale after it has been graduated (plotted.) 

^ The remainder of this chapter is largely and very inadequately drawn from Pro- 
fessor Lipka^s excellent book, Graphical and Mechanical Computation, John Wiley & 
Sons, 1918. This has been done not to substitute the present volume in any way 
for that treatise; it has rather been the writer’s purpose to draw attention to the 
extraordinary possibilities opened up by Lipka’s work, and to direct readers to it. 
The volume is indispensable to the student, and to the technician it will almost certainly 
open up a new world of research, arming him with invaluable implements. 



.7 ,8 .9 1 . 2 3 4 5 8 7 8 9 10 18 

Fig* 392. The Curve of y^ax^ or log y=Iog log x* 

See footnote on opposite page. 







FORMULAE FOR CURFES 


495 


The scale then represents, of course, log {y -c) where c is the 
constant which has been added to the plotted values to give 
the calibrated scale-figures. When such shifting of the scale 
has straightened out a curve upon logarithmic paper, the curve 
has, of course, the equation log (y -c) —b log x+d (instead of 
the immediately foregoing log y = b log x+d). From this new 
equation we derive y -c =ax^ and so y =ax^+c. Thus we see 
that the shifting of zero-points on the log scale is but an ad- 
justment which makes c disappear and gives the straight line 
on log paper. On log paper without shifted zeros, the curve is 
parabolic, concave to the x-zxis if c is positive, convex if it is 
negative.2 When c is zero it disappears from the equation and 
the latter becomes y=ax\ an equation already described, 
having the straight line form on unshifted scales of log paper. 
And when b becomes unity it disappears from the equation 
leaving an equation of the first type, forming a straight line 
on arithmetical paper. 

The three types of equations are closely related, all having 
the general form y=ax^+c^ in which b is unity for the first 
type and any number for the others and c is zero for the second 
type and any number for the others. The third is distinct 
from the first and second in that it contains not one or two, 
but three constants, and hence requires calculation (when we 
are seeking to find the proper shifted scale) for the third con- 

2 The value of c can be computed by taking any three items in the data (or points 
along the curve plotted experimentally on uniform paper) such that their ^;-values 
form a geometric series, i.e,, xi:x 2 ::x 2 :xz. Then 


Xi = \/xiXs 


and 

ax^b^'s/ axi^ axj^ 

Hence 

y2—c== V (yi—c) iyz—c) 

and 

yiys— y2® 
c — 

yi+ys— 2y2 


So we must observe the ordinates, yj, y 2 , yz at these points and substitute them in 
the last equation to get the value of c. 

SCALE PROJECTIONS OF FIG. 392 
Arithmetical 
Logarithmic 

The value of a is shown by the ordinate of the curve when x=l (i.e., log x—0). 
The curve is hyperbolic when b is negative and parabolic when it is positive. 
(When ^—0, the curve is a straight line parallel to the .v-axis. If 1, the curve 
is also straight upon the arithmetical projection, its equation, y^ax being linear 
(see the curve y—x). The value of b can be found from the phrase, ^ = log y— 
log ay when (i.e., log a; = 1). 



496 


CHARTS AND GRAPHS 



-1. a - - — ■ — - 

1 £ 3 4S6789 10 1 2 3 456789 10 


Fig. 393. The Curve of or, log (y-“c) = log a+fe log x* 

examples: 

SCALE projections: 

Arithmetical Logarithmic 

Logarithmic with shifted zeros 

The scales of log {y-c) in the two lower diagrams are logarithmic projections with 
the scale-figures altered by the value of c; when c is negative the scale of log 
(y-c) will include the value of zero. The value of c must be known before the 
scale can be so altered. Four curves such that they straighten out on these 
shifted scales, are shown, two curves for each scale, one ascending and the other 
descending. These four curves are also shown on other projections, showing 
their various shapes. The value of a can be found by the phrase, c when 

Ar==l (i.e,, log ?c=0). The value of b can be found from the phrase, ^=log (y— c) 
—log a when .v^lO (i.e., log — 1). 







FORMULAE FOR CURVES 


497 


stant, c. For the third constant is not readily capable of 
graphic solution, save on arithmetic paper; it must always be 
known or mathematically calculated before a proper altered 
scale can be found. Of course when we have by experiment 
found a satisfactory scale it amounts to a trial and error 
method of solution. 

We also noted in the previous chapter the projection of 
powers of variables along the scale, the use of the square-root 
projection being illustrated. In these scales the values of x 
have been entered as calibrations or scale-figures at points 
which were plotted or graduated for the values of being 

the known exponent of the power. A curve therefore which 
straightens out upon this when the y-axis is uniform (arith- 
metical), has the formula, y — ax^+c, in which the constants, 
a and r, are found as before. This equation is of the same 
general type as the foregoing, y=ax^+Cy its only difference 
being that J is a known, not an unknown constant and is 
called k therefore. Here b or k plays the role of the third 
constant, being known. And when ^ is a small positive in- 
tegral, such as 2, this scale projection aifFords a simple means 
of straightening the curve, but unlike r, b cannot be easily 
calculated when it is unknown. The method therefor is lim- 
ited to the use of curves in which b is known, and is valuable 
in such cases when ^ is a small integral. It is much easier, for 
example, to prepare a squares projection than to shift the zero- 
point on a log scale. 

The squares projection is an example of the powers projec- 
tion in which the exponent of the power is a positive integer. 
If on the other hand, the exponent be fractional, we have an 
inverse power or root. An example of this would be a square- 
root projection. Or the exponent may be negative. The 
simplest instance of this is the reciprocal projection, for the 
reciprocal of a number is its -1 power. When a curve straight- 
ens out on a chart one axis of which is reciprocally projected 

(the other arithmetically) its formula is obviously y=-^ — 

a modification of the general type formula y =ax^+c (in which 
k = -1) or y =^ax^+c (in which b = -1). Every powers pro- 
jection, therefore, when used along one axis only, always 
straightens out a curve whose formula involves that partic- 
ular power of the one variable. We may treat all the possible 








FORMULAE FOR CURVES 


499 


powers projections as but one class, with formulas of the 
type y ^ax^+c. These formulas contain three constants, only 
two of which, however, are unknown. The third constant is 
known, and is the exponent of the variable. And surely it is 
clear that whenever the power of a variable is known, that 
power may be laid off upon the scale for that variable so that 
the plotting of only the first power of the variable (that is, 
the variable itself) thereon, will make the curve a simple linear 
one. The power remains in the scale and hence in the formula, 
but has vanished from the curve. 

In all powers projections so far considered, we have used 
the special projection upon one scale only, the other being 
uniform. The equation being y^ax^+Cy it is clear that the 
;c:-scale has been specially projected, for the given power, ky of 
the variable, x. Care must be taken to keep this arrangement, 
for a reverse arrangement will fail to straighten out the curve. 
Only in the case when c = 0 and the equation reduced to y = ax^y 
is it immaterial which scale be subjected to the powers projec- 

k — 

tion, for here we may write y =ax‘- or Vy =a'x, in which a! « 

h 

-A a. The line will therefore be straight either upon the 
powers projection of one scale or the corresponding root pro- 
jection of the other, y—ax^ is, however, too easily straight- 
ened out by the log projections, as we have seen, and hence 
the case is of no value. The real use for the powers (and 
roots) projection of the y-scale is in the wholly different equa- 
tions of the form y^=^ax-^c (including 

Closely related to the projection of reciprocals, is the pro- 
jection of products. Thus the equation y =-4-^ may be writ- 
ten xy ^ a ’^■cx. In this form we see that the equation will not 

only straighten out upon semi-reciprocal scales, y, but also 



SCALE PROJECIIONS FOR FIG. 394 : 

Sfluare of X, Square of Y. 

Arithmetical 

Square root of X. Square root of 5'”. 

Reciprocal of X. Reciprocal of Y, 

Six typical curves are shown by full lines, one on each of the specially projected 
scales and all upon the arithmetical projection. They straighten out only upon 
the scales on which they are plotted. If, however, c=0, that is, there is no added 
constant and the equation is reduced to y = ax\ then the curves are straight 
upon either of two different projections, thus on y or on at, or 

y; and on 1/a, y or x, \fy. Such curves are shown by broken lines. 




Fi^* 305. The Hyperbolic Curves, y= — -j-c and ya= 5 — 

X a-j-cx 

See footnote on opposite page. 








FORMULAE FOR CURVES, 


501 


upon the semi-product scales, Xy xy- Product and quotient 
scales are, however, a little hazardous, in that the introduction 
of one variable into both scales may often force a curve to ap- 
proach nearer to, though not entirely to, a straight line, with- 
out the least real significance. Moreover, they require some 
computing, as the series of y original data must be replaced 
by the series xy^ in which each value of is multiplied into its 
corresponding value of y. To be sure, no special scale need be 
projected, the products or quotients being put upon a uniform 
(arithmetically projected) scale. 

1 The most interesting use of the reciprocal projection is for 
the equation in which both variables are in reciprocal form, 
namely y “^+c. This is the equation of the ordinary 

hyperbola. On uniform scales, it is asymptote to the co- 


examples AND SCALE PROJECTIONS FOR FIG. 395: 
Single Reciprocal Produciy xy 


Double Reciprocal 

i=l+l 

y 3 a* 3 

Quotient, x/y 
X 2.x 


xy = 3 

Arithmetical 

Both 

Quotient, y/x 



Two typical equations of hyperbolic curves are shown here. The one shown by 
the broken line, involves the reciprocal of one variable only and straightens 
upon a single reciprocal projection; from it a series of products of the two vari- 
ables can be computed which’ straightens upon arithmetical paper on the plotting 
of X and xy. Note that its asymptotes are 0 and c; and that the value of c can be 
found by inspection at the intersection of the curve with the y-axis, calibrated 
as infinity, on the reciprocal projection. The value of a can be found from the 
phrase, a-y—c when a = 1. 

The other equation, shown by the full line, involves reciprocals of both variables 
and straightens out upon the double reciprocal projection, from it two quotient 
series can be computed which yield straight lines. Note that its asymptotes are 
y^l/c and x — —alc and can be read at the intersections of the curve with the 
axes, calibrated infinity, upon the reciprocal paper; from which the values of c 
and a can be easily found. 

(Note. — ^The small letters over each diagram in this chapter show the functions 
(of the variables) plotted. Large letters, X and Y, indicate the scale-figures or 
calibrations, and are omitted if these are graduated for the same functions; the 
curve can then be plotted directly from the scales without finding the functions. 
The presence of the large letters indicates that the curve cannot be directly 
plotted from the scales, that the indicated functions must first be found and these 
(instead of the variables) must be plotted from the scale-figures.) 



502 


CHARTS AND GRAPHS 




Fig. 396. The Hyperbola with Three Constants, y— 

SCALE projections: 

Arithmetical, Double reciprocal, one shifted. 

Quotients, singly shifted. Quotient, doubly shifted. 

A single typical equation is shown in hyperbolic form on arithmetical scales and 
straightened upon reciprocal scales, one of which has a shifted zero. The re- 
ciprocal scale with the shifted zero can be prepared only when the added con- 
stant, d, is known, since the zero is shifted by its amount. Also when d is known 

the quotient series, — or — , can be computed from the data and will 


yield straight lines upon the plot of either, x, \ 


y—d 

jOT-—, y. 


When d is un- 



FORMULAE FOR CURVES 


503 


ordinates a; = 


a j I 
= «= and y , 
c c 


1 


we can see 


From its form, - = 

. y 

that it will straighten out upon paper in which both scales 

are reciprocally projected,"”,—. If for any reason we desire a 
' pc y 

chart giving detail to different parts of the curve, we can re- 

X 

write the equation as - = a+cx and then we see that by the 
use of the scales, in which both are uniform and one, the 

y . 

y-scale, is used for the plotting of the quotients of the values 
of X by their corresponding y-values, the curve can again be 
straightened out. Or we can cast the same equation into the 
\ a ay 

form“"-i:= — or 1 == — and so see that the curve will 

y 

straighten out upon the scales, y, Here are three arrange- 

X 


ments by which the ordinary hyperbola can be straightened 
out. Take your choice. The constants and ‘V can be 
found by inspection from the plotted curve on the double re- 
ciprocal paper. 

X 

If we write this equation in its usual form, y , it 

a “j— cx 

will occur to the student that it may occur in modified form with 

X 

a third added constant, thus y = — ; — -^-d. The curve of 

this modified equation will still be hyperbolic upon uniform 
paper, but will no longer pass through the origin of the chart. 
Just as in the first and third equations discussed, so here the 
added constant may be determined by the ordinate of the 
curve at the zero-point on the ;c-axis, that is, the point where 


known, the zero must be shifted along both axes to some known point in the 
curve, and if we call the co-ordinates of this known point (it may be any we wish 

to select) xq and yoj then we can compute the quotient series ^ ^ which 


yields a straight line y upon the plot of a:, 


y-yo* 


The value of d is obviously 


shown by the intersection of the curve with the origin, that is, when 
Note that the asymptotes, y — l/c-\-dy and x~—aU^ are shown upon the recip- 
rocal projection by the intersections of the curve with the axes, calibrated infinity; 
from this the values of r and a are easily found. 



504 


CHARTS AND GRAPHS 


the curve intersects the y-axis upon arithmetically projected 
scales. This cannot be read upon the reciprocal scales as the 
latter never reach zero, since zero \vould have to be plotted 
at its reciprocal, infinity, a manifest impossibility. We must 
therefore first plot the curve on uniform scales to determine, if 
we can, the value of d by inspection. Then if we write the 

X \ a 

equation in the form y —d — —r — and then j = - + c^ we 

shall see that the curve will straighten out upon the reciprocal 


scales 


1 1 


y 


In short we have now come to the use of 


shifted or false zeros upon the reciprocal scale. The curve can 


also be straightened out by the quotient scales, x , — 
y-d 


and 


X 

be done. 


In every case there is a great deal of computing to 


When the value of d is not easily found, it may be advis- 
able to use a method of differences, which has not so far been 
mentioned. Virtually this amounts to shifting the zero-point 
(or origin of measurements of the co-ordinates) to any con- 
venient point we wish along the curve. To do this we first 
select a point upon the curve or an item in the co-ordinates 
which we may indicate by and yo. Then we compute the 
difference between these co-ordinates and all other co-ordi- 
nates, X and y, in the data. Finally we divide the differences 

to get the series of quotients ^ ^ and plot these as co-ordi- 

y -yo 

nates over the abscissae of a;. The reason for this is that the 

equation, y= [-J, can be reduced, by subtracting the 

a+cx 

selected point, yo= \-dy to the form ^ = a + cxo + cx 

^3 ^+cxo y -yo 

-1 XqX, The added constant, which has caused all the 

a 

trouble, has been, as you see, eliminated, and the constants, 


Uy c, and ;Vo, are left. Write the second half of the equation 
c • 

as (a-l-c:vo)+- {cL+cx^ Xy and you will see that the curve will 

(Z 


straighten out on the plot of 


y --ya* 


Of course this is not 



FORMULAE FOR CURVES 


505 


a plot of the original series, it is only a plot of the cotangents'"^ 
of the points upon the curve from the selected point in the 
curve, but if the derived curve be straight it is proof that the 

original curve has the formula y —■ — \-d. 

a+cx 

In all reciprocal scales the constants a and c are easily found 
by inspection. The axes of the scales are always calibrated 
as infinity along each scale and cross the curve at its asymp- 

totes. The asymptotes have the value x-- and (y ~d) = - . 

c c 

So we need only substitute the observed values for a: and y to 
obtain the constants and complete the formula. 

Similar methods can be used to straighten out the ordinary 
parabola, the equation for which is y —a-\-bx+cx'^. (The 
reader will note that to arrange the variables in ascending 
order, we have altered the symbols for the constants, and 
that this equation is really a modification of the simple linear 
one, y-ax+c.) A little study will show that the value of 
the constant a is the value of the curve at its intersection, ex- 
perimentally drawn, with the y-axis. Since the equation can 

be written — t^'bJ^cXy it is obvious that if we know a. we 

can compute the series of quotients and that the curve 

of these will straighten out upon the scales, .t, ^ If we do 

not know the value of we can use the method of shifting 
the origin to a point upon the actual curved and will get a 

straight line by plotting (not — ^ because recip- 

X —Xq y -yo 

rocals are not involved in the equation). If the values of a; 
in our data form an arithmetical series, we can take the suc- 
cessive diflFerences of the y-values, that is, A y, and will find 
that the plot of A y, is a straight line.^ The polynomial in- 
volving higher powers sych as y =^a-\-bx+cx^+dx^+ . . . must 
be successively differentiated or the method of determinants 

^ Cotangents only because they are reciprocals. 

4 By substituting yQ = a-\-bxQ-\-cxQ^ we get y-yQ=^h{x—x,i)^c{x’^-~x\) or 
y-~yo 

— - - ^h-\-cxQ'\-cXi in which the phrase is a constant. 

X — AO 

s The formula for A y is to be found in Lipka, '^Graphical and Mechanical Com- 
puiationF P- 146. 



5o6 


CHARTS AND GRAPHS 












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B 

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B 

■ 

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B 

fl 










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m 

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B 


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■ 

■ 

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m 

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m 

B 

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B 

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fl 

B 

m 


■ 

■ 

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m 



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B 


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m 

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■ 

B 

m 

m 

B 

R 

B 

8 

S 

m 

B 

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B 

B 

H 


■ 

■ 

■ 

■ 

■ 

m 

9 

M 

9' 

B 

■ 

B 

B 

fl 

B 


B 

B 

■ 


■ 

m 

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m 

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m 

■ 

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1 

■ 


m 

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fl 

fl 

m 

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fl 

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» ' 



Figr. 397. The Parabola, y = a+6x4"cx®. 
See footnote on opposite page. 





FORMULAE FOR CURVES 5^7 

used, but the mathematics in such work is outside the scope of 
this volume. Indeed, the phrase cx^ may be added to any of 
the foregoing equations and will produce the same difficult 
results. 

The close observer may note that so far no mention of the 
semi-logarithmic chart has been made. The curve which 
straightens out upon it is known as the simple exponential or 
logarithmic curve. The formula of such a curve is of a wholly 
different nature from any so far considered, for in the latter 
all exponents have been constants. In the equations of expo- 
nential curves, we meet with variable exponents. The simple 
exponential curve has the formula, y—ab'^. The curve upon 
arithmetically projected scales is convex to the ;i:-axis, rising 
rapidly as increases positively, and having a horizontal 
asymptote to the x- 2 ixis as a; increases negatively and inter- 
secting the y-axis, at the value of since becomes unity 
at the y-axis {x being zero there and the zero power of any 
number being one). Now if then of course log y = 

log +a; log ^ = (in which a' and F are constants, the 

logarithms of a and h). The second part of the equation be- 
comes familiar enough in this last form, being the very first 
type considered. So if we plot the curve upon semi-logarith- 
mic paper, a:, log y, it will straighten out. And conversely all 
straight lines upon semi-log paper have the equation y^aF. 
And this formula applies to all historical data which have 
straight-line curves upon semi-log paper. It is the formula 
of the law of organic growth. 

Several variations of the exponential curve equation are 
obviously possible. If a constant be added we havey —ab^+c. 
This we turn into y -c = aF and from it we derive log (y -c) = 
log a+x log b or log (y — r) +b'x. Here we see a need for 

the shifted zero upon the logarithmically projected scale, an 
the curve straightens out upon the scales a:, log (y If 

c is unknown it can be computed from the experimental curve 


I^SCALE PROJECTIONS FOR Ffc. 397: 

Quotients {shifted) and differences. 

Arithmetical. 

The ordinary parabola (shown by a full line on the lower diagram) is the sum of 
three different curves (shown by broken lines) and cannot be straightened out 
upon any useful projection. It can be made to yield, however, various straight 
lines for series which have been computed from its known data and these afford 
a test of its equation. 



5o8 


CHARTS AND GRAPHS 




examples: 

y—ab^i or log y— log a~{~x log b 
y — ab^'\'Ct or log (y — c)=log a-\-x log b 
y — ab^c^^y or {l/x) log (y/fl)=log a-^-x log h 
The simple exponential equation y — ab^ straightens out upon semi-log paper. 
When a constant c is added, the zero must be shifted by the amount of the 
constant on the log axis; one example of this (shown by the broken line), is plotted 
upon three diagrams to show its behavior, another which on arithmetical paper 
parallels the simple equation shown, is plotted on two (shown by the dot-and- 
dash line). These curves are hyperbolic. When a higher power of the variable 
is added, the curve becomes parabolic and cannot be straightened. A quotient 

series with shifted zeros can, however, be computed, namely, > 






FORMULAE FOR CURVES 


509 


upon uniform paper.® Another exponential curve is that which 
has the formula y =aUc^. If it be written as log y = a' -\-b'x + 
c'x^ (in which the primes of the constants again represent their 
logs) we see that it is very similar to the ordinary parabola, 
and indeed, precisely the same methods must be used to 
straighten it. If a is known, we can plot it upon the uniform 


scales X, ( 


log y -log 

X 



If a is unknown we can use either 


of the other two methods, and derive series whose curves 


straighten out upon the scales x, ( 


!g g ._ ?Lj 2 g j!) and 


A log y. Other exponential curves have still other formulae, 
which are often but modifications of any of the foregoing 
through addition of other variable powers, such as df" in the 
equation y ==a+hx+cd''. These more complicated equations 
must be subjected to even more devious calculations before 
derived series can be found which straighten out and prove 
the equation. 

The reader should not consider from* this brief summary of 
the scale projections which straighten out non-periodic curves, 
that all or even nearly all curves can be straightened out by 
them. And the non-mathematical reader will doubtless have 
a wholesome respect for the processes of curve equating even 
by the above methods. He will probably find little difficulty 
with the simple linear, the simple parabolic and hyperbolic, 
and the simple exponential curves, requiring as these do only 
the arithmetical, logarithmic and semi-log charts. But some 
curves are immensely difficult to exp.ress in equation form, and 
must often be broken into parts with separate equations for 
each part. It is true that these parts can be collected with 
proper mathematical symbols of limits, into a single equation 
and in this sense it is true that an equation can be written to 
any curve in the world. 

But the long and complicated equation has little value. 
The equation for very irregular curves — such as the profile of 
a man’s face — may take up more space than the curve itself. 
The disadvantages of complicated formulae are many. For 
one thing, a very complicated formula is difficult to understand 


® The same method for finding c can be used as before^ for the equation y = ax^ c. 



510 


CHARTS AND GRAPHS 


even when it has been stated — the average person still has to 
plot its curve to understand its meaning. For another thing, 
very complicated formulae suffer from the danger of being 
made unnecessarily detailed or intricate by chance variations 
in the observations which form the data. 

This last consideration, the danger of chance variations in 
the observed data, leads us to the thought that the “true 
curve’’ for the data, if all errors were absent, might be a very 
simple curve, easily expressed by an equation, while the curve 
of the actually observed data remains irregular and compli- 
cated. We therefore oftentimes have to be satisfied by simple 
curves which closely approximate the actual curves, when 
such simple curves can be found. And the problem then 
becomes one’ of “fitting curves’^ with the best possible (that 
is, the closest fitting) straight lines, in the attempt to find 
simple and approximate descriptions and equations. 

The reader will have seen by this time that much of the 
care expended on proper curve plotting has for its purpose the 
clear visualizing of the phenomena, but that still other care is 
expended in the attempt to capture the curve in a symmetrical 
or regular formation. And he will now see that one of the chief 
purposes of symmetry and regularity is to enable us to formu- 
late laws governing the behavior of the phenomena repre- 
sented by our data and curve. In the discussion of fitted 
straight lines, which is so far as it seems desirable to enter 
the subject in this book, he will be reminded of the “trend” 
and “secular change” discussed previously in historical curves; 
in fact for historical series the secular trend is often con- 
sidered to be a fitted straight line. And he will now also see 
that these secular trends can be expressed mathematically in 
equations. He will also see that the operations of interpolation 
and extrapolation can be even more precisely performed when 
the equations are used than with charts only. He will see, in 
short, that the possibilities of mathematical description or 
summarization of curves opens up to him a valuable adjunct 
to the use of the curves themselves. 



PART V. 


CALCULATING CHARTS 




Chapter XLV 


CURVES FOR FORMULAE 

Having seen something of the way in which formulae or 
equations can be written to curves, we can reverse the process 
and prepare curves to illustrate formulae. In this way, we no 
longer seek the mathematical statements describing a curve, 
but we seek the curves illustrating a mathematical statement. 
The advantage of writing an equation to a curve lay in the 
fact that, from the equation alone, we could, by mathematical 
operations, find the values represented by each or all of the 
plotted points along the curve; the advantage of drawing 
the curve to illustrate an equation lies in the fact that without 
bothering about the mathematical processes, we can read the 
values represented by the equation directly at a glance from 
the chart. In short, the chart may be made a substitute for the 
processes of calculation and computation, and the chart then 
becomes a calculating machine. 

If, as in the previous chapter, we have a curve for which 
the mathematical equation is T = 2 X+3, and we wish to find 
the value of F, when X, let us say, is 5, we do not have to 
solve the equation by mathematical processes, multiplying 
5 by 2 and adding 3, but from a glance at the chart we can- see 
the F-value of that point on the curve whose A’^-value is 5. 
We follow the ordinate from 5 on the ^r-scale up to the curve 
and from the intersect point (where the curve passes through 
or intersects the ordinate) we follow the abscissa or horizontal 
CO the y-scale and read 13, the answer. In this case, it is true 
that the mathematical operation of solving the equation seems 
simpler than the graphic one for the reason that we have 
selected for illustration of the principle a simple mathematical 
equation. ^ But you will find many complicated formulae and 
equations in which the mathematical operations are far more 
tedious and lengthy than the graphic process. In such cases 
it will be useful for you to be able to construct calculating 



512 


CHARTS AND GRAPHS 


curves and charts by which mathematical equations of the 
given type can be readily solved. 

The purchasing agent, perhaps, buys in foreign markets 
and must multiply his quotations by the prevailing rate of 
foreign exchange and add perhaps certain local charges in 
this country, before he can compare the values of different 
offers. To interrupt telephone conversations with these 
mathematical operations would perhaps be difficult, but he 
could be provided with a special chart on which he would see 
at a glance the real value of offers without interrupting his 
telephone conversation to the parties concerned, 

T = 2X + S 



That a single straight line curve upon an arithmetically 
projected chart-field will illustrate a simple mathematical 
equation involving only two variables in the first degree, we 
already know, for any straight line upon arithmetically pro- 
jected chart-fields has an equation of the general form Y= 
aX -|-c^(in the right side of which a and c are given constants 
and X alone is variable). We can, however, by a series of 
such straight lines show the equation for two independent 
variables. Let us assume for example that c is a variable and 
call it Z and that the constant <2 is 2. In other words let us 
prepare a calculating chart for the equation 7=2 X+Z. As 
we have seen in the last chapter the figure 2 determines the 


CURVES FOR FORMULAE 


513 


slope of the straight line curve and if the ;v-scale is only half 
as great as the 31 -scale then the slope of the straight line would 
be rigidly 45° to the ;v-axis of the chart. The added element 

2 » T - 21 



Fig. 400. 

Z merely determines the height or position of the straight line 
curve upon the chart; the straight line curve passes through 
the origin of the chart when Z is 0 and in general intersects 
the 3 ;-axis at the value of Z because at the y-axis the value of 
X is 0 and the equation is T=Z. Now because Z itself is a 
variable we cannot show the equation by a single straight 
line but must use a series of straight lines, each for different 
values of Z and must therefore mark off a scale of Z upon the 
straight line curves themselves. The result is a chart with a 
series of parallel straight line curves which are diagonal upon 
the chart and enable us at once to find the values of Y when 
y'=2 X-hZ. To read a certain value, as, for example, when X 
is 5 and Z is 3, we need merely read up the ordinate from the 
point 5, on the .r-scale, to the diagonal line or curve marked 3 
on the z-scale, and from the intersect of this particular curve 
with the ordinate, read horizontally across the abscissa to the 
point on the y-axis where we find 13, the answer. 


CHARTS AND GRAPHS 


SH 

To use this chart for subtraction is very easy, for we 
merely reverse the process and the dependence of the vari- 
ables, saying that if F = 2 X-[-Z, then Z = Y —2 X. If T = 10 
and X = 2, then we read across the abscissa from the point of 
10 on the y-scale to the ordinate from the point 2 on the 
^c-scale, and note the value of the diagonal which passes 
through this point, namely 6 on the z-scale. It is of course 
not necessary to use whole numbers either upon the chart or 
in the equation for we can easily interpolate between the 


2 



X 


2 » 2X t Y 

Fig. 401. 

actual ruling on the chart to estimate, very closely, the values 
desired, when they are fractional. These subtractive charts 
can also be made to show the difference, not upon the straight 
line diagonal curves of Z, but upon the y-axis itself, by making 
the curves express the general equation Y^Z -aX and making 
the diagonal curve a descending instead of an ascending one, 
as illustrated in the previous chapter. Still another method 
for obtaining the same result would be to carry the chart de- 
scribed in the last paragraph down into the negative side of 
the A?-axis. 




CURVES FOR FORMULAE 


515 


Indeed the calculating chart only becomes difficult to 
understand when we begin to talk about it. The simple chart 
is much more easily made than described. Yet it is necessary 

z 



2 = Tf - 2X 

Fig. 402- 

for charts of the more complicated formulae, that the elements 
which go to make up the simple chart be clearly defined. And 
the first consideration of importance is the distinction between 
physical distances upon the chart and numerical values 
assigned thereto. If we call the two axes of the chart (;c), and 
(y) and the diagonal dimension (x), then we have at least 
distinguished three different possible places in which scales 
may be projected physically and given numerical values. If 
we indicate the physical distances along these scales, measured 
from an origin-point, as a;, y, and s, respectively, and the 
numerical values finally assigned to these distances (i.e., the 
scale figures) as X, T, and Z, we have a simple means of 
keeping two more details separate in our minds. 

The importance of distinguishing in this way between 
final calibrated values or scale-figures, X, T, and Z, and the 


5i6 


CHARTS AND GRAPHS 


actual plotted scale-distances x, y, and z, cannot be under- 
estimated, for confusion at this point will baffle the student 
for the remainder of his work upon calculating charts. It 
is to be understood that the small letters, x, y, and z, are 
merely essentials in the planning and making of charts; they 
do not appear upon the finished work. It is to be understood 
that the large letters, X, Y and Z, are merely symbols for the 
different variables in the equation to be calculated. If these 
variables are indicated by other symbols in the equation, then 
the large letters will not appear on the finished work, but the 
accustomed symbols will be substituted for them. The large 
letters are useful in planning the work as they clearly indicated 
the axis or scale upon which the variables will appear. If no 
better symbols are to be had, then the large letters and 

Z, one or all, may be retained upon the final chart and its 
formula. Indeed, even the small letters, x, y, or z, may be 
finally used for this purpose; they then of course indicate the 
variables and scale-figures and have no application to scale- 
distances. But during the stage of making the chart, we shall 
always use the symbols consistently in the meanings specified. 
Thus if we have the equation “income - operating expense = 
operating profit” or “i -e =p,” we shall substitute Y, let us 
say, for i; Z for e; and X for p; and write Y -Z=X. When the 
chart is finished, we shall substitute the original symbols 
again, and write i -e—p. 

But between the scale distances, x, y, and z, and the final 
calibrations, X, Y, and Z, an elaborate structure of modifica- 
tions and substitutions may be built up. These are necessary 
for very complicated formulae; in simple equations they fall 
together like a house of cards and can be wholly disregarded. 
Thus if our equation be Y = Z-{-Z, we can obviously lay off 
the distances, x, y, and z, directly from the equation. We may 
even use the same face of the ruler for both y and x, that is, 
along the axes of the chart, plotting the diagonals to conform 
to the equation. But when Y-2X+Z, the chart becomes 
very tall, and as we have seen, it is just as well to lay off the 
Y and X scales differently. 

Since we have occasionally in this way to use different 
units of measurement in laying off scales, it is well to have 
clearly in mind one common unit of measurement for the entire 
chart. This unit we call the “modulus” of the chart; and it 
does not matter whether the modulus be one inch, one foot, 



CURFES FOR FORMULAE 


517 


one centimeter, or any fraction of these, so long as it be the 
same for all parts of the chart the proportions of the various 
parts of the chart are the same. The modulus then is simply 
a general unit of distance which serves in planning the chart 
to equate the scale distances and^the^scale values; thus, ^ = wX, 
or x^lmX. 

Now it is a great convenience to plot distances directly from 
the data, that is, the values or scale-figures to be assigned. 
When this can be done we can copy scale-figures directly from 
our ruler as we plot. And here secondary moduli for each scale 
become useful. These’^are merely fractions or multiples of the 
chart-modulus, and when they differ from the latter, may be 
indicated by or Thus when x~mXy but 

when x=2mXy mx—2m. In the charts already considered, we 
have seen the chart of Y = 2X+Z made with the horizontal 
units of measurement twice as long as the vertical ones. If 
the vertical units be w, then the horizontal ones are 2w. 

Experience will show that it is best to proportion a chart 
in such a way that all intersections be as sharply drawn as 
possible. The object is to make readings from the chart 
accurate. If two lines are perpendicular, there can be little 
doubt about their intersection point, but when they cross at 
small angles (that is, are nearly parallel) it is not so easy to 
decide the exact point of intersection. Since the and y co- 
ordinates are perpendicular, obviously the s-diagonals cannot 
cut both co-ordinates more sharply than at 45 degrees. So 
the most desirable form of chart is one in which the s-diagonals 
form about 45^ angles with the axes. And it is the primary 
purpose of the scale-moduli (not the chart-modulus) to pro- 
duce this condition. When Y — X + Z and -jc and y have equal 
moduli, the z-diagonals, as we know, have the right slope. 
And so when Y -2X^7. it is easy to see that the modulus 
of the AT-scale (letting viy — vi) must be before the 

diagonals will have the same slope. Here we may note that 
irix 

•^ = 2, the coeflicient of X in the equation. And it is a use- 
ful empirical rule that the coefficients of the variables (on the 
axes, that is. A" or F) are the ratios of their scale moduli to 
the chart modulus. 

The scale moduli (as distinct from the chart modulus) 
serve still another purpose, for since they form what we might 



5i8 


CHARTS AND GRAPHS 


call “plotting instructions,” they can be used to indicate the 
side of the engineer’s hexagonal rulei which is to be used. Thus 
if we use a chart modulus of one inch, we can plot m from the 
10-side of the rule, fm, from the 20-side of the rule, |m from 
the 30-side, and so on. 

From the outset in chart making for formulae, we must 
keep in mind the desirable limits of the variables to be shown 
by the scale figures. If our chart is to be used in calculating 
a few pounds, it would be foolish to make it include tons as 
well, for then the scale for pounds would be so small that it could 
not be accurately read. If the price of paper is quoted in 
cents, why make a chart which shows millions of dollars, and 
on the scale of which cents are so small as to be invisible. 
Obviously the larger our scale becomes the more clearly it 
can be read, and the more accurate will be its calculations. 
Hence we should try to include in the range of the scale only 
its useful parts that we may make them as large as possible. 
This calls for the setting of limits f r the range, an entirely 
arbitrary matter, for which it is only necessary that we know 
the extreme high and low values of the variables which will 
be met with in the use to which the chart will be put. Having 
determined these values of the independent variables, we can 
write them into our formula by a convenient trick, thus 

10 , 12 j , . r ,1 22 10 12 

Q +2 2 and hence, in full y ^ =x q +2 ^ • 

Now we know how much space to give to the chart, or how 
large to make the chart-modulus for a chart of a given total 
size. 

We are now in a position to consider the havoc wrought by 
constants in a given formula for which we are making a chart. 
If these constants be coefficients of the variables, we have an 
equation of the type hY = aX-\-cZ, we shall have the scale 
moduli, OTj, = hm, and = am. The scale modulus of the z-scale 
for diagonals need not be calculated, Z is much more easily 
entered upon the chart from observations of the actual values 
for various points after the co-ordinates have been calibrated. 

The formula bY = aX-\-cZ can be written Y^-^X+^Z: 

0 0 

this will enable us to make Wy^m and = which may 

‘ For a description of the engineers’ rules or scales, see Chapter XV'II. 



CURVES FOR FORMULAE 


519 


give an easier plotting scale directly from the ruler. Thus if 
we have 14T = 7X+3Z, it is a convenience to plot y—mY and 
7 

x=-Y^inX = ^mX, for we can plot and calibrate directly from 
the 10 and 20 sides of the ruler; but if we have SY = 2X+3Z, 

y X 

or it IS more convenient to plot y — and 

x = \mXy for we then use the 20 and 50 sides directly. 

Of course these considerations are largely directed at the 
simple co-efficients, but they hold also for more complicated 
ones. When we have an equation such as 157 =37.29SX-fZ, 
no rulers will serve directly and it would not pay us to plot 

37.295 . , 

— mX = ,237 mX from a specially constructed scale 

(best secured by the method oftriangulation^), instead we need 
only plot x^.lSmXy which we can do from the 40-side of the 
rule, and shift the direction of the ^-diagonals a little. When 
constants are added in the equation, the effect is not to enlarge 
or diminish the size of scales, nor to alter the scale-moduli in 
the least, but it is to shift the scale numbers, without otherwise 
disturbing them, along the axis. No matter how many con- 
stants be added, they can of course be lumped into one, thus 
bY — aX+cZ+k. Obviously the correction for the constant 
must be made upon one or another scales, that is the constant 
must be attached to one or another variable, to get it into the 
chart. Thus {bY--k)^ aX+cZy bY ^{aX+k)+cZy and bY^ 
aX+{cZ+k) are all forms of the same equation. The amount 
of shift is proportional to the amount of ky but care must be 
taken to divide it by the coefficient, if there be any, of the 

k 

variable to which it is attached. Since aX’\-k—a{X +‘ — ), we 

k , , . ^ 

must make x=ma(X+—) and if we wish to shift the scale 

(i.e. add the constant) after the scale (i.e. x=amX) has been 

plotted we must shift it by the amount of , not of k. It is 

a 

sometimes simpler to make the correction while plotting, that 

k 

is plot for x-in{dX+k) or x^am{X+—)y directly by sliding 

2 For a description of the amplifying or diminishing of scales by triangulation, see 
Chapter XVI L 



520 CHARTS AND GRAPHS 

the ruler along until the calibration X is at the point of 

We have so far considered only one form of calculating chart 
the distinct feature of which is the parallel straight line z- 
diagonals. This is the chart for all equations involving the 
sum or difference of two variables of the first degree. It may 
be called, therefore, the additive chart. It is by far the most 
important, and useful, as well as the simplest chart of its kind. 
Moreover, it is the basis for so many other calculating charts 
that we have dealt with it in great detail, almost all of which 
will be essential to an understanding of the other types of 
calculating charts. 



The reader may note, however, that the use of the scale- 
modulus for the projection of the z-scale has been expressly 
enjoined. This is a peculiarity of the rectangular chart, the 
z-scale being best laid off by inspection in it. The reason for 
this is that the scale of the z-diagonals is not easily commen- 
surable with the X and y^scales. The diagonals form angles of 
45 degrees with the other co-ordinates, when the scale-moduli 
of the a: and y-scales are precisely adjusted; they form approxi- 
mately the same angles when the adjustment is not complete 



CURVES FOR FORMULAE 


521 


but is fairly close. Now if we could lay off all three sets at 
precisely equal angles the z-scale would become easily com- 
mensurable, and the scale-modulus of the z-scale could be used 
like the other scale-moduli. 

There is much to recommend such an arrangement of trl- 
linear co-ordinates. All intersections would be distinct, hence 
greater accuracy would be achieved in the use of the chart. 
The useful portions of the chart would be more compactly 



positioned, hence space would be conserved and greater detail 
available. The form would be unusual and more attractive, 
an important feature, since, as we shall presently see, these 
charts are more pictorial and popular than business-like. Yet 
in spite of these advantages, the equilateral and equi-angular 
form is seldom or never used, probably because the average 
chart-maker has become so accustomed to rectangular co- 
ordinates. 

The additive chart which we have described can be turned 
into a factorial one by logarithmic projection of scales. It 
can then be used to calculate the formula Y = since log 



LABOR TIMS (@ BO^ per hour) 



CURVES FOR FORMULAE 


523 


Y =log k-\-a log X+c log Z. The chart is prepared precisely 
as is the additive chart, and is much more generally useful. 



Z » XY 

Fig. 406. 

An exponential chart can be obtained by the combination of 
logarithmic and arithmetical scales, for the formula Y = aFZ 
and the like. Other possible combinations will occur to the 
student. The chief use of the chart, however, has so far been 
in its additive and factorial forms, having arithmetical and 
logarithmic scale projections only. With these two the student 
should be thoroughly familiar. 

We come now to another chart which has straight-line 
z-curves or diagonals. It is easily distinguishable from the fore- 
going from the fact that the z-curves are not parallel to each 
other, but radiate from a common intersection point. The 
parallel line chart was simply a multitude of curves for the 
linear equation, Y = aX-\-C, in which many values of C were 
taken and C itself treated as a variable. The radiating straight- 




CHARTS AND GRAPHS 


524 

line chart is simply a multitude of curves for the same linear 
equation, save that many values of A are taken, and A is 


Plotting Fcrsiula 



Fig. 407. Chart for Determining Scales of Curve-charts. 

At the bottom of the chart find the value of the highest point in the curve. At 
the left-hand side find the height which you wish to give it on the chart. At the 
nearest intersection of the ordinate with a diagonal at this height read (in the 
scale of diagonals above and to the right) the side of the rule, N, and the plotting 
value of each unit on this scale (U). 

treated as a variable. For convenience we will still call this 
third variable Z, and the equation therefore which this chart 
solves is of the form Y =ZX, when the common point through 
which all diagonals pass is the origin of the x- and y-axes. 
When the common point is located elsewhere on the y-axis, 
as at the co-ordinates ;f=0, y =r, the chart solves the equation 
Y=2X+c. The chart is primarily factorial, though it has 


CURVES FOR FORMULAE 


525 


arithmetically projected a:- and y-scales. The s-scale is a scale 
of angles, a circular function of the a;- and y-scales. 


A? 



Fig. 408. • 

We shall not go into the principles of this chart in detail, 
it can be easily made, the x- and y-scales being arithmetical 
and the z-diagonals and z-scale being best put in by inspection. 
The chart is not of much value (save for one particular pur- 
pose), it is difficult to use accurately when the values must be 
interpolated between co-ordinates and diagonals and loses 
detail as the diagonals converge. For the processes of multi- 
plication and division which are the main purpose of this arith- 
metical factorial chart, the logarithmic factorial chart is in 
every way, save one, the more satisfactory. 

There are a great many other calculating charts upon co- 
ordinates, which have not the straight line diagonals or z-curves, 
but in which the third variable is shown literally by a series 
of curved lines, each bearing a particular value of Z. These 
are, of course, only multiple parabolic, hyperbolic, or other 




CURVES FOR FORMULAE 


527 

curves (even including circles and ellipses), and solve more 
complicated equations than the forms already discussed. 



Fig. 411. 


They are largely of academic interest, however, forming in- 
teresting exercises for the student and somewhat highly pic- 
torial displays of the behavior of phenomena to which their 
formulae apply. For practical purposes they are of little value, 
since they take up much time and effort in the making and 
are neither so accurately nor so easily used as the calculating 
charts to which we shall later come. 

We come lastly to the multiple calculating chart, a com- 
bination of two or more simple charts of the types described. 
In the instances considered, the charts have shown only three 
variables, and therefore been suitable only to equations with 
two variables beside the root of the equation (in Itself a vari- 
able but dependent upon the other two variables). More 
complicated formulae, with three, four, five or more, inde- 
pendent variables, can also be shown by these calculating 
charts, by the simple trick of joining together a number of 
individual charts. Thus the first chart can show two*inde- 



528 


CHARTS AND GRAPHS 



AUGNMENT CHART FOR SOWT/OR OF CUADRATW ANO CUBIC BCUAT/C/VS. 

From '•Graphical and Mechanical Computation'* by Joseph Lipka, published by John Wiley &• Sons* 
by permission. 

Fig. 412. A More Complicated Chart for Solving Quadratic and Cubic 
Equations. 

The presence of this chart in this chapter was discovered too late to shift it to its 
proper place m the chapter on Composite and Zigzag Nomographs, about page 576 , 



CURVES FOR FORMULAE 


5^9 


pendent variables on its x and z-scales, and their resultant 
upon its y-scale. The y-scale of this chart can be used as the 
x-scale of a second and adjoining chart, a third independent 
variable appearing on the z-scale of this second chart and the 
new resultant on its y-scale. 

By continuing to join new charts to the old ones, the number 
of variables in the 'equation can be increased indefinitely. 



Where all the independent variables are factorial, we can use 
the logarithmic projection throughout with parallel straight- 
line z-curves on every chart, but where some of them are 
additive, it is not possible to use the logarithmic projection. 
It is for such cases that the arithmetically projected factorial 
charts last described come in handy, as by their use the addition 
processes can be performed upon additive charts and joined 



530 


CHARTS AND GRAPHS 


to factorial charts through the common arithmetically pro- 
jected scales. Often, the various charts are not set side by 


frftdjECTEd AREA OP CROSSHEAO figAftlNC SURFACE IN SQUARE INCHES 



From E. A. Andrews, in **Machinery” and HaskeWs **Ii<yw to Make and Use Graphic Charts.” 

Fig. 414. A Composite Chart With Many Scales. 

Showing Loads on important engine frame members. 


side but are superimposed, the reader being asked to follow 
a sort of mystic maze along these ambiguous co-ordinates till 
he arrives safely upon the “home”-line scale and meets the 
answer to his problem awaiting him there. 

All of these charts are more sensational then satisfactory. 
Needless to say, their preparation consumes much time. A 
large amount of excellent zeal is sometimes displayed by in- 
experienced chartists in the formation of beautifully-drawn 
and elaborate chart-forms, suitable for equations with many 
variables. It is always disappointing to observe the beautiful 
work and the great energy which has gone into the prepara- 


total load on CBOSSHEAO guide !N pounds 








532 


CHARTS AND GRAPHS 


curve equational chart forms are uselessly wasteful of time and 
energy. Everything that can be accomplished by these elab- 
orate and beautiful charts can be accomplished much more 
simply, accurately and easily by the use of the charts which 
will be described in the following chapter, in which the intri- 
cate network of co-ordinates® and curves alike is entirely omit- 
ted and the scales alone are presented upon paper utterly de- 
tached from their fields and curves. 

^ It is indeed true that the co-ordinates need not be used on the curve if rectangular 
movable axes (similar to isopleths) on separate transparent sheets be used to project 
'■he co-ordinates of the point to the scales where they may be read# . 



Chapter XLVI 


PARALLEL NOMOGRAPHS 

In the calculating charts just discussed, we noted that 
the values which solved a mathematical equation lay along 
a curve and that the chart was more easily constructed and 
accurately used when these curves formed straight lines. From 
this last condition, it is but a step to conclude that the straight- 
line curves themselves could be omitted and a movable 
straight-edge (ruler-edge or tightly drawn piece of thread) 
could be used in their stead, the reader of the chart being re- 
quired to adjust the straight-edge afresh for each reading. 
The only objection to this step is that while the lines are 
straight lines, their angles are arbitrarily set by the problem 
and the straight-edge must be adjusted at a certain angle or 
slope before it can be used. But in the charts which we will 
now consider, this obstruction is removed, the charts being so 
designed that interpolation by means of the straight-edge is 
possible in any and every position of the edge, the equation 
being satisfied always. The straight-line transversal is no 
longer called a curve, but is now known as an “isopleth,” the 
points through which it passes being always of equal value, 
that is, forming an equation. The scales are now called “axes” 
in a wholly isolated sense. The chart itself is called a “nomo- 
graph,” “nomogram,” or “alignment ch art,” the latter name 
being obviously derived from the fact that the proper corre- 
sponding values are always in perfect alignment. 

In the nomograph, the network of co-ordinates and the 
plotted curves themselves being omitted, there are three 
scales alone retained. These scales are the scales for the two 
axes of the curve and the added scale of the diagonal curves 
themselves.^ But the scales are so carefully arranged, both as 
to their projection and as to their position, that the intersection 
of a straight line or isopleth across two scales always gives the 
proper corresponding value upon the third scale. The arrange- 


533 



5J4 


CHARTS AND GRAPHS 


merit of these three scales is either parallel or zigzag, so that 
nomographs can be divided into two classes, the parallel and 
the zigzag nomographs. Manyi other forms are possible, but 
are largely of academic interest. The two principal forms are 
the simplest and most satisfactory for all work. 

The parallel nomographs are based upon the geometrical 
theorem of similar triangles. If we take the simplest case, in 
which the three parallel axes or scales, which may be called 



the X, y, and 2 scales, or axes, are so arranged that the two 
outer ones (let us say the x and z axes) are equidistant from 
the middle or y-axis, then, we will see that whenever two lines 
(isopleths) cross these three axes, the distance laid off on the 
middle axis will be the average (arithmetic mean) of the two 
distances laid off on the outer axes, between these cross lines. 

To make this quite clear let us set three rulers up on end 
against the wall at equal distances along the wall. With the 
rulers resting on the floor, their zero-points or lower ends will 
be in a straight line, the line of the floor itself. Note that 
the floor here forms an isopleth, the average of the two outer 
zeros being shown by the middle zero. Now if we hold a 
piece of string tightly stretched across these rulers, we will 

^Cf. Lipka, Joseph, Graphical and Mechanical Computation, John Wiley & Sons. 
Peddle, John B., Construction of Graphical Charts, McGraw-Hill Book Co. 'dnd 
Running, Theodore R., Empirical Formula^, John Wiley Ik Sons. 



PARALLEL mMOGRJPlI^ 


- 


see that the value on the middle ruler always equals one half 
the sum of the values on the outer rulers. If the string passes 



4U + 2) 

Fig. 417. 

across the first or ^-rule at the'point of six inches, and across 
the third or s-ruler at the point of ten inches from the floor, 
it will obviously cross the middle or y-ruler at the point of 8 
inches, one half of the sum of six and ten. The general form 
of the equation is 

y = or 2 y ~x-rz. 

To adapt this device to the processes of addition and sub- 
traction is a simple process. Let us merely substitute a ruler 
calibrated to half-inches for the inch-rule in the middle. In 
other words, let us substitute for the y-scale a scale with values 
of Y such that each value of Y is just twice as large a number 
as its actual y-distance, that is, T = 2 y. Now the readings Y 
on the y-scale will be, not the average, but the sum of the 
readings on the jr and z scales. The formula for the chart be- 
comes 2y—x+Zy or Y — X+Z. And for all positions of the 
cross-line or isopleth, the intersected points Yy X, and Z, will 
have the relation F = X+Z. Subtraction may obviously be 



53 ^ 


CHARTS AND GRAPHS 


performed on such a chart by adjusting the straight-edge or 
isopleth through any given values on the X and Y or on the 



X ? * 

S - X "i* X. 

Fig. 418. 

Z and Y scales, the difference being shown on the remaining 
(or other outer) scale. For if Y = X+Z then it is clear that 
X = y — Z and Z — Y —X. The middle or y-axis always carries 
the minuend in this arrangement, just as it always carried 
the sum when the same arrangement is used for addition. 

Before going further let us again carefully take stock of the 
algebraic symbols which we shall use in this chapter.^ The 
chart, as we have seen, uses one or more sets of three axes, 
which we shall call the {x)y (y), and {%) axes. Along each 
of these axes we measure distances, y, and %y in terms of 
various units of length, or scale moduli,^ niyj and all of 
which are readily convertible into a common unit of length, 

^ See also previous chapter. 

® Throughout the formulae for nomographs in this book, the scale-moduli War, my, 
and mzi have been used to indicate the plotting instructions for the variable X, F, 
and Z. These formulae, therefore, differ slightly from those of Professor Lipka, in 
whose book the scale-moduli are used to indicate plotting instructions for the func- 
tions of the variables, /(.v), /(y), and /(x). 




PARALLEL NOMOGRAPHS 


537 


or chart-modulus, m. The values which are entered or cali- 
brated at these distances are X, Y, and Z. These last, X, 



X 



Y 


Y « X2 

Fig. 419. 



Y, and ZT are’the symbols of the variables in the equation 
plotted, they are the scale-figures which appear on the chart, 
which afford, by their readings along the isopleth, the solutions 
to the equation. 

To adapt this device of three parallel scales to the proc- 
esses of multiplication and division we need merely change 
the calibrations on the three scales to a logarithmic projection. 
As always, the actual distances, x, y, and z, on the three axes, 
still have the relation 2 y =x-fz. But we plot on the x-scale 
the values of log X, on the z-scale the values of log Z and on 
the y-scale the values of | log Y, using the plotting equa- 
tions, x — m logX, z = 7?ilog Z, and 2y =ra logT or y = y log Y. 

Since 2 y =x+z, log Y =log X -flog Z and Y = XZ. The read- 
ings of Y are the product of the readings on X and Z, and 
multiplication is accomplished by adjusting the straight-edge or 
isopleth through given points on X and Z and reading their 



538 


CHARTS AND GRAPHS 


product on Y. Division, like subtraction, is accomplished by 
adjusting the isopleth through points in the middle and one 
outer scale, the answer being read on the other outer scale. For 


if Y = XZ, then and 


The middle or y-axis al- 


ways carries the dividend and the product in this arrangement. 


As it will be seen that the distance on the middle scale is 
always the average of distances on the outer scales, we must 
expect normally the resultant, that is, the sum or minuend 
(arithmetically), or the product or dividend (logarithmically) 
to appear on the central axis only. But a rearrangement of 
scales can be made when it is desired to place this variable 
on an outer axis. For this we must use complementary num- 
bers in addition and subtraction, and reciprocals in multiplica- 
tion and division. That is, we must substitute 0 -X, for X, 


in addition, and — for X or 0 
X 


-log X for log X in multiplica- 


tion. In this arrangement of the additive nomograph (for 
additions and subtractions) we make x=m{ ~X) or -mX. 

Then since 2y =;c+y, we have the equation Y = ^=—-\-XL = 

m m m 

-X-bZ = Z-Z. And since Y = Z -X, then Z = r+X and 
X — Z— Y. In short by upsetting the scale on the first axis 
we have exchanged the meanings of the scales on the second 
and third axes and the third axis now is the resultant (sum or 
minuend). The rearrangement of the factorial nomograph 
(for multiplying and dividing) is similar. Here we make 

x — miO -log A), with the result that -log X =— = ^ — — = 

m mm 


log Y -log Z and log Z = log Z -log Y and Z=— or Z = XY. 

The same effect is noticeable as before, the upsetting of one 
outer scale shifting the meaning of the other two scales, the 
other outer scale becoming the resultant (product or dividend). 

Writers on nomographs are accustomed to attach import- 
ance to the position (vertically) of the scales along the axes, 
a detail to which the cases of reversed or upset scales which 
we have just considered, naturally leads us. It has been as- 
sumed in this discussion that you have kept in mind the idea 
of three rulers stood up on the floor against the wall, for this 
makes clear that the three axes must have a common base 



PARALLEL NOMOGRAPHS 


539 


line, or isopleth passing through their “zero-distances” (regard- 
less of the calibrations which may be assigned to these dis- 



tances). Thus when the scales are reversed as in w( -bg X) = 

or log X , it is obvious that we are changing the di- 

m 

rection of measurement and counting downward into or below 
the floor level and an isopleth across the three rulers would 
have to pass up through the floor. Now it is not at all necessary 
that the base line (i.e. floor line) be at right angles to the axes 
(or rulers); our line passing through common ^^zero-distance'^* 
points or ‘^origins’’ of the axes can be a very steep diagonal. 
And when one of the scales has been reversed, it is distinctly 
better to use a diagonal base-line so that the isopleths used in 
solving the problems by the formula of the chart, shall be as 
much as possible at right angles to the axes, to facilitate 
accurate readings. 



540 


CHARTS AND GRAPHS 


Frequently, in fact, more often than not, the values in which 
you are interested do not begin at zero, but begin at some 
distance up the scale, that is to say, the useful or desired range 



of the variables does not come down all the way to the base- 
line or origin of the axes. In that case again, it is well to use a 


U+ll 


12 


•12 


13 - 4-13 


38 - 

-38 

37 - 

-37 

36 - 

-36 

36 - 

-36 

34 - 

"34 

83 - 

• S 5 

32 - 

-32 

31 - 

■31 

30 - 

-30 

29 - 

-29 

28 - 

-28 

27 - 

-27 

28 - 

-26 

26 - 

-26 

24 - 

-24 

23 - 

•23 

22 - 

-22 


X 


y 


e6y58 
67- -67 


63 - 


62 --62 
61" -61 


60 - 


•60 


t » Z - 2X 

Fig. 422. 


diagonal base-line, in order that you may omit the lower parts 
of the scale entirely, together with the base-line itself, on your 



PARALLEL NOMOGRAPHS 


541 


finished chart. Another way to achieve the same result is to 
alter the calibrations alone, so that x = m{X-]r a), y=^m 
(Y-tb) and z = ot(Z+c), (in which a, b, and c are constants 
which in themselves satisfy the formula). In general, the 
values of these constants should be such that they are equiv- 
alent to the lower limits of the desired ranges of the variables. 
The real object of the diagonal base-line or diagonal zero 
isopleth, is to make all isopleths which will be used on the chart 
as perpendicular to the scales as possible. The nearer to a 
right-angle the intersection of isopleth and axis becomes, the 
more sharply the two lines cut each other and the more easily 
will accurate readings be made. 


This brings us to the important element of the range of 
the variables. For it is not necessary, nor even possible, to 
picture all the possible values of a variable upon a chart. In 
actual problems the independent variables will usually be found 
to fluctuate between certain limits. It is thus unnecessary to 
use a scale so great that it shows values in excess of the maxi- 
mum limits, or to include on the scale the values below the 
minimum limits. Space is conserved and detail gained by 
making the range of the scale conform to the range of the 
useful values of the variable. And when the ranges of each of 
the two independent variables have been set, it is easy to find 
the range of the resultant or dependent variable (the root of 
the equation). In the previous chapter we have indicated a 
method of noting these limits, thus 


Y = X 


10 

0 


+ Z 


5 

0 


, or Y 


15 

0 


10 

0 


+ Z 


5 

0 


A variety of methods are at hand for confining the chart to 
these ranges. We may place the lower limits at the zero dis- 
tances or origins of each axis. Or we may place the maxima 
upon the level (or base-line). Or best of all, we may place the 
mid-points along each range upon a level isopleth. The 
advantage of the last method is that all the possible isopleths 
will then cross the axes at angles nearer to a right angle than 
by any other arrangement. Having approximately positioned 
our scales with this object in view we do not actually need 
to calculate the values of the mid-points (fractional as these 
may be), for plotting; we need only calculate the values for 
any round numbers and precisely position the scales about 
them. 



54 ^ 


CHARTS AND GRAPHS 


An important point in the making of the chart is its total 
size and proportions. Both its height and width should be 
great enough to serve whatever purposes of convenience in 
use, legibility and detail of readings, visibility at certain 
distances, or success in reproduction and reduction, will natur- 
ally obtain in chart-making, but the width should always be 
at least as great and if possible half as great again as the height. 
If the chart is too narrow many of its useful isopleths will cross 
the axes at such small angles that correct readings are difficult. 
If the chart is too wide, the isopleths will all cross at very good 
angles but the scales will be so closely compressed as to make 
detailed readings hard. The best form in general is one in 
which the most steeply sloping isopleths cannot cross the axes 
at smaller angles than from 45 degrees to 60 degrees. The 
height should be approximately two-thirds the width. 

The final consideration is the choice of axis for the de- 
pendent variable. By the dependent variable is meant the 
variable whose values are sought from given values of the 



Fig. 423. The Inverted X-Scule. 



PARALLEL NOMOGRAPHS 


543 


other variables. Of course it often happens that the same 
equation is often used backwards, and that at times one vari- 
able is sought from given values of the other two and at times 
another is sought. But usually there is one variable which is 
most likely to be the unknown and this should be treated as 
the dependent variable. The best axis for the dependent 
variable is always, ceteris equibuSy the (3^) axis. For then all 
needed isopleths will lie within the limits of the two outer 
scales and the three scales can be of roughl}?- uniform height. 



Fig. 424, The Use of an Outer Scale for the Unknown 
Variable is Not Good. 



544 


CHARTS AND GRAPHS 


Were the known variable placed upon an outer axis, it is 
clear that it would have to be extending above and below 
the levels of the other axes unil it included the most ex- 
tremely sloping isopleths which could be drawn through the 
central and other outer scales. The result would be a chart 
of very irregular appearance, wasteful in space and involving 
less accurate readings because of smaller angles of intersection 
between isopleth and axis. The danger of errors in placing 
the isopleth would be four times as great, since the errors in 
positioning the known values may be doubled upon the un- 
known scale, whereas they are halved when the unknown scale 
is on the central axis. 


It has been the purpose of the foregoing discussion to be 
suggestive rather than definitive, of the general principles of 
the parallel nomograph. It remains to examine this chart 
analytically. This will lead us at once to a generalized form 
of the parallel nomograph, with important modifications which 
make it far more flexible, in use. The chart has so far been 
considered only with equidistant axes. 

The geometrical proposition of similar triangles can equally 
be applied to axes which are not equidistant. When the inter- 
val between axes (x) and (y) is equal to that between (y) and 
(s), then the formula for actual distances is, as we have seen. 


y =-2 +*2 ^ y==x+z. 


And if we denote the total distance 



Fig. 423. 



PARALLEL NOMOGRAPHS 


545 


between the {x) and {%) axes, either measured perpendicularly 
to the axes or along the base-line or along any isopleth, as 
'^p+qP taking ‘^p'^ as the part between the (x) and (y) axes 
and as the part between the (y) and (z) axes, we may write 
the formula for the distances or axes cut between isopleths as 


Ip + q) 


(p) 

iP + q) 


PLshPl 
P + q 


or (p + q)y = gx + pz. 


This formula is applicable to any parallel nomograph, no 
matter at what distances from each other the axes may be 
placed. And the significance of '‘p'' and ^^q*' are very easily 
seen. They are the coefficients of the x and z variables in the 
additive formula 2 Y = A" + Z, and the corresponding expo- 
nents in the factorial formula = A"Z, becoming coefficients 
in the corresponding equation 2 log Y — log X + log Z. In short 
the complete formulae are, for additive charts (p + q) y = qx + 
pz, and for factorial charts, y + z^. Obviously when 

p and q are equal they may be written as 1 so that w^e have 
2y ^ \ X + I z and y^ = z^. So that the formula at once 

explains the half-size scales taken for the middle axes. Also 
when w^e reversed or upset one scale, w^e were in the additive 
formula inserting a -- 1 coefficient, making the value of ^ — 1. 

We were then obliged to shift the other outer axis into 
position midway between the first and second axes (a process 
which we spoke of as exchanging meanings of scales) so that 
p became + 2 and {p -f- q) became + 1, so that the formula^ 
became ly = — 1 x -{-2z. Thus the general formula {p + q) y 
= gx + pz covers all cases of the parallel nomographs, 

We are now ready to lay down the rules for the construc- 
tion of the parallel nomograph. In the first place, we have an 


^ Or, caliing the y-axis s, because it is now the third, and the s-axis y, because it is 
now the second, we have 4- Is == — l.t -j- 2 y, which agrees exactly with the formula for 
reversed scales. So doing, we maintain the symbols (x), (y) and (s) for the axes strictly 
in the order in which these axes appear on the chart. 

It is obviously better to permit the symbols (x), (y), and (z) to adhere to the axes 
wherever they appear, regardless of their older upon the page, as the general formula 
then applies consistently and without confusion. In the text from this point on, this 
has been done, and the (xj-axis need no longer he the first, the fy)-axis the second, 
nor the (zj-axis the third; but the algebraic signs of p and q will signify changes in 
position, and the algebraic signs of the scale-moduli will be significant of the direction 
of plotting. 



CHARTS AND GRAPHS 


546 

TT TT 

equation of the general type Y=AX -^+CZ + K, which® 

we wish to present upon a chart or diagram which has the 
relations of gx pz = {p + g)y. We give this diagram any 
height, Tm, we wish and approximately half as much more 
width. If, as is most convenient, we let the chart-modulus, 
m, equal 1 inch, then T is the total height of the chart, or 
length of each scale, in inches. Now along these scales we 
propose to plot the values of the independent variables, X 
and Z, from their lowest, L, to their highest, H, useful values. 
Call the difference between these extremes the range, R, of 
the variable, then 

R,=H,-U 

We can easily plot the values X and Y through these 
ranges in these given lengths by the method of triangulation 
if, as is generally the case, the intervals are not even fractions 
of the inch.® Then draw an isopleth through any convenient 
values of X and Z on the (x) and (z) scales and we know that 
the corresponding value of Y lies somewhere along this iso- 
pleth. Substitute these values of X and Z in the equation and 
learn the corresponding value of Y. Select a second conveni- 
ent value for X and substituting it and the T-value for X and 
Y in the equation, solve and get a second corresponding value 
of Z. Draw a second isopleth through the second values for X 
and Z on the (x) and (z) scales and since the value of Y has 
remained unchanged, we know that the (y) axis passes through 
the intersection of the two trial isopleths, and is parallel to the 
other axes. Now solve a few more equations containing con- 
venient values of X and Y and draw their isopleths and you 
will rapidly calibrate the (y) axis with its Y values. After a 
few points have been plotted the rest of the I'^scale can be 
put in by a ruler, and the method of triangulation. If these 
directions are carried out the entire chart will be finished in a 
short time. 

The student will look however, for an analytical method 
which will define mathematically the various scales and their 

® Within the short vertical parallel lines in the equation are inserted the high, //, 
and low, Z, values of the variables which will be required. These maxima and minima 
of the ranges are merely memoranda which do not affect the equation in the least, 
and can be omitted from the equation and noted elsewhere, if they render the equation 
confusing. 

For the precise adjustment of scales to given sizes by the method of tri angula- 
tion, see Chapter XVII, page 185. 



fiiRHlEv HOWOSHiPK; 


I OWAf ( cut 


5-^7 


» • AX * C2 ♦ K 
5w - Jy « S* 

4S9«SNU£Mr »0 «viflot.«: 

TO » «Bf »€ «»0£ KT ««RI«StC»: Lit X •» «0 

1 •» •a 

TO OIRfKOCWT T*BI»gtf; V «* BU 


imirs or us(fuu v»ni»riOMs: 



CilcutAT lOMs roK Y->«C4t.i: 


ditEN X - 0 4H9 Z » SO ; V » 1312)0 * {3)2)20 - 30 

‘i ^ iO I • 14 . X • (2)3)50 . i6f»)U • U 

\ • 49 2— IS ; X • (2/3)45 - (6)3)15 • 6 

T - J5 2 • 13 : X • (2)3)26 - (6)3)13 • -3 

Ijr IJ# Z • IS ; X • (2)3)115 - (6)9)19 • 





^ » IT 

Fig* 426. Construction of the Parallel Nomograph— I. 

Finding the unknown scale by trial isopleths. 



54.8 


CHARTS AND GRAPHS 


positions. For this we must know the scale-moduli, w., and 
as distinct from the chart-modulus, m. The scale-modulus 
is the interval or unit distance along the scale between the 
unit values of the variables, X or Z, and is obviously written 


= 


R. 


■ m 


or letting w = 1 inch) 


= inches 
Rx 



■ 


L 

R. 


inches 


Now in plotting it is always a convenience to adopt units 
of length such that they can be laid ojfF from an engineer’s 
hexagonal rule and do not have to be specially projected by 
triangulation. The engineer’s rule divides the inch into 1, 2, 
3,4, S, or 6 parts and decimals multiple or submultiple thereof, 
such as 10, 20, 400, 3000, etc. If we describe the scale moduli 
by the numbers of them which go to make up the chart modu- 
lus, My and call this number S, then 

Sx'fUx = ni S^nt. = m 


and 



m 


m. = 


S, 


or, letting m —1, (that is, one inch) 

1 1 

m,= — 

Thus as we have previously seen, the reciprocal of the scale 
modulus, when m = 1 inch, is the number of intervals per inch 
and serves as an index of the proper side of the engineer’s rule 
to use in plotting. Combining the two equations for we 
can eliminate it and keep measurements in terms of its recipro- 
cal, S, thus 


m 



m 



or 





El 

T 


If S in these equations becomes either 1, 2, 3, 4, 5, or 6, 
or any multiple of any power of ten, we can of course 



PARALLEL NOMOGRAPHS 


549 


plot the {x) and (y) scales directly from the engineer's rule. 
If it does not do so at once (and it usually doesn’t) always 
make it do so by altering the values of R and T slightly; that 
is, change the length of the scale, 7", or increase its range, i?, 
or do both. Slight alterations of this kind do not appreciably 
affect the size or usefulness of the chart. We shall write these 
altered values in small letters, thus 



So we see that by selecting values for r and t which are 
close to the original values R and T, but which make S pre- 
cisely indicate a side of the engineer’s rule, we make the chart 
even simpler to draw. 

Now we have seen that the chart has the linear relations, 
qx+pz = {p+q)y. If the chart is to express the equation, 
^AX ACZ-{-K^ and we decide (since it is easiest) to correct 
for the added constant K along the (y) scale, then we write 
AX+CZ^Y 

and the chart must have the values 

qx = 771 (. 7 . Y ) pz = 771 (CZ) (p +q) y = 771 {Y -K) 



1 

p+q 


771 {Y ^K) 


In this the distances, a;, y, and t;, are taken fiom origins 
which will be real if and Ly are zero, but imaginary 

if La:, and Ly are other than zero and the zero or base-line 
is not shown on the chart. Also we know that by definition 
a ; = niy^X z = 17 x 2 . y = my {Y -K) 

Hence 


A C 

fUx = 771 = 771 

q “ p 

But from above 


7n,y 


1 

P+q 


7Yl 






77fl 





Hence 


1 A 


1 C 



550 


CHARTS AND GRAPHS 


PARALLEL NOMOGRAPH: 


SYMBOLS, LIMITS, AND DEPENDENCE 
Hx 

AX + CZ 

3 45 5 20 

_ X + - Z 

2-5 2 12 

SIZE OF CHART (HEIGHT): LET T = 4 inches 
RANGE OF VARIATION: 

- 74 - - 50 = TTj - Ij. == S 

RULERS FOR PLOTTING: 

^ '’'x / 

50 / 4 = 12.5 
50 / 2.5 = 20 
50 / 5 = 10 

INTER-AXIAL DISTANCES: 

(3/2) 10 = 15 



Fig. 427. Construction of the Parallel Nomograph— IL 

Finding rulers with which to plot the known variables and a formula with which 
to position the unknown axis. (The ruler values adopted are underlined in the 
worksheet above.) The unknown variable is still plotted by trial isopleths. 


^3 — H / h 

8/4^2 


^ = (5/2) 2 « 5 


EQUATION: 
JX-^CZ-hK 
2u'= 3v 4 - 5w 


® Y-K 





PARALLEL NOMOGRAPHS 


SSI 


Here we have a convenient formula for the distances, p 
and <7, between the three axes, (.1:), (y), and {%). Having found 
from the range and total length of the scales the convenient 


sides of the rule to use in plotting them (S— — ) we merely 


multiply these by the coefficients, A and C, of the variables in 
the equation to get the horizontal distances between axes. 
You will notice that the chart-modulus, m, has cancelled out 
of the equations, so that p and q can be measured in any units 
which will make their sum be the desired width of the chart. 
These devices have obviated the first two trial solutions of the 
formula for the purpose of locating the (y) axis. 

Lastly we come to the formula for the plotting of the (y) 


scale itself. 


m 


Just as we wrote m^=*^and 


m 


so we can 


write My—— and our object will be to find Sy, such that it 

Oy 

t(»o can be plotted directly from an engineer’s rule. Above, 


we see that 


p+q 


niy hence^ 




Sy =p-hq ^ ASx'i‘CSg 


A and C, of course, are fixed, and you will often find it im- 
possible to so adjust Sx and that while they indicate sides 
of the engineer’s rule, Sy does the same. It is generally neces- 
sary, to go back to the original elements of and Ss, namely 


f T tr 

— and — , and alter one or both of them until the desired 
tx tP 

result is achieved. A convenient plan is to set down columns 
for each of the elements, Sy, py S., r^, and 4, so 

that you can try a number of different values of T and J?, 
for each variable before you give up hope. 

When Sy cannot be made to conform to a side of the rule, 
it is still always easy to project specially by the method of 


^ Since obviously 



552 CHARTS AND GRAPHS 

P/^RALCEL NOMOGRAPH: eouation: 2 u * 30 * 5 m 



PUOTTIMa I tSTHUCT lOMft: 


H 


8x 



9 

H 

n 

H 




iSx 

q*p 

esg 

li 




V^X*50 


‘■1 


0-1 


Rg-a 


6 

50 

•5 


^4 


1 

^3 

$ 

8 

5 

50 

10 

15 

30 

0 

2 

8 

4 

2.5 

50 

20 

30 

a;* 5 

716 

3 

9 

3 

2.5 

50 

20 

30 

dO 

10 

4 

8 

2 

8.5 

51 

8 

9 

11.5 

2.5 

1 

8 

$ 

10 

50 

6 

7.5 

9 

1.5 


9 

15 

10 

50 

5 

7.6 

10 

2.5 

1 

9 

i 


Figr- 428. Corvitruction of the Parallel Nomograph — III. 

Finding ruler-values with which to plot the unknown variable. (Any of the sets 
of underlined rulers for the three variables can be used, according to the size, 
Ta? and Tz, which is desired for the chart.) Worksheet only is shown here, 

triangulation. There is no more need to make trial isopleths 
for specially computed values of the variables, and we would 
only make two or three of these when the chart is completed 
to check it up for accuracy. The whole problem of charting 

the equation Y =AX p +CZ is reduced to the follow- 

Ltx -Ltz 

ing simple steps: 

YCZ^\ = Y -K 

hx L,z 



I\ -IRJLIJiL }JOMOGR. n^HS 


553 


Sx=^ when Tx approximates = Hx —Lx. 

T 

Ss = -f when approximates R^ = Hx -L^. 


p = cs,, q - AS,, and Sy = CS,+AS,. 

We know T, the height which we wish to give the chart 
and which t, and approximate, and we know the width 

3T 

which we wish to give the chart, approximately — , which will 


be divided by the axes in the ratio of p and q. It only remains 
for us to select mid-points in the ranges of X and Z and place 
them, with the corresponding value of Y, upon a common 
horizontal isopleth and plot the scales about them. 

When the equation is factorial instead of additive, it has 
the form 




or 


log Y^A log X 


X 

^ log X 


-\-C log Z 


I-hog. 
^log : 


+log K 


and the same treatment may be followed precisely. It is 
more convenient, however, to plot directly from a log rule, 
if one is handy, than from an engineer’s rule and a table of 
logs. We therefore drop the engineer’s rule and use the cali- 
brations on a slide-rule, if one is available. The simpler slide- 
rules have two scales, one a single and the other a double deck, 
in the length of 25 centimeters. Better slide-rules have also 
a three-deck scale. Taking the modulus, m, of the chart as 
25 centimeters instead of 1 inch (it does not make any differ- 
ence in the planning equations just listed since m has been 
cancelled out of them) we now measure T, f, and f, in units 
of 25 centimeters, roughly 10 inches, and take S == 1 to indi- 
cate the single, S == 2 the double, and S = 3 the triple deck 
scales. In short, when S,, S^, or Sy can be made equal to 
1, 2, or 3, we can plot scales directly from the slide-rule. 

Complicated formulae cannot often be made to yield 
direct ruler-copying values of all three, S,, S-, and Sy, at the 
same time, either for the additive or the factorial charts. 
This difficulty is most frequently encountered in the factorial 
charts because of the more limited number of different rulers. 
When this is the case, the method of parallel triangulation 
can, of course, be used for all other values of S,, S^, and Sy. 
But most convenient of all is a set of radiating triangulation 



5S4 


CHARTS AND GRAPHS 


sheets, such as are included in Professor Lipka’s book,® which 
can be folded at any value of m and will give all possible pro- 
jections of the arithmetic or logarithmic scales. When such 
devices are used the chart-maker has no occasion to seek 
certain values of S, but can work with any scale-moduli what- 
ever, so that his equations become (when m, the chart-modulus, 
is 1 inch):^ 

T T 

w* = — w.= 

A, 


? = 


m. 


i> = 


R, 

C 


= - 


1 


VI., 


p+q 


and he can plot directly from his sheet of scales, folded at the 
proper scale-modulus. 

The general equations which have been given, namely. 


Y = AX' 

and 


L. 

\H. 

L. 


rm 


1+Cz|g+A- 

'W' 

14 

are usually found in simplified form, K being 0 in the 
additive (first) form, or 1 in the factorial (second) form. 
When a coefficient (in the additive) or exponent (in the fac- 
torial) is attached to the dependent variable, Y, it can be 
transferred to the other variables so as to clear Y, by division 
or involution. When the signs of either X or Z are negative, 
the sign must be treated as part of the coefficient and so trans- 
ferred to the scale-modulus or ruler-index (S), to indicate 
that all values are plotted downward instead of upward. 

• Variations of this parallel nomograph will occur to the 
student, such as charts for the equation 

Y = X-^7^K + D, 
which must be turned into 


log {Y -D) -log K =A log X+C log Z 

* To the chart-maker. Professor Lipka’s book Graphical and Mechanical Com- 
futaiim is well worth its cost, if for no other reason than for the useful scales it 
contains in a pocket in the rear cover of the book. These scales carry radiating lines 
Irom a common center to all parts of a ten-inch uniform and a ten-inch logarithmic 
(single-deck) scale. By folding these sheets appropriately, these scales can be obtained 
from the radiating lines at any desired smaller scale. They amount to complete 
outfits for the triangulation method of scale adjustment, 

® As is the case with Lipka’s chart-formulae. 



PARALLEL NOMOGRAPHS 


555 


NOMOQRAf^H: COUATidii: 

3T.JS n m 

13* f 11 g^ 

Hx 



AX 4 

cz 

■ Y - « 




25 

50 


3 lot I 4 

.25 

a log Z m 

*05 


• 

tog T • log 5*17 

CMAAT IM6 

iNarmiet iONs: 


T 

* ¥ tnoAe« 



Rjj • lot SB - lo4 ,U5 « lot 100 Rg *' • log lOOiS 

■ 1 » 3 

«X “ 3 Incftf# «2 “ “ </3 - 2 tndA*« 

^ - A/*, • 2/a • .66? p - C/»2 " 5/2 - I, 5 


•X * 3 /(P*<l) " inchBH 



¥ 



I 

100,000,000“ 

noo, 000,000 

10,000,000- 

no.ooo.ooo 

l,ooo,orci-; 

-1,000,000 

100 , 000-2 

1 

=“100,000 

-1 

10,000- 

-10,000 

1,000 -z 

yl,000 

100- 

-100 


—10 

1- 

— 1 
c 

H 


.01 -z 

^.01 

.001 

f.OOl 

.000,1-: 

r-.000,l 



Fig. 420. Construction of the Factorial Parallel Nomograph. 

Finding slide-ruler plotting scales for all variables and locating the unknown 
variable axis, all by formula. (Only the adopted values are shown in the work- 
sheet, but a columnar form similar to that used in the last figure, is useful to corn- 
par/ different values before selection.) 



SIZE OF TYPE IK POINTS 


556 CHARTS AND GRAPHS 



Fig* 430. Chart for Determining Size of Type. 

Showing the space required to^set up manuscript in specified sizes and styles of 
type. The latter have been indicated on the chart on a properly graduated 
dummy axis, but without numerical calibrations, of characters per inch, as these 
would be useless. 



PARALLEL NOMOGRAPHS 


SSI 


and involve therefore a special logarithmic projection with 
shifted zero. The exponential equation 

Y = A^C^Ki 

can be turned into 

log Y -log K = (log A) X+(log C) Z 
and involves a mixture of log and arithmetical scales, the 
scales of (a;) and (z) being arithmetical. So does the equation 

Y = A^Z^K. 

A log-log projection is called for by the equation 

Y = AX^^ 

which turns first into 

log r = (log ^)-l- CZ (log X) 

and then into 

log (log Y -log A) =log C-flog Z-p log-log X. 

The projection of powers, roots, and reciprocals all find occa- 
sional use. Indeed any function whatever of two variables 


■ -I 

7.6 - 


e.6 


* H 


1.6H 


iK-60 e 0- 1. 
v-io e u-io 
iii-to ® 0 - 1 . 

]t.60 <3 D- 1 . 
K-60 © 0. 1 
H-40 ® 0- 1 

N-30 « U- 1. 
2K*50 ® U- 1. 
H-2C ©0-1 
2N-30 ® U- 1 . 
i«.60 ® 0- OO 
H-10 ® 0- 1. 

® D- 0.1 

5 N '60 ® 0 - 0.1 

fi W-SO ® U- 0.1 

^ M-40 ® 0- O.X 

It 

3 K-30 ® 0- O.l 

^ ih-50 9 U- O.l 

H.20 ® U- O.l 
2K-30 ® U- 0.1 

i «-60 ® 0 - 0.01 

K-10 ® U- O.l 
iS-40 ® 0- 0.01 

M-60 ® 0- 0.01 
|f-50 ® U- 0.01 
K-40 e 0. 0.01 
H-50 ® 0- 0.01 


li 

li 

a 

** 


St 

4 

4 

6 


K + 


g_>- • 


Fig. 431. Chart for Determining Scales of Curve-charts. 

On the left-hand scale find the greatest value in the series and on the right-hand 
scale (inside) find the height at which it is to be plotted or (outside) the height 
of chart-paper. The nearest circle on the central scale, to a straight line between 
these two will give the side of the ruler (N) and the value of the ruler unit {U). 
Comp, with Fig. 407. 



558 CHJRTS AND GRAPHS 


'/..T 

/«- 

%z- 

X.- 

X=- 

X- 

X.-- 

%- 


On* Sixt««inih' 

Thr«« Thirty- ••Condi- 
On* Slghth' 


Thr«» Siixteanths- 
On» Gu«rtor-ton*' 


Thr^e Bl)?hth8-|- 
Cns H«lf-Ton* 


three Cuarter-Tonea 
One Ion* 


thrae 

two Whole Tonaa 



thre* Whola Tonea"*" 


T4 

IS- 

IS 

11 

10 

9- 

fi 

7- 

6' 


I 

Z- 


Dift*na« of 
Kel« from 
tru* C*ivt*r 
«f Spiral 0roo<r** 
(In inch**) 


Vkrlatlona 
of Pitch 
of Music 
(in ton*s) 


Dittnnc* of 
N«odl« from 
CtnUr of Di»e 
(Tru* Cantor 
of Spiral Oroo***) 
(In inchoa) 


KPrect OF OFF-CWTER HOLES IN PHOHOIRaPH RECORDS ON PITCH OF MUSIC 

Figf. 432. Parallel Nomograph Not Chartable by Formula. 

The unknown variable, T ( — change in musical pitch, in tones of the chromatic 
scale) cannot be plotted by the side of a slide-rule, or any other ruler. The formula 
of the chart is, 

s= 0 

R 

in which R is the radius or distance of the needle from the true center of the disc 
(in inches) and D is the displacement of the hole therefrom (in inches). The 
formula can be stated as 

ID 

= 2 - 1 

or log (2D) - log J? = log (2 - 1) 

or log D — log /; = log {1^'^ — 1; — .3010 

If we lay off logarithmic scales of D and R through the desired ranges and then 
compute each value of these for each value of T which it is desired to plot, we 
can plot same by isopleths through the computed values of D and R. Thus: 


T 

log 2 

T 

6 

or .05017 T 

log 2 

2 1 

R 

or 2D 

D 

6 

or 2 

set 

.05017 a 

antiiog b 

c — I 

set 

cle 

VA 

a 

b 

c 

1 ^ 


f 

g 

1 

.05017 1 

1.1225 

1225 

5. 

.6125 

.30625 

2 

10034 

1 2599 

.2599 

5. 

1.2995 

' .64975 

Vz 

.0250H 

1 05946 

.05946 

5. 

2973 

‘ . 14865 

etc. j 

etc. 

etc. 

etc. 

etc. 

etc. 

etc. 



PARALLEL NOMOGRAPHS 


559 


can be plotted if it can be reduced to the additive form qx + 

P%=^{p+q)y- 

The great difference between the nomograph and the 
curves described in the previous chapter, is that the curve of 
the latter has shrunk to a point in the nomograph, and the 
succession of curves has shrunk to a succession of points or 
single line. Incidentally the nomograph has shaken off the 
network of co-ordinates, though these are nor essential even 
to the curve. In both of these steps the nomograph has re- 
duced the labor of chart-making and increased the ease and 
accuracy of chart-reading. We have so far considered only 
the simple parallel nomograph, which is analogous to the 
simple parallel curves, but there are other nomographs which 
serve the purposes of the radiating curves and composite curve 
charts which we shall take up in the next chapter. 



Chapter XLVII 


ZIGZAG AND COMPOSITE NOMOGRAPHS 

In a curious way the zigzag form of nomograph is even 
simpler than the parallel form. The parallel form has two 
outer axes and an inner axis which is slid along the base-line 
back and forth between the two outer axes as the scale moduli 
or coefficients of the variables on the outer axes are changed. 
In the zigzag form this central axis shrinks to a point — its 
own zero-point or origin on the base-line, — and having so 
dwindled moves back and forth along that base-line as a 
variable along a scale. It shrinks to a point because the third 
variable is turned into a constant. It lies upon the base-line 
because the new constant has been corrected for on an outer 
axis and one of them plotted reciprocally, that is, downward 
from the base-line. It moves back and forth along the base- 
line because the coefficient of the remaining independent vari- 
able has been turned into a new variable and hence has vari- 
able values. As a result, we must calibrate the base-line itself 
for the values of this new variable coefficient, or factorial vari- 
able, and lo and behold, we have a factorial chart without 
log projections, in many ways similar to the factorial radiating 
curve-chart for calculating formulae. 

It- is simplest, however, to explain the zigzag nomograph 
independently and from a different form of the geometrical 
theorem of similar triangles. We shall now speak of the base- 
line as an axis in itself, since it is calibrated, but it is to be 
understood that distances are not measured off upon it in units 
necessarily commensurable with the distances upon the other 
axes. But we anticipate. 

If you lay off three lines or axes such that two are parallel 
and the third cuts through both, like the letter N, you can 
easily prove that along the three axes the distances cut off 
by a straight intersecting cross-line (in the finished chart, an 
isopleth) will have certain definite relations. In this case 

560 



ZIGZAG AND COMPOSITE NOMOGRAPHS 561 


we measure the distances from the intersections of the axes, 
that is, the two intersection points of the axes, are the origins 
of the axes. Let us call the first axis as before the x-axis and 



the distance laid oiF on it by the isopleth from the intersection 
of (x) and (y), as before, x. Let us call the middle or diagonal 
axis, the y-axis, measuring the distance, y, laid off on it by the 
isopleth, from the intersection of (x) and (y). Let us call the 
third axis, as before, the s-axis, measuring the distance, s, laid 
off* by the isopleth, from the origin of the s-axis, that is, the 
intersection of the y and z axes. Now if we indicate the entire 
length of the y-axis, from x-origin to 2;-origin by Q to indicate 
that it is constant, we can quickly, from similar triangles, 
verify the following statement: 

X ^ y 

s ~Q -y 

Obviously if (with a chart-modulus, w = l inch) we plot 

the values x^X, % = Z, and^^-^= F, we may use this chart 

X 

for calculations of the equation Y or X = FZ. As in the 
parallel nomograph, we note that space is conseiwed and accu- 



562 


CHARTS AND GRAPHS 


racy gained by plotting the dependent variable upon the 
central or (y) axis. 

AX + R 

The generalized equation is Y = \-£‘ 

CZ ^,‘ + D 

Lz 

As in the last chapter, we concern ourselves first with the 
two outer scales. Their ranges are: 

= Rz=Hz-Lz 

If we determine upon the height of the chart, Tm, or T inches, 
when the chart-modulus is 1 inch, then the scale-moduli are 
found from the two measures of the length of the scales 

Rx'^x =Tm Rz'^h =Tm 



or, letting w = 1, 



Tm 




These are sufficient plotting instructions for the two outer 
scales if we are using a radiating scale-sheet.i But if we are 
using an engineer’s rule, we shall want them turned into 
values of S (the number of scale-moduli per inch) : 



and if S does not at once show a ruler-copying value, that is, 
1, 2, 3, 4, 5, 6, or decimal multiple or submultiple thereof, we 
shall alter R and T a bit until it does for each scale. 

Now we can at once lay off the central or y-axis. Care 
must be taken to direct it at the true origins of the outer axes, 
which will differ from the apparent origins by the amount of 

JB £) 

^(on the x-axis) and — (on the z-axis). The entire chart 


should be about square in outline (unlike the parallel nomo“ 
graph) .or even slightly narrower, to get the best results in 

^ That is, a sheet facilitating scale adjustment by triangulation. These sheers 
arc found in Professor Lipka^s book and are described in the previous chapter. 



ZIGZAG AND COMPOSITE NOMOGRAPHS 56 ;, 


reading from its isopleths. The scale for Y can be inserted 
by solving the equation for different values of the variables 
and plotting them on the y«axis by isopleths. The scale is 
not uniform, it is a variety of reciprocal projection, each 
point having a value proportional to the ratio of the segments 
of the line on either side of the point. Every value calibrated 
on the scale must therefore be individually computed and 
plotted by isopleths. This is a simple way to construct a 
zigzag nomograph. 

Since, however, the projections through these points or 
values from any point, on the s-scale, forms as we know, 
an arithmetical scale on the ;c:-axis, it is a simple matter to 
reverse the process and plot a temporary working scale (which 
we may call W) arithmetically along this A;-axis, calibrated 
equal to Y and such that from it we may easily project the 
T-scale on the y-axis.^ We select any convenient point, iiy 
preferably near the middle, on the 2;-axis. Through two known 
points already computed and plotted on the central scale, w’e 
project isopleths from n to the x-2ixis. Then we lay off a 
complete scale about these two points and with n as center, 
plot their projections on the y-scale; lastly we erase the tem- 
porary scale and the point n. This is a better way to con- 
struct a zigzag nomograph. 

The student will seek a mathematical expression for the 
plotting of this eccentric y-scale. Now to find the values of y 


m X 'V 

in the equation — = --7^ , we must first examine the true 

^ Q-y 

values of x and %. These are the distances along the two axes 
from the true origins, which differ from the apparent origins 


by the amounts of ^ and 
. A G 

write 

B 


So to be quite correct -w e must 


% = m,XZ+~) 


I'he projections of )' upon the v\*-axis from any point in the s-axis are always 
regular uniform or arithmetical, or in accordance with the scale of A'), because 
A' itself is regularly laid off, and by the formula, Y varies directly with A" when Z 
is taken constant. The temporary working-scale, Wy cannot be plotted upon the 
li-axis from a point on the y-axis, because, by the formula, Y varies inversely with Z 
when A" is taken constant; hence, the transversals from uniform intervals along the 
z-axis would only project upon the y-axis a sort of reciprocal scale projection thereof. 



564 


CHARTS AND GRAPHS 


This is true from the definitions of and as scale moduli. 
So 


x^'^iAX+B) z=^{CZ+D) 


t X V 

Substituting these in the equation — =7^ > have 

y _ CnixiAX +B) 

Q -y Am^{CZ+D) 


Now 


AXPB 

CZ+D 


= Y -E, so we may write 


y ^ Cm^{Y -E) 

Q -y 'Am^ Am^ 

Q -y _Q _i 

y y Cm,iY-E) 

Q Cnix{Y -E)+Ami 
y~ Cm,{Y-E) 


y = 


Cm^(Y-E) 
Cm,{Y -E)+Am,^ 


This is a cumbersome expression and shows that it is simpler 
to compute the y-scale empirically as before described. If we 
write 

y—my(Y -E) 

then we see that my, the modulus for the y-scale is 


my(J-E) 


Cm,{Y-E) Q 
Cmx{Y -E) -pAm,, 


yy, Cm,,Q 

• Yyi ss ' 

^ Cm^{Y -E) +Am, 

from which we see that this modulus is not constant but 
changes with the values of Y, the variable. This is merely 
•algebraic proof of the irregular nature of the y-scale projection. 
We may observe from the equation for y that it is a fraction 



ZIGZAG AND COMPOSITE NOMOGRAPHS 565 


of the constant distance, Qy between the true origins of the 
outer scales and that y (and hence the scale for the Y variable) 
will always lie between these origins (and hence between the 
two outer scales) so long as the denominator of the fraction 
exceeds the numerator; we likewise observe that the y-scale 
will lie outside of the two parallel scales when the numerator 
exceeds the denominator. 

An interesting thing about the y-scale is its F-value or 
calibration at the point midway between the two outer scales, 
that is, when y = | 0 . For this we write 

, Cm^{Y-E)Q 

^ Cm^{Y-E)+Am^ 

CmJiY -E) +Am, = 2Cm^{Y -E) 

Ainz = Cmx{Y -E) 


P Am^ 


~ Cm„ 


y- Anig 

Cm^ ' 

E 


YE 


Thus at the point midway between the two scales the value of 
Y is always easily found, by dividing the constant coefficient 
of each independent variable by its scale modulus, then divid- 
ing the quotient for x by that for z and adding any added 
constant. If we have the simple case in which both inde- 
pendent scales were plotted on the same moduli, and there is 
no added constant, then the midpoint of the (y) scale expresses 
the ratio of the coeflGcients in the formula. If the coefficients 
are alike but the moduli are different, and there is no added 
constant then it expresses the ratio of the moduli. Of course 
the addition of a constant, E, merely raises these values by 
its amount. And when coefficients and moduli are alike, and 
no constant is added, the midpoint has the value of 1, and at 
equal distances on either side all the other calibrations will be 
found to be mutually reciprocal. 

Useless as is the mathematical expression for y and niy, a 
similar expression for the temporary projection of the (y) 



S66 


CHARTS AND GRAPHS 


scale upon the x-zxiSy by means of which the y-scale can be plot- 
ted without computing, is valuable. We select on the js-scale 
(preferably near its center) a fixed point, n, the calibration 
or Z-value of which let us call N. If we run transversals 
through N and every uniform value of Y to be calibrated on 
the y-scale, we know that the transversals would mark ofF a 
regular scale upon the x-zxis. Let us call the temporary work- 
ing scale zo. The intervals or scale modulus, of the zv- 
scale, would have the same relation to the modulus of at as 
the calibrations of X have to the calibrations of W. Thus 

^ Now when Z=Nj the value of ^ is as follows 

W Y Y 

AX+B = {CN+D) (Y^E) 

X = CN+D j^ 

A A A 

Drop the added constants since they merely shift the zero 
point and 

X — CN -\-D y 


Y 

Mx 


CN+D_X 
A W 
CN+D 
A 

CN+D 


A 


-nix 


Or if we wish to work with the length, n, of the plotted point, 
from the true s-axis origin, instead of its calibrated Z-value, 
Ny we have 


n = {N+p=^{CN+D) 




C ^ 
A 


n. 


If we wish the modulus in terms of the ruler to use, i.e., the 
number of moduli per inch (or per chart-modulus, whatever it 
be), we have 

c — 

" CN-+D CS, ' 

® The mathematical steps here are outlined without full details, as the latter would 
make the equations more cumbersome than their importance justifies. 



ZIGZAG AND COMPOSITE NOMOGRAPHS 567 


In short, to prepare a zigzag nomograph for the equation 


JX 

L. 


cz 

H, 

L, 

+D 


+E, 


we need only compute the following expressions in order to 
plot with an engineer’s hexagonal rule: 

in which approximates R^=IH 


in which approximates -L. 




CS, 


in which n is the distance (in inches or units of the 
n chart modulus) of a fixed point on the %-axis from 
the origin thereof, 


or 


AS, 

CN+D 


in which N is calibrated Z-value on the s-scale. 


The usefulness of the above expressions is in the search 
for ruler-copying values of S which will enable us to plot di- 
rectly from the engineer’s rule. For this purpose the same 
tabular arrangement of columns for the values of r,, S,, AS,, 
n, S^y CSsjSs, r„y and should be made in order that slightly 
different values of t and r may be tried on various scales. 
If, however, we work with a radiating scale-sheet, then the 
scale-moduli are wanted and these are as follows: 


nix 




niu 


or 


L 

'R. 

JL 

"r^ 

Am. 
CN+D 


n 




The chart will also express the exponential equation 

BX^ = ^ ^ = log 7+log E 

^ CZ+D ^ 

and amplifications thereof; here one outer scale is logarith- 
mically, the other arithmetically projected. When the other 



CHARTS AND GRAPHS 


568 

functions of the variables are used, such as powers, roots, or 
reciprocals, the corresponding projections may be called for. 
In all this work the chart will be seen to handle added con- 
stants with much less trouble than the factorial or logarithmic 



Fig. 434. The T-Scale Outside the Parallel Scales. 

Plotted with = —2 (the negative sign shows that scale-values increase upward 

along this axis, instead of downward as normally), Sz — 6, and Sw = .01 for 
33 §. The positive sign of Sw shows that /F'-values (on the JT-axis) increase (that 
is, become larger positive or smaller negative values) downward, as normally; this 
consequently applies also to the T-values on the F-axis. The upward or reversed 
projection of the X-scale (due to the negative sign of shows that the F-axis, 
passing through the true zeros (plotting origins) of the parallel axes, lies below 
and outside the two scales, hence the F-scale is outside the parallel scales. 

This form is not of much value. The dependent variable would better be X 
when it is used. 

(Note: Above dimensions as of original drawing, here reduced to half-size.) 

parallel nomograph, for it does not require a specially com- 
puted scale for the shifted zeros. The zigzag nomograph is, 
however, on the whole of less value than the parallel nomo- 
graph, for the central axis, being diagonal, is often crossed by 
the isopleths at very small angles, and the readings naturally 
become less accurate. 



ZIGZAG AND COMPOSITE NOMOGRAPHS 569 


Many other forms of nomographs have been devised beside 
the parallel and zigzag forms. The theory and making of these 
involve mathematical \vork and detail outside the scope of this 
book. They are based upon various geometrical theorems 



Fig. 43S. The F-Scale Inside the Parallel Scales. 

The same equation as in Fig. 434, here plotted with Sx-2, Si-6y and S%v 
= — 0.01 for V==33 J-. Ihe positive signs of S.v and Sz show that the normal 
directions of plotting of the X and Z scales obtain, X increasing downward and 
Z upward and the Y axis consequently passing between them. The negative 
sign of Sw shows that the /F-values along the A-axis and therefore the I’-values 
along T~axis, increase upward instead of downward (that is, grow larger positively 
or smaller negatively). 

This form is usually better than that in Fig. 434, for though it gives less 
detail to parts of the F-scale, it places the dependent variable inside, giving 
more accurate readings. 

(Note: Reduction of half-size.) 


and are generally built up with straight lines for scales on the 
sides of imaginary triangles and parallelograms. It is indeed 
possible to have nomographs with curved axes but these are 
not often encountered, nor is their need more than exceptional. 
A very large body of the less used nomographs are propor- 
tional, and can be used for equations containing four variables 
which are in or 'can be put into the form of a proportion. 
These charts use two isopleths either parallel, perpendicular, 
or with intersections upon a dummy line, in order to afford 
the readings for the four variables. The interest attaching 
to these less common types of nomographs is still largely 



570 


CHARTS AND GRAPHS 


academic; the two simple forms, the parallel and zigzag, afford 
adequate calculating facilities for all practical purposes. 

We have so far considered only the simple forms of these 
nomographs, in which there appear but a single set of three 
axes, and which are suitable only for equations with three 
variables (two unknown). The most interesting form of nomo- 
graph is a compound one composed of two or more inter- 
locking single nomographs and suitable for equations with 
more than two independent variables. Each single nomo- 
graph is a set of three axes, but when two or more sets are 
combined, one of the axes of each s^t serves double duty, 



Fig, 436. Construction of Factorial Zigzag Nomograph — Unfinished. 



ZIGZAG AND COMPOSITE NOMOGRAPHS 571 


Note to Fig. 436 


Showing the working-scale, JF, from which the dependent variable scale, F, is 
plotted; and the true origins, of the independent variable scales, shifted for added 
constants. 

The equation is 5 a® (5.7171^)^+^ 

in which a varies from 1 to 100, c varies from 3 to 13, and b is to be found. Let 
X = a, Z = Ct and Y = b. 

Since log 5 + 3 log <2 ~ (c + 2) (log 5.7171 log b) 

3 log a + log 5 , , , , p 

or log & log 5.7171 

and the typical formula is 


AlogX 

IIx 

Lx 

+ log B 

CZ 

Hz 

Lt 

+ D 


log F — 'og 


we have, by substitution 


3 log X 


log 100 
log 1 


13 


+ log 5 


^ log F- ( i 


+ 2 


log 5.7171) 


If wc wish the chart to have a total height of F =*5 inches we can plot with the 
following scale moduli: 


IJx - Lx - log 100 - log 1 = 2 - 0 = 2 Hz - I:: - 15 - 3 = 10 


T 

vix = 

5 

= — =2.5 inches 

mz = 

T 

5 

— = .5 inches 

Rx 

2 


Rz 

10 


We must plot the :v-scale from a logarithmic scale having one deck for every 234 
inches, and the s-scale from the 20-side of an engineer’s ruler, after allowing for 
the added constant in each case. 

If we select as the fixed point, iV, for our working scale, W, the point calibrated 
as 10 on the z-scale 

CN-^D 10+2 

— ^2.5) = 10 inches 

A 3 


and we plot the 52;“scale from an inch-rule (the 10-side of the engineer’s ruler). 

To position the /F-scale we calculate the value of X for any value of I" we choose: 
thus, 

when Z = W = 10 1 , ^ „ (Z + 2) (log F + log 5.7171) - log 5 

and F(= r) = 11 3 ^ 

12 (log 1 + .75722) - .69897 
3 

= 2.7959 
X = 625.0 

While this value of A” lies outside the range, and is therefore inconvenient, we 
need not recompute A" for another value of F, but merely extend the A" scale 
sufficiently to plot JV = 1, after which other W values follow by the ruler. 



CHARTS AND GRAPHS 


ST- 

being common to two sets and effecting the combination. 
Thus if we have the formula or equation A = B-\-C-\-D+E, 
we will have to break the right side of the equation, having 



6a® • (6.7i71b)(c+ 2) 

Fig. 437. Construction of Factorial Zigzag Noraograph — Finished. 

The temporary working scale, /F, is erased after the calibration of the y-scalc 
therefrom. Also the extensions of scales to the true origins and to x — 625 have 
been erased. Scales have been calibrated on both sides to facilitate readings 
when using an opaque ruler as isopleth. 

four independent variables, into two groups of two each and 
make a parallel additive nomograph of each group, adding a 
third axis to each to express the resultant of each group, and 
then we can combine the resultants in a third parallel nomo- 
graph to show the dependent variable, A. We would write 

/ = 5+,C 
and g^D+E 
and A^j+g 

In the first two groups w^e might let / and g be middle axes, 
but in the third group we would use them as outer axes writing 
A as the middle axis of the group. The order of the axes 
would be 5, /, C, Ay D, g, E. If for convenience we wished 
A to be the final axis, then we should have to fall back on the 
use of inverted scales and carefully arrange the scales so that 



a.5-T-2,S 


ZIGZAG AND COMPOSITE NOMOGRAPHS 573 



Fig. 438 is a compound nomographic chart by means of which parallel nomo- 
graphs may be constructed. 

Draw isopleths from Rx and Rz on the R scale (first) to Tx and Tz on the T scale 
(fourth) and find scale moduli, mx and mz and rulers Sx and Sz on the Sm scale 
(second). From the latter draw isopleths to A and C on the fifth scale and read 
the values of p and q on the third scale. Add the latter, p and to get Sy. In 
the above Rx and Rz are the ranges of the two independent variables, x and z; 
Tx and Tz are the tenths (in inches) to be given these scales on the chart; Sx and 
Sz are the engineer's rules (or number of units per inch) to use in plotting them, 
A and C are the coefficients <jf the two variables, x and y; and p and q are the 
horizontal distances between axes {p between x and y, q between y and z), Sy is 
the engineer's mle (or number of units per inch) to use in plotting the dependent 
y-scale. Position the scales (for added constants) by a single trial isopleths. 


Fig, 438, Chart to Construct Parallel Nomographs. 



574 


CHARTS AND GRAPHS 



Fig:. 439. Chart to Construct Zigzag Nomographs. 


Here is a compound nomographic chart by means of which zigzag nomographs 
may be constructed. Draw isopleths from Rs and Rz on the first scale to Tx and 
Tm on the third scale, and read Sx and Sz on the second scale. From the latter 
draw isopleths to A and C on the fourth scale and note intersected points on the 
dummy axis. From the last, the intersection of the dummy scale and the isopleth 
through Sz and C, draw an isopleth to n on the fifth scale. From the other 
dummy axis intersection, A Sx, draw a parallel isopleth to the fifth scale and read 
S^, In the above A and C are the coefficients of the independent variables, x 
and z; Rx and Rz are their ranges; Tx and Tz their scale lengths in inches; n is 
the fixed point distance on the z-scale to project the working scale, JF, on to the 
y-axis as Y, and Sx, St, and Sw are the sides of the engineer's rule (or number of 
units per inch) to use in plotting. Position the scales for added constants by 
means of these plotting-units. 



ZIGZAG AND COMPOSITE NOMOGRAPHS 575 

while each y and z scale went in the same direction, each 
scale went in the opposite one. Compound nomographs can 
be used for equations" with many factors instead of terms, in 
precisely the same way, merely using logarithmic projection or 
zigzag nomographic form. The sub-total axes (/ and g in the 
example just cited) or the sub-product axes in factorial nomo- 
graphs, are generally left without calibrations, as no one is 
interested in reading their values. They are necessary merely 
as fixation points secured by the first interpolation and fixing 
the isopleth for the next step. They are called dummy axes. 

The fact that the zigzag nomograph performs multiplica- 
tion and addition on arithmetically projected scales makes it 
useful for compound nomographs of formulae involving both 
addition and multiplication. This, indeed, is the chief reason 
for the importance of the zigzag form. Thus an equation of 
the general type A = BC +- DE can be solved by the use of two 
zigzags for the two multiplication processes and a parallel 
for the sum of their products. This equation could not be 
shown on parallel nomographs alone, because in them logarith- 
mic projections would have been necessary for the factorial 
processes and the addition of the products, were logarith- 
mically projected would have shown not a sum but a third 
product. 

It has already been said that many other projections can be 
used beside logarithmic and arithmetic ones. Squares, cubes, 
roots, and trigonometric functions can be used. When such 
functions are used, the equations px == mX ox x = m^X no 
longer hold, but must be modified to px = mf (X) and x = 
m^f {X). This will require the modification of the calculating 
formulae which have been given for the scale-moduli, but the 
procedure is so similar that it may be left to the devices and 
ingenuity of the chart-maker. Nomograph-making presup- 
poses a fairly thorough understanding of the equation to be 
plotted and with this as a basis, the ingenious experimenter 
will find various and adequate methods of charting. 

Upon the finished chart the scales should be provided with 
titles below or above them, explicitly stating the variables to be 
located or read on each scale. The formula which the chart 
expresses should also be available to the reader somewhere 
about the chart. The best mechanism for the reading of the 
scales is a strip of transparent celluloid with a fine straight 



576 


CHARTS AND GRAPHS 


line drawn in ink upon its lower surface. A straight-edge or 
ruler, if possible with a transparent edge, can be used; and in 
an emergency a piece of thread can be .drawn tight and held 
for the readings. 



Fig. 440 . In Quadratic and Cubic Equations the Position of the Central 
Axes Becomes Variable, and a Chart-field Takes the Place of a Single 
Scale. 

This is the Darville-Johnson Bond-Yield Chart, a chart for determining quickly 
the yields of all types of bonds, including premium bonds, maturing in any num- 
ber of years at practically all coupon rates now in use, including odd fractions. 
— Published by Prentice- Hall, Inc, 


Whole books have been written about the nomograph and 
while it is still a little known chart, yet it is fast increasing 
in popularity, and deservedly so. It is the most easily con- 
structed and accurately read of all calculating charts, and the 
results which can be accomplished with it are always a source 
of amazement to the uninitiated. 


Chapter XLVIII 


SLIDE RULES 

A calculating device which is even more simple to operate 
than the alignment chart or nomograph, but may be considered 
closely related to it, is the slide-rule. We have seen that by 
the use of special projections, the curve of an equation may 
often be straightened, increasing both the ease and accuracy 
of calculations based upon the curve. We have seen that in 
the nomograph. the chart field has also been eliminated with 
still further simplicity and benefit. But we come now to the 
slide-rule, in which even the straight-edge (that rudimentary 
substitute for the curve) has been eliminated, the scales losing 
their fixed position with regard to each other and being freely 
movable. The slide-rule is therefore nothing more than two 
movable scales along the same axis, that is, in contact with 
each other. 

We can, however, approach the subject of slide-rules even 
more simply if we consider first the stationary rule. The 
stationary rule is nothing more than a single axis bearing two 
or even more scales, one upon each side of the axis. This is 
the graphic chart of equations containing but two variables, 
(only one independent or known variable). The scales are so 
adjusted that for every value of one variable, calibrated on 
one scale the corresponding value of the other variable may be 
read upon the other scale at precisely the same point along the 
axis. Fixed or stationary scales may be laid off. upon logarith- 
mic, arithmetical or any other projections or combinations of 
projections. Such charts are useful in the place of small con- 
version tables, but must be made large or in several segments 
when detailed readings are necessary. They can be used as 
ready reckoners for foreign exchange, temperature equivalents 
in Fahrenheit and Centigrade, the conversion of metric and 
common systems of measures and weights, and an infinite 

577 



578 


CHARTS AND GRAPHS 


variety of similar cases in which the relation between two 
variables is constant and fixed. 


V«Xoolty rorc« 



per 


As its name suggests, the slide-rule is not 
fixed or stationary. If you will take two 
ordinary rulers, one with its scale upon the 
upper edge, and the other with its scale upon 
its lower edge, and bring them together so 
that the two calibrated edges will fit together, 
you will have the simplest form of slide-rule. 
Calculating is done by the simple trick of 
sliding one ruler along the other and reading 
the corresponding values in the new positions. 
Thus in order to add 2 and 4, you need only 
slide the upper rule along the lower one, until 
the zero point on the upper rule is over the 
figure 4 on the lower rule, and then read the 
figure on the lower rule below the figure 2 
on the upper rule. Obviously you have in 
this way added two inches to the four inches 
on the lower rule and you will get six inches 
on the lower rule. The upper rule merely 
tells you how much you have added to the 
original distance on the lower rule. Likewise 
to subtract 2 from 6 you need merely place 
the 2 on the upper rule over the 6 on the 
lower rule and read back to the figure 4 on 
the lower rule under the 0 on the upper rule. 
This amounts to deducting 2 inches from 
the original 6 inches on the lower rule, giving 
you a remainder of 4 inches on the lower rule. 
In short, the slide-rule is merely a device 
for the direct addition or subtraction of dis- 
tances. 

In the device just explained, the calibra- 
tion of the two rulers forms an arithmetical 
series and hence the calculating power of 
this device is limited to the processes of ad- 
dition and subtraction. In order to use the 


fBB FOftCB OF mm 
(StAXkdATd Table) 

Fig^. 441. 

A Stationary or 
Fixed Rule. 


device for the processes of multiplication and 
division, of course it is only necessary to 
calibrate the rules upon logarithmic projec- 
tions, so that the addition or subtraction of 



SLIDE RULES 


579 


the logarithmic distances will indicate the processes of multi- 
plication and division of the numbers appearing on the scale. 
As in the case of the nomograph, the calibration can be an 
arithmetic or logarithmic projection of sine, tangent, square, 
cube, root, and other functions of numbers as well as of the 
numbers themselves. 

The ordinary commercial slide-rule is nothing more than 
a series of these scales of logarithmic projections of vai'ious 
functions, mounted upon bits of wood which fit closely to- 
gether and can be conveniently handled. One rule is made 



Courtesy of Keuffel Esser, N. Y. 

Fig. 442. A Slide Rule. 

For multiplication of numbers, squares, cubes, tangents, sines and other circular 

functions and also showing logarithms of numbers. 

much smaller and fits within a groove on the other, sliding 
freely back and forth along that groove so that it is not neces- 
sary to hold the two rules constantly together. They are so 
tightly adjusted that the two rules remain without shifting in 
whatever positions they are placed, leaving you free to take 
the readings on the scales with great care. The inner rule is 
called the ^‘slide.’’ A ‘Tunner’’ is also attached to the outer 
rule for convenience in taking readings, being generally a small 
piece of glass on which a fine hair-line has been drawn at right 
angles to the scale. When you have positioned this runner so 
that the hair-line crosses the point desired upon one scale, 
the hair-line will also cross the desired point upon the 
other scale, and the reading on the second scale can be more 



Permission of Keuffel Esser ^ N» Y. 

Fig. 443. The Magnifiers Increase the Accuracy of Readings. 




580 


CHARTS AND GRAPHS 

< w CO u 



g O 

Si ’T? 
^ c 

taJO 

C 

CQ 


I 'X^ 
I o 


s 

0 ) 

cl 







SLIDE RULES 


581 

easily taken. And when the two scales which you are using 
are not in immediate contact, but are parallel some distance 
from each other, theVunner is necessary to project the desired 
point from the first scale to the second, forming a sort of 
ordinate across the two scales. Magnifying glasses are often 
attached to these runners so as to facilitate more exact readings. 

Because the construction of a straight slide-rule calls for 
rather delicate carpentry ,1 slide-rules on short notice in the 
home or office are more easily made in circular form. And 
because a circle is endless and over three times as long as its 
diameter, the circular slide-rule can be made on much larger 
scale and with consequently greater accuracy than a straight 
slide-rule of the same physical size. For the circular slide- 
rule, you need merely pin together through their centers two 



Courtesy of Keuffd JEsser, N, Y. 

Fig. 445. A Circular Slide Rule — Pocket Size. 

Owing to the great length of a circumference (compared to a diameter), and to 
the overlapping (because endless) edges, the circular rule is very compact. 

circular pieces of paper, the smaller one uppermost, so that a 
scale can be drawn on the visible inner edge of the lower one 
which will always be in contact with a scale drawn on the 
outer edge of the upper disc. Then by rotating one disc above 
the other the readings can be taken off in precisely the same 
way as with a straight slide-rule in which one rule was slid 
along the other. The circular slide-rule operates on precisely 
the same principles as the straight slide-rule, adding or sub- 

^ Excellent examples of straight slide-rules for special purposes may be found in 
the writings of Mr. Carl Barth, The circular slide-rule has been more used by Mr. 
Walter N. Polakov. 





582 CHARTS AND GRAPHS 

ti'acting distances around a circumference instead of along a 
straight line, the distances on the scales being prepared by 
angular instead of linear measurement. 



Fig. 446 . A Special Circular Slide-Rule. 

Devised by Mr. Walter N. Polakov . — Fermissmt of Mr. Polakov, 


Some difficulty may be met in the calibration of the cir- 
cular scale. It is comparatively easy to project any scale or 
calibration upon a straight line, but to project it upon a cir- 
cular line or upon an arc of a circle, it is necessary to use an 
ins'trument for measuring angles, called a protractor. Pro- 
tractors are almost invariably calibrated in degrees, the entire 
circle being divided into 360 degrees. Two other units of 
angular measurement are known, grades (6400 grades to the 
circle) and radians (the radian being the arc equal to the 
radius of the circle), but neither of these is any more useful for 



SLIDE RULES 


583 

the purpose in hand than the degree. Even the metric system 
has no decimal unit of circular measurement. This is unfor- 
tunate because a decimal circular measurement system would 
often be convenient. Sometimes circles are divided into one 
hundred parts for the plotting of 100% circles or pie-charts 
but these are not usually of sufficient accuracy and precision 
to use as protractors. Your best plan in the making of circular 
scales is to decide beforehand approximately how far around 
the circle you wish your scale to run and then turn your scale- 
distances which you would use in calibrating the straight line 
scale into the nearest convenient number of degrees and lay 
them off with a large protractor or scale of degrees, last of all 
re-calibrating the scale for the desired value from your con- 
version table. Thus, if you wish a scale which runs from 0 to 
10 in actual distances to extend about a quarter of the way 
around the circle, you can plot your table of distances directly 
onto the circle from your protractor b}^ using that portion of 
the protractor which extends from 0 degrees to 100 degrees, 
but if you wish your scale to extend over half way around the 
circle you must first double the actual distance values before 
plotting them as degrees, so that you can plot through the 
protractor from 0 degrees to 200 degrees. 

Circular slide-rules can be made with a number of inde- 
pendent scales, each sliding on separate pieces of paper but 
all pivotted together at their centres by a small rivet. A sub- 
stitute for the runner can be attached in the form of a strip 
of transparent celluloid with a fine ink line drawn radially 
from the center or pivotal point. This ray can then be swung 
about the circle and laid over any desired point on the scale 
to facilitate readings in the same way as the runners on a 
straight slide-rule. Another device is to make the uppermost 
circular sheet of paper so large as to cover all the other sheets 
and then cut windows or circular slits in the upper sheet where 
the lower scale should be seen and mark small pointers or 
arrowheads next to the windows for readings on the lower 
scale, 

Circular slide-rules are easily made when you have once 
grasped the fundamentals of their construction and they afford 
the greatest play for ingenuity. When skilfully made, they 
perform the most intricate calculations with astonishing ease 
and simplicity. Their only limitation appears to be that they 
perform in one operation only that particular type of mathe- 



584 


CHARTS AND GRAPHS 


matical process for which they have been designed. As they 
operate by adding and subtracting distances, they will perform 



Fig. 447. A Circular Slide Rule with Many Variables. 

Showing Cost of Book Printing. 


addition and subtraction if the calibration is in terms of 
arithmetical series, that is, in the natural numbers. They will 
perform multiplication and division of as many factors as 
there are scales, by the simple trick of calibrating them log- 
arithmically, that is for the logarithms of the natural numbers. 
But they cannot be used at the same time for addition and 
multiplication, for the two processes require different types of 
calibration or projection of scales. This limitation is ordin- 
arily not a serious one, because most tedious business compu- 



SLIDE RULES 585^ 

tations are either processes of addition or multiplication but 
not combinations of the two.^ 



Fig. 448. The Same as the Preceding, Except that All Scales are 
Covered and Seen Only Through Small Open Slots or Windows. 


When facilities are at hand for delicate and precise car- 
pentry work, the straight slide-rule principle can be elaborated 
and developed by a series of pulley wheels with cords passing 
over them and connecting movable pointers along separate 
fixed scales. The pointers can then be adjusted for the par- 

^The scale-moduli of slide-rules vary inversely with the coefficients (in additive 
rules) and exponents (in factorial, or log, rules) of the variables, and are alike as 
these are alike. The length of the rules or scales, therefore, varies directly with the 
ranges of variation of the variables (unless the moduli are unlike). 

In the pulley-wheel and pointer type of slide-rule next described, the pulleys can 
be made with various leverages and thus modify the moduli, affording opportunity 
for the adaptation of the lengths of scales to any moduli, range, or length, desired. 







SLIDE RULES 


587 


ticular readings of the variables and the final pointer will come 
to rest at the correct reading of the answer for the equation, 
the product or quotient of the various component factors. In 
such devices it is even possible to combine the different proc- 
esses of addition and multiplication in one machine at the 
same operation, so that machines can be constructed to give 
the answer for any set of variables in any equation. It is 
hardly in the province of this book to go into the details of 
construction of such calculating devices. The circular slide- 
rules are, however, so easily constructed and sometimes such 
great labor-savers and time-savers that it is well to be able to 
make them, when occasion arises, especially adapted to your 
own problem.^ 


3 It is by this time doubtless apparent that slide-rules and nomographs are clearly 
akin. When we have an equation with one independent variable, we have a fixed and 
rigid equality between it and the dependent variable, by which one is always a certain 
function of the other. In such cases, the chart of the equation is a chart with fixed 
or stationary scales. But when there are two independent variables, we can either 
( 1 ) use sliding-scales, so that one of the variables can be eliminated by a proper setting, 
or ( 2 ) use separated scales (that is, nomographs) so that one end of the isopleth can 
be properly set to eliminate a variable. And over against these uses of scales, we have 
always a more cumbersome alternative, either for one or two independent variables, 
in the curve-chart. 


Note TO Fig. 449 

All wheels are fixed except the three in frames, which slide up and down. The 
shaded bars are weights free to slide up or down, and sufficient to balance each 
other, so that the string remains taut and at rest wherever it is set. The small 
cross in the lower left-hand corner is the only fixed point to which any string is 
attached. Computing is done by setting any pointers at proper points and 
reading the answer on the remaining pointer. 



Chapter XLIX 


HUNDRED-PER-CENT TRIANGLES 

Whenever you are dealing with problems in which three 
elements or parts combine to form one whole, and you are 
interested not in the whole but in the proportions of the three 
parts, the computing of the problems as well as the recording 
and presentation of the results can be accomplished with a 
chart which we may call the 100% triangle. The chart is 
also known as the trilinear chart and its rulings are sometimes 
called areal co-ordinates. It differs from the 100% bar in 
that it is limited to divisions of a total into three and only 



y + * * A 
Fig. 450. 

three components, but it is similar to the 100% bar in that it 
does not distinguish between large and small totals, all totals 

J88 



HUNDRED-PER-CENT TRIANGLES 589 

being reduced to 100% and appearing upon the chart in exactly 
the same size. It resembles the nomographic charts in that 
it is a real labor-saver in the work of computing. 

Like the nomograph, the 100 % triangle is based upon a 
trigonometric principle. The theorem in this chart is that in 
an equilateral triangle the sum of the three perpendiculars 
dropped from a point within the triangle to the sides of the 
triangle is constant and always equal to the altitude of the 
triangle. The rule is limited to equilateral triangles, and the 
100% triangle is therefore always made of equilaterals.^ The 
three perpendiculars bisecting each side and extending from 
the sides to the opposite angles of the triangle form the three 
^‘axes” of the chart. As in the calculating charts, the word 
^^axis"’ is here used in the special sense of a straight line to 
which a scale is attached and from which ordinates are pro- 
jected normally (that is, in perpendicular direction). Rulings 
parallel to the sides serve to project the scales across the chart 
in the manner of co-ordinates. A little thought will show 
that the 100% triangle is merely a variety of the rectilinear 
computing chart, in which the %-scale is calibrated so that 
2;=:100 instead of z = x+y^ or that 100=A;+y+2;‘ 
From this it follows that the equilateral triangle is not essential; 
any triangle can be used, but for reasons already pointed out^ 
the scales are most easily projected upon the equilateral form, 
since then the distances along the three axes have the same 
real significance. 

The scales used for the axes of the chart may have anj?- 
range, but the customary scale is an arithmetical one, cali- 
brated in percentages and ranging from zero to one hundred 
per cent. This forms the arithmetical 100% triangle. Data 
to be charted upon it must first be turned into percentages of 
the total of the three elements charted. The chart is an addi- 
tive one, the three elements combining by addition to form a 
total. As has been said, the chart does not distinguish between 
the sizes of the totals, but shows them all of the same size. 
Nor is it possible to attempt to show relative total sizes by 
varying the dimensions of the equilateral triangle, as its area 

^ Obviously, any other triangular form can be used, but the intersections of the 
three sets of co-ordiriates become less sharp and well-defined, and the scale-moduli 
become less easily commensurable. See Chapter XLIII. 

2 See Chapter XLIII. The 100%-triangle is most fully described in Haskell, 
Allan C., Horn to Make and Use Graphic Charts, Codex Book Co., New York. 



590 


CHARTS AND GRAPHS 


increases by the square of the increase in its altitude. The 
general form of the equation for the chart is *100% +y + 2 ;”. 



The classical example of the use of the 100% triangle is' 
the analysis of food values in terms of calories (or heat pro- 
ducing units) of fats, proteins, and carbohydrates or hydro- 
carbons (sugars and starches). The well-balanced ration 
being about 20% proteids, 60% hydrocarbons and 20% fat, a 
point can be located on a 100% triangle at the intersection of 
these three ordinates and the approach of various foods and 
combinations of foods to this ideal easily seen. Moreover, 
the computing to plan a well-balanced meal can easily be done 
upon the chart. Thus with the two points for bread and milk 
plotted upon a chart, a line drawn between the two points 
indicates all the possible food values which can be had by 
mixing the two in various proportions. With equal caloric 
amounts of each, the point midway upon this connecting line 
will give the components of the combination. Foods known 
to lie upon the opposite side of the ideal ration-point from 
this mixture-point, must then be added to bring the meal 
nearer to the ideal, a straight connecting line again serving 
to show the results of combinations in all possible proportions. 
Such calculations can be performed upon this chart in a frac- 
tion of the time which they would require by any other method. 



HUNDRED-PER-CENT TRIANGLES 


591 


In business this paper can be used in innumerable cases 
vhere a total is divided into three parts. Advertizing appro- 


A 



Fig. 452. The Hundred-Percent Triangle for Food Values. 

The cliart shows the fats, proteids, and carbohydrates (in calories) of chicken 
bread and milk, the full lines show the results of mixing any two of these, and the 
intersection of the broken lines shows the result of combinging an equal quantity 
of each .- — Permission of Mr. Malcolm C. Rorty. 

priations, for example, may be divided into magazine, news- 
paper, and outdoor advertising- Salesmen are often expected 
to preserve a certain proportion between their sales of large, 
medium, and small profit lines. Inventories may be kept in 
terms of raw materials, finished stock, and goods in process. 
Assets are often divided into current, fixed, and intangible 
assets; costs into payroll, materials, and overhead. In scien- 
tific work the chart has been used for the chemical analysis 
of mixtures of three elements. Extensiye use of the chart has 
been made in engineering, for comparing various grades of 
coal as to their hydrogen, oxygen, and carbon content; and 
for investigating concrete mixtures and so on. In economics 



CHARTS AND GRAPHS 


592 

the chart would seem admirably adapted to the study of 
projects for the joint representation of owners, workers, and 


Corapromlasd 



^TTLEMENT OP STRIKES 

Percentages of victories for Employers and Employeoa 
and of Compromised Strikes 
United States 
1916*1931 

(Arranged from Monthly Labor Review) 

Figr. 453. 


public in industrial disputes, or the division of earnings into 
wages, salaries and dividends, or the division of authority 
between management, workers, and stock-holders. The tri- 
partite division is frequently called for. 

By using logarithmic scales, the chart can be made fac- 
torial instead of additive and used for cases where three 
elements combine by multiplication to form a product. Its 
equation is: log 1 = log :v+log y+ log z, or 100% = xyz. 
As before, the chart will not show the size of the resulting 
product, it will merely show the relative proportions of the 
three components. The scale can be of as many logarithmic 
decks as desired, according to the range of variation of the 
components, but of course the same scale must be used for all 
three axes. This chart is often better when its scales are re- 


HUNDRED-PER-CENT TRIANGLES 593 

calibrated to absolute quantities, the product of which is a 
fixed given amount. The chart can then be used for the com- 



xsz s 100 

Fig. 454. The Factorial 100% Triangle. 

parison of the component factors in two or more equally large 
products. Its equation then is: log C=log ^r+log y+log z, 
or C = xyz. 

The logarithmic 100 % triangle has apparently never been 
used, but it is almost as often desirable as the arithmetic one. 
In engineering, for example, there are innumerable equations 
involving three factorial variables. A most obvious case is 
that of cubic measurements involving height, length, and 
breadth. The commercial measure of electric current is the 
kilowatt-hour, a product of voltage, amperage, and hours. ■ In 
factory management, labor cost for a job is the resultant of 
the number of workmen, their average hourly wage, and their 
time on the job. In finance, business, and economics, similar 






HUNDRED-PER-CENT TRIANGLES 


595 


equations will be met, involving three variable factors, and sus- 
ceptible to analysis by this form of chart. 

With a thorough understanding of the method of the chart, 
it can also be used for division, by the use of reciprocals. The 

equation then is log C = log ^r+log y -log s, or C = — . An 

* X \ 

equation of the form C= — or C= , could equally well be 

yz xyz 

shown. Without logarithms, the chart thus performs sub- 
traction, as 100% = X+r-Z or 100% =X-r-Z or 100% 
= -Y -Y -Z. There is also another method for these cases, 
which does not involve recalibration of scales. It is based 
upon the more general geometric theorem that the algebraic 
sum of the perpendiculars from the sides of an equilateral 
triangle (or extension of the sides) to any point in the plane of 



the triangle, is constant and equal to the altitude of the triangle 
The method involves the use of the area outside of one of the 
sides of the triangle, and hence, on the axis of that side, in the 
negative part of the scale. 


596 


CHARTS AND GRAPHS 


In common with the 100% bar, and the 100% circle or 
pie-chart, the additive 100% triangle is equally significant as 

2 Y X 



X - y 4 z s 100 
Fig. 458- 


to the linear measurement and the area measurement of its 
parts. For the plotted point within the triangle can be con- 
nected with the three angles by three straight lines, and these 



Goods lii Process 

Fig. 459. 

straight lines will be seen to break up the triangle into three 
small triangles, whose areas are in the same proportion as 


HUNDRED-PER-CENT TRIANGLES 


S91 


their altitudes, or distances along the scales of the triangle. 
In this case, as in the 100% bar and pie-chart, the area of each 
segment is significant because only one of its dimensions varies, 
the other dimension being constant for the three segments or 
areas. Obviously, the segmentation of the 100% triangle is 
only useful in additive charts and only desirable for extremely 
popular use, when the chart is to show but one set of data, 
that is, one sum bi'oken into three parts. 

For both additive and factorial equations, with either 
absolute or relative values or units of measurement, the chart 
will be found strikingly illuminating and an excellent means 
of analysis and comparison within its somewhat narrow 
limitations. For it must always be remembered that the chart 
does not show totals, products, or other resultants. It shows 
only the comparative sizes of the components. If, therefore, 
it is the size of the resultant in which you are interested, the 
chart is worthless, but if it is the proportions of its three parts 
or factors, the chart is admirable, and is in fact, quite the 
clearest possible means of analysis. 




PART VI. TWO- AND THREE-DIMENSION DATA 



Chapter L 


HUNDRED-PER-CENT SQUARES 

We have so consistently inveighed against the use of areas 
to illustrate quantities that the reader will indeed be surprised 
at some coming retractions, however guarded and limited 
we may make them. But the fact is that we now propose to 
turn to advantage the very feature of areas which has previ- 
ously been their greatest fault. Let us examine this feature 
closely and see how it can be done. The reader is, of course, 
familiar with that elementary theorem of geometry and arith- 
metic, which states that the number of square units of meas- 
urement in an area is a product of the linear units of measure- 
ment in its two dimensions. He therefore realizes that the 
variation of both linear dimensions by a given ratio results 
in the variation of the area itself by the square of this ratio. 
This has been the dangerous stumbling block in the way of 
using areas in charts which are intended to illustrate but a 
single ratio or set of ratios. To prevent the confusion and 
doubt which might arise in the minds of those who see our 
charts, it has been necessary to maintain between the areas 
the same ratios as exist between their linear measurements. 
And to maintain this identity of ratios, we have been obliged 
to keep one linear dimension constant wherever areas have 
appeared. In the 100% bar, the 100% circle, the 100% tri- 
angle, and in bar-charts, and even band charts, in short in 
all charts using areas up to this point, we have invariably 
striven to maintain one constant dimension, with this specific 
purpose of making variations in areas equal to variations in 
the one varying dimension. 

We now come to data in which we wish to show simulta- 
neously three ratios or sets of ratios, one of which is always 
the product of the other two. In other words, we wish to 
show two factors or sets of factors and their product. And 
to this purpose it is obvious that the area is excellently adapted, 

598 



HUNDRED-PER-CENT SQUARES 


599 


by reason of the feature which has just been described. What 
was previously an obstacle to the use of areas (varying along 
both dimensions) now becomes an essential advantage. And 
as in the case of bars (that is, areas varying in one dimension 
only) so also in the case of areas proper (that is, areas varying 
along both dimensions), we find that the charts can be di- 
vided into two groups. The first group is composed of charts 
in which the total or whole area is a constant and is cut into 
segments whose sizes are of interest to us. The second group 
is composed of a series of separate areas, which may or may 
not be individually segmented, but in which the total sizes 
of the individual areas vary. In the section on bars, the first 
type was called the 100% bar; the second, a bar-chart. Simi- 
larly in this section the first type is called the 100% square 
or rectangle; the second, an area-chart or area-bar-chart. 

Before proceeding to the separate consideration of these 
two types, we must call attention to a general limitation hold- 
ing for all types of area-charts. These charts, as we have said, 
illustrate simultaneously two factors and their product, the 
product being shown by the area itself, the factors by linear 
dimensions. Now it has already been frequently pointed out 
that the human eye cannot so easily or precisely judge of 
square measures as of linear ones. Hence we must expect the 
illustration of the factors to be clearer and more easily evalu- 
ated by the reader than the illustration of the product. And 
we may say in general, therefore, that the area charts are 
desirable only for data in which the product itself is of less 
importance than one or both of the factors. Where an ex- 
plicit illustration of the products is necessary, afFording pre- 
cise and detailed comparisons of the products, this chart does 
not suffice, but where the primary importance attaches to 
one or both of the factors, and the product is only of sec- 
ondary importance, the chart will serve excellently. 

Like the 100% bar, circle, or triangle, the 100% square 
is a device for the illustration of the parts of a total. Unlike 
them, however, the 100% square does not show only one 
classification of the parts, but shows simultaneously two inde- 
pendent classifications, which combine factorially to produce 
a great many small parts. The data for the 100% square, 
therefore, consists of two interlocking or mutually crossing and 
subdividing classifications of the parts of a whole. Whatever 
the absolute value of this whole may be, its relative value is 



6oo 


CHARTS AND GRAPHS 


100%, and the chart is ordinarily calibrated in percentages. 
If the data is not already in percentages, it can easily be 
turned into percentages to facilitate charting. The important 



Total 

Proprietors 

Managers 

Officials 

Clerks and 
kindred 
Workers 

Skilled 

Workers 

Semi- 

skilled 

Workers 

laborers 

and 

Servants 

Total 

41,609,192 

11,165,536 

5,638,144 

4,914,651, 

6,304,567 

13,506,294 

Agriculture, forestry and 

10,951,074 

5,601,742 




5,449,332 

animal husbandry 



509,041 

653,203 

Extraction of minerals 

1,090,854 

28,610 

— 

— 

Manufacturing and mechanical 

12,812,701 

660,622 

— 

4,669,126 

4,247,232 

3,215,721 






1,530,704 

Transportation. 

3,066,305 

206,352 

455,305 

225,525 

648, *119 

Trade 

4,244,354 

1,615,823 

2,062,884 

— 

355,205 

210,442 

Public service (not 

771,120 

658,351 

— 



— 

112,769 

elsewhere classified) 



23,677 


Profeaalonal service 

2,152,464 

2,128,787 

— 



Domestic and personal service 

3,400,365 

365,249 

— 

— 

600,993 

2,434,m 

Clerical occupations 

3,119,965 

I 

3,119,955 


•— 

... 

Fig. 460. 

OCCUPATIONS OP THE GAI«FULL> tUFLOTED POPUtATlOR 
(10 years of age and over) 

The tnlted States 

1920 

(Source;- U. S. Bureau of Lah'r Statistics) 

The Original Data for a 100% Square. 



thing about the data is that it should be clearly arranged in 
a tabulation or table, with the items of one classification listed 
down an edge of the table as the stubs of the table, and the 



Total 

’roprletors 

Managers 

Officials 

Clerks and 
kindred 
Workers 

Skilled 

Workers 

Semi- 

skilled 

Workers 

Laborers I 
and 

Servants 

Total 

100.00 

26.84 

13,54 

11.83 

15.33 

32.46 

Agriculture, forestry end 
animal husbandry 

26.31 

13.22 

... 


... 

13.09 

Extraction of minerals 

2.62 

0.07 


... 

1.22 

1.33 

Manufacturing and mechanical 
Industries 

30.82 

1.59 

... 

11.29 

10.20 

7.74 

Transportation 

7.37 

.50 

1.09 

,54 ' 

1.56 

3,68 

Trade 

10.20 

3.88 

4.96 

— . 1 

.85 

,51 

Public service (not 
elsewhere classified) 

1.85 

1.58 

... 

... 

... 

.27 

Professional service 

5.18 

5.12 

... 

— 

,06 

... 

Domestic and personal service 

8.16 

,88 

... 

... 

1,44 

5.84 

Clerical occupations 

7*49 


7.49 

... 

... 

... 


OCCUPATIONS OP THE GAINFULLY EMPLOYED POPULATION 
(10 years of ago and over) 

The United States 
1920 

(Source:- U. S. Bureau of Labor Statlstlesj 
(percentages) 

Fig. 461. In this Form the Data is not Chartable. 

items of the other classification listed across the top of the 
table as its column headings. In the body of the table, at the 



HUNDRED-PER-CENT SQUARES 6oi 

intersections of columns and rows,- are placed the detailed 
figures which correspond to both classifications. 

In turning the absolute detail figures into percentages of 
the total, we have, of course, no trouble, merely dividing each 
figure by the figure for the total. But in this form, the data 
is no longer factorial, the detailed figures not being products 
of factors which are known, and therefore not being amenable 
to charting by areas. To draw areas we must know the factors 
which will be plotted as the linear measures along the two 
dimensions of the area. It is therefore of no use to us to turn 
the absolute values into direct percentages of the grand total. 
Instead, we turn the sub-totals for each row or column into 
percentages of the grand total, and then turn the detail 



Total 

Proprietors 

Managers 

Officials 

Clerks and 

Skilled 

Semi- 

Laborer® 


Vertically 

Across 

Workers 


Workers 

Servants 

Total 

100.0 

100.0 

26.84 

13.54 

11.83 

15.33 

32.46 

Agriculture, forestry and 
animal husbandry 

26.31 

100,0 

50.3 

... 

... 

... 

49.7 

Extraction of minerals 

2.62 

100,0 

2.6 


— . 

46.7 

50.7 

Manufacturing and mechanical 
Industries 

30.82 

100,0 

5.2 

... 

36.6 

33.1 

25.1 

Transportation 

7.37 

100.0 

6.7 

14.8 

7.4 

21.1 1 

50.0 

Trade 

10.20 

100.0 

38.1 

48.6 

... 

8.4 1 

4.9 

Public service (not 

elsewhere classified) 

1.85 ! 

100.0 

85.4 

... 

— 

... 

14.6 

Professional service • 

5.18 1 

100.0 

98.9 

... 

... 

1.1 


Domestic and personal service 

8.16 i 

100.0 

10.7 

... 

... 

17.7 

71.6 

Clerical occupations 

7.49 

100.0 

— 

100.0 

... ! 


... 


OCCtJPATIOlIS OP THE gainfully EMPLOYED POPULATION 
- <10 years of age and over) 

The United States 
1920 

(Source;- U. S. Bureau of Labor Statistics) 

(percentages) 

Fig. 462. Here Each Row Totals 100%. 

figures in the body of the table into percentages of the sub- 
totals for the rows or columns in which the detail figures 
occur. Thus we make the detail figures in themselves products, 
that is, percentages of percentages. 

In this step we come to a choice between turning the de- 
tailed figures into percentages of the sub-totals for the columns 
or into percentages of the sub-totals for the rows, in which 
they occur. One or the other must be used, that is, either 
the sum of the detail percentages in each column must add 
up to 100%, or the sum of the detail percentages in each row 
must add up to 100%. We cannot expect that addition up 
and down by columns, and addition across by rows, will both 



6oa 


CHARTS AND GRAPHS 


give 100% in the same table. We must, therefore, make a 
distinction between the primary classification, in which the 
sub-totals are percentages of the grand total, and the sec- 



Total 

Proprietors 

Managers 

Officials 

Clerks and 
kind'^ed 
Workers 

Skilled 

Workers 

Semi- 

skilled 

Workers 

Laborers 

and 

Servant s 

^ ^ (across 

Total (vertically 

100.00 

100.00 

26.84 

100.00 

13.54 

100.00 

11.83 

100.00 

15.33 

100.00 

32.46 

100,00 

Agriculture, forestt'p and 
animal husbandry 

26.31 

49.2 

— 

... 

... 

40.3 

Extraction of minerals 

2.62 

0.3 

... 

... 

8.0 

4.1 

Mamif act wring and mechanical 
industries 

30.82 

5.9 

... 

95.4 

66.5 

23.8 

Transportation 

7.37 

,1.9 

8.1 1 

4.6 

10.1 

11.5 

Trade 

10.20 

14.4 

56.6 

— 

5.6 

1.6 

Public service (not 
elsewhere classified) 

1.85 

i 5.9 

... 

— 

— 

0.9 

Professional service 

6.18 

19.1 

— 

— 

0.4 

... 

Domestic and* personal service 

8.16 

3.3 


... 

9.4 

18.0 

Clerical occupations 

7.49 

— 

55,3 

... 

... 

... 


OCCUPATIONS 0? THE GAINFULLY EMPLOYED POPULATION 
(10 years of age and over) 

.The United States 
1920 

(Source;- U. S. Bureau of Labor Statistics) 

(percentages) 

Fig. 463. Here Each Column Totals 100%. 

ondary classification, in which the detail figures are percent- 
ages of the sub-totals. It is not a matter of importance how 
we place these classifications, but as a general rule in tables, 
the primary classification should be listed in the column- 
headings and the secondary classification in the stubs, to 
facilitate checking up on the computing. Where one classifi- 
cation is much more lengthy than the other, it is of course 
generally more convenient to arrange the longer classification 
in the stubs and the shorter one in the column-headings. In 
charting, the rule is generally reversed, the primary classifi- 
cation being shown along the vertical axis of the chart and 
the secondary one being shown horizontally. The chart itself 
always shotvs very clearly which classification has been made 
of primary importance and which of secondary importance. 
It often happens that both classifications appear on their 
merits to be equally important, but it is nevertheless necessary 
that the distinction be made and the data must be prepared 
in the form described before the chart can be made. 

The chart is made by laying out a square with co-ordinate 
rulings. Along both axes of the square, that is, along its vertical 



HUNDRED-PER-CENT S^UHRES 


603 

and horizontal edges, a scale is marked ofF in percentages from 
0% to 100%. Arithmetic projection of the scales is used only 
in area charts; and*in the usual form, that is, in the truly 
square-shaped chart, both scales are identical. The primary 
classification of the grand total is laid off upon the vertical 
scale by means of horizontal lines extended across the chart 
to form layers of a uniform length but of varying widths or 
depths. 

At this stage, the chart reminds us of a 100% bar turned on 
end and made very short and thick, for the chart bears as yet 



MctrmiOMS OP THE OAi>iptn;.i.y employed pOroLAtioa 

(10 jtBTt of kg* «nl ov«r) 
ih» Dnlt«S States 
1920 

(Smireei- It. 3. Butveu of Labor Ststlatleili 

Fig. 464. The Primary Division Alone Plotted from Fig. 462. 


but one classification and its segments or layers show, both 
by their depth and their areas, the figures for this one classifi- 
cation of the parts of the grand total. The layers, however, 
need not be distinguished by colors or shadings, for as will 
shortly be seen, they will be sufficiently distinguished by the 
markings of the secondary classification. The next step is to 
enter these secondary classifications. Each layer is now 
treated as a separate 100% bar and divided up as indicated 
by the detail figures in the body of the table of data. Notice 
that each layer is separately segmented, by vertical dividing 
lines which may or may not vary in their positions from layer 



6o4 charts and graphs 

to layer. These segments of the layers are now colored or 
shaded to distinguish then, and the chart is complete. A key 



Fig. 465. The Completed Square. 


to the shadings should be added, to guide the reader of the 
chart. And it will be seen that the area of each shaded seg- 
ment of a layer is to the area of the entire square, as the ab- 
solute value of each detail figure in the body of the table of 
original data is to the absolute value of the grand total. 

Various modifications of the 100% square are sometimes 
useful. The scale of the primary classification may be cali- 
brated in absolute values instead of percentages. In this case, 
the square-shaped outline of the entire chart is often discarded, 
and the chart made rectangular, thus becoming a 100% 
rectangle. This is often done where the detail of secondary 
sub-divisions is great and the areas of segments would be so 
small as to be ill shown except by enlarging one of the scales. 
Either scale may be enlarged in this way, according to the 
nature of the data. It is also possible to project the primary 
classification upon the horizontal axis and the secondary one 
vertically. In this form, the chart strongly resembles the 


HUNDRED-PER-CENT SQUARES bo s 

staircase relative band curve chart with ordinates at irregular 
intervals* The rectilinear lines used to segment the layers 


ei«r« mivi Slcuioii Ssifl- 

klndroa «fprV*r» 



Fig. 466. Here the Primary Division is the Horizontal One, 
Plotted from Fig. 463. 


form staircase curves separating the colored or shaded bands 
which form the sub-totals according to the secondary classi- 
fication. 

The 100% square or rectangle becomes identical with the 
relative band-chart (with staircased curved) when the primary 
classification has a numerical basis, forms an ordered math- 
ematical series; and can be called a variable. So that the 
whole subject of relative band curves charts may indeed be 
considered a detail of the 100% area. Frequency series fall 
particularly well under either head. And because the pri- 
mary classification can be shown upon .either axis of the 100% 
area, it often happens that what is really only a relative band 
frequency curve chart turned upon edge, seems at first to be 
a new kind of chart. When smoothed curves are substituted 
for the staircase curves, by connecting the mid-points of the 
secondary segmenting lines, of the 100% area, the highly de- 
scriptive name of ‘‘marble-cake chart" has sometimes been 
used for the resulting picture. This is a very interesting form 



6o6 


CHARTS AND GRAPHS 


of the 100% area. Obviously slight errors creep into the area- 
representation in this form, but when the change in the sec- 



ondary classification is really gradual and not abrupt, the 
chart has gained in interpretative powers. It is commonlv 


HUNDRED-PER-CENT S^UJRES 


607 


useful in the analysis of the component parts of a frequency 
series, the plotting of the independent variable (or primary 
classification) along th^ y-axis affording greater popular appeal 
through the coincidence of increasing numerical values and 
rising position upon the chart. 

The 100% square can be used for data which is not classi- 
fied by, or dependent upon an ordered numerical series and in 
which there really are no two interlocking schemes of classifica- 
tion, but merely one independent variable. In such cases scales 
are useless on the chart and the chart itself is wholly pictorial. 



Fig. 468. A 100% Square. 

Showing Wartime occupations of the population, U. S., 1918, according to official 
estimates; taken from the Annual Report of the Secretary of War for 1919. Total 
population, 105,000,000. 

It has already been said that area charts must be projected 
arithmetically upon both axes, for the reason that only upon 




6o8 


CHARTS AND GRAPHS 


this projection does the area, itself illustrate the product of 
the linear dimensions. When a “marble-cake chart,” for 
example, is drawn with its primary classification upon a log- 
arithmically projected scale, the areas upon the chart lose 
their significance, and the chart itself really becomes merely 
a chart of frequency curves. The logarithmic projection may 
be necessary to straighten the curves or to show parts of the 
data in sufficient detail, but great care must be exercised that 
the reader of the chart should not, under these circumstances, 
attach the slightest importance or significance to areas. 

The student who has noted how the 100% bar is particu- 
larly adapted to showing the division of a whole into two 


UNITED STATES 

HTT. 


CANADA 


IN 

EUllOPC 


[AUSTRIA 

17 . 


-SIBERIA 

tVt7. 


C0U5MB.^ 





GiERMANY 

cczssi 

&R. BRITAIN 


CQSQSO 

4 <7. 





CHINA 

iS *7. 



UNION OF sSOUTH 
AFRICA 1 


AU»S T R Al- I A 


Fig. 460. 

Showing the estimated unmined coal supplies in 1920. 


parts (though it can show any number of parts) and how the 
100% triangle is particularly adapted to showing the division 









HUNDRED-PER-CENT SQUARES 


Cog 


of a whole into three parts, may now be asking himself for a 
chart form which will show conveniently the division of a 
whole into four or five parts. In this case he will possibly 
have use for a hundred per cent square in which the four or 
five segments are indicated only by points and arrows or short 
lines. Thus if we are dealing with the sales of the four lines 
of a company in many different sales districts, we can combine 
them into two groups of two each and plotting each group as 
layers, we can indicate the division lines in the layers by short 
lines from the layer-division line only for its distance between 



WORLD'5 COAL 5UFFLY 

(EiTIMATED UNMINEO IN 1920) 

CHAN O TOTAL » 000,000 roHi 

Fig. 470. Same as the Last in Circular Form. 





6io 


CHARTS AND GRAPHS 


these points. Such a chart reminds us of the famous “swastika” 
pattern. The chart is not of much general value, but would so 
abbreviate the rulings of the 100% square that many 100% 
squares could be superimposed or combined upon one chart 
with a visible record for all. Of course, the sizes of the areas 
would only have relative significance here, as the total areas 
for all grand totals would be the same regardless of their 
absolute values. 

Closely related to the 100% square is a special type of 
100% circle or pie-chart which has recently come into vogue. 
By means of an elaborate method of segmentation, small per- 
centages and complicated groupings of parts can be shown 
without difficulty. For it is obvious that by the simple method 



JFWI.SH Population of World 

ida.o csTirtAm 

&AAa|0 'T»TAik. • IS 000,00 0 ' 

Fig. 471. 

of segmentation of the pie-chart, in which each segment or 
part of the circular area- extends from center to circumference, 
the small segments or parts become long thin attentuated 



HUNDRED-PER-CENT SQUARES 6i i 

areas, which are not easily labelled. The more elaborate 
method breaks the circular area into concentric rings, the width 
of each ring being particularly calculated to fit a particular 
segment in the circle, and to result in significant areas within 
the segment inside and outside of the ring. The making of a 
chart of this kind is not as easy a matter as with the simpler 
method, when all segments extend from center to circumfer- 
ence. For virtually each angular segment, or slice of the pie- 
chart is subjected to crosswise segmentation, and the ring-like 
division lines, or arcs, must be placed at distances from the 
center which correspond, not to the ratio of the parts to the 
whole of the segment, but to the square root of that ratio. 
The calculating is not easy. But the chart has very definite 
advantages for detailed and minute data when it is desirable 
to show several groupings simultaneously. There is little to 
recommend it for purposes of precise and comparative study, 
but for popular and unscientific purposes it is much favored. 



cccwmic :: r'F r,„i'r lw fc^rtc-i-o rcrnwiioN 
(iK yt.r ■)' >ii«‘ '•verl 

lOiO " 

(Sourc. - US. Bure.ti af Labor Stattattoal 
( 0 St. .1... rasrvatnt tti. naSa. black tbs fcsal. aurt.ra) 

Fig. 472. A Third Classification has been Added Here by Diagonal 
Divisions and Shadings, Showing Sex. 


The 100% square or rectangle, and its many variations, are 
adaptable to a wide variety of uses. No set rules can be laid 
down to limit the various wzys in which it may be applied. 



6i2 


CHARTS AND GRAPHS 


But a very careful study of the results should always be made, 
to ascertain that one of the simpler methods in which areas 
have no especial significance would not, after all, have pro- 
duced more simple and forceful results. The danger is not 
that the ingenious chart-maker will fail to utilize all the 
possible significant features of the compound area chart, but 
that he will utilize too many of them, overcrowding his chart 
with complex details. The simpler, the better, both for research 
and publicity. And as area charts are more generally popular 
in their appeal, simplicity is a cardinal virtue. . 



Chapter LI 


AREA-BAR-CHARTS 

It has been already laid down as a general rule that area 
charts (that is charts in which both dimensions of a charted 
area vary) are useful only when the data represented by the 
area is of less importance than the data of its factors. For 
the area chart is based upon the geometrical theorem that the 
number of units of measurement in a rectangular area is equal 
to the product of the linear units of measurement along its 
two sides or dimensions. From this it follows that we can 
always show a numerical value by an area whenever we can 
break that numerical value into two factors and can plot these 
two factors as the two dimensions of the area. 

In some cases the presence of two factors in the data or 
the fact that the data is the product of two factors, is so 
obvious as to be self-apparent. Thus the floor space of a room 
is obviously the product of its length and its breadth, and a 
chart of the room showing its dimensions and resulting area, 
could be constructed by the veriest novice. But should we 
come to compare a number of such rooms, it would be a real 
question whether to show the dimensions of the rooms or to 
show only their total areas, that is, whether to use an area-bar 
chart or an ordinary bar-chart. If the figure for total areas 
(or square feet) is more important, we must drop these variable- 
area charts and present the data of square feet along one 
dimension only by a bar-chart. If, on the other hand, it is 
the shape or dimensions of the rooms in which we are more 
interested, then of course we should adhere to the area diagram 
and let the reader rely upon guesswork or upon appended 
data for the total area. When both aspects of the data are 
important, it would indeed be best of all to use both methods, 
outlining the shape of the room by small area diagrams and 
showing their comparative sizes by a bar-chart. This example 
of data of square measurements of a physical area excellently 

613 



CHARTS AND GRAPHS 


614 

illustrates the fact that even data of the most obviously two- 
dimensional nature is, so far as the product or resultant is 
concerned, best shown by a one dimension chart. 

On the other hand, data which seems mosft clearly to be 
one-dimensional in its nature, can always, if you desire, be 
broken up into two factorial parts. When this is done and 
you regard the factorial parts or factors of the data as more 
important than the data itself, you can then proceed to show 
these factors with their products by an area-bar chart. This 
breaking up into factors, it may be remarked, can always be 
obtained by a process of division. Thus the sales of our com- 
pany in various States may be divided by population of these 
States, and so the per capita sales will be obtained. The same 
total sales in each State might also be divided by the number 
of dealers in each State and so the sales per dealer be obtained. 
Or these total sales might be divided by the similar total sales 
of the previous year, and so the percentage of increase be 
obtained. In short, the most palpably one-dimensional data 
may, by the process of division, be turned into factorial two- 
dimensional data and shown by the area chart. 

Making the chart, it is neither desirable nor commonly 
feasible to place the zero line of both axes of all the areas 
together, for this would require that they be superimposed 
upon each other. The result would be the same as if, in making 
the multiple bar-chart, we had superimposed the correspond- 
ing bars, for each lower bar would be at least partially hidden 
by the upper one and if the upper one were at any time longer 
or larger than the lower one, the lower bar would of course be 
entirely hidden. This method of superimposition is occasion- 
ally used in area charts when the difference between the com- 
pared areas along both dimensions is very great. We then 
have the effect of squares or rectangles within squares or 
rectangles, the inner one being placed at one corner of the 
outer one. The reader must then be carefully warned that 
the larger area includes the smaller one and is not alone com- 
posed of its visible portions outside of the smaller one. In 
general, the method is unsatisfactory and to be avoided. 

The proper method of showing areas to be compared is to 
arrange them side by side, so that along one of the dimensions 
only, the area will have a common zero line or base-line. 
The result then closely resembles a bar-chart, its only distinc- 
tion being that the bars which form the areas are not of a 



AREA^BAR^CHARTS 


615 

constant v/idth, as in the bar-chart, but are of varying widths, 
the variations in width showing the second factor in the data. 
And it will be seen^hat both the varying widths and the 
resulting areas are of secondary importance, serving to give 
the reader of the chart a general impression of the relative 
importance of the items which are described by the var- 
ious lengths of the area-bars. For as has been repeat- 
edly pointed out, the reader will have difficulty in precisely 
comparing areas of different sizes, and it is obvious that he 
will also be unable to gain exact impressions of the various 
widths. The most that can be said for the chart is that it 
gives him a precise knowledge of statistics of one factor in 
the data (as shown by the lengths of the bar areas) — in this the 
chart has all the virtues of a bar-chart — and that it also gives 


CLOTHING 

DIAMONDS 

DRUGS 


GROCERIES 


HARDWARE 
UEWELRV \ 
STATIONERy 

SHOES 


DRV GOODS 



MACHINE TOOLS' 


63 . 


Figf. 473. A Simple and Excellent Area Bar-chart. 

Sales of wholesale concerns in the Second Federal Reserve District in April, 
1922, compared with their sales in April, 1921. Width of bars indicates relative 
amount of goods sold . — Permission of Mr. Carl Snyder. 


him a general impression of the other factor and of the result- 
ing product of the two factors — in this the chart is an improve- 
ment upon the bar-chart. 


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AREA-BAR^CHAR TS 617 

The natural arrangement of the area bars would appear 
to be in a column down the page. The statistics and labels 
or items would then *also be placed in columns to the left of 
the bar area, the whole chart closely resembling the bar-chart. 
To this chart we may give the name of ‘'area-bar-chart. The 
chart is dignified, sound, and extremely illuminating. It 
requires but little more labor than the ordinary bar-chart, 
for the minor importance of the second factor and the resulting 
product, shown by widths and areas of the bars, makes it 
unnecessary for these to be plotted with extreme accuracy. 
If a scale for the widths be chosen small enough, the data and 
labels or items appended to the chart can be entered at fairly 
uniform distances down the chart, making for a very present- 
able appearance. The small scale upon which the widths of 
the bars are plotted deters the reader from attempting pre- 
cisel}?' to estimate the secondary or less important factor and 
the area, while it nevertheless gives him an excellent idea of 
the relative importance of the primary data presented in bar- 
chart form. The chart is a direct outgrow^th of the simple 
bar-chart, and in its proper place a decided improvement. 

By far the more popular form of area-bar-charts however, 
is the modification of the pipe-organ or vertical bar-chart. 
To this form, the name of “sky-line chart'^ is sometimes given. 
In the sky-line chart, however, it is customary to give to the 
widths of the bars, a somewhat larger scale, showing their 
variations with more precision and emphasizing differences in 
areas. Partly on account of the greater widths and partly 
for the increased spectacular effect (which is always desired 
in popular charts) the areas are placed in direct contact with 
each other, being sti'ung out across the page in vivid resem- 
blance, let us say, to such a silhouette as the sky-line of lower 
New York City as it is first seen by a visitor from abroad. 
In this chart distinctive shadings or color tints are often desir- 
able to distinguish the areas because of their close contact 
with each other. For the same reason very narrow bars which 
could only be shown by thin vertical lines are better shown 
with narrow separating margins between the lines or in the 
form of the previously described area-bar-charts. 

In the choice of shadings in these charts, as elsewhere, 
where shadings are used, care must be taken to avoid optical 
illusions, produced by bringing together shadings of different 
color density, for it will be found that two equal areas will 





AREA-BAR-CHARTS 


619 

appear unequal if one is much more densely shaded than the 
other. In the sky-line chart care must also be used in the 
entering of data and item labels, for the same difficulties of 
typography which were met with in the pipe-organ chart may 
be encountered here and the same considerations (discussed 
in the chapter on pipe-organ charts) in general, apply. 

In both area-bar-charts and sky-line charts, it is sometimes 
useful to show by a dotted or broken line the contour of the 
entire group if all its varying areas were combined into one 
area. This light, broken line serves to show the average or 
normal or typical phenomenon from which the individual 
areas are variations. 

When the items or stubs (the independent variable) of the 
data form an ordered numerical series, we find ourselves, in 
area-bar-charts, back to frequency curves in staircase form. 
The frequency curve in staircase form is essentially nothing 
more than a sky-line chart, generally of a certain charac- 
teristic type (the tallest area-bar being near the center and 
those at the side diminishing in height gradually until they 
vanish entirely). In the chapter on frequency curves we 
have seen that when the items form a continuous and not a 
discrete series, a smoothed curve can be plotted through the 
mid-points of the top ends of the area-bars making a frequency 
polygon. And we have seen that while the total area under 
the frequency curve truly represents the total aggregate of 
the frequency series, nevertheless the areas between any two 
ordinates under the smoothed curve are not individually equal 
to the corresponding area-bars in the staircase frequency curve 
(unless the adjoining values about any particular item happen 
to form an arithmetical series). This inaccuracy, we have 
seen, is sometimes more than compensated for by the more 
suggestive value of the smoothed curve. 

A more complicated form of the area-bar-chart occurs when 
the areas are segmented like 100% bars to show a secondary 
classification or subdivision. This chart closely corresponds 
to the compound bar-chart, and the 100% square, differing 
from the former in the varying widths of its bars or layers, 
and from the latter in their varying lengths. It is generally 
of use in the analysis of the parts of a frequency series, either 
cumulated or simple. It is a sort of frequency band curve, in 
which the actual values are plotted on both axes, where the 
100% square, rectangle, or marble-cake (smoothed vertical 



6-20 


CHARTS AND GRAPHS 


curves) chart projected the .secondary classification only in 
percentages. The ''stream chart/’ too, in which the bars or 
areas are arranged on both sides of an axis, can be modified 
to present similar area features. 

In the particular case where the data contains two pairs, 
with one product always equal to another product, the two 
areas representing these two pairs can be pictorially shown as 
suspended and balancing each other upon the two arms of a 
chemist’s weighing scales or balance. The two areas must of 
course be suspended at equal distances along the lever arms of 
the balance. The pictorial representation of the balance 
suggests to the reader the equality of the two products. 


T. P 










































'697 CS~ 
1696 GEI 
1699 CZZ 

1900 <jEI 

1901 (juZ 

1902 CEZ 

1903 <211 

1904 asz 
1903 (SZ 
(906 (ZZ 
1907 CSZ 
1906 <ZZ 

1909 <SZ 

1910 (XZ 
191 I <SI 

mz <SZ 

1910 csi: 

1914 
19(9 




















1917 

1916 




The bl«ck ttJrcAS indicate weights, or counter-poises, the equilibrium of which corresponds to the "equation of exchanie *’ 

These black areas 'from left to right represent; 

M', bank deposits subject to check, m billions of dollars. 

M, t e.t money in circulation in the United States (outside of the United ‘States Treasury and the banht), m bilhohs 
tif doUan. 

T, i e., the volume of trade circulated in billions of "units” (each "unit” 'being that quantity which could he* 
purchased for one dollar In 1909). 

The lever armt of the above three weights represent: 

V', i.e., the Velocity of circulation (“activity") of the deposits,, M' 

V, ie., the velocity of circulation of the money, M. 

T, i c., the index number, or scale of prices, at which the trade, T, is conducted (This scale of prices is measured 
as a percentage of the scale of prices of 1909.) 

Fig. 476. Balance or Counter-poise Chart with Two Factors. 

The chart illustrates Professor Fisher’s quantity theory of money, according to 
which (M'x VO+(M x V) — (T x P) that is, checking deposits times their velocity, 
plus money in circulation times its velocity, equals prices times volume of trade. 
The weights are here shown as horizontal lines and their factors as leverages. — * 
Permission of Mr. Irving Fisher. 



AREA-BAR-^CHARTS 


621 


A more striking method of using the same idea is to show 
one of the factors of each product by a weight or bar suspended 
from the lever arm and the other by the distance along the 
lever arm between the weight and the fulcrum or point of 
balance. In this case, we have, as it were, abbreviated the 
area, merely showing its two dimensions and leaving the reader 
to imagine the area itself by projecting these two linear dimen- 
sions. The picture has little analytical value but is a powerful 
means of visualizing to the reader the mathematical relation, 
AB == X K Professor Irving Fisher has used a series of the 
two-factor scales or balances with excellent effect in his exposi- 
tion of the quantity theory of money. 

This method can indeed be extended to show the equality 
of products not of two, but of three, factors as well. Each pair 
of ^Talances’’ or weighing ^^scales’’ illustrates an equation of 
the form ABC = DEF. And a series of such charts would 
illustrate a series of such equations. Since we have used the 
radial distance from the fulcrum or point of balance to the 
point of suspension to represent one factor, we can show the 
weight there suspended as a two-dimension area, the length 



Fig. 477. A More Pictorial Form of the Preceding Chart. 

A detail of the chart in Professor Fisher’s book, “The Purchasing Power of 
Money,” in which the second factors, that is, in the chart, the weights, have 
been pictured realistically . — Permission of Mr, Iwing Fisher. 




622 


CHARTS AND GRAPHS 


and width of which illustrate the other two factors. Such 
balance pictures need not be the same in pattern on both sides 
or areas of the balance; we may for example show the three 
factors on one side and their total product upon the other, 
using for the latter merely a horizontal bar. Thus total sales 
may be shown as a plain bar-chart, each bar being centered at 
a fixed point on one side of the balance, and per capita sales 
may be shown as an area-bar chart, positioned at the other 
end at distances corresponding to the population. The areas 
would show a long one dimension the ^^last year’s per capita 
sales of the quota’’ and along the other the present percentage 
thereof. In short the balance or weighing scales chart is but 
a form of compound area-bar chart with especial pictorial 
value for its particular relations. 

The ingenious chart-maker will be able to apply the prin- 
ciples of the area-bar chart in a wide variety of ways, always 
remembering that the widths and areas are less significant 
than the lengths and should be only used as qualifying or 
secondary information serving to evaluate or weigh the im- 
portance of the primary information shown by the length of 
the bars. In some cases, it is possible to apply these principles 
even to such well established bar-charts as the Gantt progress 
chart. A step in the direction of this qualifying evaluation 
was taken in the chapter on bar-charts when wider bars were 
recommended for total-group and sub-total bars in a bar-chart. 

There is, indeed, no reason why the area chart principles 
cannot be applied to circular graphs. And in the next chapter 
the reader will find the same principles extended to wholly 
irregular areas, such as map outlines. In general, the area 
chart like the 100% square, is essentially popular in its appeal 
and simplicity is therefore of first importance. Although every 
digression from simple linear measurement results in a loss of 
precise legibility, yet when properly used, the principles of 
areas can be made to improve a great many charts both in 
attractiveness and in instructive value. 



Chapter LII 


POPULATION MAPS 

Every digression from simple linear measurements results 
in a loss of precise legibility. In the rectilinear area chart we 
have seen that the area itself was but a poor illustration of 
the values it represented and was therefore useful chiefly for 
the sake of the general impression which it gave of relative 
importance of items or values already illustrated by lines. 
We are now about to take still another step away from simple 
linear dimensions and make use of areas of irregular outline. 
It is therefore more than ever necessary to repeat that the 
areas have little more than a qualifying or evaluating use, 
serving to give a general impre^on of the relative impor- 
tance of items. 

We do not sell our goods to the mountains, bill them to 
the rivers, or credit the forests with payment. Probably from 
at least a subconscious appreciation of this circumstance, 
many national distributors, advertisers, and sales-managers 
have discarded maps on which the rivers, forests or mountains 
are shown wheq they are studying the geographic distribution 
of their sales. The up-to-date sales manager plots his dis- 
tributing points and records his sales in a great many ways 
upon maps which carry only faint State outlines or at the most 
show the location of the larger cities. But why stop here? 
Your sales manager does not sell to square miles, acres, or 
other units of land-area measurement. He sells to human 
beings. Why should he use maps which show, not human 
beings, but square miles, that is, maps in which the areas 
indicate not the population but the land surface ? Why indeed ! 

The average density of the population in the United States 
proper at the last census was thirty-five persons per square 
mile. This density however varies from State to State. In 
some New England States there are more than four hundred 

623 



CHARTS AND GRAPHS 



Fig. 478. Every Map is an Area Chart. On this Map the Areas Represent Square Miles. 

Showing that the value of farm-land, shown by the Shadings, is very different in different parts of the country,— From U. S. Census. 


POP ULATION i\L 6 1 5 

persons per square mile while in some Rocky Mountain States 
there is less than one person per square mile. 

A handful of peas in the bottom of a box can be kept in a 
small corner if you hold them with your hands, but if you 
release them, they will quickly spread most evenly over the 
bottom of the box almost like water. Imagine the population 
which is pent up in these small eastern States, suddenly being 
released like the peas in the bottom of the box, and flowing 
out over the land of the United States until its density is 
uniform throughout, that is eight persons per square mile. 
Also imagine the population as carrying its State borders with 
it so that the enormous population of the Northeastern States, 
spreading out more than half way across the continent, would 
carry the borders of the northeastern States westward and 
southward with them. (Readers of this book who live west 
of the Mississippi river or south of the Mason and Dixon line 
may oqiit the remainder of this chapter!) 

The result of this projection of the map of the United 
States upon a population basis rather than a land-area basis 
will be most surprising even to the most hardened travellers. 
A comparison of such a population-projection map with a land- 
area projection map will show how far the State lines have 
been shifted. From a position about one-third of the way 
across the map from the Atlantic ocean, the Mississippi river 
shifts to a. position about a fifth of the way from the Pacific. 
The Rocky Mountain region becomes a narrow strip on the 
map. The Southern States shrink frightfully. But if the 
familiar outlines of the States are approximately kept in the 
new projection, the States will still be easily identified in their 
new form and you no longer have difficulty in locating im- 
portant but crowded eastern cities. 

Needless to say, the picture of sales conditions which such 
a map exhibits, will be far more valuable and useful than the 
picture upon the usual land-area basis. For in spite -oi a 
thorough knowledge of the various State populations, even an 
expert on population statistics will find less difficulty in visual- 
izing sales conditions as far as the real market, that is the 
population itself, is concerned. You will no longer attach 
grave importance to the far Western States which show up 
poorly on your colored scale map, for they will no longer be 
enormous and terrifying red areas. But you will attach far 
more importance to the red color when it appears in the 



626 


CHARTS AND GRAPHS 



Fig. 479. The Usual Map of the United States. 



628 


CHARI S AND GRAPHS 


eastern States. Per capita sales statistics, especially, will be 
useful on this projection. And the location of sales distribu- 
tion points, branch offices, and representfatives or other sales- 
men will on this map show how evenly the market is saturated 
with your agencies rather than how regularly they are placed 
as mile-stones across the country. In short, the corrected 
areas of the States serve to give an excellent background or 
evaluation of the importance of the statistics plotted upon the 
map. 

Other conditions beside the total population can be made 
as the basis of projection of the map. If your market is best 
shown by the native white population, for example, the map 
should be projected upon not a total population basis, but 
upon the basis of this particular class of the population. If 
your market is best shown by the dealers, retailers, jobbers 
or brokers, then the map should be based either upon the 
number of distributing agencies or upon their aggregate finan- 
cial rating. For the analysis of business or economic conditions 
relative or comparable to the wheat crop, or any other form of 
produce or natural resources, a map might be called for, which 
is projected upon the basis of the average yield of this par- 
ticular crop or resources during the past years. 

The number of ways in which the map can be altered .and 
projected for special purposes upon special bases is unlimited, 
but all are alike in one respect — that their areas no longer show 
physical land areas in square miles but show the actual values 
more important for the special purposes in view. This does 
not mean that a land area map is useless; on the contrary, 
there are many processes, such as’ shipping, railroading, and 
travelling, for which the actual land distances are important. 
It is only intended to show that where land area is not im- 
portant and some other condition is important, it is possible 
for the map to represent the values w^e consider important, 
whatever they be. 

The making of such special projection maps is very difficult 
and tedious and it is much better to purchase them from the 
few publishers who supply them. "When you must prepare 
them yourself, perhaps the best method is to use a large sheet 
of cross-ruled paper in which the co-ordinates cut the paper into 
small squares of one-tenth of an inch or one millimeter each. 
Haying before you a table of the values which you wish to 
project as areas on the map, lay out by the rule of “try, try. 



POPLJLATlOiS MAPS 


629 

try again/’ the State outlines, taking care to maintain their 
familiar shapes as far as possible, but at the same time counting 
the number of small scfuares included in the outline and chang- 
ing the outline until the right number of small squares has been 
inscribed. For checking purposes, a planimeter (an engineer’s 
instrument which measures areas) is useful. If only rough 
outlines are required, you might find that a large supply of 
differently colored small glass balls could be counted out for 
each State, one color for each State, and quickly adjusted into 
familiar outlines and closely packed to secure the right area. 
Another short cut is to use differently colored plastocine or 
children’s modelling wax, and, having weighed the right quan- 
tities to suit your data, to mold these into familiar outlines 
and press them flat to a uniform thickness. When beads or 
wax are used, color distinctions should be maintained for the 
different States. Thin strips of paper along State borders 
may help to keep the colors from mixing. 

The salesmanager will seize upon this map eagerly for sales 
analysis. The economist will often find it invaluable. Even 
the layman, with no charting or graphic analysis to make, 
will find it of absorbing interest. The correction which the 
map gives to our conceptions of State populations makes the 
map of real educational value, and the school geographies 
should have not only national but world maps upon such 
projections. The student will note that the principle of the 
map is the same as that of other area charts. He will recognize 
that precise estimates of the values represented, by the areas 
are not possible, particularly as the shapes of the areas are 
irregular. He will see that in common with other area charts, 
the real value of the areas on the map does not lie in exact 
measurements of the values of secondary Importance repre- 
sented by the areas, but in the general weighting or evaluation 
of the relative importance which is given to the data of primary 
importance plotted or recorded upon the map. 



Chapter LIII 


MODELS 

We have now seen used for charts, successively, the point, 
the line, and the area. The single straight line, or single system 
of straight lines, ending at specified points, forms the bar-chart 
in its many forms; if the line is circular, the pie-chart results; 
in all of these the points are perhaps the essential feature and 
the lines and areas may be considered incidental. A series of 
points or dots connected by a line, forms a curve; the plot is 
then of several points upon a dual system of straight lines, 
called co-ordinates; the outstanding feature here is a line 
(called a curve) to which intersect points and inscribed areas 
are incidental. A series of such lines or curves may be used to 
mark off areas, forming the area chart. But all of these forms 
are limited to the use of two dimensions. A third dimension 
is not supposed to be present, and is actually negligible, being 
no more than the thickness of the layer of ink, crayon, or color 
used in making the chart. 

We now come to project points, lines and surfaces upward 
from the plane surface to get charts in which the third dimen- 
sion itself is significant. And as may be imagined, we can 
attach importance and primary significance either to the ele- 
vated point, the elevated curve, or the elevated surface, to 
the vertical lines of elevation or the horizontal lines so elevated, 
or to one or another of the edgewise planes supporting the 
elevated plane, or to the entire volume itself. In short, 
we may use as significant any or all of the various intersecting 
lines and surfaces which make up the three-dimensional body, 
or the intersect points themselves, or the points, lines, and 
surfaces within the body. And there is something new — ^we 
can use the cubic content of the three-dimensional body as a 
basis of charting. This is a gain in simplicity at the cost of 
other things, and with this use of the three-dimensional body, 

630 



MODELS 631 

solid, volumetric chart, or model — call it what you will — ^we 
shall begin. 

The reader whose mind has leapt ahead of the diverse 
forms of area charts to speculate upon the possibilities of three- 
dimension charts will not be surprised to find the ‘‘moder’ 
treated as a type of graph or chart. He will realize further that 
the model stands in the same relation to flat-charts as sculp- 
ture to pictures. Just as the floor surface of a room may be 
shown by the area of a plane representation having length and 
width corresponding to the length and width of the room, 
so too the cubic content of a room may be shown by the volume 
of a solid model having the length and width of the area chart 
and the further element of height corresponding to the height 
of the room. Just as the area-chart represented by its area, 
a product of two factors shown linearly, so too the solid model 
represents by its volume a product of three factors shown 
linearly. In both cases the scales for linear measures can be 
projected only arithmetically to secure the significant repre- 
sentation of the resultant or product, shown in square units in 
the area-chart; in cubic units in* the solid model. 

It is important to note that in the solid model even more 
than in the area, the representation of the resultant or product, 
though precise enough, is not easily amenable to precise esti- 
mation or comparison with other such products, for the human 
eye can even less easily judge of the relative values of two 
volumes than it can of two areas. Hence volumetric measures 
should be used, as square or surface measures, only for data in 
which the products themselves are of less importance to us 
than the factors which we will show linearly and which go to 
make up these products. 

The reader who has caught the relation between the curve- 
chart and the area-chart in the realm of two-dimension charts 
will be prepared for a similar distinction in three-dimension 
charts. Comparable to the curved-line chart would be the 
curved-surface chart; analogous to the area with square units 
of measurement, would be the solid with cubic units of meas- 
urement. Such a distinction, however, is not of great import- 
ance; in neither two or three-dimension charts is it a hard 
and fast division. In the discussion of area charts, we have 
already seen that whenever the areas are classified by, ar- 
ranged in, or dependent upon an ordered numerical series, the 
areas may be fitted together to form a curve or curves. Like- 



CHARTS AND CRAPHS 


wise in the three-dimensional charts, whenever the solids are 
classified by, arranged in, or dependent upon an ordered nu- 
merical series, we can fit all the solids together to form a 
curved plane. But because we shall not consider as a special 
subject the single isolated cubes or solids, we shall have little 
use for a distinction between volumetric charts (in which the 
unit primarily is cubic measurement); they could be made, but 
rarely with profit. The more complicated structure of cubes, 
their more difficult presentation and inspection, and the fact 
that their outer surfaces hide their inner transverse planes 
which are essential parts of them, make such isolated solids 
and even sets of isolated solids, of little practical value. Under 
this head we shall therefore discard all consideration of seg- 
mented cubes. The experimentally minded will be able to 
construct not only 100% cubes but even sets of several cubes 
and solids of various dimensions, which latter he will be able 
to compare by means of either or all of their three linear di- 
mensions, their three areas in square measurement, or their 
one volume in cubic measurement. For the comparison of 
different buildings, engines, machines or other physical equip- 
ment or structures, such models, or small replicas may indeed 
be useful. But apart from miniature replicas of actual phy- 
sical objects (in three dimensions) there would be little use 
for such isolated models or sets of isolated models. For math- 
ematical statistics, the individual factors are better compared 
in separate sets, in bar-charts or curves, and the products are 
likewise better charted by linear measures in bar-charts or 
curves. 

Just as the area, measured in square units, is not significant 
in all two-dimension charts, so too, the volume, or cubic con- 
tent is not always significant in three-dimension charts. For 
the co-ordinates in a curve-chart, for example, need not have 
any factorial inter-relation; this is the case of historical curves; 
we do not multiply the phenomenon by its date of occurrence 
to secure a significant product. Likewise the three systems of 
co-ordinates used in projecting a solid, need have no factorial 
inter-relation which has a meaning for us; in such cases the 
three axes and sets of co-ordinates are merely convenient plot- 
ting devices which enable us to distinguish three different 
variables in our data, and to study their mutual relations 
and behavior. At other times, we may detect a distinctly fac- 
torial relation between these variables, and then, of course, 



MODELS 633 

we can identify the product with the cubic content or volume 
of the chart. 

The most convenfent division of three-dimension charts, 
however, and the one which we shall here follow, is the divi- 
sion between three-dimension charts in general, and one par- 
ticular kind of three-dimension chart in which the first two 
dimensions are used to mark off geographical relations. To 
all other models and three-dimension charts we give the name 
of frequency surfaces; in these the first two dimensions have 
for their scales, any other numerical series, either historical 
or frequency. But when the numerical series indicates lati- 
tude and longitude upon the earth^s surface, or any geograph- 
ical co-ordinates, we call the chart a map and because of great 
practical use which is made of maps, we shall consider them 
in a separate chapter. As has already been pointed out, the 
isolated solid or series of separate solids, which is comparable 
to the bar-chart when the latter cannot be converted into a 
curve, that is to say, which is not classified by, arranged in, 
or made dependent upon an ordered numerical series and so 
cannot be joined into a curved surface, will not be discussed at 
all. And before proceeding to the consideration of the two 
types of three-dimension charts we shall first examine in the 
next .chapter, the methods by which the third dimension can 
be shown. 



Chapter LIV 


THE THIRD DIMENSION 

There are three ways of preparing stereographs, that is, 
three-dimensional charts, which may be called respectively, 
the model, the axonometric chart, and the orthographic chart. 
The first requires three dimensions physically in space; the 
second illustrates three dimensions in a two-dimension plane; 
the third shows two dimensions faithfully and seeks to repre- 
sent the third dimension by some trick of symbols. 

If we elect to use the model, it may be either solid or col- 
lapsible. To the solid model, actually built up in three di- 
mensions, there is of course little structural difficulty. A solid 



From *‘The Construction of Graphical Charts^ hy John B, Peddle^ published hy McGraw-Hill 
Book Co, N. y. 


Fig. 481. A Plaster of Paris Model. 

Model showing the relation between heat units per hour per brake horse-power, 
compression pressure, and volume of gas mixture for a gas engine. 

634 




THE THIRD DIMENSION 635 

model can be made of wood, or of many layers of cardboard 
or corrugated paper, and can also be moulded of plaster of Paris, 
of wax, paper-pulp, <tr other material. Detailed instructions 
for the modelling of curved planes will be found in the fol- 
lowing chapter. Such solid models are of course cumbersome 
and unhandy, difficult to file away, or to carry about from 
place to place; and would seem justified only in the case of 
extremely important data. Moreover, and this is important, 
the making of such solid models requires a great deal of time 
and trouble, the equipment not being generally immediately 
available for them in the average statistical office. 

Special varieties of the solid model will also be described in 
the immediately following chapters.! These consist of small 
forests of vertical wires, or wooden sticks, placed far enough 
apart to allow any individual wire or stick to be inspected. 
This is in some respects the model par excellence; it admits 
of segmentation, for each wire or stick can be differently 
colored through parts of its own length. And most unusual 
of all, several models can be combined by placing their wires 
or sticks side by side with distinctive coloration. The colora- 
tion of wires is usually achieved by stringing colored beads 
upon them. The forest model is a more or less laborious 
affair to construct, but for sufficiently important facts it is of 
ample merit to justify its use. 

Collapsible models, as the name suggests, are so made that 
they may be folded up or expanded at will. When folded, they 
lie flat upon a single sheet of paper and can be easily carried 
about or filed away as sheets or folders. When expanded to 
occupy three physical dimensions in space, they can be stood 
up like blocks or other solids. There are three types of col- 
lapsible models, with respect to the mechanics of their opera- 
tion. The first type telescopes by means of co-planar hinges, 
at right angles to each other, like the folds of a pair of bellows 
or the hood of a folding camera. The second type collapses 
side-wise upon hinges which are all parallel to each other, like 
the partitions in a pasteboard egg-box. The third type never 
opens out fully for all parts of the model are hinged together 
like the leaves in a book. 


^ See also, Brinton, Willard C., Graphic Methods for Presenting Facts, Engineering 
Magazine Co., New York. Peddle, John B., Construction of Graphical Charts, McGraw- 
Hill Book Co. 



CHJRTS JNB GIUPHS 


r,j6 


In the telescopic model all three dimensions are physically 
represented by materials in the structure of the chart and 
telescoping is only possible by buckling mp of these materials 
across one of the three dimensions. Because of this buckling 
of materials the telescopic model is not easily made or oper- 
ated, and is generally inferior to the other collapsible models. 

In the second type, collapsing side-wise, because one of the 
physical dimensions is not represented by any structural 
material in the chart, the materials lying on the other two 
physical planes can be made to fall together as easily as a 



From '^The Construction of Graphical CharlsC hy John B. Peddle, by permission. 

Fig, 482, Collapsible Model. 

house of cards. If the hinges are on edge the chart folds out 
to right or left. In this case it is most convenient to make the 
chart of intersecting slitted sheets, the sheets to stand in one 
direction having vertical slits or key-ways, halfway up from 
the bottoms at the points where the cross-wise sheets intersect, 
the latter sheets having corresponding slits down through their 
upper halves; and the two sets fitting together, as has been 
said, like the partitions of the egg-box in which you buy a 
dozen eggs. Obviously all sheets should be of stiff material, 
rigid enough not to fall over, strong enough not to tear beyond 
the slits. 



THE THIRD DIMENSION 


637 

When this type is made with horizontal hinges, only one 
set of vertical sheets is used and these are all hinged, parallel 
to each other, upon a single horizontal sheet of pasteboard. 
That the various hinged sheets may act as one and maintain 
their parallelism at all times, short tie-hinges or keys and key- 
ways are used across or near their tops. It is convenient to 
mount this chart in a heavy pressboard folder of the standard 
vertical filing type, with the back of the chart attached to one 
half of the folder and its base to the other so that the chart 
is always safely housed. Such a model opens out like the more 
elaborate, familiar valentines and works on the same principle. 
Similarly the forest model already mentioned can be made 
collapsible, paper being used in the place of wires or wooden 
sticks. This type is perhaps the best of the precise collapsible 
models. 

The third type of collapsible model has no structural ma- 
terials for two of the three perpendicular planes in the three 
dimensions, and, as has been said, never opens out fully. Its 
single system of plane surfaces, which should be parallel, 
radiates from a common hinge like the leaves of a book. It 
is in fact no more than a series of two-dimension charts care- 
fully bound together to secure perfect ^'registration,’^ one with 
another. But frequently it is sufficient for the study and 
analysis of the data; and the fact that it is more easily made, 
and handled, and suffers less from wear and tear, strongly 
recommends it. Moreover, transparent or semi-transparent 
paper can safely be used for this chart, enabling the reader to 
note more easily changes in its various parts. 

This last form of collapsible chart is also readily susceptible 
to commercial publication. In German schools and colleges 
such diagrams are sometimes used for the study of parts of 
complicated machinery. The student no longer needs to have a 
physical model of the machine before him, but can fold back 
the diagram of each part to inspect the diagram of the parts 
inside it. In medical schools such methods are sometimes used 
for the illustration of anatomical studies, the first view show- 
ing the outer skin; the second, the underlying nerves; the third, 
the muscles; the fourth, the inner organs, with perhaps minor 
diagrams or part pages folding back for each of these, to show 
the internal structure of these organs; the fifth large sheet 
(seen by folding back the fourth sheet which carried these 
minor books or sets of small pages upon it) showing the bones; 



638 


CHARTS AND GRAPHS 


the sixth, the rear wall of the muscles, nerves or skin again. 
The same method of presentation has been effectively used in 
costume studies for the stage (and in children’s toys), to show 
upon a top sheet the over-garments and outdoor costume; 
upon second sheets, the ordinary or house garments; and upon 
third sheets, the undergarments, for various national or 
period costumes. There would seem to be no reason why the 
same method cannot be used to present mathematical data 
in similarly constructed and hinged charts. For these books 
or series of superimposed charts, as for the collapsible models, 
a strong cover is desirable to protect the parts and the best 
cover is generally, as has been said, a vertical filing pressboard 
folder. 

All of these model-charts have a bulkiness, when solid, with 
an added element of flimsiness, when collapsible, that militates 
against their general usefulness. Moreover, in their prepara- 
tion they are costly of time, and often seem to call for ma- 
terial, not readily available in the average office. Except in 
the last form, when transparent paper can be used, or in other 
forms when transparent celluloid is used, or in the solid model 
when glass is used, these charts have the disadvantage that 
one part of the chart hides other parts; and diagonal lines, 
curves, or planes cannot be readily run through the chart to 
give interpolated readings. These disadvantages all disappear 
in the next form of three dimensional chart, which we shall 
now consider. 

The axonometric chart is one in which distances are meas- 
ured along three axes which have been represented by lines 
within a single plane surface. Every photograph and every 
picture of physical objects is such a chart. In paintings, 
drawings, and pictures of all kinds, perspective is generally 
introduced, to make the more distant objects smaller, that 
they may appear to be of the same size. Perspective requires 
that really parallel lines be shown as converging toward a 
non-existant vanishing point; it makes a fixed scale for any 
axis useless and greatly increases the difficulties of drawing. 
For statistical charts, therefore, we omit perspective, sacrificing 
thereby some of the realistic appearance of our picture, but 
giving it constant scales which make charting easy and read- 
ing accurate, 



THE THIRD DIMENSION 


^39 


The most commonly-used axonometric chart is the one 
with isometric rulings.^ Isometric rulings are those in which 
the three axes of the .chart intersect to form equal angles of 60 
degrees with each other. Any other angles can be used but 
these isometric angles are most convenient and satisfactory, 
as they afford the fullest detail along each axis with the sharp- 
est possible intersections of all co-ordinates. One of the axes 
is vertical for the up and down dimension of the chart; the other 
two, at 60"^ to this or 30"^ to the horizontal, represent the two 
surface dimensions of the base of the chart. 

Isometric drawings are so very useful and so easily made 
that they should be adopted whenever possible for three- 
dimension charts. The isometric co-ordinates can be left upon 
the finished charts to facilitate interpolation and estimates of 
the values plotted linearly along them by the reader of the 
chart, for the rulings serve to connect the points plotted, with 
their scales, in the same way that the Cartesian co-ordinates, 
that is, the ordinates and abscissae, connect points upon a 
curve with the scales of the curve-chart. 

But often the effect of many co-ordinate rulings is so con- 
fusing in the finished chart that it is preferable to wipe out all 
the co-ordinates save those which have been calibrated with 
scales and those along which curves or lines have been plotted. 
When the isometric co-ordinates are to be omitted in this way 
from the final chart, it is better to rule the co-ordinates in the 
first place on blank paper in pencil, as they can then be most 
easily removed. The commercially-ruled paper is printed in 
ink, generally green or red, and the lines will be reproduced 
in photographs unless wiped out with Chinese white. When 
the drawings are to be traced, of course it is very easy to omit 
the co-ordinates. But isometric co-ordinates are so easily pre- 
pared in pencil that for most purposes this is sufficient. . 

The scales for the isometric chart axes can be varied, of 
course, at will; and the student will naturally seek to adjust 
them somewhat to the ranges of the variables plotted. But 
when all dimensions, or even the two surface dimensions, are 
used to present commensurable values, and the commensur- 
able nature of these is manifest, the use of different scale- 
moduli or units of distance along the different axes, may 
result in an awkward unnatural appearance to the chart 

2 See also, Professor Guido Marx in the American Machinist VoL 31, Part 2, p. 
701 f and Haskell, Allan C., IIozc to Make and Use Graphic Charts 



640 


CHARTS AND GRAPHS 


unless the angles of the axes are altered and the isometric 
principle departed from. It then becomes advisable to select 
other angles, which restore the natural appearance by swinging 
the whole chart about to one side or the other. The ^first 
consideration is, of course, the range of the variables; the 
second, the relative detail with which the variations should be 
shown. From these the total length of the chart along either 
axis can be determined and from the relative detail alone, that 
is the size of the unit distance or modulus, the proper angles 
of the axes should be determined. When it is desired to vary 
the angles for these purposes, the ready-made isometric paper 
of course cannot he used and the co-ordinates must all be 
especially drawn. 



Fig. 483. An Axonometric Chart (Not Isonxetric). 

Chart showing relation between journal-bearing temperature, surface velocity, 
and heat generated, etc. 

It is a distinct limitation of all drawings of solid objects, 
including isometric drawings, that they show the object from 




THE THIRD DIMENSION 


64 T 


Ratio of scale-moduli or 
length along the three 

units of 
axes. 

Tangents of angles formed 
by the right and left-hand 
axes with the vertical axis. 

Left-hand 

Vertical 

Right-hand 

Left-hand 

Right-hand 

axis 

axis 

axis 

axis 

axis 

mz 

my 

mx 

(z) 

(x) 

1 

1 

1 

tan 60° 

tan 60° 




(Isome 

trie ruling) 

2 

1 

2 

8:1 

8:7 

3 

1 

3 

18:1 

18:17 


1 

4 

32:1 

32:31 

5 1 

4 

6 

5:1 

3:1 

9 i 

5 

10 

11:1 

25:8 


From John B. Peddle^ "‘Construction of Craphtcal Charts ” 


Fig. 484. Instructions for Axon ©metric Chart Scales. 


one view-point only. You cannot turn the drawing over for 
diflPerent views of the same object, as you could turn the actual 
object itself about in your hand. It is therefore necessary to 
arrange the scales of the axonometric drawing carefully to 
show the best possible view of the object. High points in the 
foreground will hide or obscure lower points behind them. The 
scales should therefore be so arranged that the high points will 
be set as much as possible in the background, and the fore- 
ground be devoted to low points; or that sufficient distance 
be allowed behind a peak in the foreground to enable us to 
show low points behind it. If, by reversing the direction of 
one scale, you can secure this result, the scale should be re- 
versed; for the result of reversing a diagonal scale is the same 
as giving the object itself a quarter-turn in your hand. The 
reversal of the other diagonal scale is the same as giving the 
object itself a quarter-turn in the opposite direction; and the 
reversal of both axes gives a half-turn to the object itself, 
showing its rear face. In general, the best position can be 
found by a little experimenting and can, with a little skill, 
be determined in advance from an inspection of the data. 

It is, however, an advantage of the axonometric chart, not 
shared either by the model or the orthograph, that interpola- 
tion can be most easily accomplished upon it. For the axon- 
ometric chart can be made, if we wish, to show all sides of the 
chart at once, merely by using points or dotted lines for the 
parts which are apparently hidden from view. And even if 
these parts are not indicated, the scales and axes still remain, 
from which we can on the finished drawing drop parallels to 
any desired point and take a reading. Such interpolation 





64a CHARTS AND GRAPHS 

can be taken from straight lines in the manner just mentioned 
or from rounded contour lines drawn in from various observa- 
tions, according to the nature of the problem. The axon- 
ometric chart, -and in particular the isometric one, is for most 
purposes the most satisfactory method of charting three 
dimensions. 

A feature which belongs both to models and axonometric 
charts is that they may present either staircase or smoothed 
surfaces. This is obvious enough from the fact that both are 
but series of curves; and curves, as you know, can be in either 
form. Moreover, since the curved surface or three-dimension 
chart is an interlocking of two such series of curves, one along 
and the other across the surface, it is obvious that the same 
surface may even be smoothed along one axis and staircased 
across the other, as well as smoothed or staircased on both. 
These possibilities are not generally open to the charts to 
which we are coming, the third type of three-dimensional 
chart; in the latter the best that can ordinarily be done toward 
smoothing is to indicate contour lines, or lines of equal value, 
about each peak and valley — a lateral, if you will, rather than 
vertical method of smoothing. 

The third method of presenting three-dimension charts 
(they can hardly be called stereographs in this case) is the 
orthographic chart. In this, as already mentioned, two of 
the dimensions are precisely shown, exactly as in a two-dimen- 
sion chart, and the third dimension is indicated by symbols. 
In its very simplest form, numbers alone represent the third 
dimension, the numbers being for this purpose considered as 
symbols. But the graphic quality of a number is limited, — 
consisting wholly of the number of digits in the number itself, 
— and this is not usually sufficiently detailed or legible. We 
are therefore prone to seek other symbols to which we can, 
attach numerical values and which we can explain to the 
reader of the chart in an appended “key” which corresponds 
to the scale along an axis. And since no symbols have yet 
been found which are capable of the infinitessimal graduations 
which a scale affords and are at the same time as easily read 
vdth accuracy, we are obliged to restrict ourselves to a few 
distinctive symbols. These we use not only for certain set 
values, but also for all values nearest thereto, establishing in 
this way groups or intervals along the range of variation and 
using these symbols for all values within each group. In short, 



THE THIRD DIMENSION 643 

the use of symbols involves a loss of detail in the presentation 
of the third dimension. 

Two considerations govern the use of the symbols. The 
first is that the groups to which the symbols are attached 
should be carefully chosen. This consideration is precisely 
the same as applied to the formation of frequency series.^ 
The groups should if possible contain any round numbers or 
bunching"up spots near their centers. The intervals, or 
group-limits, should be regular and uniform, if the distribution 
appears arithmetical, and as nearly as possible to equal geo- 
metric intervals if the distribution appears to be logarithmic. 
These are obvious principles which the student will soon dis- 
cover for himself. The one thing of consequence is that we 
should not, as we may often be tempted to do, divide the series 
into groups with equal frequencies. Such a practise is con- 
fusing and deceiving to the chart-reader and has but limited 
meaning. 

The other consideration is that the symbols should be such 
as form a natural series in themselves, just as if they were 
numbered. This gradation of the scale of symbols should be 
such that it is obvious to the chart-reader — the more obvious 
we make it, the better is our representation of the missing 
third dimension. The reader of the chart should be able to 
see at a glance the order in which the symbols fall and there- 
after should not need to refer to the key again. Indeed, in 
those few portions of the chart where the extreme symbols 
are used, it is no bad plan to label the chart itself, right 
through the symbol, with the words ‘‘High’’ or "Tow,’’ or with 
similar words. When this is done, the chart may be called 
self-contained and complete and the reader need only refer 
to the key for the numerical equivalents. Needless to say, 
however, the key should always be attached to the chart, 
showing the symbols and stating the limits of the ranges they 
represent. 

The position of the symbols upon the chart is of course 
dictated by the two independent variables in the data, the 
plot of which occupies the two co-ordinate dimensions of the 
chart. But since the dependent variable can only be shown 
approximately by symbols, not precisely, there is opportunity 
for two different methods in marking off the parts of the chart 


^ See Chapter XXVII, pages 312-313. 



CHARTS AND GRAPHS 


644 

to be symbolized. In the first place, we may take these parts 
precisely as we find them in the data. But such a method leaves 
to the chance boundaries of the data the question of what 
approximate values shall be shown by symbols for any f>ar- 
ticular spot. And as a result the most abrupt transitions of 
values may take place between two parts of the chart appear- 
ing side by side. Where each part is inherently homogeneous 
throughout, the resulting chart, though much confused, is 
nevertheless accurate. 

But where we have reason to believe that the change from 
pne spot on the chart to another is more or less gradual, we 
are justified in trying to smooth out the steps between parts 
of the chart, so that all intermediate symbols appear between 
any two non-successive ones; in other words, so that the change 
from one part of the chart to another is as smooth as the few 
symbols and the given data will allow us to make it. This 
results in a much less confusing picture, and in the circum- 
stances prescribed, a more significant one. It is the old dis- 
tinction between a staircase and a smoothed curve, with all 
the attendant details of loss of absolute accuracy over given 
areas and greater significance. Only in the three-dimension 
chart of the kind we are considering, the process is called 
‘^zoning^’ and the lines which bound the zones are called con- 
tour lines.^ 

This is the orthographic chart proper, familiar enough in 
weather topography, where the lines of equal barometric 
pressure are called isobars; and the lines of equal temperature, 
isotherms. But to apply those principles to the chart, what- 
ever it he, is often a difficult task. When data is so scattered 
that many contour lines must be interpolated between two 
known points, the element of ^^guess’^ becomes large, different 
chart-makers will often connect zones differently and it becomes 
often a decidedly hazardous proceeding. In such cases the 
method need not be employed, or if used, the interpolated 
zones may be made disproportionately narrow to limit the 
possible error as much as possible. 

I Many and various are the kinds of symbols which may be 
used. One of these is so close to the mere number itself, which 
we have already mentioned, that it may be disposed of first. 
This method consists of the use of bars, areas or circles in the 


^ Contour-lines may be considered a form of superimposed cross-sections. 



THE THIRD DIMENSION 


645 


place of the numbers. These all have the possibility of infinite 
gradation, just as have numbers themselves, and so form an 
exception to the considerations just laid down for symbols, 
and require no key. They are not wholly satisfactory, however, 
for they involve as essential the use of one or both of the 
dimensions already given on the chart to other variables. 
Hence the symbol cannot be evenly spread over the entire 
part of the chart to which it applies and when parts are small 
and symbols large, the symbol will cover parts to which it 
does not belong when perhaps on the same chart, other parts 
are large and have very small symbols, the symbol is likely 
to be lost and is not fully graphic. 



Permission of Country Gentle man. 

Fig. 485. The Wrong Way. 


If it is desired to use such symbols as these graphs-within^ 
graphs, then surely the symbol should not be measured in 
areas, such as the squares, triangles, stars, or circles, which 
one so often sees used for these purposes. For the comparison 
between a large circle and a small one, or a large star and a 
small one, cannot be accurately made by the reader. It is 
much better to use bars or segments of circles, all requiring 
linear measurement only. For in this case the reader can be 
trusted to arrive at approximately accurate conclusions, in 
spite of the fact that the bars have not been aligned at one 
end. The one case in which areas (in square units) should be 


646 


CHARTS AND GRAPHS 


used seems to be the case in which the variations symbolized 
seem to increase, not in arithmetical or geometrical series, but 
in a series of squares and the special square-root projection 
is desired for the scale of the symbolized function or third 
dimension. 



# *0a, 000 cattle. 

<1 150,000 to 200,000 cattle. 
O 100.000 to 150,000 cattle. 
O M.OOO to 100,000 cattle. 
O Leas tbaa 50,000 cattle. 


ARK. 

•VttuV# V**/ 

******* W cr- 

\j~'s*****<»*jH^^-^ 


The heavy lloea («*) show geographic dlvislofl*. 


From U, S. Ce77ius. 


Fig. 486. Somewhat Better. 


A logical development of this is the use of many dots or 
small circles in the place of one big one for each symbol. By 
counting dots the reader can get the exact value of the variable 
plotted in each part of the chart, unless the dots are allowed to 
become so numerous that they cannot be counted. This last 
trick, of putting in a great many dots for a single symbol, is 
unfortunately a popular, though pernicious, practise — it is as 
if the chart-maker were saying to the chart-reader, *1 have gone 
to a great deal of useless labor in putting in all these dots, 
now you can waste your time counting them.^' 

When the parts of the chart are of uniform size and the dots 
are evenly distributed within each part, the dot system is 
excellent; for the density of the dots is a graphic guide in itself; 
but when the parts to be labelled with symbols are not of even 
size, and no significant relation holds between the size of the 
parts and their symbols, then unhappily the dot-system falls 
down again: for a few dots in a small part of the chart will be 
more impressive than many in a large part. 



THE THIRD DIMENSION 


647 


The poly-dot symbol leads us logically to the frank use of 
shadings, regardless ^of the number of dots, lines, or other 
markings in a shading. And this is ordinarily the most satis- 
factory of all symbols. For a few different kinds of shadings 
can be easily devised, which are not only mutually distinct, 
but also have a definite order of intensity, ranging from solid 
white to solid black. These shadings can be laid on with 
successive hatchings and cross-hatchings, with a section-liner 
or tee-square. They require least work if the shadings are so 
chosen that each successive symbol has only an added system 
of lines or other markings to distinguish it from the previous 
one, for in this case all of the lesser shadings can be put on in 
the course of making the extreme shading. 

It is an advantage of the cross-hatching symbols that they 
do not, as a rule, interfere with lettering which may be also 
wanted on the various parts of the chart; the lettering can be 
read through all but the solid black or very dark symbols, 
and in the latter cases, the symbol can be omitted immediately 
about the lettering. It is also an advantage of the hatched 
symbols that they can be reproduced, in common with the 
methods already described, in a variety of ways, including the 
line-cut for printing and the mimeograph for offsetting, and the 
blue-print or Van Dyke print for copying. 

Closely akin to the hatched symbol, is the solid shade or 
tint, the shading proper ranging from pure white through 
various grays (made by mixing those two ever-present visitors, 
India ink and Chinese white) to solid black. These tints 
could, of course, be infinitesimally graduated to suit precisely 
the values plotted, but this would require unnecessary work 
and could not, through optical illusions, be correctly read by 
the chart-reader. It is therefore sufficient to use some five or 
six equally different shades which can be easily distinguished 
on a key. The method of solid shades is not, however, gener- 
ally of enough benefit to warrant its use. It requires some 
labor in mixing, the liquid may warp the paper or run, the 
symbols are never so distinguishable as hatched patterns, and 
the resulting chart cannot be reproduced by line-cut, or any 
other method except photo-engraving or photostat.^ 

The most important and satisfactory symbols possible are 
solid colors. These can be made very pale so that lettering 

2 The ''Ben Day process” can be used on a line-cut to make it slightly resemble a 
half-tone. See Appendix C. 



648 


CHARI S AND GRAPHS 


or even a separate scheme of cross-hatching can show through 
them. Transparent inks and water colors, used in color photo- 
graphs, can be used. Better than ink or water colors, however, 
are wax crayons, the cheaper and waxier the better. They do 
not require careful mixing, lay on in even density for each 
color and do not wrinkle the paper. After the wax color has 
been heavily applied, the chart should be carefully scraped 
with a sharp knife fa safety razor blade is excellent for the 
purpose) and all the surplus wax removed. A pale tint will 
remain on the paper, through which typewriting or other letters 
or chart drawings (if previously applied) will show clearly. 
The important thing about the scale for colors is that the colors 
should be in what is called chromatic sequence, the order of 
the colors in that of a rainbow or spectrum. Using five colors, 
red, orange, yellow, yellow-green and blue-green will be found 
excellent. For more colors a dark red and a blue can be 
added. But five clusters or symbols are ordinarily sufficient, 
yellow representing “average or normaU; orange, “poor^’; red, 
bad’’; yellow-green “fair”; and blue-green, “good.” 

Some writers have advised an arrangement of colors by 
what they call optical density and have attempted to deter- 
mine a color density sequence. These efforts have naturally 
and necessarily failed — such a scheme, even if it could possibly 
be standardized for different inks, papers, and color combina- 
tions, would only result in conglomeration through which the 
reader would need the constant assistance of the key. The 
only disadvantage to colors is their varying photographic 
reproducing powers, blue disappearing wholly and turning 
white, while red becomes black. A careful chromatic scale 
through the colors from red to blue will photograph as a fairly 
uniform scale of grays from white to black. But the chief 
advantage of the chromatic arrangement of the colors i$ their 
logical significance. The reader of the chart if he be not color- 
blind, need only know that blue is good and red is bad and is 
at once prepared to interpret all the intermediate colors. 

You will see that colors, shadings, and even figures alone, 
constitute a dimension in themselves upon the chart. And in 
almost all instances where models are made for three-dimension 
statistics, the same could be charted upon a two-dimension 
chart with the use of colors, tints and cross-hatchings in the 
place of the third dimension. That the symbolical presenta- 
tion of the third dimension is more a series of approximations, 



THE THIRD DIMENSION 


649 


no precise graduations being possible, has already been ex- 
plained. But in most cases these approximations are entirely 
sufficient. 

^When a more graphic or vivid representation of the same 
three-dimensional data is desired, with perhaps more precise 
presentation of the exact values of the third dimension, the 
isometric or other axonometric drawing must be used. But in 
this a part of the data may be hidden behind peaks. If this is 
the case and all parts of the data must be visible, then of 
course you must fall back upon the three-dimension model 
itself, either in collapsible or rigid form. The great time con- 
sumed in the making of these and the inconvenience in handling 
them makes the three-dimension model, rigid or collapsible, 
justified only in the case of very important statistics, but the 
ease and convenience of colors and isometric projections make 
them of very wide general usefulness. 



Chapter LV 


FREQUENCY SURFACES 

The double frequency series is a type of data which can 
invariably be recognized by the form of its tabulation. It is 
composed of several columns of figures which have common 
stubs, and in which the values of the stubs and the values of 
the column headings both form mathematical variables. In 
the body of the table, that is, at the intersections of rows and 
columns, appear the values of the functions or, in a loose sense, 
the dependent variable. The general form is the same as the 
table of original data for the 100% square, already discussed, 

WKT ABD DRY MOHTHS 

bxmimxy of the nunbor cf times each month has been first, second, 
third, etc, in order of humidity during the years 1868 to 1906 — 

38 years in all. Taken from Xlortr of Croton River, B.Y. at dam. 



Jan. 

Feb. 

Uar. 

Ipr* 

toy. 

Jim© 

July 

lug* 

3ep* 

let* 

Mor. 

Dec* 

Wettest 

5 

8 

13 

7 

1 






2 

2 

Second 

1 

7 

12 

6 

2 



2 

1 

1 

3 

S 

Third 

8 

8 

4 

5 

1 



1 

1 

1 

2 

7 

Fourth 

8 

5 

5 

8 

3 



1 

1 

1 

1 

7 

Fifth 

4 

4 

2 

6 

9 

1 


2 

2 

3 

1 

4 

Sixth 

4 

Z 

1 

1 I 

7 

2 

4 

1 

1 

4 

6 

4 

Seventh 

4 

2 


2 

6 

2 


1 

2 

2 

11 

7 

tlghth 

X 

1 

1 . 

2 

6 

11 

1 

2 

4 

6 

3 

V 

Hinth 



1 

1 

11 

6 

8 

1 

6 

3 

1 

Tenth 

2 





1 

1 

6 

8 

4 

S 

7 

4 

2 

illeventh 

1 




1 

4 

9 

9 

9 

4 

2 


Pryest 

2 



2 

2 

10 

7 

11 

4 




Fig. 487. 

but the data is not turned into percentages or products of per- 
centages as in that case. It is only necessary that the stub 

Cjo 



FREQUENCY SURFACES 


651 


and column heading figures, that is, the two independent 
variables, each form ordered numerical series. Whenever this 
is the case, the values of the function (that is, the detail 
figures of the double frequency series, shown in the body of 
the table) can be charted in a third dimension. If you think 
of pins stuck into the table upon each figure in the body of 
the table, the pins representing the figures by their heights, 
you will see at once how this is done. 

Let us assume that we are standing in a room of rectangular 
or square floor shape. Let us mark off* a pattern upon the floor 
of this room, a pattern of criss-cross or co-ordinate lines, 
calling those which run the length of the room the A;-abscissae 
and those which run across the room the y-abscissae. At the 
many intersections of these two sets of abscissae, let us drive 
tacks into the floor and into the ceiling overhead and run 
strings vertically from the floor to the ceiling. Let us call 
these vertical lines the %-ordlnates. At equal distances up 
these ordinates, or vertical strings, let us fasten horizontal 
strings from ordinate to ordinate above both the ^ and the y 
abscissae so as to produce a complete net work of crossed lines 
in the room, which would present the appearance of plain co- 
ordinate rulings when seen from above or from either side. Let 
us assume that in some mysterious way we can wander about 
this room freely without becoming entangled in the net work 
of strings. 

To the ^-axis, or distance down the length of the room, 
let us give the values of time, letting the first unit of distance 
represent one year, the second the next, the third the following 
year and so on, so that along the length of the room we have, 
on the ^c-axis, a scale of years. And at each year we notice the 
cross-wise lines and the vertical lines are repeated to form a 
co-ordinately ruled plane perpendicular to the x-^xis. To the 
cross-wise distances of the floor along the y-axis let us give, 
for example, a scale calibrated to tens of dollars, and running, 
let us say, from zero to two hundred dollars, there being twenty 
cross-wise divisions of measurement. To the vertical lines or 
the ordinates parallel to the %-axis, let us give a scale calibrated 
in hundreds from zero to one thousand, there being ten vertical 
units of measurement. In short, to each of the three dimen- 
sions or axes of the cubic volume of the room, we can attach 
scales of calibrations similar to the scales in ordinary curve- 
charts along its two dimensions or axes. 



CHARTS AND GRAPHS 


^>S:^ 


Returning to the end of the room to the vertical plane cut- 
ting across the room at right angles to the A;-axis and inter- 
secting the ^-axis itself at the point of the first year, let us 
chart upon this plane a frequency curve showing the nuniber 
of sales of various sizes for the concern whose business we are 
analyzing for the year indicated on the ^-axis. Then on the 
next plane, intersecting the x-axis, the point on its scale for 
the next year, let us plot a similar frequency curve for the next 
year. And so through all the planes, let us plot frequency 
curves, one for each year upon the plane intersecting the point 
of that year upon the ;^-axis. Let us plot these curves by 
attaching red strings to the network of strings which makes 
up the planes. 

Having completed the series of curves for all the years, 
we can step off and look at the result. The curves are likely 
to show great similarity with but slight changes in their exact 
positions from year to year. These changes of the positions 
of the red-string curves show us the changing nature of the 
sizes of sales made by the house. The series of red strings 
seems to outline a billowy blanket or irregular curved plane. 
If through the series of curves we should attach similar red 
strings running lengthwise down the room, connecting corre- 
sponding points upon the curves, this blanket or suspended 
irregular surface would be more visible. Examining any one 
of these new connecting strings, we would find that each one 
of them forms the curve of the historical changes in the number 
of sales of each size through the various years. In short, the 
blanket could have been made by plotting the various historical 
curves along the room rather than the frequency curves across 
the room. The blanket itself is in fact nothing but a historical 
projection, carrying a frequency curve through a number of 
years, and yet exhibiting all its points at any point of time. 

It should be remarked that the name ‘double frequency 
series” given to this type of data is a loose one, used to describe 
both truly double-frequency series and historical-frequency 
series. The curved plane which we have just plotted obviously 
represents a historical-frequency series, that is, the data of a 
frequency series carried through a number of periods or points 
of time. The double-frequency series proper is similar in all 
respects, except that time is not one of the independent 
variables. In the double frequency series proper, the data of 
a frequency series is carried through a number of changing 



FREQUENCY SURFACES 


653 


conditions or classifications which, like time, form a connected 
or variable series. The distinction between the historical 
frequency series and the double frequency series is not im“ 
portant, either in computing or charting. 



r "Theory of Siatistta," by G U Vide {fourth edtlion)^ published by J. B. LippincoU, 

Fig. 488. Smoothed Frequency Surface. 

Showing the coi relation between the height of fathers and sons. 


As you will see, the name ‘‘curve’’ is really a misnomer for 
this form of chart, for the chart does not merely exhibit a 
cui’ved line, but exhibits a series of curved lines forming a 
curved plane. The word “surface” is ordinarily used for this 
form of chart, though it might also in a loose sense be called a 
curve. It is not always true that the succession of curved lines 
or true curves can be joined to form smoothed surfaces. It 
may be that the phenomenon requires that the joining be made 
in staircase fashion. The same consideration applies to the 
smoothing of the surface between plotted points as applied in 
the smoothing of the ordinary curve. It may even be desirable 
to smooth the curves along one axis and leave them in staircase 
form across on the other axis. The familiar and most useful 
forms of the curved surface are, however, the smoothed sur- 




654 


CHARTS AND GRAPHS 


face (smoothed along both independent variable axes), and the 
double-frequency polygon which is in staircase form along both 
axes. 


WET AND DRY MONTHS Summary of the number of times each monthhas been first, se«sond. 
third, etc , in order of humidity during the years 1868 to 1906, 38 years m all. Taken from flow of 
Croton River, N. Y., at dam. 



Fig. 489. Staircased Frequency Surface. 


To make a physical model of these two-dimensional curves 
is not difficult, but is rather tedious. Different methods have 
been recommended when the solid model is desired. A simple 
practice is to cut strips of wire and mount them vertically 
upon a board, the lengths of the wire emerging out of the board 
representing the s-ordinates, each wire being cut off at the 
point where it would intersect the curved plane or the indi- 
vidual curve. If the board has been previously drilled with 
holes to admit the wires, the holes being at the intersections 
of the two sets of abscissae, it is not difficult to erect in a very 
short time a forest of these wires, their top ends readily out- 
lining the contour and shape of the curved plane. The next 
step is to place the board with its wires in an enclosed box and 
pour enough plaster of Paris over it to cover all the wires. 
The last step is to cut away the plaster of Paris until the ends 
of the wires appear, the plaster of Paris being easily scraped off 
so as to form a smooth plane. It is also a convenience to out- 



FREQUENCY SURFACES 


655 


line the various horizontal co-ordinates upon the sides of this 
solid model and upon the curved plane at the top of the model, 
where these horizontal co-ordinates intersect the curved plane. 
These co-ordinates can be shown by thin black lines thus 
facilitating interpolation and the reading of plotted values 
from the model. 

Another method by which the same kind of solid model 
can be obtained is to plot the individual curve upon pieces of 
stiff paper, one complete set of the curves being plotted so 
that they can be set up side by side in the same way that the 
strings were attached to form vertical planes in the network 
in our imaginary room. When the variations of these different 
curves are great, it is also of advantage to plot another com- 
plete set of curves of the same data upon the other independent 
variable, this second set of curves showing the appearance of 
the connecting strings finally added in the imaginary room 
above discussed. In this case, we have two complete sets of 
curves, one for the longitudinal curves and the other for the 
latitudinal curves. By cutting slits in the heavy paper as 
described in the last chapter, the two sets can be fitted to- 
gether as the divisions in the ordinary egg box in which you 
buy a dozen eggs. 

If the paper upon which the curves are plotted is cut away 
at the curve, that is, if you take a pair of scissors and cut 
through each plotted curve, the lower halves of the chart will 
* have the outlines of the curve for their top edges and when 
they are joined together like an egg box, they will form a three- 
dimension model which can be collapsed, if a collapsible model 
is desired. If a rigid solid model is desired, you can pour 
plaster of Paris into this collapsible model, scraping the surface 
of the plaster of Paris down to the edges of the paper curves so 
as to obtain the smoothed curve plane. 

\ When the curved plane is to be in staircase form, it is easily 
built up out of blocks of wood. The procedure here is very 
simple. You need merely take a long piece of finished lumber 
with a square cross section and cut it into strips the same length 
as the wires which you would have left standing in making a 
plaster of Paris model. The wooden i*ectangular cubes are 
then glued together to form a single solid model. There is no 
need of projecting the ordinates upon this model, as the edges 
of the individual pieces of wood indicate the ordinates, but it 
is well to mark in the horizontal rulings around the side of the 




656 CHARTS AND GRAPHS 

model so that the height of the individual pieces of wood can 
be easily estimated from an" examination of the model. Need- 
less to say, in all types of solid models the scale calibration for 


From R. E. Scoit, in Harvard Engineering Journals by permission. 

Fig. 490. A Solid Model — Rounded. 

Model showing cost of light in cents per 1000 Candlehours with 40-watt “Mazda” 
lamps, for any combination of efficiency and smashing point, where price of 
lamp is 50 cents and of current 10 cents per Kilowatt hour. 

the horizontal distance should be around the edges of the bases 
of the models. 

Both the smooth and the staircase curved planes can be 
often easily pictured upon isometric or other axonometric 
paper as described in the previous chapter, eliminating the 
cumbersome and tedious'y constructed solid model. In 
general the staircase form of curve-plane is perhaps more 
easily projected upon this paper than the smoothed surface. 
The paper has the disadvantage of presenting the view of the 



FREQUENCY SURFACES 


6s7 


model from one side only. Therefore care should be used in 
the selection of the side from which the model will be seen on 
isometric paper, in order to get as much detail as possible, 
that is as many parts of the curved plane visible as possible 
upon the isometric drawing. The isometric drawing is per- 
haps best adapted to symmetrical forms of double frequency 
series or to the double ogive or cumulated double-frequency 
series, for in the case of ogives the variation can all be seen 
from one side anyway. A third dimension can of course be 
symbolized upon the ordinary two-dimensional chart by the 
use of colors or shading which epitomize the staircase form of 


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Jfua Apr Uty Jun Jul 8«p 0«t JteV' 

Uonths 


lET AKD DRY MOHTHS 

SumiBAry of th« nuabor of tl»oi oaob month ha* boon firot, ••eond, 
thirds oto.* in ordor of humidity durinc tho yooro 1868 to 1906 • 

30 yooro in »11. Xakon fro* flew of Croton’ River, K.Y., at dm* 

Fig, 491. An Orthographic Model. 

curved plane, or by orthographic lines (similar to contour lines 
in topography, or to isothermal lines in weather maps) which 
zone off the smoothed curve plane.i 

In general the frequency surface has for its two horizontal 
dimensions, that is, the axes of its two independent variables, 
a rectilinear pattern of co-ordinates. It may be, however, 
that upon these co-ordinates a series of irregular shaped out- 


^ See Chapter LIV. 




658 


CHARTS' Am GRAPHS 


lines are traced, which are the boundaries of irregularly shaped 
areas to which our dependent data (the function or body of 
the tabulated double-frequency distribution) attaches. The 
map is a special case of this in which the horizontal co-ordinates 
mark off longitudes and latitudes and the areas represent 
geographical localities. The orthographic chart is a general 
case of this, in which the irregular outlines are called contour 
lines and the areas are merely zones of equal functional value. 
On the other hand, it is not necessary that the horizontal co- 
ordinates be rectilinear to begin with; thus we may use tri- 
linear co-ordinates, such as are used in the hundred per cent 
triangle, for our horizontal plane or base. Indeed when the 
100% triangle is used we have a peculiar chart showing four 





From John B, Peddle s ''ConHniction of Graphical Charts^ by permission. 

Fig. 492. A 100% Triangle Model — Four Variables. 

Professor Thurston’s solid tri-axial model showing the efficiency (by height) of 
alloys of three metals m various proportions. 


variables, three of which combine by addition (or logarith- 
mically, by multiplication) to form a constant.^ The solid 
built up from a 100% triangle, might by its altitudes (or 
s-ordinates) show, for example, the efficiency of foods whose 
composition is indicated, as to fats, proteids, and carbo- 
hydrates, for example, by position horizontally. Various pro- 


^ Cf. Robert Thurston, Glyptic Models, in the Transactions of the American Socle y 
of Mechanical Engineers, 1898. 




FREQUENCY SURFACES 


^59 


jections of the horizontal scales (for the independent variables) 
are possible, including even a probabilities or double-probabil- 
ities projection. These obviously have but limited usefulness, 
in more complex cases of equating the phenomena with these 
variables, the probabilities projections being designed to con- 
vert the ogive surfaces into flat tilted planes, and the other 
projections having the same objects for other series, all with a 
view to the writing of equations. 

It is difficult to adhere strictly to the field of chart making 
in these more interesting and important mathematical charts. 
We are constantly tempted to wander off into the field of 
statistical methods with which these charts are sometimes 
intimately connected. And though this book is not a manual 
of statistical methods we shall here digress long enough to 
sketch in a few of the more important uses of the double 
frequency curve. For in the statistical laboratory the fre- 
quency surface is often used for the study or presentation of 
correlation and association between different methods of classi- 
fication of the same phenomena. Correlation between two 
historical series can, as you have seen, be best shown by the 
juxtaposition of their rate-of-change (i.e. logarithmic) curves. 
But correlation between two independent variables of the 
same data can be shown in detail by the stereographic or 
three-dimensional model. 

The nature of the normal curve of error, that is, the dis- 
persion about a central or most typical point, which is to be 
expected under the operation of the law of chance variations, 
has already been explained in so far as variation along one 
dimension is concerned. But variation can equally well take 
place along both dimensions when the nature of the phen- 
omenon is such as to permit it. Thus the dispersion of gunfire 
from cannon varies as to both distance and direction (range 
and deflection). The coaction of the same probable dispersion 
along both axes, that is both longitudinally and latitudinally, 
results in a cone-like peak whose sides appear to slope along 
the curve of normal error, when seen from any side. 

When the double-frequency curved plane presents this form, 
the thought is naturally suggested that the two independent 
variables upon which the grouping or classification of the 
functions depends, are really independent in their action, and 
do not affect each other. When, instead of a cone with its sides 
following the normal curve of error, we have a ridge diagonally 



66o 


CHARTS .AND GRAPHS 


across the chart, whose cross section may or may not resemble 
the curve of error, we have a rough means of measuring the 
correlation between the two bases, the very narrow ridge pre- 
senting high correlation and the wide-spread irregular ridge 
showing low correlation. 



From G. U. Yule, “7'heory of SiatishcsF fourth edition, published by J. B. Lippincoit. 

Fig- 493. The Normal Frequency Surface — Rounded. 


The two-dimensional curve or curved plane, either - 
smoothed or stepping, is perhaps less often used in business 
than it ought to be. It gives to important data a valuable 
projection, changing through time and conditions in the case 
of historical frequency series, and illustrates the co-action of 
the two independent classifications or changing conditions in 
the case of the double-frequency series. The labor of prepar- 
ing the charts is not great and the illuminating pictures they * 
present are ample recompense- 



Chapter LVI 


RELIEF MAPS. 

It is in the more elaborate form of maps that we find the 
most frequent and perhaps the most generally understood 
form of three-dimensional charts. Every one is familiar with 
the relief-map rriodel used in the school room, in which the two 
horizontal dimensions are used for the latitude and longitude 
as in the ordinary map, but in which the varying heights or 
altitudes of the model indicate the altitude of the land, 
mountains being shown by ridges, and rivers and valleys by 
cuts and hollows. 

Business men and economists have perhaps little interest 
in the physical contour of a country, but the principles of the 
relief-map can be used to illustrate a large variety of other 
things than the actual height of the land levels. The sales 
manager may be interested in a relief-map in which the %- 
ordinates, that is, the vertical distances or heights of the relief- 
map model indicate the density of sales, as shown by per capita 
sales, per dealer sales, or by other means. The engineer may 
be interested in a relief-map in which the height indicates the 
amount of natural resources, water power, mineral deposits, 
and so on in the various localities. The economist may be 
interested in a relief-map showing the financial resources, 
wealth, crop yields, or other sociological conditions in the 
locality. 

The usual way of presenting these relief-maps upon flat 
surfaces is to indicate the height which the actual relief model 
would have in its various portions, by different kinds of 
colors or shading. If colors are used, they should be arranged 
along a color chromatic scale so that the colors themselves, 
by their changes (for example, from red to blue, through 
orange, yellow, yellow-green and blue-green), have a natural 
significance and can easily be understood. If the colors are 
carefully chosen for their tints and intensities, they can be 

66i 



662 


CHARTS AND GRAPHS 


successfully photographed, 'and will show on the photograph 
as black for the reds and white for the blues, and varying 
through dark grays to light grays for the intermediate colors. 

The problem here is to secure color tints which have not 
increasing optical intensity but increasing actinic intensity, 
for the camera does not photograph different colors precisely 
as the eye registers them. Many attempts have been made to 
adopt scales of increasing intensity of color, regardless of their 
chromatic sequence, but these attempts are almost always un- 
successful because of the extreme variation of available colors 
which may be used with apparently the same optical results, 
but with actually different actinic or photographic values. 
Moreover, the arrangement of colors solely according to ocular 
density or intensity is unsatisfactory because for the signific- 
ance of each color the reader of the chart must refer to a key. 

There are many different ways of applying color to charts. 
The disadvantage of water colors is that they tend to run 
upon the paper and are difficult to shade off, no two mixtures 
being precisely alike when laid at different times on different 
charts. Colored water-proof inks, ordinarily used in drafting, 
must often be diluted or their intensity will be so great as to 
hide any printing or labelling which was intended to show 
through the color on the chart. For extreme transparency, 
photographers' Japanese transparent inks and lantern-slide 
colors can be used. Perhaps the best results are obtained in 
general with ordinary wax crayons, the cheaper and more waxy 
they are, the better. These can be laid on very thickly and 
evenly, and can then be scraped away with a sharp knife 
edge, leaving a delicate tint through which all printing and 
labelling will be easily seen, and not warping or wrinkling the 
paper. 

Shadings are of many different kinds. The Census Bureau 
makes great use of dot shading, a number of small dots being 
placed upon the paper, scattered over the locality and by their 
number, showing the values of the data for the locality. The 
method has a decided advantage in that the charts tend by 
their crowding or scattering to indicate density visually, but 
it is a tedious method to follow in the making of the chart and 
the results do not afford any degree of accurate reading. It is 
impossible for the average reader to count the number of dots 
where these have been thickly placed and where they are so 
thick as to form almost black areas the significance of the 



RELIEF MAPS 


663 


dot has become entirely pictorial. The method is, however, 
far better than another one which resorts to dots or circles of 
various sizes in which.the areas inscribed in the circles indicate 
the yalues of the data. For in these circles of various sizes, 
we meet with optical illusions and diiSiculties of accurate chart- 
reading as well as chart making, described very early in this 
book. The area of the circle although a two-dimensional 
measure, is used to illustrate one-dimensionaf data. Dot- 
maps are often most easily made with colored map pins or 
map tacks which have been described in an earlier chapter. 

Much the better form of shading is secured by a careful 
scheme of hatching and cross-hatching lines so arranged as to 
give an optical effect of shading from white to black and at 
the same time sufficiently different in pattern to be easily 
identified from a key or appended scale of shades. 

Several such patterns of useful shadings have been designed. 
The work of drawing in these shadings, however, is sometimes 
very great, it is difficult to rule these hatching lines uniformly 
without a special instrument (section-ruler) and the whole 
process takes a great deal of time. It is therefore sometimes 
better for the average chart which must be prepared in black 
and white, to mix India ink and Chinese white in various 
degrees and ink them onto the chart as so many tints of gray. 
When this is reproduced photograjlhically the effects are en- 
tirely satisfactory for photostats, but are useless for blue- 
prints. As these tints require half-tone engravings for printed 
reproduction, it is more convenient, when the map is intended 
solely for printed reproduction, to use the forms of cross- 
hatching and shadings knov^n as ‘^Ben Day’’ in the printing 
office. When Ben Day is used, your original drawing need 
have no shading at all, the various types of Ben Day merely 
being indicated by numbers or symbols in blue pencil on your 
drawing; the engraver will insert them properly. 

Relief-map models may be compared to the smoothed- 
plane curve of the last chapter, in that the changes of types 
are never abrupt but ai'e gradual. The staircase form of these 
map models is an elevation map or table-land map which is 
less often seen. It can be best constructed with a few sets of 
maps, mounted upon boards of different thicknesses, and cut 
or sawed apart along the State boundaries. Children’s puzzle 
toys are sometimes made in the form of maps of the United 
States in which the individual States have been cut away in 



ClIJRTS Jj\D GRJPHS 


66 ^ 

this fashion, and may prove useful for this purpose. A picture 
of the elevation or table-land map is, however, easily drawn 
upon isometric paper, or upon plain paper, by tracing the 
State outlines from a regular map of the United States, after 
shifting the position of the tracing paper slightly to correspond 
to the representation of height or elevation of each State. 
Such maps are very effective in their way. 

One disadvantage of the colored or cross-hatch map upon 
paper drawings is that it represents a staircase form of map 
while most phenomena should really be smooth, as the transi- 
tions from State to State are not abrupt but gradual. To meet 
this problem, the colored or shaded map can often be skilfully 
converted into a zone map, in which the colors or shadings 
have been zoned so that no two colors or shadings appear side 
by side upon the map except those which are consecutive in 
the key or scale of colors or shading. Where the data applies 
to the entire State or other territory, these zonings are of course 
arbitrary and tend to alter significant areas in precisely the 
same way as the smoothing of a frequency polygon destroys 
significant partial areas of the polygon. The zoning should 
therefore be made very narrow, along the outlines of the 
States, in order to leave as large as possible a portion of the 
space properly colored according to the data, 
i ^ However, if the data does not represent the entire State 
or other territory, but merely indicates conditions at certain 
points, such as certain cities, the zoning should always be done” 
and the zones should be of equal width between any two 
observed points. A familiar example of this type of zone map 
is to be found in the map used by the Weather Bureau showing 
high and low pressure areas from day to day and temperature 
lines across^ the country. In fact the entire zoning process is 
merely an attempt to reproduce for the particular data, the 
same excellent results achieved by these isothermal lines upon 
the weather map. The contour lines upon topographical maps 
are examples of the same type of zoning or orthographic rulings. 

The technique of these various presentations of the third 
dimension upon the map is fully described in a previous chapter 
and we have here only hastily recapitulated the more common 
forms of maps. In the case of all the maps so far considered, 
the reader will notice a limitation, in that each map is capable 
of presenting but one set of data. Two figures for each locality 
cannot be shown upon the same map. There are, however, 



RELIEF MAPS 


665 


two ways m which more than one geographical distribution 
can be shown upon the same map. The first of these methods 
IS the very obvious-one of combining on the same map two 
methods of showing the third dimension. Thus on a flat map 
both colors and cross-hatchings can be used simultaneously, 
the colors to show one set of variables; the hatchings, another. 
The results are not wholly satisfactory. If bars or other area 
charts (circles, stars, etc.) are used to show values of course a 
series of bars or areas can be used in each part of the map, 
corresponding bars being perhaps distinguished by color or 
shading. If a stereographic map (i.e. solid model or axono- 
metric drawing) be used, of course one set of values is shown 
by the altitudes (ss-axis ordinates) and’ another by colors or 
shadings drawn upon the resulting surface. And always the 
use of numbers actually entered upon the map may give us 
further values not graphically displayed. All of these methods 
give us what might be called multiple maps, in that they are 
combinations of two or more map surfaces. The second way 
of showing more than one geographical distribution is more 
laborious in construction, but also much more illuminating. 
It is the method of the bead-map. It gives us not only multiple 
maps, that is combinations of distinct distributions, but also 
it gives us compound maps, that is segmentations of a single 
distribution. This last feature is one which cannot be satis- 
factorily achieved by any other graphic methods and can be 
showm only on a flat map by figures. The bead-map must be 
classed with solid models, for it is a rigid body occupying space 
in three physical dimensions as fully as if it were of plaster-of- 
paris, wood, or some other substance. In its construction we 
fall back upon the upright wires which were used in the con- 
struction of the plaster-of-paris model. 

The bead-map takes its name from the fact that after 
properly cutting the vertical wires, it is customary and most 
satisfactory to string beads upon them before their ends are 
inserted in the map. Beads can be obtained for use in this 
way, in many different colors, at the average department 
store. Sometimes glass beads of uniform sizes, especially 
advantageous for this work, can be obtained from the publish- 
ers of charting material. The wires themselves should be fine, 
of medium strength and spring and can also be obtained from 
charting-material publishers, especially adapted for this work. 
Where only a few beads are to be strung and the wires do not 



666 


CHARTS AND GRAPHS 


extend very far above the paper, very long and thin steel pins 
such as are used in natural history museums, can be used for 
the wires, the heads of the pins holding the beads and prevent- 
ing their escape. When wires are used, small knots must be 
tied at their upper ends, to prevent the beads from coming oifF 
the wires. The beads on each wire should be all of one color 
except that every tenth bead, or (according to the scale for 
beads), every 'significant bead, should be of a contrasting color 
so as to facilitate the counting of them by the reader of the 
map. 

These maps can be made with as many as three or four 
sets of separate wires for each State in the Union, each set 
representing a certain figure or set of data, on maps which 
^hemselves are no larger than ordinary-sized letter paper, that 
^s, SJ by 11 inches. The different wires for each State should 
be placed upon a single line or row across the State so that they 
can be easily compared and form, as it were, a vertical bar- 
chart upon the State. 

The variety of purposes to which the bead map can be put 
is as great as the uses of other relief or color maps. The sales 
manager, for example, will be interested in a map in which 
there are four columns of beads in each State, a column of 
green beads indicating the population or potential market in 
each State, a column of red beads indicating the sales of his 
competitors in the State, a column of blue beads showing his 
own sales in the State in the previous year, and a column of 
black beads showing his sales this year. A comparison of the 
red and black beads shows him how well he is keeping up with 
his competitors, while a comparison of the green and black 
beads shows him how well the market is being saturated by 
his goods, and a comparison of the blue and black beads 
shows him his last annual increase or decrease of sales. 

Another convenient form of this map is sometimes called 
the ‘Tree-map/' In this the stringing of beads upon wires 
has been eliminated entirely and small pieces of colored wood 
sticks substituted for them. A full equipment of wood sticks 
of uniform thickness and shape, but of different lengths and 
colors, can be obtained from the manufacturers of kinder- 
garten toys, being often sold for kindergarten woi'k. When 
these sticks are being used, their ends, to be inserted in the 
map, should be sharpened with a knife so that they can be 
easily inserted, after first marking upon each clearly the dis- 



RELIEF- MAPS 


667 


tances which should be left exposed, sticking up out of the map. 
After they have been driven into the map to the proper dist- 
ance, they should be removed and into the holes made by 
them drops of glue should be placed, the sticks being then 
replaced in the holes and allowed to set in the glue. The tree- 
map does not afford the possibility of exact reading which 
was possible in the bead map, where the beads themselves on 
any wire could be readily counted. If this feature is desired, 
small colored bands should be drawn at the points about the 
sticks of wood at the heights where the distinctly colored 
beads would appear, marking off on each stick of wood the 
ordinates of the various convenient values on the s-axis. 

Needless to say, the map for beads and wires, or for sticks 
of wood, should be mounted in the same way as pin maps, 
which have been described in an earlier chapter. They should 
have at least three layers of corrugated pasteboard under them 
to hold and protect the ends of wires or sticks.^ Neither 
bead-maps nor tree-maps are convenient to file or to have 
about in large numbers as they are apt to get damaged. The 
best way to file them or to carry them about is to use small 
wooden boxes or cases into which they can be slipped easily 
and fit compactly, and in which they are prevented from 
moving about by small retaining flanges inside the boxes or 
cas'es. 



^ See Chapter IV. 



668 


CHARTS AND GRAPHS 


Keys should always be -provided with every map, to 
explain the significance of colors, shadings or beads, and wooden 
sticks. These keys serve the same purpose as scales in curve- 
or bar-charts. They should be complete and carefully worded. 
It goes without saying that the special projection maps de- 
scribed in the chapter on population maps, can be used in the 
place of the ordinary land-area map for all cases where the 
significance of map areas is better shown by such projections. 

Maps need not be used only for the display of character- 
istics of entire localities and territories, but can also be used 
for the analysis of routings and conditions along certain 
routes or at certain points on the map. In this case we are 
not concerned with areas on the map but with lines or points 
upon them. The use of strings upon maps, connecting map 
pins or map tacks, has already been described in an early 
chapter. These strings can be used not only to indicate 
actual routes which will be followed by sales managers, 
travellers, or traffic, but can also be used to indicate spheres 
of influence, authority, or other connecting influences. Thus 
the circulation of a number of newspapers situated at different 
points of the country can be shown by strings (or indeed by 
mere ink lines) radiating from their places of publication to 
the residences of their furthest subscribers, different colored 
strings (or ink) being used for each newspaper. Such a map is 
sometimes useful in the analysis of newspaper circulation for 
advertising campaigns. Likewise the line of authority from 
central office to the various branch houses and from branch 
offices to the individual agencies can be similarly shown by 
radiating strings. Such maps properly belong to the class of 
combinations or superimpositions of route-charts upon maps 
described in the chapter on combinations of non-mathematical 
charts. 

When, however, we attempt to show the volume of traffic 
or travel, or the extent of any other connecting phenomena 
between two points upon the map, we come quickly into the 
field of three-dimension maps. If we wish to present this 
graphically, a very effective method has been found of pre- 
paring ribbons of stiff, colored cardboard or paper, and mount- 
ing these ribbons on edge along the route or line of traffic or 
connection, so that the height to which the ribbons rise, will 
indicate the volume of traffic or other connecting phenomena. 
The same result can be more easily obtained by the use of 



RELIEF APS 669 

colored strings connecting columns of beads which have been 
previously erected at the points to be connected. The strings 



are easily tied to the columns of beads and run back and forth, 
one string between each layer of beads, forming fences similar 
to the old-fashioned rail fences and indicating by the number 
of strings or rails the volume of traffic or other figures for the 
connecting phenomena. If we wish to present the three™ 



670 


CHARTS AND GRAPHS 


dimensional data upon a flat surface, for convenience in 
handling and filing, and the number of routes or connection 
lines is not great, we can show the comparative height of the 
various ribbons or set of strings by colored or shaded bands 
drawn upon the map connecting the points which the bead or 
string fences would connect. In this case, the widths of the 
bands representing the volume of traffic or other connecting 
phenomena. 

The reader will have seen by this time that map-charts 
are almost a field of charting in themselves, with wide diversity 
and flexibility and an infinite variety of forms, capable of the 
widest variation and adaptation for special purposes. In fact, 
the map can be considered as distinct from all other types of 
charts in that the fundamental two dimensions, that is, the 
two dimensions of the base-map itself, are used solely for the 
purpose of displaying geographic position and location (except 
in population maps) and not for strictly mathematical relations 
and that the mathematical relations must be charted upon 
this ground-map by the use either of a third dimension or of 
superimposed drawings representing a third dimension. In 
a sense therefore, the map can be considered an inefficient or 
wasteful type of chart. For economy of space and charting 
dimensions, the superior form of chart for all data having a 
geographical basis is the bar-chart in which the geographical 
location is shown by a list of stubs and the independent 
variable, that is, the geographical location, occupies only one 
dimension on the paper. This applies not only to maps, but 
also to diagrams, floor plans and other illustrations of space 
or physical localities, all of which can be treated in the same 
way as maps have been treated in this chapter. But in spite 
of these disadvantages and inconveniences, the map is so useful 
that it can be strongly recommended to the studious chart- 
maker as a powerful method of displaying such facts as are of 
sufficient importance to justify the greater labor and care 
involved. 



PART VI r. CONCLUSION 




Chapter LVII 


THE STATISTICAL MATERIALS 

Few, perhaps, of our readers, have run the gamut of chart 
forms and methods which we have described in this book 
without realizing that there is almost as surely a natural 
evolution in charts as there is in other sciences or arts. It is 
possible and would indeed be interesting to construct a dia- 
gram in the form of a tree-chart, showing the development of 
each chart iorm out of common root-forms. Within the 
bounds of our limited ability we have constructed this book 
after such a pattern. And as time passes and new forms are 
invented, or new modifications are introduced, it will always, 
doubtless, be possible to relate them to existing forms and allo- 
cate each to its proper niche upon such a diagram. 

But more interesting than the classification of chart- 
forms is the classification of the statistical materials which 
they illustrate. For the numerical arrays and tabulations, 
the counts, samplings, enumerations, and reports which we 
call statistics present even greater variety and heterogeneity 
than the charts by which we may picture them. Nor need 
such a classification be wholly academic. The coding and 
systematizing of graphic methods can hardly progress far with- 
out becoming tangled in the chaos of statistical forms, a con- 
fusion from which it cannot again escape until we have set to 
order the statistical stock-room. 

If then, we could succeed in so neatly classifying and 
pigeon-holing each type, species and hybrid form of statistics, 
that the novice could readily identify each specimen, we would 
set for ourselves this aim: That each variety of ‘^statistic’’ 
should be clearly labelled and marked with the one, two, or 
more ways of charting suitable for its illustration. We would 
have this code, key, or system, so simply set forth that the 
economist and the business man, be he ever so untutored in 
the science, could easily locate in it his particular bit of statis- 

671 



67 '2 


CHARTS AND GRAPHS 


tics and as quickly set out elFectively to chart it. This we say 
would be our ambition/ were it possible. And while many 
may doubt its possibility^ yet in this chapter we shall venture 
a few first steps in its direction, only bespeaking in our readers 
a tempering of judgment with generosity for the short-comings 
and failures which attend us. 

We do not progress far in statistics without noticing that 
all numbers are purely adjectival, and that to each number, 
in order that it may have a meaning, a substantive must be 
attached. If we only make mention of so small a thing as 
two pins we may observe that the numerical adjective ^^two’' 
holds meaning only when attached to the noun ‘‘pins.""^ Speak 
of three needles and we note that in this beginning of a statis- 
tical collection we have changed both adjective and noun. 
To make it look quite professional and uninteresting we should 
tabulate it, thus: 

Pins 2 

Needles 3 

But suppose that these pins were ordinary household pins, 
while we may discover elsewhere five safety-pins, to be added 
to our collection of pins, bringing it up to seven, thus : 

Pins, common 2 

Pins, safety 5 

Needles 3 

Now we notice that while the noun has remained the same, 
another adjective has been added beside the numbers. Many 
such qualifying additions could be made. And it is the object 
of this homely illustration to point out that while numbers 
are always adjectival, not all adjectives are numerical, and 
that numbers like other adjectives, such as ‘‘safety’^ or 
‘‘common, have a meaning only when associated with some 
substantive. 

But we stand too long on pins and needles. Let us only 
keep in mind the point that in all statistical work we must 
early recognize two variables, variates, or variable facts, 
which for convenience we have always distinguished as inde- 
pendent and dependent. It may be that at times one will 
seem the noun and the other the adjective, or that various 
adjectives will vie with each other for importance, and that 
at other times in the same data a reverse arrangement will be 
more useful to us, but always at one particular time we must 
use one variable as independent, that the other, clinging to it, 



THE STATISTICAL MATERIALS 


673 


may oe dependent. And statistical technique is largely a 
matter of the proper marshalling, commandeering and buffet- 
ing about of these two^sets of variables until they behave in a 
way that yields up to us an intelligible message. There is no 
hard and fast distinction between the two variables and their 
degrees of independence or dependence — they are truly inter- 
dependent — ^but always there are hard and fast rules which 
govern the treatment of them in such a way, that whichever 
variable is playing the independent role may be given such 
and such handling, and the other which is playing the depend- 
ent role has such and such other possible operations. As a 
rule we usually let the independent variable take its own 
course and put most of our efforts upon the dependent one, 
but this is not always so. 

Another thing which we may note at once is that statistics 
may come to us either in singular or plural form. We may 
have, as it were, a single ‘"‘statistic,^’ or a collection of statistics. 
Thus the simple fact: 

Pins 7 

may be the alpha and omega of our desired information; or the 
more elaborate statement: 

Pins, common 2 

Pins, safety 5 

may' be our objective. Here we come upon the distinction 
between what may in a wider sense be termed ^‘averages” and 
^distributions.’’ Commonly, this particular average would be 
called a ‘‘total,” for it is the total of its parts, which parts are 
forcibly brought to mind by the subsequent distribution. And 
in a specialized sense, averages and totals are very distinct. 
Thus we would say: 

Pins, total 7 

Pins, common 2 

Pins, safety 5 

Pins, average 3}-^ 

But in a wider, perhaps more precise sense, all so-called totals 
are merely averages — if you will, averages of the counts taken 
of the items, or averages for particular selections or samples. 
Into the various kinds of averages we shall not delve — their 
consideration forms the large part of most elementary treatises 
on the science of statistical methods. Let us compromise by 
distinguishing at once single and collective statistics as “aver- 
ages or totals” and “distributions.” 



674 


CHARTS AND GRAPHS 


Now before going on to collective statistics, or distribu- 
tions, let us look just a little longer at the single entry or item: 
Pins . 7 

We note that the number, 7, is a count. But a count of what? 
A count of the number, you say, of whole pins. So it is. And 
being so, it is so obvious that it has not been included in the 
statement. Could we count these pins in any other way? 
Suppose we xrount the half-pins, then there are fourteen in all. 
But this is quibbling, you say. Very well, suppose I inform 
you that these pins are exceptionally rare and are valued at 
a dollar apiece. Now you can count them as: 

Pins ...37.00 

or more fully: 

Pins (value) 7 (dollars) 

Again we discover that they are railroad coupling pins and 
weigh two pounds each. Now we can write; 

Pins (weight) 14 (pounds) 

And all the time we are merely describing in different ways 
the same objects! In short, in statistical work, we deal with 
various numbers and by them we count various items in terms 
of or by means of various units of measurement. The units 
may be, roughly, measures of volume or of value. Volume 
statistics refer to physical volume in a loose sense and may be 
in terms of linear, surface, content, weight, or other measures, 
including the mere count of the number of items. Value 
statistics refer to intrinsic worth as indicated usually by actual 
or potential price or cost, and are generally in terms of money 
of one currency or another. 

While the separate or isolated average or total may appear 
in any of these forms, it does not in any of them become a 
proper subject for a chart, for a chart is only useful as a means 
of comparing two or more figures. We do not enter the field 
of charting therefore, until we come to collective statistics or 
distributions. In turning to these, however, we must keep in 
mind the various possible forms of the individual item or 
^^statistic’^ for it is obvious that they apply as well to the collec- 
tion. The collection or table of items, then, will contain both 
independent and dependent variables, and will be composed 
of either averages or totals (now become sub-totals), measured 
in units of volume or value. In fact, the collective statistical 
statement often appears to be no more than a mere agglomera- 
tion of individual statements placed together upon a page. 



:n-IE n'ATlSTlCAL MATERIALS 675 

At other times the collective statement appears to be a more 
detailed elaboration of some individual statement. In the 
latter case the name distribution is clearly called for, but it is 
also true that the most patently heterogeneous aggregation or 
conglomeration of figures can generally be regarded as a de- 
tailed distribution of something or other. In this sense we may 
speak of the simple individual item as “undistributed” and the 
collection of items as “distributed.” 

It is in studying the various types of distributions that we 
strike the first important distinctions of data, and, by corollary, 
of charts. Four types at once come to mind, which, for con- 
venience, we may call respectively, abstract, geographical, 
frequency and historical distributions. Indeed it is not im- 
probable that in the course of time the compilers of statistical 
volumes will adopt distinct tabular forms for each of these 
types and consistently maintain these forms in their compila- 
tions. The Bureau of the Census has already adopted a more 
or less standard form of table for geographical distributions 
where these cover the States of the United States. Even 
more successful is the excellent standardization of historical 
tables by the same bureau for its “Survey of Current Business.” 
By the side of the usual confusion of tables in most statistical 
compilations the simplicity and clarity of these forms is indeed 
refreshing. 

There is very little overlapping of the four types of distribu- 
tions. The first two are essentially logical, the last two are 
essentially numerical, in respect to the bases of their distribu- 
tion or classification, which form the Independent variables or 
“stubs,” in them. The first and third are generalized types, the 
second and fourth are merely extremely common and important 
species of the first and third. The basis of the second, the 
geographic distribution, is space, while the first, the abstract 
distribution, can have as a basis, any other set of logical rela- 
tions. The basis of the fourth or historical series is time, 
while the third or frequency series can have as a basis any 
other set of numerical relations. And, of course, we can have 
what might be called composite statistical tables presenting 
two or more of these distributions simultaneously. Indeed, in 
most statistical compilations the composite distribution is 
chiefly used for its convenience of comparisons and economy 
of space. Not only can two abstract distributions be made to 
interlock in a single composite one, but two geographic and 



676 


CHJRTS JND GRAPHS 


two frequency distributions are often so combined. And 
there can be any combination of different types. In the present 
book the distribution placed at the sides^ of the table has been 
called the series of stubs, generally considered the more im- 
portant, and the other, placed across the top of the table, 
has been called the series of column-headings or captions. 

If we should attempt the explicit description of statistical 
distributions* of these various types — confining ourselves to 
single distributions only, since what applies to these applies 
likewise to each of them in composite distributions — ^we would 
find certain salient points which must be noted about the 
independent variables in each type.. Thus in describing (or 
cataloging) an abstract distribution the important things to 
note are the basis of the distribution (whether it is nature of 
diseases, causes of accidents, kinds of articles, races of the 
population, sex, marital condition, or what not) and the number 
of items in the series. Little more can be done to categorize; 
the abstract distribution. And we may note that in graphics, 
the abstract distribution is amenable to no connected method 
of illustration, such as maps or curves, but is limited to bar- 
charts (including 100% bars and circles, or pie diagrams) and 
area bars. 

In the geographic distribution there are more salient points 
to be noted. First, we should note the whole (such as world, 
continent, country, state, etc.) and the parts (continents, 
countries, state-groups, states, counties, cities, etc.), into' 
which the whole is divided or distributed. Moreover, for 
convenience we should also note the number of parts, and their 
completeness (that is, whether or not their sum forms the 
total). Population and sales statistics are often complete, 
building statistics, and morbidity and mortality reports are 
examples of commonly incomplete data (compiled from only a 
few states or cities). In the graphic presentation of geographic 
distributions we can use maps in addition to the bar-charts 
which are applicable to all types of statistics, but we cannot 
use curves. For complete data we can generally shade or color 
whole areas on the map, but for incomplete data, such as re- 
ports for various cities, we should use isolated points on the 
map. 

In the frequency series we need not only to know the basis 
of the numerical relations of the series and the number of items 
in the series, but we need also to know something very much 



THE STATISTICAL MATERIALS 


677 


akin to completeness, namely its continuity. By continuity 
is meant whether the independent variable be a discrete or a 
continuous series, and if continuous, whether it be “point” or 
“period” data. By point data we mean data for separated 
non-contiguous points in the range; by period data we mean 
data for connected contiguous or overlapping periods in the 
range. For all these forms we can use curves, as you know, 
in addition to the ubiquitous bar-charts. But for the discrete 
series, generally composed of integral varieties, we are limited 
to the staircase or rectilinear curve so closely akin to bar- 
charts. Indeed this type of distribution has often little more 
than the accident of numerical designations to distinguish it 
from the abstract distribution. For the continuous series, 
generally of graduated variates, we should give a truer picture 
by using the smoothed curve or frequency polygon, though 
for period data we make a sacrifice of the accuracy of area 
representations thereby. And we may note a further distinc- 
tion that while for discrete and period-data continuous series 
we should plot the data in the spaces between ordinates, for 
point-data continuous series we should plot the data on the 
ordinates. These distinctions have been discussed in the 
chapter on amount-of-change frequency curves. 

Lastly we come to the historical series. Here four salient 
features of the independent variable should be noted. There 
IS the range of time (the whole) covered, the intervals of time 
(or parts) used, and hence the number of items, and finally 
their regularity and continuity. The range and intervals are 
in centuries, decades, years, months, weeks, days, hours, and 
SO forth. And some tables use dilFerent intervals in the same 
distribution, such as a series of decades followed by the indi- 
vidual recent years and lastly the most recent months, making 
in all for irregular intervals. The continuity of the data here 
means simply a point and period distinction. Items for 
isolated points of time, such as stock or balance reports at the 
first of each month, or price quotations at the end of each 
week, are point to point data. These the economists call 
stock or fund figures. Totals for periods of time, such as pro- 
duction or shipment statistics, are period data. These the 
economists call stream or flow figures. And it is of course 
possible to have isolated periods reported without the inter- 
vening periods. All historical data can be presented on curves, 
as well as bars, but in the summary chart the period data is 



CUJRTS GRAPHS 


678 

shown by bars, the point data by curves. In general, wherever 
we wish such a refinement, we can perhaps more accurately 
show period data by staircase curves or vertical bars, and point 
data by smoothed curves. A far more frequent distinction, 
however, is that while period data can be more accurately 
plotted in spaces between ordinates, point data can only be 
plotted upon the ordinates. These considerations have been 
brought out in various portions of the text. 

To the foregoing discussion of statistics as regards the 
independent variable, we have now to add a brief outline of 
what may happen to the dependent variable. And here we 
can no further escape another general distinction which can 
be made between what might be called primary and secondary 
or derived statistics. The primary statistics consist of totals 
or averages which represent the original observations reported 
in the statistical table. Now these totals or averages, which, 
by the way, form the dependent or adjectival variable in the 
table, can be subjected to statistical treatment and materially 
modified, and the statistics which have suffered such treatment 
may be called secondary or derived data. 

There are two main kinds or processes of statistical treat- 
ment which can take place simultaneously or individually. 
For the sake of simplicity they may be called compilation and 
conversion. Statistical compilation is to some extent operative 
upon both the independent and the dependent variables." 
Statistical conversion is almost entirely limited to the depend- 
ent variable and though it is perhaps considerably the more 
intricate subject, will receive scant attention from us, as it 
does not greatly affect the charting method. 

Statistical compilation begins with material in its crude 
form, which is a mere listing or list. In the case of the logical 
distributions this is also about where it ends. Much rearrange- 
ment is possible, of course, but the abstract and geographical 
distributions always remain nothing more than lists. This, 
perhaps, is why neither can be shown in any graphic form 
where connection-lines represent continuity or sequence, in 
short, in any form of curve. The numerical distributions, 
however, can be so arranged that the items follow each other 
seriatim in a sensible way. In the early chapters of the book 
we have spoken of this as a case where the stubs or independent 
variable facts fall into an order imposed by themselves. 



. THE STATISTICAL MATERIALS 679 

Obviously it is nothing more than mere mathematical sequence 
in the stubs, which dictates this order. 

When a numerical distribution has been arranged in this 
ordarly way it ceases to be a crude list and becomes a special- 
ized one which is commonly called a “series.” It is now usually 
ready for charting in the form of a curve, for there has appeared 
in the data a thread of connection running through the various 
items, a thread which enables us to connect the items on the 
chart by a line. This curved line can be shown on scales of all 
the various types discussed in the sections on curve-charts, 
from simple arithmetic or amount-of-change scales to logarith- 
mic, rate-of-change, and other projections. It is not to be 
thought that the curve is something radically dilFerent from 
the bar-chart; indeed, as you know, the amount-of-change 
curve is simply a convenient sort of short-hand symbol of a 
series of bars, and the rate-of-change curves are merely special 
warpings and distortions of the amount-of-change curve with 
intent to bring out hidden relations and features in the curves. 
But it remains true that in the curve chart we are really for 
the first time, able to shift the focus of our attention from the 
comparisons or changes between individual items in a distri- 
bution, to something more complicated, the comparison or 
changes between these changes in different parts of the same 
distribution or in the same parts of different distributions. 
And to make the curve, we must first compile the numerical 
list into a numerical series. 

This first step in statistical compilation is important, 
because to the casual reader it is hardly apparent. Indeed, it 
may be that the layman, glancing over a volume of the census, 
or over any other statistical series, is quite often under the 
innocent impression that the figures he sees just grew, some- 
what as did Topsy. He does not suspect that many days or 
months of study may have gone into the determination of the 
proper group or interval limits in the series, and that over a 
year thereafter whole batteries of clerks and computing 
machines have sorted and enumerated the items in accordance 
thereto. Not all compilations are the result of such great 
attention. Regrettable it is to say, that publications still 
occur in which the raw material, the crude list, is given; but 
the compilation of data into series has not been carried far 
enough. Such lists and imperfect series tabulations are very 
likely to puzzle the student unless he detects the unfinished 



68o 


CHARTS AND GRAPHS 


treatment and completes the* process of orderly series arrange- 
ment. 

The simple series is the major step dn the tabulation of 
numerical data but it is by no means the last, if the data be 
of the ^'period'' type. If the data refer to scattered, isolated 
points of time in a historical series or points in a continuous 
frequency series, it may not be feasible to subject it to the 
processes about to be described. But period data (including 
discrete frequency series) in which the periods covered by the 
items are co-terminous and contiguous, can be subjected to 
the familiar process of cumulation and moving total (and 
average) calculation. In effect these processes change the 
separate groups or intervals into overlapping groups. In the 
cumulation, the overlapping is in one direction only; in the 
moving total (or average) (taken in its proper position as at 
the middle of its period) the overlapping is in both directions. 

Slight differences may be observed in the susceptibility of 
the two numerical distributions to these processes of over- 
lapping. Thus the frequency series can be cumulated in either 
direction, either backward or forward, yielding a ^‘more than” 
or a ^^\ess than” cumulative. It may then be plotted in the 
familiar form of the ogive curve, of which both axes may be 
either arithmetically or logarithmically projected and for 
which the probabilities curve is the great analytical medium. 
The historical series, on the other hand, is sensibly cumulated 
only in one direction, and the curve of the cumulative is most 
especially used in the Zee-chart and its bars in the Gantt 
Progress chart. The historical series, moreover, can be sub- 
jected to moving total and average calculations, for any length 
of time or periodicity, and the moving series is to be used in 
curve charts of all kinds, while the frequency series is never 
subjected to this process except in some statistically technical 
calculations of the mode and smoothing processes. The subject 
of moving totals and averages and cumulations has been dis- 
cussed in detail in the text.i 

We come, lastly, to the other form of statistical treatment 
by which secondary data can be derived from primary stat- 
istical sources. It relates normally to the dependent variable 
and is the process of conversion of absolute data into relative 

1 Beyond the cumulative and^ moving or progressive totals, which are somewhat 
in the nature of integrals within limits, the processes of differentiation and integration 
are not included in this discussion. 



. THE STATISTICAL MATERIALS 


68 1 

data of various kinds. The absolute data is the original data 
Itself, whether statistically compiled or not. It occurs in the 
form of totals or averages, which measure items in terms of 
various units of volume or value. The relative data is always 
the result of comparing this absolute data with other absolute 
data. The latter, with which comparison is made, may in 
general be called the base of the relative data. The relative 
data itself is of several varieties, which we will briefly mention, 
and occurs under many different names. Its relativity is 
usually obvious enough but is sometimes so completely dis- 
guised by ambiguous titles or nomenclature as to be difficult 
of detection and when this occurs its analysis may prove a 
baffling problem to the inexperienced. 

The most familiar form of relative data is the percentage, 
or series of percentages, of which the total is 100%. It is the 
result of comparing the parts to the whole, or the items in a 
list or table to the sum thereof. In particular we may note 
that the base is common and constant, the same base being 
used for each and eveiy percentage. Hence the percentages 
bear the same relation to each other as the original numbers 
or quantities which they represent bear to each other. The 
percentages, in fact, are but the same statistical facts reported 
in terms of a new unit of measurement. And so the percentage 
series may.be subjected to cumulative and moving total (and 
•average) calculation almost as readily as the original numerical 
quantities. 

The next important type of relative data is that to which 
the special name “relative figures” is given. These share with 
the percentage figures the feature of a common and constant 
base; but differ from them in the relation to their base. 
Relative figures are not to their base-figure as parts to a whole; 
their sum does not total one hundred per cent. The relation of 
relative figures to their base is an item to item relation; that 
is, it is the result of comparing the original numbers, sometimes 
called by distinction, the “numerical data,” with one of the 
component items. When the base-figure is more or less ima- 
ginary, being a combination of several often incommensurable 
base-figures, the relative figures are called “index numbers,” 
though the latter term is by some writers loosely applied to all 
relative figures. Owing to the use of common and constant 
bases (for each series), relative figures and index numbers can 



CHARTS AND GRAPHS 


682 

be subjected to moving total and average calculation, but 
their cumulation is usually of no value and significance.^ 

The last group of relative data differs from the foregoing 
in the use of various and different bases within each -series 
instead of a common and constant base. Such series are always 
formed by comparing the items in one series with corresponding 
items in another series. Hence the items in the second series 
are the bases for the items in the resulting relative data. 
Where the latter stand in the relation to their bases of parts 
to wholes, they form percentages. Where they are not in this 
relation, the most common result is a per capita figure, '^per 
family,'’ ^^per dealer,” etc. In either case when the fraction of 
ratio is very small it is usual to multiply by a thousand or some 
other constant, and so achieve a ^^rate.” These relatives come 
in a wide variety of ways and under an equally wide variety 
of names. But they all have in common the feature of shifting 
inconstant bases. And as a result they cannot ordinarily be 
cumulated or smoothed by the moving total (or average) 
process. When we desire to compile them in these ways it is 
only proper to return to the original data and the base-figures 
' and perform the operations upon them, that the smoothed 
relatives may be secured from their comparison. 

At this point we draw to a close a very rapid survey of 
types and varieties of statistics as such. It is our hope that 
the reader will find such a panoramic view of value in his 
statistical work and the charting problems that arise therefrom. 
It is our hope that in time the classification and cataloging of 
statistical forms will become so simplified and improved that 
it can be used with immediate profit by the novice, as floral 
keys guide the amateur botanist to the name and description 
of the wayside flower. There is no reason why this codification 
and systematizing cannot take place, the structure of forms is 
really very simple, and the writer has no patience with the 
pernicious, though often unconscious, attempt to throw dust 
- in the eyes of the layman and make technical problems appear 
more difficult than they really are. 

He who has read with a broad comprehension the text to 
which this survey of statistical forms is the conclusion, will 

® A minor variation of both this and the next type of relative, is the chain-per- 
centage or link-relative, in which the base is not constant, but is always the preceding 
figure in the same series. It is a form of differential or successive differences. See 
rote in Chapter XXVI, page 307. 



, THE STATISTICAL MATERIALS 


683 


understand that graphic forms as well, are varieties and varia- 
tions of a common root illustration. He will know that this 
common root pictur-e is the representation of a single number 
by a straight line. He will know that any collection of numbers, 
be it an abstract, geographical, or numerical distribution, can 
be presented graphically by a collection of straight lines, 
which, if joined end to end, form a 100% bar; but if placed 
side by side form a bar-chart. The development of the pie- 
chart ftom the 100% bar, he will understand as merely a sub- 
stitution of the circular for the straight line. The development 
of the curve he will understand as merely the connection and 
epitomizing of the bar-chart, suitable only for numerical series, 
whether frequency or historical. The varieties and modifica- 
tions of curves will have no mystery for him. The area and 
three-dimension charts will stand before him as amplifications 
and combinations of bar-charts and curve-charts, suitable for 
interlocking composite distributions. The map will be but a 
variant of the latter, in which two dimensions of the paper 
picture the independent variable in geographic distributions, 
by longitudes and latitudes. The 100% triangle, the nomo- 
graph, and the calculating charts will be but patterns in which 
the two dimensions of the paper are devoted to the laborious 
illustration and proof of the very simplest propositions in 
gebmetry. This is really all there is to charts. 



Chapter LViH 


THE FUNCTION OF CHARTS 

A world turning to a saner and richer civilization will be a 
world turning to charts. From this conclusion, unwelcome as 
it may be, there is no escape. The case for the chart may even 
be sketched in a few schoolboy syllogisms, woven through the 
related ideas; civilization, clean-cut thinking; precision of 
thought, numerical statements; statistics, charts. With the 
last step in this chain, this book has attempted to deal. With 
a brief summary of statistical data the last chapter has provided 
us. There is no need to dwell upon the importance of precise, 
clear thinking, either in business or in economic studies. 

■ It remains to glance ahead a bit at the mechanics of the rela- 
tions which charts will assume with the civilized world at 
large, and to venture a few predictions as to the nature of 
these relations. 

And for this larger view it seems well to begin by amplifying 
our original definition. A chart is an image or graphic repre- 
sentation of abstract relations. Where these relations are not 
of a numerical nature, the chart is non-mathematical in 
character and is closely akin to the other graphic arts of a 
purely pictorial character; indeed its only distinction from 
paintings, photographs, and the like, appears to lie in the 
abstract nature of the ideas which it diagrammatically or 
schematically expresses. But where the relations are numerical 
and the subject of the chart is statistical, the chart is mathe- 
matical in character and forms a distinctly new branch of the 
graphic arts. While the artist will seek to present two groups 
of ten and twenty horses' each by a picture of so many horses, 
placing his emphasis upon the realistic likeness of his drawing 
to horses, the chart-maker will seek to present the same 
objects by, let us say, two bars, which by their lengths express 
the numbers twenty and ten. His chart of horses will be 
exactly like his chart of two similar groups of ships, or his 

684 



THE FUNCTION OF CHARTS 685 

chart of two very much larger groups of horses in which the 
group proportions are unchanged. He can, indeed, with equal 
facility make a chart-for groups of two million and one million 
horses, a task which would be beyond the powers of the artist. 

In subject-matter, then, the chart is universal, and hence, 
too, in its potential appeal and usefulness. No one can think 
of two numbers and attempt to comprehend their significance 
without, at least unconsciously, visualizing them; the number 
which does not conjure up in our minds some picture of quan- 
tity remains meaningless to us. 

In this sense, therefore, everyone who deals with numbers 
is already a chart-maker and a chart-user. We have no choice 
between the use of charts and the use of statistics; we have only 
a choice between the use of written or physical charts and the 
u.se of imagined or “mind’s-eye” charts. Often, indeed, the 
latter are sufficient, and many persons, it is true, still prefer 
under all circumstances to carry all the pictures of their num- 
erical data in their minds. But for the careful study of import- 
ant figures, or for the casual study of large bodies of important 
figures, this is obviously the less efficient method, and the 
physical record, the written or graphic chart, comes into 
service. It is more permanent, more convenient, and more 
accurate. 

The technique of the chart is also, in a sense, wider than 
that of the other graphic arts; indeed, it comprises something 
of the technique of all the arts. The reader of this book has 
seen that we have drawn statistics with pictures, and sculpted 
them as models and we have reproduced them by photo- 
graphy and by lantern slides and by printing. In this we 
have freely used design, relief and color. It may not be too 
much to add that some day we shall set charts to music, to 
enhance their graphic value, evolving a musical expression 
of statistics. This will seem less improbable when we consider 
its use in the accompaniment of moving pictures of charts. 

The animated chart, made possible by the motion-picture 
film, has long been a dream of the author. Its graphic value 
will be great in the presentation of fundamental economic facts 
to the general public, or of special statistics to special audiences. 
By its means the important chart can be presented in various 
stages of completion, and attention can be focused in turn 
upon each change, development, or addition to the picture. 
Thus in a bar-chart, the labels can appear first, then each bar. 



686 


CHARTS AND GRAPHS 


with its data, can appear, one after the other, until the bar- 
chart is completed. Curves can be shown wiggling across 
co-ordinate rulings, with close-ups of each important added 
wiggle. Maps can appear first in outline and the shadings 
can appear and spread across the map by simple tricks of 
photography, and these shadings can be altered to show 
changing conditions for successive points or periods of time. 
The ‘^movie’*’ of statistics is clearly coming, for schools and 
colleges, for the general public, for the scientific or academic 
meeting, and in business, for director’s meetings, for sales 
conventions, and for advertising purposes. 

In all chart-making, a distinction which will become in- 
creasingly recognized is the distinction between charts for 
popular consumption and charts for research purposes. This 
is no more than adapting the chart to the audience for which 
it is intended. And there can be as many diflFerent proper 
charting ways as there are different degrees of familiarity with 
charts and ease in chart-reading. For extremely popular 
presentation, the pie-chart is always effective; bar-charts 
should be converted into series of circles and curves into 
vertical bars whenever possible. For more sophisticated 
readers the amount-of-change curve can be used; for the tech- 
nical and semi-technical, the simpler forms of the rate-of- 
change curve are permissible. The probabilities and other 
special projections will be really understood only by the 
experts; and are essentially charts for internal consumption 
in the research laboratory. 

Though everyone can be told how a bow is carried across a 
violin string, we do not expect all to play the violin well. 
And though the technique of chart-making can be simply 
explained, we cannot expect everyone to make good charts. 
The chief source of good charts will always be the statistical 
departments of large organizations. When the organization 
is an institution for the promotion of research in some special 
field, the statistical staff will of course be well manned. But 
the greatest strides, at least in chart-making, if not also in 
statistical methods, will in the future be made in the statistical 
departments of large business organizations. 

In business the function of the statistician is two-fold, 
comprising on the one hand special research and investigations, 
and on the other hand, the co-ordination and intelligent report- 
ing of current business operations. In both of these, charts 



THE FUHCTIOH OF CHARTS 687 

are essential implements. In the research field the statistician 
has often a scouting function, his job being to look ahead and 
try to forecast the future development of the house and its 
markets. In the reporting field he assembles and interprets 
the operations of all the other departments; purchasing, pro- 
duction, shipment, warehousing, sales, and other collections; 
and of the business as a whole: inventories, costs, and profits. 
His position here is that of liason or intelligence dfficer between 
the responsible head of the business and his subordinates*, and 
also between the responsible subordinates and their depart- 
ments. To get the fullest use of the expert intelligence in 
visualization and analysis, one of the vice-presidents may be 
himself a professional statistician and chart-maker of the 
highest specialized training, but in the past the average statis- 
tician has not often displayed a sufficiently practical view- 
point to justify this connection and the wealth of significance 
which lies in the records of the individual business house is 
untapped by those who must guide it. 

Comparable to the lawyer who brings to the guidance of 
business enterprise an intimate knowledge of legal technical- 
ities, is the business statistician who brings to it an intimate * 
knowledge of statistical interpretation. In business houses 
where the operations and problems are of astandardized nature, 
his' skill will not, except in very large concerns, be constantly 
needed and the statistician here becomes a consulting expert 
rather than a permanent officer. In such concerns the report- 
ing procedure can be quickly set in motion and standardized, 
so that it can be carried on thereafter by clerks. The Gantt 
progress-charts and a few of the simpler curves and maps are 
all that need be installed, after the proper system of records 
from the accounting and other departments have been estab- 
lished. In business concerns of more variety of operations, 
the trained statistician is necessarily more of a permanent 
member of the personnel and the work of forecasting is likely 
to be seriously entered into. Here the widest variety of charts 
come into use, for a nice understanding of their graphic value 
and true significance is available. Here it is often profitable 
to maintain a special statistical '‘laboratory’' with complete 
facilities for statistical sources, compilation and analysis and 
for graphic records. 

The well-furnished statistical department should, of course, 
contain the mechanical calculators, the double-entry adding 



688 


CHARTS AND GRAPHS 


xy 


Computihs Clerks 


O 


or 

Typist 


D 


PLOOR-PLAH 

for 


Small 

Statistical Department 


KEY 

P * Projector 
C s Calculating machine 
A = Adding and listing machine 
T ~ Typewriter, one long carriage 
one variable typ 

D = Desk 
L = Light -box 
P « File 
S • Shelves 

ft * Map and tracings file 



Fig. 496. 


and listing machines, the multiplying and dividing machines, 
and perhaps the card-punching multiple-entry machines (the 
true posting machines). It should contain full drafting 
facilities and perhaps also blue-printing or photostating ma- 
chinery. These things obviously belong to the workroom, 
which should be apart from the office of the directing and 





THE FUNCTION OF CHARTS 


689 


creative statistical officer. But tlie department is not complete 
without full accommodations for the successful study of its 
results. There should be a conference room, convenient to 
and properly fitted for the use which will be made of it by the 
directors or vice-presidents and responsible heads of the 
business. 

In the conference room the charts perform their chief- 
function in business, as guides to the formation of policies. 
The room should be equipped with a light-box for the com- 
parison of curves and with a screen and projector for charts 
which it is desirable to exhibit to several persons at once. 
Important data can be permanently posted on large wall- 
boards and these wall-boards, by the use of sliding panels, 
can hold large bead-maps as well. All important data should 
be on record in chart form, either in looseleaf binders or vertical 
files. Needless to say, the room should always be locked up 
when not in use and the keys to it should be in the hands of 
but two or three persons. It should be the repository for all 
information about the concern which is of value in the forma- 
tion of policies, this information being in chart form because , 
of the ease with which it can then be consulted. 

Of a much more general nature are charts for popular con- 
surnption. These are appearing with increased frequency in 
.newspapers, general magazines, and technical publications. 
The day will come when no statistical compilation will be 
regarded as complete until it is illustrated with charts which 
present its major significance. The greatest development of 
charts, here, however, will take place in the advertising 
columns, and in general for propaganda work. For the proper 
chart is an excellent weapon against the inertia, indifference, 
and often hostile attitude of the average reader. It is not 
mereiy the best kind of eye-catcher for calling attention to 
numerical data, it is also the most convincing proof of that 
data. The most casual reader stops a moment before any 
diagrammatic puzzle to examine it. If he finds incidentally 
that he immediately understands it, he is perhaps at once 
pleased with it and is sure at least to carry away with him a 
memory of the message it conveyed. That such charts should 
be of the simplest, goes without saying; and here too, expert 
skill in chart-making is desirable. For the right chart is 
strong in inverse ratio to the technical ability of the reader, 



690 


CHARTS AND GRAPHS 


and the less effective would be text or tables, the more powerful 
grows the right chart. 

In all fields, scientific, academic, and commercial, the chart 
is a medium of expression too forceful to be overlooked, too 
valuable to be neglected. Its future growth will assuredly be 
rapid and perhaps in many ways even startling. In this book 
we have set forth many ways for the presentation of statistics 
and statistical relations. The category is, however, by no 
means complete. It cannot be complete, for the charts are 
still in the making, and the methodology of graphic illustration 
is in no sense that of a perfected art. There is room for much 
improvement in existing chart-forms as well as in the develop- 
ment of altogether novel forms. New ideas will come out of 
the research laboratories, new methods, new forms, new 
charts. The distinction between graphs for popular publica- 
tion to the general public and graphs for internal consumption 
in the statistical workshop, will become more marked; and as 
public knowledge increases, charts will pass out of the work- 
shop into the magazine and book page, no less through adver- 
tising than through text columns. 

We are finding a new language, the grammar of which is 
not yet completed, nor the dictionary written. It is well that 
this is so, for codification and systemization easily bring 
stagnation; and volumes such as the present, in which the 
existing material is set in order, must not be allowed to stifle 
new growth. The reader is urged not to permit the rules laid 
down in this book to restrict his efforts, but rather to allow the 
principles set forth to stimulate his imagination and enterprise. 
The pictorial display of mathematical and numerical state- 
ments is an illustrative art, with the high object of facilitating 
human understanding and vision, an end the achievement of 
which justifies all means, be they orthodox and accepted or 
novel and previously untried. 


FINIS 



APPENDICES 




Appendix A 


IMPLEMENTS FOR MAKING CHARTS 

The equipment which should be available in a chart- 
making or statistical office depends, of course, a great deal 
upon the types and forms of charts which will be developed 
and the nature of the data which will be handled statistically. 
Charts can be made at home or in the very smallest office, 
with nothing more than a draftsman’s ruling pen, some India 
ink, and good paper. As the chart-making work grows, more 
drawing pens will be added in order that different colored inks 
can be ruled in without delays, and in order that several oper- 
ators can be drawing at the same time. A good drawing board 
is necessary and perhaps two drawing boards are best, one 
about 24 by 30 inches for large charts, and the other about 
18 by 24 inches for smaller charts. Together with the drawing 
board, there should be a T-square and small triangles or tri- 
squares. Occasional need arises for one or two patterns of 
French curves. A good drawing set includes a compass or 
dividers for the drawing or circles of circular outlines. Several 
dotting machines for the drawing of dotted, broken, and dotted 
dash lines are on the market, and when they can be success- 
fully used, save considerable time, but they are not always 
successfully used. A section-liner is almost essential for much 
cross-hatching work. A protractor is necessary where circles 
will be divided into proportional parts and angles must be 
used. For bar-charts, a double ruling pen, or railroad pen, is 
a great convenience, adding to the appearance of the chart 
by making more absolute the uniformity of the bar widths, 
and greatly decreasing the amount of time required for the 
making of the bar-chart. (This pen rules in two parallel lines 
simultaneously.) Bar-charts can also be made on large scales 
with adhesive tape or passe-partout; and several mechanical 
bar-charts are now on the market in which cloth tape is un- 
wound from invisible or hidden spools and drawn out to the 

691 



CHARTS AND GRAPHS 


6y'2 


required length of the bar-chart. These last are useful where 
the length of the bar-chart must be frequently changed and 
brought up to date (as in a sales-manager’s of&ce where the 
bars represent the weekly averages or cumulatives of the^work 
of the individual salesmen). In map work, a curved ruling pen 
is sometimes an advantage for the drawing of rounded curves; 
better still, is the Payzant lettering pen. A planimeter is 



Permission of Keuffel b* Esser, N. F. 

Fig. 497. The Payzant Lettering Pen. 

often useful for checking up total areas on the map. A panto- 
graph is a device by which outlines can be copied on larger or 
smaller scales, and is sometimes useful in map work; very 
cheap pantographs can be obtained, which will ordinarily be 
satisfactory. 

A straight-edge is useful for the cutting of paper, and the 
best knives available are the ordinary one-sided razor blades, 
as the paper-cutting knives require frequent sharpening. The 
straight-edge is necessary because from time to time in the 
cutting and trimming of paper the edge itself will be cut into 
by the knife and if the T-square has been used the T-square 
will then be ruined. Ordinary camel’s-hair brushes are often 
used for applying water-color or ink to maps; but the best 
way of coloring maps, as has been previously described, is 
by the use of wax crayons, the cheaper and waxier the better, 
the wax being afterward removed by a sharp knife-edge or 
razor blade, leaving the desired color tint. For the quick 
filling in of bars and solid areas, the lettering pen is desirable. 
It can be obtained in many sizes, but the results are not 
entirely even and smooth unless the operator is skilled. A 
special pen (the Payzant) has been put out for fine lettering. 


IMPLEMENTS FOR 'MAKING CHARTS 693 

which has a round nub with a well similar to that in a drawing- 
pen, holding considerable ink. This pen is also available in 
several sizes. 

Typewriters should be used as far a® possible in the letter- 
ing of charts, as well as in the entry of data upon the charts. 
The process is much more rapid than hand-lettering, and the 
results are, for the average-sized chart, usually better. There 
are two sizes of standard typewriting type, “pica” (10 char- 
acters horizontally to the inch) and “elite” (12 characters 
horizontally to the inch). Unless large type is especially 
desired to facilitate small reproductions, the elite is better, 
for it enters all figures in less space. Any special type-faces, 
such as Gothic or Italic, may be had, but the usual type-face 
is Roman. The figures come in two styles in all machines, 
“book-keeping” and “regular.” Book-keeping type has 
slightly greater visibility but gives uneven lines, as the 
numerals have swinging tails. The regular numerals are 
usually more satisfactory. 

The typewriter carriage to use for chart-making should 
accommodate 11-inch paper (and larger, if charts are being 
made on sheets larger than 8|xll inches). One standard 
machine (the Royal) will take 11-inch paper on its regular 
carriage, all other makes require long carriages. The type- 
writer to use for chart-making should also so hold the paper 
as to print down to the very bottom edge of the paper without 
shifting. There is but. one standard machine (the Royal) 
which will do this. Besides the standard machines, the 
Hammond has good features for chart-making in that it will 
print any style of type at a moment’s notice, 9 lines to the 
inch instead of 6, and will space the characters properly (and 
if desired, as close together horizontally as 18 characters to 
the inch); but this machine is not so easily handled by most 
operators as the standard machines, because it has a three- 
shift key-board, and, while it will accommodate any size of 
paper, the paper is likely to shift slightly in it and cannot be 
used down to the bottom edge. 

For the statistical work, special computing machinery is 
desirable, both for its speed and for its accuracy, being for these 
reasons, where the amount of statistical work to be done is 
considerable, a great economy. Computing machinery is in 
general of two types, the adding machine and the calculating 
or multiplying machine. The adding machine can be obtained 



694 


CHARTS AND GRAPHS 


in both printing (or “listing”) and non-printing types. Ob- 
viously, the printing machine is far more desirable because the 
operation can be checked back by an examination of the printed 
page or record. A special type of adding machine, called the 
duplex model (Burroughs), is desirable for work in which 
totals of parts will be required. These part totals are known 
as transfer-totals, the machine having two faces, the one of 
which clears without removing the record from the other face, 
so that several adding operations can be conducted at the same 
time. The duplex machines are particularly useful in the com- 
piling of statistics by States, the part totals being taken off 
for State groups, and afford a great saving in the detection of 
errors when the data is checked over. Still a third type of 
adding machine is the mechanical tabulator (such as the 
Hollerith), which works with punched cards in which the 
amounts to be entered with full descriptive detail, are repre- 
sented by holes in a card, and these holes operate the machine, 
just as do the holes in the records of the player-piano and 
similar devices. This is the true posting machine — it sorts, 
posts, and adds, with a typewritten record if desired, auto- 
matically. 

The calculating or multiplying machines so far manufactured 
are only of the non-print type and leave no written record. This, 
of course makes errors more difficult to detect. There are two 
general types of machines. The first (such as the Burroughs or. 
Comptometer) automatically adds as fast as the operator punches 
the keyboard, and calls for specially trained operators who can 
punch several keys at once and continue punching the same 
keys the proper number of times to effect the multiplication 
(shifting the position of their fingers on the keyboard for 
each new digit in the multiplier). The second type of machine 
performs the same operation automatically from a single 
punching of the keyboard. The operator may be required to 
turn a handle the proper number of times to effect a multipli- 
cation, and to shift the recording dials one space for each digit, 
but the work is very quick and absolutely accurate. In the 
latest model German machines, electrically driven, the work 
is entirely automatic after the setting of the keyboard. Adding 
and calculating machines are economical of time and expense 
if electrically driven. 

All of these calculating machines are virtually multiple- 
adding machines, for effective quick addition. They are 



IMPLEMENTS FOR- MAKING CHARTS 695 

accurate to the last figure recorded. For many statistical 
purposes, however, such as the figuring of percentages, accur- 
acy is not necessary beyond the third or fourth figure. For 
such,, work, a slide-rule is sufficient and, though harder on the 
eyes, is much more portable and is indispensable in the statis- 
tical office. The accuracy of reading increases with the length 
of the rule; and slide-rules are made five, ten, and twenty 
inches long. Further accuracy can be gained ’by the use of 
magnifying glasses fitted on the runners of the rule. Needless 
to say, slide-rules will perform many operations outside of the 
powers of the calculating machines. 



Appendix B 


STEPS IN MAKING CHARTS 

In statistical oiHces, both large and small, it is desirable 
to have as near as possible an approach to what may be called 
'‘straight-line methods’’ of chart production. Only by the 
institution of such methods can the routine work of a large 
number of charts be satisfactorily and economically accom- 
plished. For this purpose, it is desirable to break up the work 
of chart-making into various steps and stages, and to have the 
individual charts, as they pass through these stages, pass from 
the desk of one operator to another in a regular series and 
direction. The various steps outlined below will be found to 
be a fairly complete list of the stages through which different 
kinds of work will pass. Very often, however, some one or 
more of these stages will be omitted for particular charts and 
for particular data, 

I. The first step in chart-making is, of course, the collec- 
tion of data or statistics, namely, the information to be shown 
upon the chart. This information can be gathered in two dif- 
ferent ways. The first way ought, wherever possible, to be 
followed out, whether the second is used or not. 

^""The first way to gather data is to consult and collect all 
information previously compiled by other investigators on the 
particular subject. This is a class of research work ordinarily 
involving the consultation of the various books, pamphlets, 
and other authorities in the public libraries, and calling for 
the services of fairly skilled library workers. A reasonably 
complete knowledge of the various sources and authorities in 
which the particular information sought is likely to be found 
in its most useful and complete form, is of course desirable, 
in order that the search will not take too much time. When 
the information has been found, it can be carefully copied 
upon specially prepared work-sheets or data sheets by the 
investigator, or, if the data is in compact form, it can 

696 



STEPS IN MAKING CHARTS 697 

be photographed or photostated and the photostatic copies 
used in the office. The latter method, though apparently 
more expensive, is far more accurate and reliable and more 
economical of time, so that, in the end, it is generally the 
cheaper process. 

The second method of gathering the information is by the 
use of field investigations. It is an independent and original 
study for the purpose of securing primary information rather 
than secondary information (i.e., information taken second- 
hand from other investigators). The field investigation may 
be carried out by a skilled investigator, if it is not too exten- 
sive and if the resources are available for sending a thoroughly 
skilled investigator out. When this is not possible, or when 
the extent of the investigation is very great, the method of 
questionnaires can be used. In this case, the art of question- 
naire-making comes into play, for the drawing up of a question- 
naire is by no means as simple as it might appear. 

Z"'" A good questionnaire is one in which no question can be 
misunderstood; one in which each question is capable of only 
one meaning and of a precise answer of one type only. More- 
over, a person who has drawn up a questionnaire must be 
able, beforehand, to envisage his entire problem, foreseeing 
all moot points and issues which will arise in the course of the 
inv'estigation, and to which answers will be desired. Lastly,’ 
the questions must be so framed as to avoid, as far as possible, 
any psychological reactions either upon the part of the investi- 
gator or of those whom he questions and consults for his in- 
formation. In fact, the psychological difficulties about many 
questionnaire problems are the principal obstacles, and the 
method of questionnaires is fast losing ground for precise 
statistical compilation, because of the careful analysis and 
psychological interpretation, translation, and correction to 
which the answers must be subjected before they can be satis- 
factorily compiled. And great as is the task of preparing and 
conducting a satisfactory questionnaire, the problem of 
compiling its answers is sometimes even greater, and requires 
a staff of more than ordinary intelligence. 

And in both research and field investigation work, wherever 
clerical tasks have been performed, it is, of course, necessary 
that careful checking be done on all such clerical work in order 
to catch and correct errors which are humanly inevitable. A 
definite place in the schedule of preparing charts must be 



698 


CHARTS AND GRAPHS 


given, to this work of checking back for accuracy on all the 
clerical work performed. 

n. The second step in the routine, of chart-making is 
ordinarily called the computing. This often requires that the 
data be first copied upon specially prepared forms or work- 
sheets, so that it may be subjected to the proper processes. 
The computing should, as far as possible, be planned con- 
siderably in advance in order that work may progress evenly 
and smoothly. The work is of a clerical or statistical nature 
and calls for the services of statistical or computing clerks, and 
frequently also for a battery of adding and calculating 
machines. The work-sheets which are to be used for the job 
should be carefully designed with an eye to the machinery by 
which the processes of calculation can be most easily performed. 
Thus, in cases where totals and subtotals are desired, the work- 
sheets should be designed so as to fit into the adding-and- 
listing machines in order that the machine may operate 
directly on the work-sheet and not upon the usual tape. If 
the work is first done on the tape, it will have to be copied on 
the work-sheet, with the unavoidable percentage of error and 
'the great additional time and labor involved. The only alter- 
native is to paste the tape on the work-sheet, and this will 
not be possible if the work-sheet is not large enough. Needless 
to say, for all computing steps the most rigorous checking for 
errors is necessary. If possible, the computing should be so 
done that it is self-checking, or easily checked for accuracy by 
a single checking operation performed upon the totals for the 
data. It is best, therefore, when the adding machines are to 
be used, to have work sheets in which the lines coincide with 
the adding machine lines, so that the sheet can be run through 
the machine instead of tape. Moreover, if possible, the 
items to be added should be entered in a column, with blank 
lines between them, so that the machine entries may appear 
immediately below the hand-written entries, this reduces error 
and facilitates checking. 

in. The next step is the beginning .of the chart-making. 
The general character of the charts to be used should have 
already been determined. Suitable chart-forms should have 
been obtained from some publisher, or made to order by one’s 
own printer. These forms should accommodate the data in 
typewriting. And this step, therefore, may be called “entering 
up the chart. It calls for the services of an intelligent and 



STEPS IN MAKING CHARTS 


699 

capable ''tabulating typist/' for the work must be both accu- 
rately and neatly done. If, in the case, for example, of curve- 
charts, the ordinates, at which the data must be entered have 
been^ placed at uniform typewriter intervals of one-third of 
one inch, the typist will be able to work rapidly and smoothly, 
and work will cross this desk promptly. One good typist, 
under such circumstances, can keep half a dozen compiling and 
drafting clerks busy, and will generally find time to do comput- 
ing work as well. Again, checking for errors is necessary. 

IV. When the final data has been entered upon the chart, 
the next step is one of plotting this data in chart form. The 
immediate proximity of the data to be charted upon the chart 
itself, as placed there by the last operation, makes this drafting 
or plotting process extremely easy, and where the chart-fields 
have been already printed or drawn upon the paper, the 
drafting requires little more than the proper selection of 
plotting points and the careful ruling in of curved lines or bars. 
The work calls for the services of an ordinarily intelligent 
clerk and only in the case of veiy complicated charts, or in 
cases where extra lettexing and entering of data will be done 
by hand, is it necessary that skilled draftsmen be employed.- 
The draftsman should work under the best available light, as 
the eye-strain of careful plotting or ruling is severe. Art 
school students and engineering school students are generally 
qualified to perform this work capably. Again, the process of 
checking must be carefully done to detect error. 

V. The final step on any chart is the labelling and the 
finishing up of the various details left unfinished in the type- 
writing and plotting stage. Unless the foi'm of title for the 
chart has been standardized, the problem of a correct, com- 
plete, and easily understood title for a chart is sometimes very 
difficult. And the title should, in general, be made by the de- 
partment head or statistician who is responsible for the work. 
There should always be a portion of the chart sheet in which 
the title can be conveniently located where it will be at once 
apparent to the reader. In the case of historical curve-charts, 
where the field is low on the page, the title naturally belongs at 
the top. In other cases where the chart is higher up on the 
page, the title can be placed below the chart. 

A good title should not merely give the nature of the 
phenomena shown by the chart together with the general kind 
of analysis followed by the chart, but it should also give such 



700 


CHARTS AND GRAPHS 


distinctive details as will separate the chart from all others in 
the series. Where the series of charts is clearly connected, 
as in historical curves, the date or year of the individual chart 
can be placed in the corner of the paper, the chart title Iseing 
reproduced alike on all charts in the series. In addition to 
the title of the chart, the chart should also tell its source, that 
is, the authority for the information it presents. And, in 
addition to these two items which must be typed upon the page, 
there is generally considerable labelling of data columns. 
Sometimes there is labelling of individual curves upon the 
chart-field itself. 

When all this has been done and the chart has been dressed 
up in its final form, it should be carefully inspected by some 
one competent, as far as possible, to detect errors which appear 
in the chart; and the chart should have in one corner a place 
for the “O. K.” signature of the person in authority who has 
finally approved of the chart. In addition to this approval 
signature, the data of approval should be shown so that charts 
of different date of manufacture can be easily seen and the 
latest and most reliable chart distinguished. 

Personnel. — In short, it will be seen that the statistical 
office has, in the main, five major processes, namely: research 
work, computing, typing and printing, drafting, and inspec- 
tion (including titling), and, in general, it may be said that 
these processes call for different types of workers, namely: 
research workers or librarian, statistical clerks, typists or 
letterers, draftsmen and artists, and statisticians. 

Notes. — In addition to the finished chart itself, it is some- 
times desirable to have appended notes or explanatory com- 
ments which will serve to interpret the significance of the 
chart to the reader or executive who will consult it, and which 
will point out to him the important facts displayed by the 
chart. The writing and composing of these explanatory notes 
should be composed by the statistician in charge. These 
explanatory notes should be in the most easily comprehensible 
form. Their composition calls for an extremely practical 
understanding of the point of view of those who will read and 
consult the chart, and requires a return to the language and 
to the non-technical line of thought which will be pursued by 
the layman. 

Reports. — ^Nothing has been said here about the mobilizing 
and assembling of a large number of charts upon one subject 



STEPS JN MAKING CHARTS 


701 


into the form of a single coherent report. This is usually con- 
sidered a matter for the skill and judgment of the statistician 
himself. According, -•however, to so excellent an authority as 
Mr. Charles P. Steinmetz,i there are three kinds of reports, 
and the most complete report generally contains these three 
types within itself. The first is the general report in which 
the final conclusions and significances are summarized briefly, 
the report perhaps taking up about 10 per cent of the entire 
report. It is this part of the report, and often this part only, 
which will be read by many executives, or the average reader. 
In the second part of the report, these conclusions which ap- 
peared in the summary or general report are expanded in 
greater detail to show their bases or foundations and to enable 
the careful reader to delve deeper into individual phases and 
aspects. This second part may contain about 30 per cent of 
the total number of pages in the report. The third part of 
the report is the technical authority and technical detail 
which will be read only by those who are extremely anxious 
to check up upon the work of the compiler, either for the sake 
of repeating or elaborating the investigation, or for the sake 
of detecting errors or confirming the accuracy of the informa- 
tion given. This part may often take up the greater portion 
of the report. 

* Steinmetz, Charles P., Engineering MatheTnatics, McGraw-Hill Book Co, 1917, 
p. 290-29J. 



Appendix C 


METHODS OF PRESENTING CHARTS 

In the main, the charts described in this book have been 
discussed upon the basis of presentation upon ordinary size 
letter paper, that is, paper measuring 8|xll inches. Occa- 
sionally, larger sheets of double this size have been mentioned, 
and in the section on models the need for mounts and con- 
tainers of uniform size has been discussed. The Sfxl 1-inch 
paper is perhaps the most generally convenient because of its 
conforming to standard sizes of office paper and vertical and 
other filing methods. In an office where legal size paper is 
used, it would obviously be better to adopt sheets 8|xl3 
inches as the standard chart size, and on occasion, to use 
sheets of double this dimension. 

In the section on curves, which form the great majority 
of charts, the desirability of positioning the curve in one 
corner of the paper for ready comparison and of leaving large 
margins above and to the left of the chart-fields has been 
explained. The chart-form itself should be carefully designed 
as the one most suitable to the type of chart-work which will 
be done. 

It is of the greatest importance that the “field,” or rulings, 
of the chart-form be in a faint ink, preferably green or gray. 
(The orange and reds are hard on the eyes; the blues will not 
photograph.) When the charts are to be reproduced on a much 
smaller scale, it is well to make all but the more important 
co-ordinates in blue, so that they will not be reproduced. For 
this purpose, blue co-ordinate paper can be used, the co- 
ordinates which should be reproduced being ruled in by hand 
in black ink. 

The usual types of maps are not ordinarily printed upon 
standard sizes of paper, and if a great deal of map-work is to 
be done, it is well to have special maps printed upon regular 
sizes of paper to conform to the rest of the charts in use. Maps 



METHODS OF PRESENTING CHARTS 


703 


on the S^xll-inch paper, often- of inferior quality, can be 
obtained from a few manufacturers of charting materials. 
These are sometimes better than more' elaborate maps, as 
they *re generally only outline maps showing State or county 
boundaries. 

Attempts have been made to establish standard charting 
forms upon cards for card-catalogue filing, small curve- 
charting fields being printed upon 4x6-inch cards’ in one corner 
of the card. The fields are ruled ofiF for amount-of-change 
curves only, with ordinates for 52 weeks, 12 months, and 31 
days, in the usual way for historical curves. The amount of 
data which can be entered upon these card charts is, of course, 
limited and the detail in which the curves are shown is not 
. great. The thickness of the card prevents, to a certain extent, 
the facility of “light analysis.” Some publishers present 
these small charts on thin paper suitable for tracing or “light 
analysis,” as part of a loose-leaf note-book system to be 
carried about in one’s pocket. 

A major problem in graphic presentation arises when the 
charts are to be shown to large audiences. The practice is 
often followed of making the drawings extremely large, say 
three by four feet in size, on heavy paper which can be unrolled 
and pinned against a bulletin board for display. These rolls 
of paper, however, are difficult to carry about and are easily 
.damaged. This is even more true when heavy card-board is 
used, which can not be rolled but must be carried about flat. 
The best advice appears to be to present the chart upon 
tracing cloth, which can be fastened at one end upon a large 
stick of wood and easily rolled or unrolled. Where expense is 
no consideration, the window-shade rollers on which school 
maps are mounted can be used. These are contained in long 
narrow boxes to keep the chart dust-proof, the chart being 
unrolled by pulling the lower end out of the box in the same 
way that a window shade is drawn down. 

Much the best method for the display of charts of large 
size to an audience is by the use of lantern slides and a lantern 
slide projecting machine. These machines can be purchased 
for small sums in a very handy shape, folding up like valises 
and easily portable. The lantern slide can be made by any 
photographer at small cost, from the original chart used in 
the office made in the usual way upon ordinary size paper. 
Where colored areas are shown upon the chart, the same colors 



704 CHARTS AND GRAPHS 

may be shown on the lantern slide, by coloring the slide with 
Japanese transparent photographic colors. This coloring work 
will be done by the photographer according to instruction, or 
according to the original chart which has been photographed. 
Lantern slides are smaller than post-cards and easily carried 
about. Except through breakage, they are not eiasily 
damaged. 

The lantern slide method has more to recommend it in the 
fact that a drawing which will be seen upon the lantern slide 
will easily be visible to the entire audience. Where the very 
large original drawings are used instead of lantern slides, the 
lines in the drawings have to be made very much thicker to 
make them visible, but with lantern slides, the faintest lines, 
if distinctly visible upon the plate, will be clearly projected to 
the entire audience. A safe rule is that whenever the original 
office copy of the chart, from which the lantern slide is made, 
is larger than 8|xll inches, the lines upon it will not be clear 
and definite upon the lantern slide (because of the reduction 
in size) unless the lines are made heavier; but in the case of 
originals up to 8|xll inches, not only will the ordinary 
markings be clear and distinct but the ordinary typewritten 
labels and data will also be visible. 

A very expensive machine has been devised, which is 
useful in large offices for the display of many charts to board 
meetings and other small audiences. It is a projecting ma- 
chine which does not require lantern slides, but which will 
reflect the image of the original chart upon the screen. The 
convenience of this type of machine is, of course, very great, 
as it eliminates the delays and expense of lantern slides, and 
permits the exhibition of any material at a moment’s notice, 
even though the need for such an exhibit had not been fore- 
seen. The machine is, therefore, valuable where a large num- 
ber of charts may be shown and it is not certain beforehand 
which ones will be desired. 

The method par excellence for popular audiences is the 
moving picture film and machine, with the charts shown as 
actually developing and building up. The manufacture of such 
films is not easy and is very expensive, but the results fully 
justify it. Thus, a bar-chart shown in this way would first 
appear merely as a list of items, and then, one by one, the bars 
would appear upon the screen, until the entire chart was as- 
sembled. Such a chart receives careful study and all its parts 



METHODS OF PRESENTING CHHRTS 


705 

are understood, and their significance is grasped by the audience. 
. 1 he reproduction of charts in large numbers involves special 

problems. Where only a few copies are desired, photostating 
is th^ best method. Blue-printing is a more economical 
method But its results are neither so clear nor so attractive. 
By the use of blue-printing, only negatives can be obtained, 
in which black areas appear as white and white areas appear 
as blue. A somewhat similar method is known as the Van 
Dyke process, or black-line and brown-line process. These 
are obtained partly by offset and partly by photographic 
methods, and positives as well as negatives can be secured, 
but the original chart should be upon very translucent, un- 
water-marked paper (best of all, upon tracing cloth) and very 
distinctly and clearly drawn. In these two methods, the 
process is a photographic '^printing-through’' one, the light 
passing through the chart to a sensitized surface. It is 
necessary, therefore, that no extraneous matter be upon the 
reverse side of the chart and that no corrections be made upon 
the chart by overlaying fresh paper or Chinese white. It is 
also desirable that the chart paper be clear, un-water-marked, 
translucent. In these respects, the blue or sepia print, and 
the black-line or brown-line print are unique. As they are 
"printing-through processes,” it is always advantageous, when 
there is typewriting upon the original drawing, to back up the 
sheet with reversed carbon paper, so as to get an additional and 
coinciding imprint of the typewriting upon the reverse side of 
the original. 

The above limitations and precautions do not apply to 
the truly photographic processes, that is, the photostat, the 
photograph, and the photo-engraving. In these, the light is 
reflected back from the surface of the chart to a sensitized 
surface, without passing through the chart. Thick, opaque 
paper can be used, with corrections in Chinese white or on 
special slips of paper pasted over the incorrect parts; also, 
the condition of the back of the chart does not matter. When 
only a few copies are needed, photostating is the best process, 
far more convenient and only slightly more expensive than 
blue-printing. The least expensive course is to get a photo- 
static negative and as many blue-print positives as desired. 
When suflScient copies are desired to make printing advisable 
(that is, printing from metal plate) it is necessary to use either 
the "line-cut” or the "half-tone.” 



7o6 charts and GRAPHS 

The line-cut is the more economical but shows only full 
black and white markings. The half-tone (in which the 
object is photographed through a screen) is a more expensive 
process, giving results with all variations and tints of gt^y as 
well as almost full white and full black. Half-tones are much 
more expensive than line-cuts and require more time in their 
manufacture, but the results, of course, are better when areas 
are shaded with different tints and colors in the original chart. 
The line-cut is sufficient for the ordinary bar-chart or curve- 
chart and can often be given elaborate shadings and cross- 
hatchings by the use of the Ben Day process. 

For all photographic methods, including printing, care 
must be taken in the choice of colors, when colors are used 
upon the original chart, for as has been previously pointed 
out the various colors reproduce differently by photography 
than would be expected from their appearance to the eye, 
and certain shades which appear decidedly different to the 
eye, may be exactly similar to the camera and reproduce alike. 
Red, of course, photographs as black (that is, appears as black 
upon the photographic print), while blue does not photograph 
at all but appears as white upon the photographic print, and 
yellow appears almost black. Thus it will be seen that a scale 
from red to blue arranged in chromatic sequence of colors will, 
to a certain extent, photograph as a natural sequence of grays 
ranging from solid black to white in the photographic print. 

Three other methods of reproduction are in ordinary com- 
mercial usage, the hectograph, the mimeograph, and the 
multigraph. The first two of these can be used satisfactorily 
for the reproduction of charts. In the hectograph, the old- 
fashioned jelly-offset process, special hectograph ink can be 
used in several colors which will simultaneously reproduce, 
the copies appearing somewhat paler than the original but 
reproducing color for color at a single offset. The number of 
copies that can be secured from hectographic offset is, however, 
limited. The best offset processes claim to afford as many as 
SO to 70 copies from a single original, but as a rule 25 to 30 
are all that will be satisfactory. When not more than two or 
three dozen copies are desired, the hectographic process is 
extremely simple and satisfactory in the average office, its 
only requirement being that the special hectographic or copy- 
ing ink or pencil, or typewriter ribbon be used in the making 
of the original chart which is to be copied. 



I^IETHODS OF PRESENTING CHARTS 


707 


The mimeographic process is. essentially a stencilling one, 
the chart being first drawn upon a fine wax or fibre stencil 
and then laid over the drum of an inking and printing machine, 
the ink passing through the cuts in the stencil and printing 
upon paper. The mimeographic process will produce as many 
copies as desired up to several hundred, but is limited, like 
ordinary printing, to one color only, for the color is deter- 
mined by the ink which has been previously placed upon the 
drum of the printing machine. The mimeographic process can 
be conveniently used where mimeographic reproductions are 
already being made of typewritten copy. Its limitations are 
that it shows only one color, and that it is impossible to repro- 
duce solid black areas on the mimeograph. Shading must be 
done by cross-hatching, and extensive cross-hatching is apt 
seriously to damage the mimeograph stencil. Moreover, the 
mimeographic process may prove a dirty one, even for those 
who are experienced with it and certainly for the beginner. 
And it is extremely difficult to adjust the stencils upon the 
printing drum so accurately and so evenly that the reproduc- 
tion will be precise; as a rule, a slight curvature or wrinkling 
of the stencil is observable; this, of course, makes for irregular,, 
curved, or broken lines on the chart when straight lines are 
desired. 

• There is a special instrument known as the mimeoscope 
which is well adapted to the drawing of charts upon mimeo- 
graph stencils. It is also useful in the office as a “light-box” 
for general light analysis. The machine consists of a strong 
electric light under a ground glass (ground to diffuse the light). 
By the use of this machine, charts can be easily traced on 
mimeograph stencils, using the various kinds of mimeograph 
styles provided for the purpose. The mimeograph method is 
adapted to the reproduction of simple charts in one color only, 
without solid areas, and not requiring precise reproduction, 
when the number of copies desired is between 50 and 500; 
for a smaller number of copies, the hectograph processes are 
satisfactory, and for a larger number of copies the printing 
processes are more economical. 

In a few cases where charts are largely prepared upon the 
typewriter, and not more than two, three, or four copies are 
desired, the carbon copy method of reproduction can be used. 
Carbon paper can be obtained in red as well as black, and some- 
times in other colors, and the first two or three carbon copies 



708 CHARTS AND GRAPHS 

are likely to be very good when the paper on which the charts 
are made is not too thick or soft. Sometimes the labelling and 
typing for a number of copies can be done at one operation on 
the typewriter with carbon paper, or in Wo operations when 
different colors of carbon paper must be used (first prititing 
up all of one color and then substituting the other color of 
carbon paper and printing up that). Drafting upon the charts 
must be done on the various copies independently with 
drawing pens in the usual way, making each of the copies 
original so far as the drafting is concerned unless, as in the 
case of bar-charts, the chart can be made with the type- 
writer. Bound carbon sheets (in binders) help to prevent 
shifting of the copies. 

Whenever typewriting is done for charts which are to be 
blue-printed, or photographically copied by direct printing (in 
which case, the light will have to pass through the entire 
chart-paper), it is best to insert a piece of carbon paper behind 
the original chart and print a reverse copy upon the back of 
the paper to add intensity to the typewriting on the chart. 
Only fully inked typewriter ribbon should be used for charts 
.which are to be photographically copied, as it is desirable that 
the printing should be as intense as possible for the best 
photographic results. 



Appendix D 


COLORS IN CHARTS 

A great deal of controversy takes place over the use of 
colors in charts. In a previous appendix we have discussed 
those limitations to the use of colors which arise from the 
needs of specified reproductjion processes. In this appendix 
will be considered the use of colors in cases where no mechani- 
cal limitations are imposed and colors can be judged entirely 
upon their own merits. 

The argument against colors takes the line that the average 
business man is not accustomed to them, and will consider 
more carefully a product in the familiar black and white. 
The colors in this view tend to make the chart ‘^pretty’’ and 
prettiness is rightly to be avoided. Other things being equal,, 
artistic effects are always desirable, but never to the point 
where they attract attention and distract the reader^s mind 
from the message of the chart. 

But even in this view, not all lines need be equally strong 
and it is freely conceded that the co-ordinates of the field of 
a chart should be as light as possible, and, even better than 
in black, ruled or printed in gray ink. For the field is only the 
background, and the lighter shade throws the curve or plotting 
more distinctly into the foreground. And the best practice 
has already gone further and given to the field of a chart 
invariably the color of green. The green should be medium 
light with somewhat more yellow than blue, so that it will 
photograph as well as gray. The advantage of the green is 
that no confusion with black plotting or lettering is possible. 
The rule may be extended to make it universal, even the 
maps to be used in statistical reports being printed in green 
outlines. 

Red is a color to which the accountant is accustomed to 
give a negative significance, and may well be used for con- 
trast with black in curves and map-shadings, wherever it 

709 



710 


CHARTS AND GRAPHS 


applies to opposite data. Thus on a map the red should be 
used for unfavorable conditions, and in curves for costs or 
expenses, and the like. It is one of the^ great advantages of 
the red that the corresponding data (and scales, if any) can 
be typewritten in the same color without difficulty when the 
typewriter is equipped with a bi-color ribbon. Brown, green, 
and blue typewriter ribbons can also be secured, but require 
special shifting of ribbons in the machine. Red and black 
are the main colors used in the charting office. 

Blue is taboo in chart-work and should rarely be used. 
Its least fault is that it is hard on the eyes when used steadily 
in the place of black. Its great fault is that it does not photo- 
graph, and will therefore disappear if the chart is photostated 
or blue-printed or photographed in other ways. In maps it 
may be used for shading to indicate favorable conditions, 
with the understanding that when photographed, these areas 
will be white; in curve work it may be used for lines, or rulings 
which are intended to disappear when photographed, either 
for secrecy or to eliminate details useful only in plotting and 
undesirable in reduced copies. When blue is used to disappear 
.either in ink or typewriting, care should be taken to see that 
it contains no red pigment, as this will defeat the purpose. 
When a great deal of red is present, we have, of course, purple 
—another color which should not be used, as it looks black 
under most artificial light. 

Yellow and green, are little-used colors, but sometimes ' 
serve in curve-work as secondaries to black and red, as for 
example where it is desired to insert “quotas” or comparisons 
in fainter colors, on the same chart with black and red curves. 
These colors are also useful in map work, when areas are 
shaded, as intermediates between the red and blue extremes — 
the best sequence being red, orange, yellow, yellow-green, 
and blue-green. The other colors, brown, pink, and the like, 
are very little used, as they are not so distinctive as the simple 
primary colors. 



Appendix E 


OPTICAL ILLUSIONS IN CHARTS 

Mention has been made of the danger in bar-charts, and 
area-charts, of making one area appear larger than another 
merely through the use of more powerful shading. This 



By permUsion of the publishers of the '*Book of Knowledge/ * 3 H est 45 ih Street, N, Y, City. 

Fig. 498. Optical Illusions. 


applies to colors as well as to the use of various grays and cross- 
hatchings. But there are no hard-and-fast rules as to what 



712 


CHARTS AND GRAPHS 


is a powerful shading, as each*case depends upon the surround- 
ing colors or shades with which it is in contrast. The chart- 
maker must in each case judge carefully »of the effects of his 
shadings, and even if he cannot give equal emphasis tp all 
parts of his chart, at least strive to avoid emphasizing the 
unimportant and slighting the important parts of its message. 

The accompanying illustrations show that, in the parti- 
cular case presented, white is more powerful than black and 
the white square appears larger than the black although the 
black has a border or outline added to it. They also show 
that a line may be made to look longer or shorter by the 
direction of arrows attached to it, that hatchings make the 
same rectangle look wider or narrower according to their 
direction,, and also that bars hatched diagonally may be made 
to appear crooked instead of kraight. These are but a few 
of the minor optical illusions against which the maker of the 
chart should be on guard.